Category: opportunities

Call for Papers: Gender Identities in Early and Premodern Text Culture

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13/12/2021

11:57

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The Early Text Cultures research group based at the University of Oxford invites abstracts for its research seminar in Hilary Term, running from January to March 2022, which will be on ‘Gender Identities in Early and Premodern Text Cultures.’    

As is often recognised, the dominant voices in the premodern world have been men’s voices. Yet textual sources––from the literary to the administrative––are critical to recovering the heterogeneity that in many cases characterised ancient and premodern societies. Women were inspiring muses; but they also expressed themselves in poetry and participated in cultural productions. In some cases, there is ample evidence that they held leading roles in politics and the economy. We invite papers from graduate and early career researchers that give a stage to these voices, as they speak to us from premodern textual cultures. We also welcome proposals that consider the varying intersections between gender and identity, as well as on how gender representation interacted with that of other (potentially) marginalised social groups. Topics include, among others:    

·  Authors and/or texts that represent genders;    

·  How the presence of women’s authorship (factual or attributed) affects the reception of texts;    

·  The role of texts in presenting alternatives to a patriarchal, aristocratic world;  

·  How texts may have acted as instruments to shape normative social views, or to uproot them;  

·  The nexus between gender, marginality and oppression;  

·  The relationship between language and gender;    

·  How texts were read and performed to express genders and social identities.    


Presenters will speak alongside another contributor treating a different early or premodern text culture. They are encouraged to engage with theoretical perspectives and to draw out productive points of comparison with the research of their fellow speaker. These papers will serve as starting points for a discussion with the other participants in each session, which will promote an interdisciplinary and intercultural approach to the material under consideration.    

Please send abstracts of no more than 300 words to earlytextcultures@humanities.ox.ac.uk by Friday 7 January. The seminar will be held in a hybrid form, with Zoom connection complementing a limited on-site presence in Oxford. Speakers and auditors may choose whether to attend in person or online. Persons of all backgrounds are extremely welcome, and women and non-binary academics are highly encouraged to submit papers and attend the seminar.  

CFP: Consuming the Middle Ages: 2022 Medieval Studies Student Colloquium

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13/12/2021

11:54

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The Medieval Studies Program at Cornell University is pleased to announce its thirty-second annual graduate student colloquium (MSSC), which will focus on the theme of ‘Consuming the Middle Ages’. The conference will take place on the 23rd of April, to be held virtually over Zoom. The colloquium will be preceded by a small lecture series. 

We invite 20-minute papers that investigate consuming the Middle Ages as defined within a range of different disciplines and perspectives. Consuming can denote both physical consumption as well as the act of consuming and making sense of the medieval past through scholarly productions, creative media, and cultural phenomena and practices. How were medieval feasts organized and what socio-cultural function did food and the act of consuming it serve? What are possible connections between the life cycle stages of consumed goods (e.g., from cultivation to processing, to consuming, to disposal, etc.) and climate, migration, economics, etc.? What material and immaterial substances were subject to consumption and what religious or cultural roles did they play? How do postmedieval writers and thinkers configure the medieval? What are the ramifications of consuming the past and is this the nature of periodization? How are the traces, artifacts, or influences from the medieval past consumed by later or contemporary individuals, communities, and cultures? Papers may respond to (but are not limited to) one of these questions. 

Preference will be given to papers from underrepresented backgrounds and disciplines. We strongly encourage submissions that expand these themes and categories of inquiry beyond Christian, Western European contexts. We invite submissions in all disciplines allied to Medieval Studies, including Asian Studies, Africana Studies, Critical Race Studies, Indigenous Studies, Near Eastern Studies, literature, history, the history of art, archaeology, philosophy, classics, theology, and others. Abstracts on all topics will be considered, though priority will be given to those which address our thematic strand. 

Please send abstracts by January 30, 2021, to Sarah LaVoy at sfl39@cornell.edu. 

Oxford Medieval Graduate Conference 2022

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13/12/2021

11:52

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The Oxford Medieval Graduate Conference committee is thrilled to announce that the theme for 2022 will be Medicine and Healing. We look forward to hearing talks from our keynote speakers, Professor Emilie Savage-Smith and Dr Hannah Bower. The conference will be held in person (with limited measures in place for online papers) at Ertegun House, Oxford, on 21 and 22 April. We are pleased to call for papers which relate to all aspects of medicine and healing in Medicine and the medieval world.

Examples of areas of interest include but are not limited to:
o Ecocriticism
o Theology; faith as healing
o Humours
o Plague
o Childbirth
o Veterinary medicine
o Mental health
o Magic and amulets; folklore
and belief
o Manuscripts
o Hagiography
o Gendered approaches
o Technologies of healing

Papers should be a maximum of 20 minutes. We intend to provide bursaries to help with speaker travel costs, and we are welcoming applications from graduate students at any university. Please email abstracts of 250 words to
oxgradconf@gmail.com by 15th January.

