Call for Papers: Gender Identities in Early and Premodern Text Culture

The Early Text Cultures research group based at the University of Oxford invites abstracts for its research seminar in Hilary Term, running from January to March 2022, which will be on ‘Gender Identities in Early and Premodern Text Cultures.’    

As is often recognised, the dominant voices in the premodern world have been men’s voices. Yet textual sources––from the literary to the administrative––are critical to recovering the heterogeneity that in many cases characterised ancient and premodern societies. Women were inspiring muses; but they also expressed themselves in poetry and participated in cultural productions. In some cases, there is ample evidence that they held leading roles in politics and the economy. We invite papers from graduate and early career researchers that give a stage to these voices, as they speak to us from premodern textual cultures. We also welcome proposals that consider the varying intersections between gender and identity, as well as on how gender representation interacted with that of other (potentially) marginalised social groups. Topics include, among others:    

·  Authors and/or texts that represent genders;    

·  How the presence of women’s authorship (factual or attributed) affects the reception of texts;    

·  The role of texts in presenting alternatives to a patriarchal, aristocratic world;  

·  How texts may have acted as instruments to shape normative social views, or to uproot them;  

·  The nexus between gender, marginality and oppression;  

·  The relationship between language and gender;    

·  How texts were read and performed to express genders and social identities.    


Presenters will speak alongside another contributor treating a different early or premodern text culture. They are encouraged to engage with theoretical perspectives and to draw out productive points of comparison with the research of their fellow speaker. These papers will serve as starting points for a discussion with the other participants in each session, which will promote an interdisciplinary and intercultural approach to the material under consideration.    

Please send abstracts of no more than 300 words to earlytextcultures@humanities.ox.ac.uk by Friday 7 January. The seminar will be held in a hybrid form, with Zoom connection complementing a limited on-site presence in Oxford. Speakers and auditors may choose whether to attend in person or online. Persons of all backgrounds are extremely welcome, and women and non-binary academics are highly encouraged to submit papers and attend the seminar.  

Oxford Medieval Graduate Conference 2022

The Oxford Medieval Graduate Conference committee is thrilled to announce that the theme for 2022 will be Medicine and Healing. We look forward to hearing talks from our keynote speakers, Professor Emilie Savage-Smith and Dr Hannah Bower. The conference will be held in person (with limited measures in place for online papers) at Ertegun House, Oxford, on 21 and 22 April. We are pleased to call for papers which relate to all aspects of medicine and healing in Medicine and the medieval world.

Examples of areas of interest include but are not limited to:
o Ecocriticism
o Theology; faith as healing
o Humours
o Plague
o Childbirth
o Veterinary medicine
o Mental health
o Magic and amulets; folklore
and belief
o Manuscripts
o Hagiography
o Gendered approaches
o Technologies of healing

Papers should be a maximum of 20 minutes. We intend to provide bursaries to help with speaker travel costs, and we are welcoming applications from graduate students at any university. Please email abstracts of 250 words to
oxgradconf@gmail.com by 15th January.

Webinar: The Murbach Hymns (MS. Junius 25) – Vernacular Glossing in the Early Middle Ages

This webinar (17th/18th of February 2022) centres around the Murbach hymns, a Latin hymnal with Old High German interlinear glosses from the ninth century, whose manuscript and textual context will be examined, as well as, on a wider scale, the use and function of vernacular language in the early Middle Ages. The manuscript MS. Junius 25 and other glossed manuscripts from the Bodleian Library will be presented and analysed, giving the audience the opportunity to view these valuable objects up close. In three discussion sessions, the materiality of the manuscripts and their content will be set in context with each other, drawing a connection between the object and its use. The focus will initially be on the texts of MS. Junius 25. In further sessions, the use of vernacular language in different cultural contexts and the emergence and function of (vernacular) glosses will be explored.


PROGRAMME
All times are GMT.


