Workshop on Late Medieval German Drama

When: 2 May 2026, 11:30-16:45
Where: Taylor Institution Library, Room 2

Organisers: Henrike Lähnemann, Monty Powell, Carlos Rodríguez Otero, Sharang Sharma

A group of Oxford medievalists is currently working on an edition of the liturgical music for the Frankfurt Passion Play which was left unfinished by the late Peter Macardle (Die liturgischen Gesänge der Frankfurter Dirigierrolle und des Frankfurter Passionsspiels, under contract with Open Book Publishers). As part of the launch, planned for autumn 2026, they intent to perform an extract of the Mary Magdalen scenes from the play in a new dramatic English translation. The workshop on 2 May is meant to help prepare this performance by creating an English verse version and testing the musical transcription (with musicologist Margot Fassler as guest of honour).

Everybody is invited to the workshops who is interested in creative dramatic translation, or pre-modern German, or liturgical music, or an intersection of these. Please register your interest with one of the organisers at St Edmund Hall, Henrike Lähnemann or Carlos Rodríguez Otero.

Play Manuscripts

List of musical sources used for reconstructing the musical chant, all Frankfurt University Library

  • Sequentiary (Frankfurter Sequentiar): Ms. Barth. 49 (Bartholomäusstift, mid-15th cent.)
  • Anti­pho­ners: Ms. Lat. qu. 48 (Bartholomäusstift, mid-15th cent.) and Ms. Barth. 94 (Bartholomäusstift, mid-15th cent.)Frankfurt UB lat. qu. 48 / Barth. 94 (Bartholomäusstift, mid 15th cent.)
  • Graduals (archdiocese of Mainz, ‘Moguntinum’): Ms. lat. qu. 44 (Bartholomäusstift, 2nd ¼ 15th cent.), Ms. Leonh. 13 (c. 1525 from St Leonhard)
From the presentation for the workshop day Cambridge 25 April 2026 on Liturgical Chant

Harrowing of Hell Cast Call

The Harrowing of Hell.26 is an experimental and abstract piece inspired by medieval mystery plays. It depicts Christ’s descent into Hell after his crucifixion, where he confronts Satan to free the righteous souls (Adam, Eve, the patriarchs, and the prophets) held captive for millennia. The one Satan believed he had defeated returns to break down the gates of Hell. The characters oscillate between anguish and hope as they await redemption.

About the director: Méryl Vourch is an Oxford Visiting Student at Merton College. She has worked as an assistant director with Laurent Delvert and Denis Podalydès at the Opéra de Lille (Gounod’s Faust, May 2025), and assisted Caroline Staunton (Don Giovanni, Opéra Bastille, 2023) and Mariame Clément (Don Giovanni, Glyndebourne Festival, 2023). As a director, she has staged three productions in Paris: Hamlet, Alice in Wonderland (Théâtre Nicole Loraux, 2024–2025), and Mamma Mia! (MPAA, 2025).

We will be performing our play in week 6 (2 to 6 June) at the Burton Taylor Studio, from 9:30 to 10:30pm and in week 7 (9 to 11 June, tbc) in the crypt of St-Peter-in-the-East (St Edmund Hall), from 8 to 9pm. We are still missing three roles (Adam, Eve, and a demon; all backgrounds welcome, aged 18+). There were auditions on 25/26 April, but anyone who was unavailable is very welcome to contact the director by email for further information.

Roles Available

  • One demon (one of two): part of a grotesque and comic duo—agents of chaos, both cruel and ridiculous, frustrated by their condition.
  • Adam and Eve: a bourgeois couple frozen in time, marked by long waiting, repetitive gestures, and a certain passivity

All roles include some choreographed scenes (minimal movement required).

Auditions

Please prepare a monologue of your choice (2–5 minutes) and an extract from the audition pack for your chosen role. Contact : meryl.vourch@merton.ox.ac.uk if you are interested or have any questions! If the audition dates have already passed but you are still interested, you are very welcome to contact us.

