The Oxford Medieval Manuscripts Group

By Mathilde Mioche

The Oxford Medieval Manuscripts Group (OMMG) is a collective of eight postgraduate students and early-career researchers who bonded in Oxford over their passion for medieval manuscripts. We host a seminar series through which we hope to gather a community of emerging scholars, from the University of Oxford and beyond, around the study of medieval books and the art of illumination.

Starting in Hilary Term 2024, OMMG seminars will take place twice monthly on Friday afternoons. We will discuss the most exciting recent research; share our own projects and ideas in a supportive environment; learn from lectures and tutorials given by experienced colleagues; and examine medieval manuscripts together during library visits.

By promoting exchange between scholars with diverse specialisms and different levels of experience, OMMG aims to turn the study of medieval books and illuminations into a more collaborative pursuit. We know that working with manuscripts is often a solitary business, where knowledge is acquired over silent and cautious one-on-one meetings with a delicate object. We want to share the wonder we experience before the material, visual and textual complexity of illuminated codices, as well as the interrogations or frustrations we have as we encounter obstacles in our research. The OMMG seminar series will provide manuscript enthusiasts with a stimulating platform for learning practical and analytical skills from peers as well as experts. We would love you to join us!

To subscribe to our mailing list, participate in library visits, propose a presentation of your research for work-in-progress meetings, or submit any queries, please write to: Elena Lichmanova.

Programme for MT 2024 (Fridays, 5pm, Merton College)

Week 1 (18 Oct, 3pm, Weston Library)  Andrew Honey | Bodleian Library: Cataloguing Medieval Bookbindings at the Bodleian: Manuscripts from Reading Abbey as a case study. Limited places, write to the email below by 16/10/2024 

Week 3                       Work in Progress Meeting Hawkins Room
1 November               
We are still accepting applications. If you would like to present your work in progress and receive our feedback, write to the email above by 28/10/2024

Week 4                       Reading Group: Audience and the Senses
8 November               K. Rudy, ‘Introduction’, Touching Parchment: How Medieval
ONLINE                       Users Rubbed, Handled, and Kissed Their Manuscripts (vol. 2, 2024)
Write to the email    E. Duffy, ‘Ch. 1. A Book for Lay People’, Marking the Hours: 
above to join             English People and Their Prayers, 1240-1570 (2008)

Week 5                       The New College Library Visit
15 November            Study and Discussion of Illuminated Manuscripts
                                   
Limited places, write to the email above by 8/11/2024

Week 7                       Eleanor Jackson | British Library
29 November            Medieval Women in Their Own Words: 
Mure Room                Curating the British Library Exhibition 

Week 9                       Bonus: Casual trip to see the ‘Medieval Women in Their 
14 December             Own Words’ exhibition at the British Library together
Saturday noon           
Write to the email above to join

About Us

Irina Boeru is a third-year DPhil student with a background in Medieval and Modern Languages and Medieval Studies. Her research analyses travel narratives in French and Latin illuminated manuscripts, specifically chronicles of the fifteenth-century conquest of the Canary Islands.

Fergus Bovill graduated with a BA in History of Art from the University of York. He is currently pursuing an MSt in Medieval Studies, with a dissertation on the assemblage of medieval manuscript cuttings into albums by nineteenth-century bibliophiles and connoisseurs.

Charly Driscoll completed an MSc in Book History and Material Culture at the University of Edinburgh and is now studying for a DPhil in Medieval English. Her project investigates how the material features of medieval manuscripts reveal their individual histories.

Elena Lichmanova is a third-year DPhil student with a background in History of Art and Medieval Studies. Her research examines the origins and early history of marginalia in medieval manuscripts, focusing on illuminated English Psalters of the thirteenth century.

Mathilde Mioche completed an MSt in History of Art and Visual Culture with a dissertation on illuminated Insular Gospels. She is currently preparing a doctoral project on the formal and medial mutations of the Dance of Death since its emergence in the fifteenth century.

Ana de Oliveira Dias is a historian of early medieval visual and intellectual culture with a specialisation in manuscript studies. She received a PhD in Medieval History from Durham University in 2019 and is now a Postdoctoral Research Associate in the project Crafting Documents, c. 500—c. 800 CE at the University of Oxford.