CFP: Passages from Antiquity to the Middle Ages VIII, Experiencing Space

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29/11/2021

14:10

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Tampere, August 17-19, 2022

The focus of the Passages conference series lies on society and the history of everyday life. This time we are concentrating on the social construction and experiences of space, aiming to understand how it affected social frameworks, built communities and shaped individual lives. The “Spatial Turn” has directed scholars’ interest towards the interconnection between communities, individuals and space, but larger comparisons between eras and cultures are still mainly missing. We aim to approach space as an analytical tool, “experience” offering a novel conceptual method for the study in this field.

We are interested in everyday interactions within and between communities, groups and individuals and their relations with the environment. How did people negotiate the borders between built and “wild” environments, urban and rural space, the public and the private, the secular and the sacred? How were ideas, ideologies and identities reflected in the built environment and how were they shaped by space and perceptions of it? How did bodily practices and emotions create spaces, and how did space shape rituals and produce emotions? What was the role of sensory perceptions when living in and moving through space? How was space imagined and how did spaces, landscapes, buildings and monuments occupy a place in the private and public imagination? How were space and memories/narrations interconnected: how were spatial experiences inscribed in the preserved sources? In which ways did the political and legal, but equally religious spheres play a role in the formation of social spaces? We invite papers that focus on social topography, the lived experience of space, the normative and legal construction of space, the sensory perceptions of spatiality, and participation in constructing and regulating spaces.

We aim at a broad coverage not only chronologically but also geographically and disciplinarily (all branches of Classical, Byzantine and Medieval Studies). Most preferable are those contributions that have a comparative and/or interdisciplinary viewpoint or focusing on a longue durée perspective. We particularly welcome papers, which have a sensitive approach to social differences: gender, status, health, and ethnicity.

***

If interested, please submit an abstract of 300-400 words (setting out thesis and conclusions) and a short biography (50-100 words) for a twenty-minute paper together with your contact details (with academic affiliation, address and e-mail) https://www.lyyti.fi/reg/passages2022cfp. The deadline for abstracts is January 31, 2022 and the notification of paper acceptance will be made in March 2022. Conference papers may be presented in major scientific languages, together with an English summary or translation, if the language of the presentation is not English. The sessions are formed on thematic coherence of the papers and on comparison between Antiquity and the Middle Ages, thus session proposals focusing on one period only will not be accepted. If the Covid-19 situation so requires, the conference has the option of participation via Zoom.

The registration fee is 130 € (post-graduate students: 60 €), online participation for presenters 50 €. For further information, please contact conference secretary saku.pihko@tuni.fi. The registration opens in April 2022.

The conference is organized by Trivium – Tampere Centre for Classical, Medieval, and Early Modern Studies (Faculty of Social Sciences/Tampere University) in collaboration with the ERC project Law, Governance and Space: Questioning the Foundations of the Republican Tradition (SpaceLaw.fi, University of Helsinki). This conference has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 research and innovation programme (grant agreement No 771874).

Call for Papers: Speculum Themed Issue: “Race, Race-Thinking, and Identity in the Global Middle Ages”

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22/11/2021

11:18

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Editors:

François-Xavier Fauvelle, Collège de France

Nahir Otaño Gracia, University of New Mexico

Cord J. Whitaker, Wellesley College

For far too long, scholarly consensus held that race and racism were mainly Enlightenment innovations, datable to no earlier than the seventeenth century. As long ago as the early twentieth century, some scholars pushed race’s origins to the sixteenth or even fifteenth centuries, but these scholars were few and far between. The Middle Ages and, with them, medieval studies were set off as a time and discipline innocent of race and racism. This remained generally true until the advent of critical medieval race studies in the late twentieth and early twenty-first centuries. Now, in 2021, special issues in major journals and no less than six full-length scholarly monographs have treated the imbrications of race with medieval art, literature, religion, and even the periodizing concept of the Middle Ages itself. Many more studies in medieval literature, history, art, religion, and culture have been conceptually informed by race, as have many studies in the modern perceptions and deployments of the Middle Ages. Speculum: A Journal of Medieval Studies calls for proposals for a themed issue, to be published as one of Speculum’s four quarterly issues, to recognize the intellectual value of the study of race to a comprehensive understanding of the Middle Ages.