Thursday, 17 February 2022


2-3 pm: Meet the Manuscript: MS. Junius 25 and the Murbach Hymnal

MS. Junius 25

  • Prof. Dr Daniela Mairhofer (Princeton)
  • Luise Morawetz (Oxford)
  • Prof. Dr Henrike Lähnemann (Oxford)
  • Dr Matthew Holford (Oxford)

3.45-5 pm: A Textual Analysis of the Manuscript

  • Prof. Dr Michael Stolz (Bern): Marginalien zu MS. Junius 25
  • Dr Elke Krotz (Vienna): The Glossaries Junius A, B and C
  • Dr Matthias Standke (Berlin): Murbacher Hymnar? Begriffs‑ und Überlieferungsgeschichte: Versuch einer Einordnung

9.15 pm: Latin-Old High German Compline in the Crypt of St-Peter-in-the-East. Live streamed via youtube. Booklet with texts.

Friday, 18 February 2022


9-10 am: Vernacular Language in Use

  • Prof. Dr Alderik Blom (Marburg): Two Old Frisian Glosses on the Psalms
  • Dr Helen Gittos (Oxford): Vernacular languages in medieval liturgy

11-12 am: The Practice of Glossing

  • Prof. em. Dr Elvira Glaser (Zurich): The Functionality of Vernacular (Old High German) Glosses
  • Prof. Dr Stephan Müller (Vienna): Alliterations and Abbreviations. How to discover the German language between Latin lines of the Murbach hymns

2-3.30 pm: Meet the Manuscript 2: Consultation of other Glossed Manuscripts from the Bodleian

MS. Auct. F. 1. 16, MS. Rawl. C. 697, MS. Canon. Pat. Lat. 57

  • Prof. Dr Daniela Mairhofer (Princeton)
  • Luise Morawetz (Oxford)
  • Prof. Dr Henrike Lähnemann (Oxford)
  • Dr Matthew Holford (Oxford)

The presentations and papers will be published online before the event. Questions for the speakers can be asked during the sessions or before the event via Twitter (#MurbachHymns) or email (luise.morawetz@mod-langs.ox.ac.uk, reference: Workshop Murbach Hymns). Papers here (password protected; please register here for the event to get access). If you have any questions, please contact Luise Morawetz (via email or Twitter).

In association with the Bodleian Libraries and Oxford Medieval Studies, sponsored by The Oxford Research Centre in the Humanities (TORCH) and the University Council of Modern Languages (UCML).


The first lines of the Murbach hymns (fol. 122v, Oxford, Bodleian Library MS. Junius 25).

Conference and Exhibition on Medieval to Early Modern Anglo-Dutch Relations

CONFERENCE: The Literature and History of Anglo-Dutch Relations, Medieval to Early Modern

 6 January 2022, 1.00 PM – 8 January 2022, 6.00 PM
 Bodleian Library, University of Oxford

Contacts between English and Dutch speakers had a profound impact on the literary landscape and book culture of England and the Low Countries. This conference crosses conventional chronological, linguistic, geographical and disciplinary boundaries to explore the cultural history of relations between English and Dutch speakers, from the Norman Conquest through to the Reformation. Bringing together literary scholars and historians, it aims to join up evidence of literary exchange with new insights into the experiences of migration, conflict, political alliances, and trade that made this literary exchange possible. The conference will reinvigorate traditional approaches to literary influence by contextualising it in the historical conditions that brought speakers of Dutch and English into contact with each other and by taking into account the range of languages (Dutch, English, French, and Latin) in which their communications and literary production in manuscript and early print took shape over this period.

In-person attendance: £35.00

Online attendance: £0.00

Registration required

Full event information

EXHIBITION: North Sea Crossings: Anglo-Dutch Books and the Adventures of Reynard the Fox

3 December 2021–18 April 2022
The Weston Library, Bodleian Libraries, Oxford

North Sea Crossings, a new exhibition at the Bodleian Libraries, will trace the long history of Anglo-Dutch relations. Focusing on the period from the Norman Conquest in 1066 to the Glorious Revolution of 1688, items from the Bodleian Libraries’ collections will illustrate the ways in which these exchanges have shaped literature, book production and institutions such as the Bodleian itself, on either side of the North Sea, inviting visitors to reflect on the way this cultural exchange still impacts British and Dutch societies today.