Celeste Pan is a third-year DPhil student with a background in English and Medieval Studies. Her research considers the production of illuminated Hebrew manuscripts in medieval northern Europe, specifically a group of liturgical Bibles from the Rheno-Mosan region.

Klara Zhao is a first-year MPhil student in Egyptology preparing a dissertation inspired by Umberto Eco’s Infinity of Lists. She developed a special interest in medieval French poetry during her BA in French and Linguistics, which she continues to nurture.

Image: Saint Augustine teaching. Paris, Bibl. Mazarine, MS 616, fol. 1r.

Palaeography Offers in Michaelmas 24

There are a number of palaeography offers available for anybody interested in Oxford happening in Michaelmas 2024, coordinated by Dr Laure Miolo, Lyell Career Development Fellow in Latin Palaeography and Dilts Fellow at Lincoln College, historian of late medieval Europe, specialising in manuscript studies and history of early libraries with a special focus on scientific books and practices. Contact her for  any of the below under laure.miolo@history.ox.ac.uk.

Header Image: Lincoln College/EL/OAS/D1

  1. French Palaeography Manuscript Reading Group, Mo 10.30-12
  2. Exploring Medieval Oxford through Lincoln & Magdalen Archives, Fr 2-3pm
  3. Latin Palaeography Manuscript Reading Group, Tue 2-3.30pm

1. French Palaeography Manuscript Reading Group

This group is open to anyone with an interest in Old French, Middle French and Anglo-Norman manuscripts. We study and read manuscripts from the 12th century to the 16th century with a special focus on palaeography. We meet every Monday between 10.30am-12pm in the Weston Library. 

If you are interested in joining the group or would like more information, please write to Laure Miolo.

Oxford, St John’s College MS 164, fol. 1r

2. Exploring Medieval Oxford through Lincoln & Magdalen Archives

Every Friday 2-3pm from week 2, Seminar Room 1, EPA Centre, Museum Road, OX1 3PX

Following the focus on medieval documents from Lincoln College last year, the seminar will now also include documents from Magdalen College in collaboration with Richard Allen (Magdalen College’s archivist). Both Colleges holds an outstanding collection of archives predating the Colleges’ respective foundations. A part of those documents relates to several parishes of Oxford, such as All Saints, St Michael’s at the Northgate and others. 

This weekly one-hour seminar aims to investigate these unpublished documents, mostly deeds, dating back to the thirteenth and fourteenth centuries, that bear witness to everyday life in Oxford at the time. Anyone interested in analysing primary sources and conducting a comprehensive examination of the documents are welcome to attend. Working in pairs on a self-selected source, the research will entail the examination of the record’s external characteristics (such as writing surface, layout, marks of use) as well as transcription, translation, and identification of locations and individuals mentioned in the records to establish a context. Special importance will be given to the seals attached to these documents. 

As well as collaborating on unpublished sources, attendees will gain experience in digitisation of sources and publish their analysis online. Students will prepare their item for exhibition, and a one-day workshop on these sources will be held in Trinity Term. Those who are interested can contact the convenor, Laure Miolo

3. Latin Palaeography Manuscript Reading Group

(advanced beginner, intermediate and advanced levels)

For those wishing to develop, deepen or maintain their skills in Latin palaeography, we meet every Tuesday between 2pm and 3.30pm in the Weston Library (Horton Room or Visiting Scholars Centre). We explore a wide range of medieval manuscripts and documents from the 9th to the 15th centuries. The session includes analysis of different scripts, abbreviations and codicological features. Practice is the key to developing palaeographical skills and becoming more comfortable with different scripts, including the more cursive and abbreviated ones. The aim of this group is to teach the basic elements of each script and abbreviation in order to help in the direct reading and analysis of the manuscripts. Those who are interested can contact the convenor, Laure Miolo

Oxford, Bodleian Library, MS. Laud Misc. 562, fol. 1r

Crafting the Book: A One-Day Workshop

Date: Friday, 22 November 2024

‘Crafting the Book’ is a one-day workshop aimed at current Oxford University students with an academic interest in the history of the book and material culture of medieval manuscripts and early printed texts, including their production, decoration, and provenance through signs of ownership. They will engage with historic materials and develop a deeper understanding of contemporary artistic and reader practices through taking part in hands-on activities with craft methods.

