Medievalist Events at Oxford Festival of the Arts

The Art of Illumination: makers and users of medieval manuscripts

Prof Michelle Brown, Patricia Lovett MBE, Dr Andrew Dunning

June 25, Lecture Theatre, Weston Library, 2pm – 4.30pm

It is the brilliance of yellow gold set off by jewel colours that makes so many mediaeval manuscripts so eye-catching.”

Join us for fascinating insight with our festival triumvirate of experts on illuminated manuscripts. Fresh from her involvement in the British Library’s journey from East to West through the dazzling beauty of fifty spectacular manuscripts across cultures for their exhibition
‘Gold’, world-renowned scribe and illuminator, Patricia Lovett MBE will talk about the origin and use of pigments and the mediaeval craft processes that enabled these luminous manuscripts to ‘catch the light’. Professor Emerita of Medieval MS Studies (SAS, University of London) and former Curator of Illuminated Manuscripts at the British Library, Michelle Brown will discuss these wonders from an historical perspective, using the manuscripts as windows into the lives of those who made and used them, and into the age in which they were made. This evening of medieval wonder is made whole by the display on manuscripts curated by Dr Andrew Dunning, R.W. Hunt Curator of Medieval Manuscripts; Supernumerary Fellow in Book History (Jesus College), who will speak to the manuscripts.

This event was curated to coincide with Sensational Books – a Bodleian Libraries exhibition at ST Lee Gallery, Weston Library.

Details & Booking for THE ART OF ILLUMINATION.



Illuminated Manuscript Workshop with Patricia Lovett MBE

June 26, Magdalen College School Studio, 10am – 5pm

Patricia Lovett MBE is a world-renowned scribe and illuminator who has taught and lectured at many prestigious institutions in the UK and abroad.

This is your chance to join the Festival Glitterati! Spend a day illuminating with real gold leaf and painting an animal from a medieval bestiary (book of beasts). You will be able to choose your own animal to copy from a small selection and be shown how to prepare calfskin vellum for painting, how to apply gold leaf and the sequence of medieval painting for miniatures using a fine Kolinsky sable brush. You will go home with your illumination on vellum ready to frame.

Since this workshop is one which will have a focus on one-to-one instruction, it is restricted to 16 people. We suggest early booking. Anyone taking part in this workshop will need to be contacted by Patricia in advance of the session, so please be aware that email and/or other contact will be required.

Details & Booking for ILLUMINATED MANUSCRIPT WORKSHOP.


Professor Robert Bartlett: The Middle Ages and the Movies

June 27, Festival Marquee, 8pm

 ‘This book will entertain and intrigue historians and film buffs alike. In a wide-ranging critical study of the creative process that tackles head-on the exchange between historical fact and artistic licence, Robert Bartlett shows how twentieth-century cinema’s variously imagined Middle Ages speak as much to modern sensibilities as to any reconstructed past.’ – Professor Christopher Tyerman

How was Umberto Eco’s Name of the Rose translated from page to screen? Why is Monty Python and the Holy Grail funny? And how was Eisenstein’s Alexander Nevsky shaped by the Stalinist tyranny under which it was filmed?  These, and many more questions will be answered tonight by eminent historian Robert Bartlett, who takes a fresh, cogent look at how our view of medieval history has been shaped by eight significant films of the twentieth century: from the concoction of sex and nationalism in Mel Gibson’s Braveheart, to Fritz Lang’s silent masterpiece Siegfried; the art-house classic The Seventh Seal to Tarkovsky’s Andrei Rublev and the epic historical drama El Cid.

Robert Bartlett is Bishop Wardlaw Professor of Mediaeval History Emeritus at the University of St Andrews, Scotland. His many books include the Wolfson Prize-winning The Making of Europe: Conquest, Colonization and Cultural Change, 950–1350 (1994), and he has written and presented three television series for the BBC, Inside the Medieval Mind, The Normans and The Plantagenets.

Details & Booking for ROBERT BARTLETT.


Treasures from Around the World at New College Library

July 2, 11am-4pm, Lecture Room 4, New College

More manuscripts survive from the medieval library of New College than from that of any other Oxford or Cambridge college. Today, New College Library holds what is probably the finest collection of medieval manuscripts of any of the Oxford colleges, also holding more incunabula (15th-century European imprints) than any other undergraduate college at Oxford. The Library’s collections of rare and early printed books are likewise spectacular.