Forgotten Libraries

Lost, dispersed, and marginalised manuscript collections

Provisional programme – for updates refer to the blog of the Centre for Manuscript and Text Cultures. For more information: clement.salah@queens.ox.ac.uk or shaahin.pishbin@queens.ox.ac.uk

Day 1: Tuesday 16 June: The Making and Unmaking of Libraries

Memorial Room, The Queen’s College, Oxford

9:00 Welcome
9:15–9:30 Shaahin Pishbin & Clément Salah, “Introduction to Forgotten Libraries”
Session 1: Reconstructing Dispersed Libraries
9:30–10:00 Henrike Lähnemann, “Superfluous precious objects: Reconstructing the
manuscript production of the Medingen nuns”
10:00–10:30 Nour Obeid, “Writers’ Libraries as Houses of Trouble: Fragmentation and
Reconstruction in the Arab Region”
10:30–11:00 James White, “The Hyperlinked Manuscript: Reading and Bibliography in
Seventeenth-Century Iran”
11:00–11:30 Coffee Break
Session 2: Endowment, Community, and the Formation of Libraries
11:30–12:00 Judith Olszowy-Schlanger, “Endowment practices and the formation of Jewish
libraries in the Islamicate world”
12:00–12:30 Ronny Vollandt, “Karaite library in Jerusalem”
12:30–14:00 Lunch
Session 3: Displacement, Empire, and Reconfigured Collections
14:00–14:30 Hallie Swanson, “Between Royal Collection and Oriental Repository: The
Forgotten Library of Fort William College”
14:30–15:00 Gulguncha Lalbekova, “Imperial Legacies and Displaced Heritage: The Case
Study of Badakhshani Ismaili Manuscripts in Russian State Archives”
15:00–15:30 Coffee Break
Session 4: Marginalised Traditions and Hidden Repositories
15:30–16:00 Balasubramanyam Chandramohan, “Forgotten Manuscripts: Lost, Dispersed
and Marginalised Manuscripts- a case study of Tamil and Telugu Palm leaf
Manuscripts”
16:00–16:30 Udaya Cabral, “Hidden Knowledge Hubs: Recovering the Neglected Palm-Leaf
Manuscript Collections of Sri Lankan Monastic Libraries”
19:00 Dinner at Queen’s

Day 2: Wednesday 17 June: Tracing and Reconstructing Forgotten Collections

Taylorian Room 2, Taylor Institution, Oxford

Session 5: Tracing Lost Collections Through Fragments and Objects
9:00–9:30 Zoe Screti, “Finding Life in Fragments: The Obfuscation of Autograph Albums
in Archive Catalogues”
9:30–10:00 Holly Smith, “The Fragile Fates of Medieval Music Manuscripts – A Story of
Preservation and Loss”
10:00–10:30 Ana Dias & Julia Smith, “‘The chest of anonymous relics’: Reconstructing the
earliest relic collection of Sens cathedral (France)”
10:30–11:00 Coffee Break
Session 6: Catalogues, Data, and the Production of Invisibility
11:00–11:30 Matt Lampitt, “(Un)Mapping the March: Lost Books, Ghost Data”
11:30–12:00 Sian Witherden, “Defining ‘Rejected’ and ‘Unidentified’ provenance in
Medieval Libraries of Great Britain”
12:00–12:30 Maeve Hagerty, “Valued at nothing’: Unsettling the (Post)Colonial Archival
History of the Danson Erotica Collection”
12:30–14:00 Lunch
Session 7: Libraries Without Shelves: Singular Objects and Dispersed Worlds
14:00–14:30 Elisian Ralli, “A lost library by design: ‘Bibliophilie créatrice’ and the
reinvention of the modern manuscript”
14:30–15:00 Thea Gomelauri, “Forced Migration of Rustaveli’s Epic Poem: Bodleian
Library MS. Wardrop d.27”
15:00–15:30 Coffee Break
15:30–16:30 Roundtable: What is a Library When It Disappears?
17:00–18:00 Drink reception at Queen’s

Events at Iffley Church

Living Stones is looking for volunteers of any age, background or beliefs. Living Stones is the heritage and educational arm of St Mary’s, the church at the heart of Iffley village, Rose Hill and Donnington. Volunteers welcome visitors to the church. They also run activities, events and talks on its history and architecture. They welcome visitors to the church on Sunday afternoons from Easter to October.

Events 2026 Drawing Iffley Church

Spend a day looking at and drawing Iffley Church with local artist and teacher, MICAH HAYNS

Saturday 16 May 2026 10.30-5.00pm St Mary’s Church OX4 4EJ

Iffley Church is an outstanding Romanesque building. It stands in a unique historic landscape

  • all materials supplied
  • live demonstration and feedback
  • For amateurs aged 16+
  • Limited numbers
  • BOOK NOW! Ticket sales open!