Lunchtime Lecture: Sir Victor Blank Lecture Theatre at the Weston Library, 1-2pm (BOOK HERE)

Talks by expert speakers Sara Charles and Eleanor Baker with focus on their wide-ranging research on medieval illumination, calligraphy, and early printing techniques. Sara is currently a PhD student at the Institute of English Studies studying manuscript production in the Latin Christian world, and has a forthcoming trade history book, The Medieval Scriptorium: Making Books in the Middle Ages (Reaktion Books, August 2024). Eleanor is currently the English Subject Lead for the University of Oxford’s Astrophoria Foundation Year, with a forthcoming trade history book, Book Curses (Bodleian Publishing, November 2024).

Practical Workshops: Bodleian Bibliographical Press, times TBA (Booking required, links will be shared closer to the date)

Sara Charles is leading a practical session on making and writing with iron gall ink as well as painting on parchment. Eleanor Baker is leading a separate session on creating book curses with early printing techniques.

Please contact event organiser Alison Ray (St Peter’s College Archivist) with any questions.

‘Crafting the Book’ is generously supported by the Oxford Medieval Studies Small Grant Scheme.

Medieval Visual Culture Seminar

St Catherine’s College, Oxford, Arumugam Building 1.2
Thursdays 5 pm. All welcome

Thursday, November 7, 5-6:30 pm
Elena Lichmanova, DPhil student, University of Oxford “Religious Storytelling and the Rise of Marginalia”

Thursday, November 21, 5-6:30 pm
Alixe Bovey, Professor and Dean, Deputy Director, & Head of Research, The Courtauld Institute of Art “Visual Storytelling in 14th-century London: Subtexts, Pretexts, Contexts”

Thursday, December 5, 5-6:30 pm
Ben Tilghman, Associate Professor of Art History, Washington College (Maryland, USA) & Visiting Research Fellow, University of Edinburgh “What Art Does When It’s Doing Nothing: Stillness, Perdurance, and Agency in Medieval Art”

Questions? Contact Nancy Thebaut, Associate Professor, History of Art & Fellow, St Catherine’s College

Header image: Smithfield Decretals, Toulouse (?), c. 1300; London, c. 1340. London, British Library, Royal 10 E IV, fol. 4v. Image courtesy of Alixe Bovey

Nancy Thebaut is Associate Professor of the History of Art & Tutorial Fellow, St Catherine’s College. She writes for the Medieval Booklet:

Hello! I’m delighted to be joining the Oxford Medieval Studies community. I grew up in Florida and earned my postgrad degrees at the Courtauld, Ecole du Louvre, and University of Chicago (PhD). I have been living for the past few years in upstate New York, where I was Assistant Professor at Skidmore College, and I just completed a year-long sabbatical at the center for medieval studies (CESCM) at the University of Poitiers. My research and teaching cover a wide range of time and object-types, but I am especially interested in manuscript illuminations and ivory relief carvings.

Detail of the cover of Paris BnF Latin 9390, 9th c., Metz

I’m currently at work on two projects. The first is an exhibition that I am co-curating with Melanie Holcomb at The Cloisters (Metropolitan Museum of Art, NY) on love, sex, and gender in the late Middle Ages and that will open in October 2025. The second is a book, entitled Lessons in Looking: Difficult Images of Christ, ca. 850-1050. It considers a selection of narrative images in liturgical manuscripts from northern Europe that depict moments at which seeing Christ is at stake, often at moments when his body is partially obscured or visually absent. In both projects, I’m invested in the agency of images, or how they actively shape how we look, think, and understand ourselves in relation to others.

I’ll be teaching a variety of medieval art history courses, in which I look forward to centering Oxford’s incredible medieval collections and sites.  I’ll also be convening the Medieval Visual Culture Seminar. We have an exciting line-up for the 2024-2025 academic year, and I hope you’ll attend!