View some of the Library’s fabulous manuscript and rare book treasures from around the world. Our world tour starts from 13th-century Catte Street, Oxford with one of the world’s great illuminated manuscripts (now housed just a few hundred metres away from where it was first created), and it takes in gorgeous and resplendent manuscripts and printed books from China to Constantinople, by means of Arabic, Armenian, Belgian, Dutch, English, French, German, Greek, and Syrian treasures, which date from the 11th century onwards.

Details & Booking for TREASURES FROM NEW COLLEGE. Entrance is free


British Society of Master Glass Painters

Centenary Touring Exhibition

The Chapter House, Christ Church Cathedral (throughout the festival)

Coming to Oxford from the cathedrals of Ely, Winchester, Wells and Worcester, this touring exhibition of stained glass panels celebrates the centenary of the British Society of Master Glass Painters. Over 90 artists from across the UK and overseas contributed to the exhibition. The tour highlights 60 of these panels that celebrate the unique art of glass. The works have been created using both traditional and modern glass techniques, demonstrating the extraordinary range of stained glass currently practiced.

The artists explore a variety of subjects such as the environment and the beauty of nature. The exhibition portrays an understanding of the concerns of glass artists a hundred years after the society was established to help stained glass remain relevant today. Displayed in the Chapter House of Christ Church Cathedral, this exhibition will also give the visitor the chance to explore the Romanesque doorway and interior.

Founded in 1921, the British Society of Master Glass Painters is the UK’s leading organisation
devoted exclusively to the art and craft of stained glass. In collaboration with Christ Church Cathedral, Oxford.


Dr Janina Ramirez in discussion with Peter Frankopan

July 5, 7.30pm, Festival Marquee, Magdalen College School, Oxford

We look forward to a stimulating and lively conversation between two brilliant Oxford historians; Dr Janina Ramirez, cultural historian, broadcaster and author, whose passion for communicating ideas about the past is always conveyed with an infectious enthusiasm, as exemplified in her brand new book FEMINA: A New History of the Middle Ages Through the Women Written Out of It; and the acclaimed historian Peter Frankopan, Professor of Global History and Director of the Centre for Byzantine Research at Oxford University, who is particularly interested in ‘exchanges and connections between regions and peoples’. Peter’s seminal book The Silk Roads: A New History of the World, (Dazzling – The Guardian; Phenomenal – Die Welt) was an international bestseller, topping the non-fiction charts all around the world, followed by The New Silk Roads: The Present and Future of the World, a ‘masterly mapping out of a new world order’ (Evening Standard).

Join us tonight to see the medieval world with fresh eyes and discover why the remarkable women ‘rediscovered’ in Janina’s Femina were removed from our collective memories. This book is a ground-breaking reappraisal of medieval history revealing why women were struck from our historical narrative, and restoring them to their rightful positions as the power-players who shaped the world we live in today.

Details & Booking for DR JANINA RAMIREZ IN DISCUSSION WITH PETER FRANCOPAN.


John Leighfield: Atlases and Maps

July 6, 5pm-7pm, Magdalen College School Studio

Join John Leighfield CBE, for his highly illustrated talk about how the maps of Oxford have developed from the 16th century until the present. Highly respected for his knowledge of the maps of the county and city of Oxford, John has had a passion for maps since his schooldays and has built a marvellous collection, some of which will be on display after the talk.

Details & Booking for ATLASES AND MAPS.

Call to Action: Medieval Mystery Cycle 2023

Following the successful Medieval Mystery Cycle 2.0, plans are underway for the third iteration of what has fast become an Oxford tradition. Please reserve the date of 22 April 2023 (Saturday before Trinity Term) and spread the word! We are looking for actors, directors, musicians, prop makers, and above all a graduate convenor who will take on the mantle of Eleanor Baker in masterminding the operation. Have a look at seh.ox.ac.uk/mystery-cycle for getting a sense of the scope and watching the plays performed in 2019 and 2022.