Free admission, no booking required.

The book accompanying the exhibition, by Sjoerd Levelt and Ad Putter, is now available.

A modern retelling of Reynard the Foxby Anne Louise Avery, based on William Caxton’s 1481 English translation of the Middle Dutch, is also available.

EXHIBITION OPENING EVENT: North Sea Crossings virtual panel

2 December 2021, 5-6.30PM
Online

Join us for a livestream panel discussion to mark the opening of our winter exhibition ​North Sea Crossings: Anglo-Dutch Books and the Adventures of Reynard the Fox. The exhibition tells the story of Anglo-Dutch exchanges through beautiful medieval manuscripts, early prints, maps, animal stories and other treasures from the Bodleian’s collections.

Join our panel discussion which celebrates a special relationship which has lasted over 900 years. Watch our expert panel explore the historical as well as the broader context of Anglo-Dutch relations in politics, art, literature, and modern life.

The discussion will be streamed on this page and on our YouTube channel.

Call for Papers: New Visions of Julian of Norwich

Somerville College, Oxford, 15th and 16th July 2022
Organisers: Antje Chan (Lincoln College, Oxford), Dr Godelinde Gertrude Perk (Somerville, Oxford), Raphaela Rohrhofer (Somerville, Oxford), Alicia Smith (English Faculty, Oxford).


In May 1373, Julian of Norwich (c.1343‒ after 1416) received a series of visions that engage with the mysteries of the divine-human relationship, inspiring the composition of A Vision Showed to a Devout Woman and, decades later, its revision, A Revelation of Love, now recognised as one of the most important texts in the medieval contemplative tradition and Middle English literature. Both have attracted numerous interpretations as visionary as Julian’s work itself, focusing on the significance of anchoritic enclosure, the radical originality of her vernacular theology, the historical and codicological context, as well as potential textual influences. Recent scholarship has explored Julian’s role in the global Middle Ages, her treatment of health, and her ecological poetics. Her texts have also sparked investigations of the role of materiality and provocative encounters between Julian and queer and trans theory.

This international hybrid conference will be the first academic event to focus solely on Julian’s writing, life, contexts, and influence long after her death. It seeks to consider the plurality of approaches towards her work’s interpretation and forge novel pathways of discussing the anchoress both in her own context and in the many scholarly and popular guises of her cultural afterlife. Aimed at established and early-career researchers alike, this interdisciplinary conference will bring together scholars from various disciplines to map out new and emerging dimensions in Julian scholarship. It will interrogate received assumptions and re-evaluate traditional disciplinary methodologies.

In addition to academic work on Julian’s writing, this conference also seeks to reach out of academe in responding to pastoral and contemplative engagement with her texts, particularly in the light of the pandemic. Two roundtables will bring lived religious practices and critical responses into dialogue. Creative explorations will also help invigorate Julian studies. We look forward to hosting Cindy Oswin’s one-woman play “Cell” about the anchorite as an older woman, and to showing a recording of the 2021 Oxford reconstruction of the medieval rite of enclosure held at St. Mary the Virgin, Iffley.


 The opening lecture will be given by Professor Nicholas Watson (Harvard) with responses from Professor Laura Saetveit Miles (Bergen) and Professor Barry Windeatt (Cambridge). Professor Liz Herbert McAvoy (Swansea) will close the conference.

We invite papers from any or multiple disciplines and deploying a wide range of methodologies, focusing on all aspects of Julian’s writing, life, contexts, or afterlife. We especially encourage proposals from graduate students and early-career researchers.