The Barmakids – The Bridge between Islamic and Indic Worlds

Tuesday, 24 Sept, 11am  in the MBI El Jaber Auditorium, Corpus Christi College, Merton Street, Oxford

You are cordially invited to the 2nd Reza Hosseini Memorial Lecture Series delivered, in hybrid format, by William Dalrymple. Please register here to receive the Zoom link for those joining onlinehttps://www.eventbrite.co.uk/e/the-barmakids-a-bridge-between-islamic-and-indic-worlds-tickets-1012691907757. The opening statements will be offered by Profs Matthew Weait, Director of Continuing Education, and Arezou Azad, Director of the Invisible East Programme.

There will also be a workshop on Friday, 27 Sept. Limited seating, reservation required

The Speaker

William Dalrymple, All Souls Visiting Fellow 2023-2024, is the author of the Wolfson Prize-winning “White Mughals”, “The Last Mughal”, which won the Duff Cooper Prize, and the Hemingway and Kapucinski Prize-winning “Return of a King”. “The Anarchy” was short listed for the Duke of Wellington medal, the Tata Book of the Year and the Historical Writers Association Award, was a Finalist for the Cundill Prize for History and won the 2020 Arthur Ross Medal from the US Council on Foreign Relations.

William Dalrymple is the author of the Wolfson Prize-winning White MughalsThe Last Mughal, which won the Duff Cooper Prize, and the Hemingway and Kapucinski Prize-winning “Return of a King”. “The Anarchy” was short listed for the Duke of Wellington medal, the Tata Book of the Year and the Historical Writers Association Award, was a Finalist for the Cundill Prize for History and won the 2020 Arthur Ross Medal from the US Council on Foreign Relations.

The Reza Hosseini Memorial Lecture Series

The series connects individual stories to larger questions on the history and contemporary issues of the Middle East. The series aims to recognise and promote, in particular, microhistories, oral and documentary history, and fieldwork analysis. The series honours the life and work of Reza Hosseini (1960-2003) who last served as Humanitarian Officer in Iraq. The series was launched on the 20th anniversary of the attack on the United Nations Headquarters in Baghdad on 19 August 2003 which killed Reza and 21 colleagues.

This is a hybrid event. Please register here.

Come Collect!

An invitation from the Bodleian Libraries team: How do we relax? A lot of us like collecting things and enjoying our collections. They might be books, they might be records, they might be photographs… they can be anything!

Thursday 26 September, 6–8pm | Blackwell Hall, Weston Library

As a library, the Bodleian has enjoyed collecting for over 400 years and we want to foster that joy in others. Join us 6–8pm on Thursday 26 September in Blackwell Hall at the Weston Library to have a drink and celebrate collecting.

By all means just hang out with fellow collectors, but we encourage you to:

  • bring a treasured book, document, or vinyl record for an expert opinion
  • bring an old camera, or a photo or slide we may be able to scan
  • bring ephemera we might add to our collection (posters, flyers, event tickets… especially if they’re homemade).

You can also enjoy:

  • printing a memento on our historic press
  • having a go at making a mini zine
  • viewing some of the Bodleian’s special collections
  • meeting members of the student Bibliophile society and seeing what they collect
  • learning about how you can get more involved with the Bodleian.

Sign up here: https://forms.office.com/e/n63FFwAZCD – we look forward to seeing you soon! 

This is open to all university members, please spread the word.

Amelia Wray (she/her), Administrator, Special Collections, The Weston Library | Bodleian Libraries, Broad Street, Oxford, OX1 3BG, E: amelia.wray@bodleian.ox.ac.uk

Dutch Rhetoricians’ Play: Man’s Desire and Fleeting Beauty

On Sunday 29 September 2024 (6pm and 8pm) the Chapel of New College, Oxford, offers the rare opportunity to see Man’s Desire and Fleeting Beauty, a short Dutch comedy. 

The play was written for a dramatic competition in Gouda in 1546 by a Leiden Chamber of Rhetoric, and this performance may only be the second time the play has ever been staged. You are all invited to come and find out whether Man’s Desire can win Fleeting Beauty’s affections and what role Fashion and Custom play in this amorous quest. 

The play is co-produced by Charlotte Steenbrugge (University of Sheffield) and Elisabeth Dutton (Université de Fribourg). Admission is free.