Please send expressions of interest for the Graduate Convenor by 30 June 2022 to Co-Directors Henrike Lähnemann and Lesley Smith under medieval@torch.ox.ac.uk

Coffee Morning with Professor William Chester Jordan

The Faculty of History and Oxford Medieval Studies are pleased to invite you to an informal meet and greet coffee morning with William Chester Jordan (Professor of Medieval History,
Princeton University) on the occasion of his reception of an honorary degree of the University of Oxford.
When? Thursday 23rd June, 10.30am-12 noon
Where? The garden of Harris Manchester College (Mansfield Road), or in the Warrington
Room in the case of rain.
Coffee and croissants will be provided.
For catering purposes, please register your attendance if possible:
https://forms.gle/AkvPUsX2Ur1hbgTU7

Bill Jordan gave the 2021 Oxford Medieval Studies keynote lecture “A Thirteenth-Century Polymath Considers the Jews” – watch it here:

Oxford Medieval Studies lecture 2021

Dag Nikolaus Hasse (Würzburg University): What is European? Medieval, Colonial and Postcolonial Perspectives

Friday, 10 June 2022, 5pm, in St Edmund Hall, Old Library

We often talk about Europe, but our traditional ideas about European culture are questionable. This is because we carry views from the colonial and romantic periods that distort our image of history and geography and may prove a burden for future coexistence on the continent. I would like to encourage us to think more openly about Europe, about its broad cultural roots and its intensive relations with its continental neighbours. 
This includes reflecting on medieval clichés: medieval Europe was not a “Christian land” as the Romantics Novalis and Chateaubriand dreamed it. It was much more than that.

If you would like to participate remotely, please contact Henrike Lähnemann to be added to a teams call.

Storyteller (meddah) at a coffeehouse in the Ottoman Empire. The first coffeehouses appeared in the Islamic world in the 15th century. Source: Wikimedia

(23rd May) Botany and Zoology Treasure of New College Library

When? – 11 am – 4 pm, Monday 23rd May
Where? – New College’s Lecture Room 4

As part of New College Library’s series of subject-themed exhibitions, on Monday, 23 May we shall have on display for you rare books and manuscripts from the library’s fabulous collections relating to Botany and Zoology.

This exhibition is the latest in a series, instituted in 2018 by the library, that has so far featured Classics, Geometry and Astronomy, Modern Languages, and New College Women Writers.  And it marks our return to subject-themed exhibitions since the start of the pandemic.

For this display, we are providing you with a rare opportunity to see, among many other treasures: a 13th-century manuscript of Pliny’s Historia naturalis; the first known description of plants from the Americas (1542) by Leonhart Fuchs (after whom the fuchsia is named); the best-known English herbal, by John Gerard (1633); the first published book by New College fellow Robert Sharrock, on growing vegetables (1660); a first edition of Robert Hooke’s spectacular Micrographia (1665); and a printed natural history of Oxfordshire, with the first known published illustration of a dinosaur bone (1677).

From 11 am till 4 pm on Monday in New College’s Lecture Room 4, we shall be exhibiting for you—with explanatory captions—some of our Botany and Zoology treasures.

Please do come along—and enjoy our exhibition.

We very much hope to see you there.

ETC Seminar on Textual Cultures in Contact (Oxford, TT22)

The Early Text Cultures research cluster based at Oxford is pleased to present its Research Seminar series in Trinity Term (May and June 2022), which will be on ‘Textual Cultures in Contact’. Through sessions comprising paired papers, this seminar series will enable participants and attendees alike to gain fresh perspectives on the nature of ‘contact’ among textual cultures, and on the affordances and limitations of their fields’ methods and approaches to the topic. 

The seminar will be held in a hybrid form, with Zoom connection complementing on-site presence atthe Dickson Poon Building (China Centre, Oxford), Lucina Ho Seminar Room, on Tuesdays 16:30-18:00 UK time. Auditors are most welcome to attend in person. Zoom links will be provided on each session’s day to those who sign up here: https://docs.google.com/forms/d/1BtWbVHXkBFq-CvimjVnVolSeDcpR54ssZdWUC6jf15I/edit.

Please find the programme below; abstracts may be found on our website (https://www.earlytextcultures.org/events/current-events/research-seminar-tt-22).

Programme

§ Session 1 (17 May)
Cross-Cultural Competition
(Near East, Hebrew Bible, Greece)

Joe Barber (Oxford): ‘Walk about the City and See Its Walls: An Echo of the Epic of Gilgameš in Psalm 48?’
Alexander Meeus (Mannheim): ‘Josephus’ Historiographical Theory in Against Apion: Jewish or Greek Method?’