The session starts in the Church Hall, Church Way, Iffley OX4 4EG. Bring your own lunch. Or visit nearby pub, The Prince of Wales, 73 Church Way, Iffley, Oxford OX4 4EF 01865 586379  https://www.princeofwalesiffley.co.uk/

 Living Stones will provide free hot and cold drinks throughout the day.

All materials will be provided, but you are welcome to bring your own sketching stool, sketch book, or anything you are working on if you wish.

The day will run as part of East Oxford Art Weeks. Some of Micah’s work will be exhibited in the Church Hall throughout the day. 

Work by participants will join the exhibition at the end of the day after which participants may take their work home.

MORE INFORMATION and BOOKING FORM

https://www.eventbrite.co.uk/e/drawing-iffley-church-tickets-1981794010233?aff=oddtdtcreator

Events 2025

SATURDAY 10 MAY 10.00-4.30 – Drawing Iffley Church, day-school with artist Micah Hayns.

SATURDAY 17 MAY 11.00-7.15 – Day of chant in celebration of St Dunstan, patron saint of bellringers and music. The day ends with a special service in the church sung to music composed by St Dunstan and first written down in the 12th century.

SUNDAY 7 SEPTEMBER – Patronal Festival for St Mary the Virgin, picnic and family fun.

A Multilingual Moses Play

Moses. The ‘Exagoge’ of Ezekiel. ‘Moses and the Shepherd’ by Rumi

Friday, May 8, 2026 – 18:30: Ioannou Centre, 66 St Giles
Sunday, May 10 – 12.30: Iffley Church Hall
Monday, May 11 – 6pm: Wolfson College Buttery

David Wiles directs a production of the extant fragments of a tragedy written in Alexandria in the second century BC.  Drawn from the Book of Exodus, the story tells of the Hebrews’ escape from Egypt.  The play was written by a Jew, and is the first extant dramatization of a biblical text. 

The performance will mostly be given in ancient Greek, with the opening scene played in English.  The project follows on from Hrosvita’s Martyrdom of the Three Virgins performed in Latin in 2025, and prior to that Seneca’s Octavia in a Renaissance translation.  

The cast are a mix of students and seniors. The production style will be choral, using movement to illustrate narrative passages such as the burning bush and the crossing of the Red Sea – so fluent knowledge of ancient Greek will not be required.  

The first performance is in the Classics Centre in St Giles at 6.30 on Friday May 8, sponsored by the APGRD https://www.apgrd.ox.ac.uk/events.  The second is in Iffley Church Hall at 12 noon on Sunday, May 10.  The third is in Wolfson College Buttery at 6.00 on Monday, May 11, sponsored by the Ancient World Research Cluster.  The performance should last for about 35 minutes, and we will have a brief Q&A afterwards. The APGRD and AWRC are both kindly providing wine.

Medieval Germanists Gathering (GBOFFL 2026)

“meister, phiff uff, lasz vns springen.” – Maria Magdalena, Frankfurter Passionsspiel 8b (ll. 698–743)

Enough rays to make functional the St Edmund Hall sundial; yellow, orange, and burgundy tulips; the four-note blast of that iconic hunting horn: these signs heralded the beginning of the three-day GBOFFL Conference of medieval Germanists one late afternoon in April.

The GBOFFL participants — from universities whose cities make up the abbreviated title, i.e. Geneva, Bern, Oxford, Freiburg (im Breisgau), Freiburg (im Üechtland), and Lausanne — kicked off the conference with a gathering in the cosy, climate-controlled Old Library of Teddy Hall, where they noshed anise cake and perused materials from the Hall’s collection, including a pamphlet on St Edmund and a Monty Python-themed cardboard catapult.

GBOFFL participants engage with the Teddy Hall collections (Photograph: Giovanna Truong)

After the reception, and with the rare books safely stowed, the participants poured tea and coffee and partook in analyzing and performing the Passionsspiel, in particular scenes from the Frankfurt and Alsfeld versions which are being prepared for an edition focussing on the life of Mary Magdalen — more on this during a workshop on medieval German drama on 2 May!

With their dramatic prowess soundly proven, the Germanists poured into the Wadham Room of The King’s Arms for a celebratory pint, each looking forward to the schedule of lectures and workshops in the days to come.