Possible themes include but are not limited to:

  • Emerging approaches to Julian’s texts
  • Illness, health, and disability  
  • Visual and material culture     
  • Queer, genderqueer, and trans theory approaches                                                                   
  • Julian’s wider intellectual and cultural contexts; e.g., Revelation and Vision in the movements of church reform across Europe during and after the western schism, or against the backdrop of continental vernacular literature                                
  • Interdisciplinary approaches to Julian
  • Julian and apocalypse                                                                          
  • Vision and Revelation as literary landmarks in medieval and post-medieval literature
  • Conversations with well and lesser-known vernacular visionaries and theologians in the British Isles, on the Continent, and beyond                                                                          
  • The history of emotions                                                               
  • Life-writing                                                                 
  • Creative engagement with Vision and Revelation: poetic, dramatic, visual arts    
  • Ecological concerns and themes                                                                                      
  • Issues of materiality, space, and embodiment in Vision and Revelation        

We also welcome proposals for contributions to the two roundtables. Potential topics include:

  • Retrieving Julian’s writings to renew contemplative and spiritual practices                        
  • Vision and Revelation and the pandemic moment       
  • Julian as a voice for the voiceless
  • Julian beyond the academy: contemplative practices, popular imagery, political uses

Please submit abstracts (up to 300 words) for a 15-minute paper or 10-minute round table contribution, accompanied by a short biography, to julianofnorwichconference@gmail.com by 1 February 2022.

In light of the pandemic, this conference will be a hybrid event combining in-person and online papers. We plan to stream the in-person papers live where possible for online attendees.

Reduced registration will be offered for postgraduate students and unwaged delegates. In addition, some travel bursaries for postgrads and unwaged delegates may be available.

This conference is part of “Women Making Memories: Liturgy and the Remembering Female Body in Medieval Holy Women’s Texts”, Dr Perk’s MSCA-IF project at the Faculty of Medieval and Modern Languages at the University of Oxford. This project has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 842443.
 
 




Environmental History Working Group


We are organising a couple of informal meetings this term for those interested in studying the past in ways that recognise the interactions and interconnectedness of animals, plants, humans, other beings, and the environment. This will be a space to talk about exciting developments in our field, interdisciplinary conversations, and new ideas and approaches. Discussion will be informal, and we encourage anyone at all interested in these kinds of approaches to come along, regardless of research specialism or presumed existing knowledge. Undergraduates are also welcome, particularly if they are considering a dissertation or further study in this area.

The first meeting will take place at 12.30-2.00pm on 11th November at St Catherine’s College, in Seminar Room 2.2. If you are interested in getting involved, please get in touch with susannah.bain@history.ox.ac.uk and huw.jones@history.ox.ac.uk.

Workshop: Body, Gender, Purity, and Sexual Pleasure: Biblical and Medieval Models

Friday November 19th 13.00-14.30 

Location: St John’s College, New Seminar Room

In medieval Europe, Jews and Christians put some of the same cultural resources (the Hebrew Bible/Old Testament) to different uses. Stereotypes abound here: Judaism is seen to be preoccupied with ritual pollution, Christianity with moral purity; Judaism is anxious about food, but celebrates marital sex. Christianity has fewer food laws, but many more anxieties about sexual activity—and about the body as a potential source of sin. All of these dichotomic assumptions invite renewed critical scrutiny—especially in a comparative framework—and a re-consideration of the biblical directives both cultures were grappling with.  

This workshop brings together expertise from the early, central, and late Middle Ages (respectively, Conrad Leyser, Neta Bodner, and Alice Raw), in conversation with Laura Quick’s expertise in the Hebrew Bible. Participants are invited to read with us to question how the body was treated, even used, as a vehicle for “correct” piety in ways that both differ and intersect across the Middle Ages. 

Spaces are limited to 30 participants; please sign up here: https://forms.gle/n6nvcCC4Us9C7R398

Report on OMS Activities 2020/21

A group of people

Description automatically generated with low confidence
The first meeting of the 2020-2021 Oxford Medieval Studies team, from left to right, top to bottom: Francis Leneghan (Co-Director), Mary Boyle (Mentor for the MSt Programme), Tom Revell (Events Coordinator), Sarah Bridge (Postgraduate Rep), Mark Williams (Director of the Medieval Studies Master Programme), Caroline Batten (Comms Officer and Mentor for the MSt Programme), Scott Moynihan (Postgraduate Rep), Llewelyn Hopwood (Social Media Coordinator), Alexandra Vukovich (Mentor for the MSt Programme), Henrike Lähnemann (Co-Director)