§ Session 2 (24 May)
Scribes as Cultural Vehicles
(Near East, China and the Silk Road)

Ludovica Bertolini (Prague): ‘A Preliminary Reflection on the Use of Sumerian Literature in Scribal Education at Ugarit’ 
Christopher Foster (SOAS) & Tomas Larsen Høisæter (Western Norway): ‘Writing Between Empires: Script Use in the Tarim Basin along the Southern Silk Road’

§ Session 3 (7 June)
Materiality of Translation 
(Medieval Greek and Latin, China)

Erene Rafik Morcos (Princeton/Rome): ‘… διὰ χειρὸς τοῦ πολυαμαρτήτου ῾Ρωμανοῦ… by the hand of the great sinner Romanos …’ 
Nelson Landry (Oxford): ‘A Five Dynasties Manuscript in Relation to Tang Buddhist Culture: A Study of S.3728 from the British Library’

§ Session 4 (14 June)
Religion Through Cultural Boundaries
(Iran, India and China)

Aleksandra Wenta (Florence): ‘Early Tantric Magic: An Example of Śaiva (Hindu)-Buddhist Intertextuality in Pre-modern India’ 
Francesco Barchi (Munich): ‘Traces of “Buddhist Iranian” in Early Chinese Buddhist Translations’

We hope to see many of you there!

Marriages, Unmarriages, and Subjectivities: A Roundtable Discussion with Sara McDougall and Hannah Skoda

The Oxford Medieval Society is pleased to announce our first event of Trinity Term 2022, a Roundtable Discussion with Professors Sara McDougall and Hannah Skoda

We invite all interested parties to attend the event on Thursday 26th May at 13:00-14.30, in the New Seminar Room in St. John’s College. Participants will be able to ask questions and engage in discussion with Professor McDougall and Professor Skoda on a shared area of their research, Marriages, Unmarriages, and Subjectivities

Professor Sara McDougall is Associate Professor of History at John Jay College of Criminal Justice (City University of New York) and coordinator of the Medieval Studies Certificate Program at the CUNY Graduate Center. Specialising in legal history, her research focuses primarily on women and crime in medieval France and explores topics such as gender, marriage, religion and illegitimacy. Her publications include Royal Bastards: The Birth of Illegitimacy, 800-1230 (Oxford University Press, 2017) and Bigamy and Christian Identity in Late Medieval Champagne (University of Pennsylvania Press, 2012). Professor McDougall is in Oxford this term as an Astor Visiting Lecturer.  

Professor Hannah Skoda is Fellow and Tutor in Medieval History at St. John’s College, Oxford, and specialises in the cultural and social history of the later Middle Ages. She has particular interests in education, conflict, ownership, slavery and constructions of deviance in late medieval Europe. Her monograph Medieval Violence: Physical Brutality in Northern France, 1270-1330 (Oxford University Press, 2013) won the Society for Medieval Feminist Scholarship’s 2014 Best First Book Prize, in which year she was also awarded a Philip Leverhulme Prize to explore nostalgia in the fourteenth century. 

Please do not hesitate to get in touch with any questions at oxfordmedievalsociety@gmail.com

We look forward to seeing you there!

Public Lecture – Christine de Pizan

The Oxford Medieval Society is pleased to announce a public lecture by Dr Charlotte Cooper-Davis on Thursday 9th June 2022.

Dr Cooper-Davis will speak on the topic of “Christine de Pizan: Guilty Feminist?”.

The lecture will take place in the New Seminar Room in St. John’s College, 13:00-14.30.

About the speaker: Dr Charlotte Cooper-Davis is an Honorary Research Fellow of the Faculty of Medieval and Modern Languages at the University of Oxford, and the author of Christine de Pizan: Life, Works, Legacy (Reaktion Press, 2021). Her DPhil thesis explored text-image relations in de Pizan’s works, and a resulting monograph is currently under contract with ARC Humanities Press.

Please direct any queries to oxfordmedievalsociety@gmail.com.

Image credit: British Library MS Harley 4431, f.259v (courtesy of Wikimedia Commons).