Gebofel in the Schweizerisches Idiotikon

The ninth of April saw a slate of four lectures by graduate scholars Monty Powell, Luke Cooper, Jasmin Eggel, and Felix Stürz. Each prepared a 30–40-minute presentation and fielded questions for the remainder of the given hour. Lively discussions ensued, on the voice of God, on magical poets, on video games, and on many further interesting topics, that are too many to elaborate here (,der zu vil zu schreiben wer’). A surprise lecture was given by Cornelia Herberichs on the etymology of the word GBOFFL, which proved not just to be an acronym, but a Swiss German description of a spirited (if labour-intensive) gathering.

After lunch, doctoral student Giovanna Truong (that’s me) led a workshop on letterpress printing (and early Yiddish typography) in which the GBOFFL participants learned to set their own names in lead type. With the expertise of Richard Lawrence, the Bodleian Bibliographical Press’s master printer, the students and faculty were able to print the list of names on a card alongside a linocut image of a peacock under a GBOFFL banner (designed and produced by yours truly with materials and assistance from Henrike Lähnemann). Some participants also printed t-shirts bearing the unofficial logo.

The card lists the names of workshop participants and bears a description in Yiddish: “דאָס קאַרטל איז געדרוקט געװאָרן אין אָקספֿאָרד אויפֿן גבאָפֿפֿל” — “This card was printed in Oxford at the GBOFFL.”

The day ended with a candlelit vegetarian dinner in the St Edmund Hall Old Dining Hall, where joyous chatter could be heard until twilight. Some of the merry group migrated to the Hall’s Crypt, where gowned Oxford scholars sang Compline in Latin and Middle High German around an Easter candle. The evening ended after sundown with the sung prayers of Havdalah, marking the end of the Jewish Passover holiday.

GBOFFL Schola in the Norman crypt of St-Peter-in-the-East, the library church of St Edmund Hall

The GBOFFLers returned the next day to Teddy’s Doctorow Hall for an enlivening of the senses — an early lecture by Susanne Finkel on visual poetics in Partonopier and Meliur works. The schedule called for a trip to the Weston Library for the weekly Coffee Morning, this week led by Philine Armbruster, Lucian Shepherd, and Henrike Lähnemann on the topic of manuscript fragments (and, as usual, including a few minutes for gazing at the dreaming spires from the roof terrace).

Welcome to the Coffee Morning by Chris Fletcher

Manuscripts and Books shown:

  1. Otto von Passau ‚24 Alte‘: MS. Germ. b. 3, fols 2-3, ed. here https://editions.mml.ox.ac.uk/editions/otto-von-passau/);
  • Douce 212 Die vierundczweinczig Altē. od’ d’ guldin tron, GW M28503 AugsburgAnton Sorg, 10.III.1480. 2° Letter by Wieland Schmidt, Die vierundzwanzig alten Ottos von Passau, Palaestra, 212 (Leipzig, 1938), 231-2 no. 1; See VL VII 229-34. Augsburg: Anton Sorg, 10 Mar. 1480. Folio. Wanting gathering [*] containing the register, sheet [05.6], and gathering [x]
  • Boec des gulden throēs of der xxiiij. ouden 1484[X.25] | herlem [J. Bellaert] | (fol.) Auct. 6 Q 5.23 GW M28517 Provenance: Haarlem, Netherlands, Franciscan Tertiary Nuns, S. Anna; inscription on r9r: Dit boec hoert toe den susteren van sinte Marien conuent binnen Haerlem in sinte Jans straet ende heeft ghege[n]en pieternel dirck der Ende marijtgen maertens der onse susteren tot een testement’. Purchased from Asher & Co. for £2.15.0; see Library Bills (1851-5), 77; Books Purchased (1853), 65. O-036 in Bod-Inc
  • Die vier und zweintzig Alten. Auffs new gebessert. Vet. D1 c.426, Dillingen: Sebald Meier 1568

2. Der Heiligen Leben

Fragments which were previously bound with the Der Heiligen Leben fragments

  • MS. Eng. hist. c. 36: summary catalogue, p. 865: was part of a series of unreferenced fragments &c. arranged as Palæographical Specimens, which was broken up in 1895. Now MS. Eng. hist. c. 36.
    1) a cardinal’s hat sent to Woolsey by the pope 15 Nov 1515, backed by the Bodleian (?) conservations; this presumably refers to the Cardinal’s hat still held at Christ Church https://www.chch.ox.ac.uk/news/cardinal-wolseys-hat-ipswich
    2) etc. mainly early modern letters, some 19th cent
    75, 76) list with specimen announcing and recouncing German-Turkish war

Rebecca Schleuß / Henrike Lähnemann: Regelhandschriften

Fun with Fragments manuscript presentation
The GBOFFL participants enjoyed exclusive views of Oxford.