Oxford Medieval Studies has had another hugely productive year, despite – or even partly because of – the pandemic. Following the excellent advice of TORCH’s Nikki Carter, we decided to expand the team to cover different aspects of communication and online events management (see image and the report on the team). Under the stewardship of Caroline Batten as Comms Officer who developed the weekly email into a poetic artform, a whole wassail of postgraduate medievalists pulled the digital strings, commissioned and wrote blog posts, ran conferences, tweeted, recorded roundtables, and in between used every open air medieval venue around Oxford to meet covid-safe in person. A splendid example for this was the ‘Dark Archives 2.0’ conference which kicked off the academic year (read a report by Llewelyn and Tom about their experience in running the conference); Stephen Pink who organised this for Medium Aevum had already in 2019 conceived this as a digital-born conference (http://darkarchiv.es/) so that in September 2020 we were ahead of the learning curve of zoomified academic life. We even dared – and pulled off – a medieval Compline, sung in Latin from five locations around Oxford, including the Norman Crypt of St-Peter-in-the-East, the library church of St Edmund Hall.

The Hilary Term Interdisciplinary Lecture, live streamed via the OMS Youtube channel, was delivered by Prof. William Chester Jordan, as was the reflection by Jim Harris from the Ashmolean on the importance of objects for teaching medieval studies. Together, the videos of the OMS channel attracted several thousand views since its start a year ago. The medieval studies booklets have been downloaded over 1500 times, the weekly newsletter has over 700 subscribers and the twitter feed @OxMedStud is reaching nearly 5,000 followers.

With the new academic year, we are starting to bring back in-person events while continuing with online events for outreach purposes. What definitely will be a live all-sensory event is the second edition of the Medieval Mystery Cycle which is planned for 23 April 2021 and will bring together a dozen different groups of medievalists, performing multi-lingually in various locations around St Edmund Hall. Like 2019, it will be directed by Henrike Lähnemann and Lesley Smith who has also now taken on the role as Co-Director. Also new in the team is Luisa Ostacchini who has taken over the Communications Officer role from Caroline Batten and is making the weekly emails even more colourful with newly captioned snippets from Oxford manuscripts.

Henrike Lähnemann (Modern Languages)

Lesley Smith (History)

Timeline

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A selection of blog posts from the start of the academic year 2020-21: Medieval advice on social distancing, a how-to guide to applying for a PhD and much more

Symposium: English Perceptions of the Material Text 1300-1600

A free, three day online symposium organised by Dr J.R. Mattison and Eleanor Baker, 9th-11th December 2021.

To register, please follow this link and fill in your details:

https://forms.gle/VZFr1qRuw1Xem7z47

If you have any questions, please contact

medieval.text.perceptions@gmail.com 

Follow us @TextMedieval

 

PROGRAMME:

Thursday 9th December:

Making Material Texts                      

8:00am (PCT)/ 10.00am (CDT)/ 4:00pm (GMT)/ 5.00pm (CET)

Making Manuscripts in the Twenty-First Century: Filling the Gaps in Medieval Recipes

Sara Charles (Institute of English Studies, University of London)

Imagining Medieval Colours: Blue Colour Terms in Cambridge, Trinity College, MS O.9.3

Maryann Pierse (Independent Scholar)

Sheepskins and the Law in Early Modern London

Lily Freeman-Jones (Queen Mary, University of London)

*

  Devotion and Material Texts 

  9:15am (PCT)/ 11:15am (CDT)/ 5:15pm (GMT)/ 6:15pm (CET)

  Lomen to tilde wið þe heorte’: Utility and the Idea of the Book in Ancrene Wisse

  Nia Moseley-Roberts (Jesus College, University of Oxford)

  ‘The fourtenth lefe of thys register’: Channelling Devotional Power at Syon Abbey 

  Julia King (University of Bergen)

  William Caxton and the Creation of Fifteenth-Century English Devotional Canon

  Elizabeth Perry (Texas A&M University)

*

  Authors and Material Texts 

  10:30am (PCT)/ 12:30pm (CDT)/ 6:30pm (GMT)/ 7:30pm  (CET)