Catch-up: Oxford Medieval Mystery Plays 2022

Following a two-year pandemic break, it was a joyous occasion for all to be able to attend in-person the second annual performance of the Oxford Medieval Mystery Plays hosted by St Edmund Hall on 23 April last week. The production was led by Professor Henrike Lähnemann, St Edmund Hall Fellow and Professor of Medieval German Literature and Linguistics, and Professor Lesley Smith, Fellow and Tutor in Politics and Senior Tutor at Harris Manchester College, and expertly managed by Dr Eleanor Baker, Project Support Officer for the Post-GCSE Inspire Programme at St John’s College and medieval literature specialist. The full cycle was live-streamed by Natascha Domeisen and is available for watching on the St Edmund Hall Youtube Channel and also linked in to the website dedicated to the Oxford Medieval Mystery Plays.

We’ll be your guide to every play: Mystery Cycle organisers (left) and Jim Harris as Master of Ceremonies (right)

Featuring 11 plays in 6 languages (Middle and Modern English, Spanish, French, German and Latin), the ‘spectaculum’ opened with a performance of period music by the Anonymous Minstrels before The Revd Dr Zachary Guiliano rang the Chapel bell to mark the opening of the Mystery Cycle. We were introduced to each play through prologues prepared by the linking verses creator, Prof David Maskell, and wonderfully performed by our Master of Ceremonies, Dr Jim Harris, who guided attendees across college to each play location. These prologues were essential not only to the day’s enjoyment, but also to making the medieval materials accessible to a modern audience providing plot summaries and descriptions of what we were about to see through rhyming verse!

A marvellous boat will shortly appear: Scenes from the Killing of Abel (Left) and Noah’s Ark (right)

The Mystery Plays presented Biblical stories from Creation to the Resurrection, and were brought to life by an incredible cast of actors, academics and students with links to Oxford Medieval Studies. The Faculty of English kicked things off in the Old Dining Hall with the stories of Creation and the Fall, accompanied by a digital video featuring manuscript illustrations by Prof. Dan Wakelin. We were then led into the front quad to witness the Holloway Mystery Players perform the killing of Abel, followed by the story of Noah’s Ark by Medieval Studies students, which receives an honorary mention here for the best props of the event, including fabric waves and an inflatable parrot standing in for the dove (link to the recording). The morning concluded with the sung Magnificat in a play of the Visitation by Jasmine and the Kilnsians.

You’ll see a dog but it’s a sheep: Timmy waits for his cue (left) and James Howarth as King Herod (right)

Following a short tea break, the play cycle continued in the atmospheric churchyard of St Peter-in-the-East (now College Library). The Pastoral Players provided comic relief as grumpy shepherds and a thief in the Shepherd’s Play, with the Principal’s dog Timmy stealing the show as a reluctant ‘sheep’ and kindly supported by Prof Kathy Willis and her daughter Alice. The entertainment continued with the story of the Wise Men performed by the Wise Women in Spanish, and the Massacre of the Innocents with College Librarian James Howarth playing Herod the Great alongside the 5th Week Blues.

Now to a new location for John the Baptist’s decollation: A scene of the saint’s beheading (left) and the Lazari players (right)

The best special effects of the cycle featured in the playgroup Les Soeurs de Sainte-Hilde, with their version in French of St John the Baptist’s arrest and grisly beheading (read a reflection on the process of directing a play in French by Prof. David Wiles, the director of the play). This was followed by the English MSt students performing the story of Lazarus, with 6 players of Lazarus rising from the churchyard to great effect (here the recording). Undergraduate students then performed a Middle English depiction of the Crucifixion from the York Mystery Cycle dating from the 14th century. The Mystery Plays concluded with a delightful performance in Middle High German, Latin and English by the Mercantile Minstrels, with mischievous merchants, a fight scene, and a chorus of angels merrily announcing the miracle of Christ’s Resurrection (here the recording).

Christ ist erstanden: The Crucifixion (left) and the announcement of the Resurrection (right)

This year’s Mystery Play Cycle was incredibly fun and a fantastic opportunity to engage with medieval culture through the wide-ranging skills of staff and students of Oxford Medieval Studies. The day ended with an exhibition display of works relating to the Easter story in the Old Library. A filming crew worked hard throughout the day to provide a livestream of events for online viewers, that can now watched back on St Edmund’s Hall YouTube Channel (four streams: 1: Creation to Noah2: Visitation to Herod, 3: Herod ctd. and 4: John the Baptist to Resurrection). We’re excited to see the continuation of what surely now has become an Oxford tradition!