The GBOFFL participants were allowed to stay for an extra hour-long manuscript workshop session with the aforementioned presenters plus Rebecca Schleuss, who showed off manuscripts of nuns’ regulations.

Rebecca Schleuß presenting manuscripts with monastic rules

After a lunch out on the town, the digestively sated but intellectually ravenous scholars rounded out the programme with two lectures, by Julie Dietsche and Hannah Free, which drew connections between printed works and manuscripts, and truth, fiction, and fanfiction, respectively. Their energetic presentations were the exclamation point at the end of a packed couple of days.

The group parted under sunny skies, promising to carry the warm, convivial, erudite spirit of the conference to next year’s gathering in Freiburg, Switzerland. Until then — zayt gezunt (be well)!

Medieval Matters – Vac

The OMS emails will be put on brief pause over the vac, although the blog will be continually updated with new events. Please see below a number of important opportunities and reminders before term starts. Of particular note to those interested in early medieval England (and who amongst us doesnt fall into that category) is the British Library’s upcoming PhD placement on the Norman Conquest. Applications are open for three PhD placements which will support the development of our upcoming major exhibition on the Norman Conquest, marking the 1,000th anniversary of the birth of William the Conqueror. Apply by Monday 6 April 2026. Apply by Monday 6 April 2026.

Texts in transition

A workshop on editing texts from medieval Britain

The Early English Text Society for graduate students and early career scholars.

Featuring: Richard Dance, Ralph Hanna, Kathryn Lowe, William Marx, Ad Putter, and Susan Irvine.

St Hilda’s College, Oxford

11.00 a.m. – 5.00 p.m.

Saturday 18 April 2026.

£20 for members of the EETS,

£34 for non-members.

Lunch and refreshments will be provided free

For registration or membership of the EETS, contact Dr Daniel Orton at eets@ell.ox.ac.uk

It is possible to obtain the members’ discount by joining at the time of registration. Website EETS

Peterborough Chronicle, first page

Conference: New Directions in Old English Prose

University of Oxford – 30 March 2026

L1 Lecture Theatre 10.300 Stephen A. Schwarzman Centre for the Humanities, Radcliffe Observatory Quarter, Woodstock Road, Oxford, OX2 6GG, Faculty of English Language and Literature, University of Oxford

Registration is now closed for this event, which is sold out.

Day 1: 30th March 2026

08.30–9.00: Welcome and Registration

09.00–10.30: Session 1: Early Prose (chair: Tom Revell)

Samuel Cardwell (University of Nottingham), ‘The Earliest English Sentence? Old Northumbrian psalm glosses in MS Pal. Lat. 68

Maura McKeown (University of Oxford), ‘The Four Senses of Scripture and the Vespasian Psalter Glosses

Emily Kesling (University of Bergen), ‘The Old English Exhortation to Prayer and the “Mercian Prefacing Tradition”

10.30–11.00: Tea and coffee break

11.00–12.00: Session 2: Putting Prose in its Place (chair: Helen Appleton)

Christine Rauer (University of St Andrews),  ‘Assigning Mercian Texts to Places and Individuals

Tristan Major (Pontifical Institute of Mediaeval Studies), ‘Old English Prose at Winchester, c. 940–c. 1100

12.00–12.15: Comfort break

12.15–13.00: Keynote 1 (chair: Francis Leneghan): 

John Hines (University of Cardiff), ‘Syntax, Style and Semiotics: How Anglo-Saxon Inscriptions help to frame and define Old English Prose

13.00–14.00: Lunch break [sandwich lunch provided] 

14.00–15.30: Session 3: New Contexts for Alfredian Prose (chair: Amy Faulkner)

Nagore Palomares (University of the Basque Country), ‘Weaving the Vernacular: Tracing Frankish Influences in Old English Texts

Alice Jorgensen (Trinity College Dublin),  ‘Gesceadwisnes in the Alfredian Prose Translations