Sheep Liver Divination for US Election

Explanation of the result of the inspection of a sheep liver in the Old Library of St Edmund Hall. Dr Selena Wisnom (Leicester) researches ancient Mesopotamian divination, and asks the question: Will Donald Trump win the 2024 US election?

You can watch the inspection in this video:

Inspection of the sheep’s liver in the kitchen of The Queen’s College, Oxford
Explanation of the results in the Old Library of St Edmund Hall, Oxford

and you can watch the alternative Babylonian reading in this video:

Alternative reading of the result

Disclaimer: the extispicy is for entertainment and research purposes only!

Dr Wisnom held a Junior Research Fellowship in Manuscripts and Text Cultures at The Queen’s College, Oxford from 2016-2020 and is currently Lecturer in the Heritage of the Middle East at the University of Leicester.

Medieval Studies Academic Mentor and Communications Officer

The Humanities Division Interdisciplinary Master’s Programmes are advertising an Academic Mentor & Communications Officer Joint Position for the MSt in Medieval Studies and Oxford Medieval Studies (OMS). The deadline for applications is 2 September 2024. For an insight into the duties involved, read the blog post by two previous postholders, Dr Luisa Ostacchini:  A Medieval Monologium, and Dr Karl Kinsella Heralding Oxford Medieval Studies.

The role of the Academic Mentor is to support the work of the programme convenors by fostering a group identity for the incoming cohort of students. The Academic Mentor will make an important contribution to the experience of students on this course.

The role of Oxford Medieval Studies (OMS) Communication Officer is to prepare the termly Medieval Booklet, send out a weekly news bulletin, and coordinate graduate students working with OMS.

The position will be offered for one year in the first instance. The holder will be expected to work 64 hours during Michaelmas term and 56 hours during each of Hilary  and Trinity terms (for a total of 176 hours over the year).  The hours should be divided flexibly between the MSt and OMS portions of the job, with a typical split of two-thirds MSt and one-third OMS. The remuneration offered is at point 7.1 of the casual pay spine; in 2023-24 this was £18.98 per hour.

Duties of the joint position

The role of the Academic Mentor is to:

  • help foster a sense of group identity and cohesion
  • contribute to the research mentoring and professional development of the students during the course
  • establish an informal space for group interaction

This will involve:

  • directing students towards relevant events and activities and helping them to navigate sources of information, including signposting to relevant learning opportunities and skills development provision
  • providing information and guidance on academic choice, including programme options and further study
  • discussing with students their future plans (whether professional or academic) and offering appropriate guidance by directing students towards relevant offices in the University
  • leading group discussions of academic and professional topics as may be relevant, depending on students’ needs
  • providing appropriate guidance on drafting research proposals for doctoral applications
  • coaching students in study skills (e.g., writing)
  • readiness to serve as ‘a helpful ear’ to students’ academic concerns or anxieties, liaising with the convenors where appropriate and/or where the mentor’s own concerns arise about a student. The mentor will not act as a welfare officer; however, they are advised to consult the convenors or the course administration should welfare issues arise so that students may be directed to the proper sources of support
  • The role will support the more formal work of the programme convenor to whom the Academic Mentor should report regularly and consult for guidance on offering advice to students (e.g., on University procedures)

The above is meant to act as a broad guidance; it is expected that the role will be flexible and responsive to the needs of individual cohorts. 

The role of OMS Communications Officer is to:

  • Prepare the termly Medieval Booklet for publication two weeks before term starts
  • Write and circulate a weekly OMS email news bulletin
  • Coordinate graduate students working with OMS as events and social media officers
  • Help to administer the medieval.ox.ac.uk blog and the mailing list
  • Encourage graduate participation in blogging, application to OMS small grants, and so on
  • Work with the Directors of Oxford Medieval Studies to promote medieval studies

We welcome applications either from postdoctoral candidates, or candidates with relevant experience. Depending on availability and expertise, there might be scope for some collaborative teaching (for which additional payment would be made).

How to apply

Please write a letter of application outlining your suitability for the role, and send it, together with a CV, to interdisciplinary@humanities.ox.ac.uk by 2 September. Please ask two referees to send their references to the same address by the same date. Interviews for shortlisted applicants will take place in late August, and successful applicants will be expected to start from the beginning of Michaelmas term 2024.