Dr Alison Ray is a medievalist and the archivist at St Peter’s College, Oxford.

Reflections on directing a mystery play in French

by Prof. David Wiles

The French play was part of the Oxford Medieval Mystery Cycle performed on 23 April 2022 in St Edmund Hall, University of Oxford. The Playgroup: Les Soeurs de Sainte-Hilde (avec la participation de quelques paysans d’Iffleï) had been formed for the occasion by director: David Wiles The play is part of a cycle, ‘Le mystère de la passion’, written in the mid C15th by Arnoul Gréban, organist at Notre Dame cathedral, and doubtless also choirmaster. Full text available open access.

People ask me: “Why did you decide to do a play in French?”  Implication: it’s an English-speaking audience, and they won’t understand – middle-English bad enough.  Three responses to this one. 1. Political:  not good to live in a monoglot culture, and unlike modern scholarship the medieval world did not view life through the lens of the nation-state. 2. Theatrical:  to communicate through action and the body is a challenge which forces actors to engage with language on a different level, and reach out to their audience. 3. Intellectual:  venturing into Gréban’s text was a journey of discovery, as impenetrable hieroglyphs yielded slowly through rehearsal into recognisable speech patterns, with every phrase having its theatrical work to do. What looks like literary doggerel turns out to be theatrical gold.

An interesting research question follows – what are the cultural continuities that make Gréban’s mighty four-day passion play recognisably French, when set alongside the familiar English cycles?  Centralisation is one feature – responsibility not subdivided to autonomous guilds, but a single integrated work for an urban community to mount.  Another is the French ability to listen and maintain concentration upon the word.  In the English texts, action typically takes place between stanzas, but in the French text couplets conjoin speeches, so each new speaker has a rhyme to echo in order to come in on cue, a feature we found invaluable.  The sustained rhythmic flow ratchets up the tension, with enough variety of register and poetic form to hold the spectator’s attention. Like the alexandrines of Racine, the eight-syllable medieval line has a lilt that asks to be animated by the arms, so different from English metres which asked to be stamped with the feet.

After seeing the performance, a friend asked me: “What lesson was the play is supposed to impart?”  Implication: medieval theatre was didactic, a case of the church telling the peasants what to think. There is no simple moral to the John the Baptist sequence.  In the artistic structure John’s martyrdom is there because it foreshadows Christ’s.  People didn’t need telling that tyrants are venal, rather, it’s the recognisable social reality upon which a drama is built. Herod has his reasons for acting, and he washes his hands like Pilate. The medieval Salome is an enigma – we are free to draw our own conclusions, not told what to think. The urge to create theatre or art is a human constant, responding to the sensation of life as a cosmic mystery.  The idea that medieval theatre is ‘didactic’ is a handy modernist cliché, serving the narrative of progress, and all the cultural arrogance which that narrative commonly instils.  My preferred picture of the longue durée is one of progressive fragmentation, and I find in medieval theatre a holistic model of how theatre used to embrace and address a complete community in all its diversity, along with the gamut of human experience – comic and tragic, bestial and sublime – before dedicated theatre buildings and professionalism in acting and penmanship locked theatre into its lonely compartment.

David Wiles is Emeritus Professor of Drama at the University of Exeter, and lives in Iffley. He is a theatre historian whose main specialisms have been Greek and Shakespearean drama. He wrote the entry on medieval theatre for the Oxford Illustrated History of the Theatre. His medieval CV includes a student production of the plays of the Wakefield Master in the gardens of Westminster Abbey, Mankynde in the Burton Taylor rooms, a crucifixion on a farmer’s trailer in Buckingham marketplace, staging three plays by the C10th nun Roswitha, and a community production of the N-Town Creation/Fall and York Noah in Iffley.

Repeat performance of the play at Iffley Church on 24 April 2022. Cast: John the Baptist – Laurence Nagy Manasses (disciple) – Alice Hawkins Sophonias (disciple) – Laura Laube Herod – Alex Marshall Herodias – Irina Boeru Salome – Alice Hawkins Groignart A (servant) – Kate Bunn Groignart B (servant) – Andrew Stilborn Amphiarus (noble) – David Wiles Radigon (noble) – Laura Laube God – Henrike Lähnemann Crew: Director: David Wiles Consultant: Sebastian Dows-Miller Head Creator: Andrew Stilborn Filmed by Isabel Reichenbach