Eleni Ponirakis (University of Nottingham/UCL/University of Oxford),  ‘Swa swa leof on treowum: Eriugena and the Alfredian Solioquies

15.30–16.00: Tea and coffee break 

16.00–17.30: Session 4: Repurposing Prose (chair: Jasmine Jones)

Courtnay Konshuh (University of Calgary),  ‘Missing Ealdormen: Editing Chronicle Prose

Claudio Cataldi (University of Palermo),  ‘Rewriting Christianisation in King Edgar’s Establishment of the Monasteries

Gabriele Cocco (University of Bergamo),  ‘From Cloak to Allegory: Christian Adaptations in the Old English Apollonius of Tyre

17.30–17.45: Comfort break

17.45–18.30: Keynote 2 (chair: Niamh Kehoe):

Luisa Ostacchini (University of Oxford), ‘Thinking Global, Acting Local: The Old English Martyrology’s Worldview and Mercian Prose Composition

18.30: Drinks Reception and Book Celebration

20.00: Conference Dinner

Day 2: 31st March

09.00–10.30: Session 5: Prose beyond the Pulpit (chair: Francis Leneghan)

Stefan Jurasinski (SUNY Brockport), ‘Beyond Wulfstan: The Homiletic Element in Old English Legislation

Anine Englund (University of Oxford), ‘Revisiting the Old English Soul-and-Body Homilies

Elaine Treharne (Stanford University), ‘Women Readers (and Writers?) of Old English Prose

10.30–11.00: Tea and coffee break

11.00–12.00: Session 6: Inclusion and Exclusion, Then and Now (chair: Hannah Bailey)

Juliet Mullins (University College Dublin), ‘Ignored and Obscured: “Behind the Scenes” of Ælfric´s Lives of Saints

Rebecca Stephenson (University College Dublin), ‘Weeding out the Danes: An examination of gardening metaphors in Latin and Old English prose texts describing Viking attacks and/or religious conversions

12.00–12.15: Comfort break

12.15–13.00: Keynote 3 (chair: Amy Faulkner):

Daniel Anlezark (University of Sydney),  ‘West Saxon Prose from Alfred to Ælfric

13.00–14.00: Lunch break [sandwich lunch provided] 

14.00–15.30: Session 7: Wulfstan’s Style (chair: Rachel A. Burns)

Winfried Rudolf (University of Göttingen), ‘Wulfstan’s Autograph Homily on Baptism and Its Echoes

James Titterington (University of Oxford), ‘Prose in Progress: Tracing Wulfstan’s Intellectual Development through Autograph Evidence

Thomas A. Bredehoft (Chancery Hill Books), ‘Wulfstan’s Prose

15.30–16.00: Tea and coffee break

16.00–17.30: Session 8: Saints and Sinners (chair: Niamh Kehoe)

Claudia Di Sciacca (University of Udine),  ‘Gūþ-Lāc vs Se Ealda Fēond? New Directions in the Demonology and Angelology of Gulthlac’s Old English Prose Tradition

Susan Irvine (University College London), ‘The Bridge as a Penitential Motif in Old English Prose

Corinne Clark (University of Oxford), ‘Fashioning fragmentation in the Corpus Christi MS 303 Life of St. Margaret

17.30: Close

Organising committee: Helen Appleton (Oxford), Rachel A. Burns (Oxford), Amy Faulkner (UCL), Niamh Kehoe (Oxford), Francis Leneghan (Oxford)

Contact: Francis Leneghan

Header image: Peterborough Chronicle

500 Years of Yiddish Printing: Symposium

4–6 October 2026 | University of Oxford, Oxford, UK


In celebration of the quincentenary of the first Yiddish printing (the 1526/7 Agode of Gershom ben Salomon Kohen of Prague), please join us at the University of Oxford on the 4th–6th of October for a symposium on Yiddish printing, broadly defined.

Papers and workshops will be on the topics of Yiddish printing (letterpress & otherwise), book & publishing history, type design & production, printed images, orthography & linguistics of the printed word, &c. Other topics are included as they relate to Yiddish printing history and practice.

The deadline for submissions of abstracts for papers (~20 minutes) and workshops has now passed. Any inquiries (or late submissions, within reason) may be submitted to Giovanna Truong.

A link for conference registration will be released on this page. Stay tuned!

Conference Programme:

  • Rare Yiddish Book Viewing (Weston Library) (Time TBA)
  • Hands-On Print Workshop (Time TBA)