Discoveries from New College’s Books of Hours

by Caitlín Kane, Special Collections Curatorial Assistant New College

Back in February of this year, New College Library, Oxford had the pleasure of showcasing our wonderful collection of seven Books of Hours—beautiful manuscripts that once served as religious texts and treasured family heirlooms. Popular from the 14th century, especially in France, England, and the Netherlands, these were devotional texts that brought monastic routines into the daily lives of laypeople. Each typically included a calendar, the Office of the Virgin, Penitential Psalms, a litany, and the Office of the Dead, often decorated and customised to reflect the owner’s personal devotions. In collaboration with the Medieval Women’s Writing (MWW) Research Group, we hosted a workshop to show off, discuss, and examine these precious books. The event began with a talk by New College’s Special Collections Curatorial Assistant (that’s me!) on the significance of these books in studying lay devotion, particularly among women, and I shared tips on identifying their owners through text and decoration clues. Dr Jess Hodgkinson, New College Library’s Graduate Trainee, followed with a wonderful talk on her discovery of Eadburg in Bodleian Library, MS Selden Supra 30, thanks to innovative 3D recording technology from the ARCHiOx project.

Participants then had the chance to examine the manuscripts up close. A particularly lively discussion arose from an inscription I had found just that week in MS 369, where we debated whether the scribe’s name was ‘Claudius’ or ‘Claudine’.

It was wonderful to see these books being enjoyed, given that many hadn’t been closely studied since their donation in the 1980s. The enthusiasm and insights from everyone involved have been invaluable, prompting further research and discoveries about the lives of their former owners, some of which I will share now.

MS 369 is a late 15th-century French book of hours, possibly Use of Amiens, written in Latin. The last eight folios contain prayers to the Effusions of the Blood of Christ, written in vernacular French, and signed ‘Claudius Taconnet sripsit [sic]’. I had originally thought the name was Claudine or Claudina, but a further inspection of the horned ‘s’ in ‘les’ and ‘jesus’ suggested otherwise. Although there is a record of a Claude Taconnet, a juror for the linen-workers, in Paris in 1586, it’s unclear at this stage if this is our same Claude. The inclusion of these vernacular prayers suggests they were intended for someone less familiar with reading Latin.

All manuscript images © Courtesy of the Warden and Scholars of New College, Oxford

MS 369’s decoration is rich with burnished gold, floral borders, and miniatures. The face of St. John in one miniature has been worn away, likely through reverential touching or kissing of the page. This is commonly seen in books of hours, as the laity adopted not only monastic routines and prayers, but also imitated their priests in kissing holy images and books. As was pointed out to me during our showcase, a small figure depicted praying in an illumination of Saint Anne reading to Mary may potentially represent a member of Claude’s family or a woman for whom the book was originally commissioned.

While preparing for our workshop, I thought Claude’s inscription in MS 369 would be the highlight. But thanks to the work of Prof. Henrike Lähnemann and Dr Friedel Roolfs, I was excited to discover that the inscriptions in MS 371 were even more intriguing. MS 371, a book of hours in the Middle Dutch vernacular, was likely made in a monastery in the Northern Netherlands around 1460-1480. Its calendar features saints linked to the dioceses of Utrecht, such as St Willibrord and St Walburga, and of Münster, including St Blasius and St George. This calendar and the decoration are strikingly similar to those in books of hours produced in the Benedictine double monastery of Selwerd in Groningen. Though the book’s exact origins need further examination, the endleaves record the births of Maria van Selbach and Roelof van Münster’s children from 1530 to 1538:

Item, in the year 1530, on Sunday after Candlemas, on St D.’s day, my daughter Katharina was born, whose godparents were John of Selbach, Marshal, my mother, and the wife of […].
Item, in the aforementioned year ‘31 on the Tuesday after Corpus Christi is my son Rolef born whose godparents were Kuntz von Selbach and the wife of Droste Bernt van Hackfort, my brother Jürgen van Münster.
Item, in the aforementioned year ‘33 on the Tuesday after St Peter-in-chains is born my son John whose godparents were Henry van Münster, Bernt van Hackfort and the young lady van Eill to Klarenbeck, called Blankenstein.
Item, in the year [15]34, on the 8th day after the birth of the BMV, on a Tuesday morning, my son Dirk was born whose godparents were my mother and Dirk van Baer.
Item, in the year [15]36 on the Eve of Corpus Christi my daughter Agnes was born, whose godparents were her brother Roleff and Jutta Smullynck​.
Item, in the year [15]38 on a Tuesday after St Martin, my son David was born.