  Ovid’s ‘Best Line’: Medieval Responses to the Heroides

  Rebecca Menmuir (Queen Mary, University of London)

  Passing the Buke in Late Medieval Dream Poetry: The Case of Gavin   Douglas’s Palice of Honour

  Laurie Atkinson (Durham University)

  The Imagery of Writing in the First Plantagenet Court

  Joyce Coleman (University of Oklahoma)

Friday 10th December:

Buying, Selling, and Owning Material Texts

8:00am (PCT)/ 10.00am (CDT)/ 4:00pm (GMT)/ 5.00pm (CET)

Second-hand Books

Hannah Ryley (Balliol College, University of Oxford)

Shifting Perceptions of the Library in Late Medieval Durham

J.D. Sargan (Durham University)

 Buying and Selling Books Around St Paul’s Cathedral: ‘Be Dishonest, and tell Lies’

  Benjamin King-Cox (Independent Scholar)

*

  Displaying Material Texts

  9:15am (PCT)/ 11:15am (CDT)/ 5:15pm (GMT)/ 6:15pm (CET)

  “I labour upon a Cobwebbe”: Writing on Display in Early Modern England

  Grace Murray (University of York)

  Taking Stock: William Caxton’s Manuscripts and the Idea of English Readership

  Lindsey Jones (Texas A&M University)

  The Material Forms of Lydgate’s Testament

  Niall Summers (Trinity College, University of Oxford)

Saturday 11th December:

Material Texts in Flux             

8:00am (PCT)/ 10.00am (CDT)/ 4:00pm (GMT)/ 5.00pm (CET)

 ‘Bind this to her’: The Use of Material Texts in English Childbirth, 1400-1540

Róisín Donohoe (University of Cambridge)

And som all ther eynke sched,/And som ther bokes rent’: Ripping, Tearing, and Splitting in the Comic Tale Jack and his Stepdame

Hannah Bower (University of Cambridge)

Chaos Under Control: Introduction to the Problematics of the Expression of Chaos in Medieval Manuscripts from England

 Adrienn Orosz (Eötvös Loránd University, Budapest)

*

  Imagining Material Texts

  9:15am (PCT)/ 11:15am (CDT)/ 5:15pm (GMT)/ 6:15pm (CET)

  The Unequal Powers of Speech and Text: English Charms, 1350-1500

  Katherine Storm Hindley (Nanyang Technological University, Singapore)

  Material Evidence, Immaterial Intentions 

  Daniel Wakelin (University of Oxford)

  Imagining the Forbidden Reader

  Alexandra Da Costa (University of Cambridge)

OMS Small Grants MT 2021

The TORCH Oxford Medieval Studies Programme invites applications for small grants to support conferences, workshops, and other forms of collaborative research activity organised by researchers at postgraduate (whether MSt or DPhil) or early-career level from across the Humanities Division at the University of Oxford.

The activity should take place between November 2021 and April 2022. The closing date for applications is Friday of Week 4 of Michaelmas Term 2021.

Grants are normally in the region of £100–250. Recipients will be required to supply a report after the event for the TORCH Medieval Studies blog. Recipients of awards will also be invited to present on their events at the next Medieval Roadshow.

Applicants will be responsible for all administrative aspects of the activity, including formulating the theme and intellectual rationale, devising the format, and, depending on the type of event, inviting speakers and/or issuing a Call for Papers, organising the schedule, and managing the budget, promotion and advertising. Some administrative and organisational support may be available through TORCH subject to availability.

Applications should be submitted to  lesley.smith@history.ox.ac.uk  using the grant application form. Applications submitted in other formats or after the deadline will not be considered.

Informal enquiries may be directed to lesley.smith@history.ox.ac.uk

The Oxford Medieval Studies Programme is sponsored by The Oxford Research Centre in the Humanities (TORCH).

NB: Given COVID-19, we will also consider applications for online or virtual projects, e.g., costs of hosting and/or designing a website, digital recording equipment, purchasing image rights and digitisation.

For more medieval matters from Oxford, have a look at the website of the Oxford Medieval Studies TORCH Programme and the OMS blog!