All the names are clustered around the castle Klarenbeck in the Duchy of Cleves and the now destroyed Duirsum Castle in Loppersum, in the border area between the Netherlands and Germany. Maria van Selbach, born around 1510, grew up in Terborg and later moved to Coevorden with her father Johan van Selbach, the Drost of Drenthe and Castellan of Coevorden, and her mother Jutta Schmullynk. After her marriage to Roelof van Münster, the couple eventually settled in Duirsum Castle, Loppersum, in 1540, which Roelof inherited from his wealthy mother, Bauwe Heemstra. Agnes, one of their daughters, married Johan de Mepsche around 1561, a notorious Groningen heretic hunter and a staunch Catholic supporter of the Spanish monarchy during the Dutch Revolt. Their daughter, Mary de Mepsche, married Johan Kyff van Frens and inherited this treasured book. The manuscript then passed down to her sister’s son Egbert Clant and his wife Beatrix, and eventually to their daughter, Maria Catrina Clant. An additional note in the book traces its journey through the hands of women in the family:

This book is left as inheritance to Lady Agnes van Münster’s daughter Mary de Mepsche, and further to Egbert Clant and Beatrix van Ewssum who gave the same to their daughter Mary Catherine Clant, 4 April 1639.

MS 371 is the first book of hours at New College that we can definitively say was owned by women, though likely not the only one. Other additions by its owners, including the Ten Commandments in the vernacular, and notes on ‘watery’ zodiac signs, along with the worn initials on prayers and an image of Christ, reflect the deep personal devotion of this family over at least four generations. Their religious dedication is also evident from their sizeable donations to several monasteries, including Marienstatt, Keppel, and Ter Apel, where the coat of arms of Agnes van Münster and Johan de Mepsche can be found in a stained glass window.

Although MSS 369 and 371 have been the focus of my study, there are marks of use and ownership in each of New College’s books of hours. MS 323, a 16th-century Flemish manuscript, contains a Spanish inscription beginning ‘Estas horas van Lohesi(?)’ and further inscriptions in English detailing the births of two children, Jane and William Watson, in 1614 and 1615. MS 310, an early 15th-century book of hours, features a Middle English religious lyric and a signature possibly belonging to a ‘Henry Knyght’.

There is still much to uncover about these manuscripts and their owners, especially the MSS I have mentioned only briefly. If anyone is interested in viewing these manuscripts themselves, please contact New College Library or the Head Librarian (Christopher Skelton-Foord) to arrange an appointment.

If you’d like to read more, my full article on these manuscripts has recently been published online, open access, in New College Notes 21 (2024).

My heartfelt thank you goes out to Marlene Schilling and Kat Smith from MWW, the New College Library team, and TORCH for making this event happen. I’m again deeply grateful to Prof. Henrike Lähnemann and Dr Friedel Roolfs for their incredible work on the transcription and translation of MS 371, and to Rakoen Maertens and New College Archivist Michael Stansfield for their assistance with the MS 323 inscriptions.


Bibliography:

Deschamps, J. and Mulder, H. (1998–2009). Inventaris van de Middelnederlandse handschriften van de Koninklijke Bibliotheek van België (voorlopige uitgave). Brussels: Koninklijke Bibliotheek van België.

Reinburg, V. (2009). ‘For the Use of Women’: Women and Books of Hours. Early Modern Women: An Interdisciplinary Journal, 4, pp. 235–240.

Rudy, K.M. (2016). Piety in Pieces: How Medieval Readers Customized their Manuscripts. Cambridge: Open Book Publishers.

van Weringh, J.J. (1981). De Selbachs. Gruoninga: Tijdschrift voor genealogie en wapenkunde, 25e–26e, pp. 1–30.