We invite proposals for full-length essays (8,000-11,000 words) that interrogate race, race-thinking, and identity in the Middle Ages. For example, essays might consider the roles of race-making and racialization in the Islamic world; how race and identity, together with religion, was negotiated and navigated in border regions such as al-Andalus, Sicily or the Levant (between Latin Christendom and Islam), the Sahara and the Sahel region (between the Islamic world and Subsaharan Africa); how the dynamics of race-thinking informed relations between Latin and Greek Christendom and Islam or the Mongol Empire, or between the Muslim/Islamicate world and Christian, Jewish, Hinduist, and traditional-religious societies within it or beyond its reaches; how race intersected with the dynamics of trade and connectivity, religious affiliation and conversion, slavery and emancipation, peace and war. Essays may also take on the roles of race, race-thinking, and identity in the geography and periodization of the Middle Ages: Are historical moments that are quintessential to the history of race also relevant to medieval-and-modern periodizations? Essays may also consider how and why race, race-thinking, and identity have shaped modern concepts, uses, and scholarship of the Middle Ages.

The editors are open to essays that interrogate race, race-thinking, and identity in the Middle Ages by asking these and other deeply probing questions. Additionally, we are especially interested in essays that consider the globality of the medieval world: those that examine the networked interrelations and interdependences of Africa, Asia, the Americas, and Europe. In addition to scholarship in history and literature, we invite proposals using the tools and methods of anthropology, archaeology, art history, book history, historical linguistics, religious studies, sociology, and other fields germane to the studies of race, identity, and the Middle Ages.

The themed issue on race, race-thinking, and identity and the articles selected for it will be in keeping with Speculum’s purview as stated in the Guidelines for Submission: “preference is ordinarily given to articles of interest to readers in more than one discipline and beyond the specialty in question. Articles taking a more global approach to medieval studies are also welcomed, particularly when the topic engages with one or more of the core areas of study outlined above. Submissions with appeal to a broad cross-section of medievalists are highly encouraged.”

Proposals should be no more than 500 words in length and should be submitted by email to cord.whitaker@wellesley.edu with SPECULUM PROPOSAL in the subject line by 31 January 2022. The authors of selected proposals will be notified by 28 February 2022. Completed essays will be expected by 1 December 2022.

Call for Papers: New Visions of Julian of Norwich

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15/11/2021

10:48

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Somerville College, Oxford, 15th and 16th July 2022
Organisers: Antje Chan (Lincoln College, Oxford), Dr Godelinde Gertrude Perk (Somerville, Oxford), Raphaela Rohrhofer (Somerville, Oxford), Alicia Smith (English Faculty, Oxford).


In May 1373, Julian of Norwich (c.1343‒ after 1416) received a series of visions that engage with the mysteries of the divine-human relationship, inspiring the composition of A Vision Showed to a Devout Woman and, decades later, its revision, A Revelation of Love, now recognised as one of the most important texts in the medieval contemplative tradition and Middle English literature. Both have attracted numerous interpretations as visionary as Julian’s work itself, focusing on the significance of anchoritic enclosure, the radical originality of her vernacular theology, the historical and codicological context, as well as potential textual influences. Recent scholarship has explored Julian’s role in the global Middle Ages, her treatment of health, and her ecological poetics. Her texts have also sparked investigations of the role of materiality and provocative encounters between Julian and queer and trans theory.

This international hybrid conference will be the first academic event to focus solely on Julian’s writing, life, contexts, and influence long after her death. It seeks to consider the plurality of approaches towards her work’s interpretation and forge novel pathways of discussing the anchoress both in her own context and in the many scholarly and popular guises of her cultural afterlife. Aimed at established and early-career researchers alike, this interdisciplinary conference will bring together scholars from various disciplines to map out new and emerging dimensions in Julian scholarship. It will interrogate received assumptions and re-evaluate traditional disciplinary methodologies.

In addition to academic work on Julian’s writing, this conference also seeks to reach out of academe in responding to pastoral and contemplative engagement with her texts, particularly in the light of the pandemic. Two roundtables will bring lived religious practices and critical responses into dialogue. Creative explorations will also help invigorate Julian studies. We look forward to hosting Cindy Oswin’s one-woman play “Cell” about the anchorite as an older woman, and to showing a recording of the 2021 Oxford reconstruction of the medieval rite of enclosure held at St. Mary the Virgin, Iffley.


 The opening lecture will be given by Professor Nicholas Watson (Harvard) with responses from Professor Laura Saetveit Miles (Bergen) and Professor Barry Windeatt (Cambridge). Professor Liz Herbert McAvoy (Swansea) will close the conference.

We invite papers from any or multiple disciplines and deploying a wide range of methodologies, focusing on all aspects of Julian’s writing, life, contexts, or afterlife. We especially encourage proposals from graduate students and early-career researchers.

Possible themes include but are not limited to:

  • Emerging approaches to Julian’s texts
  • Illness, health, and disability  
  • Visual and material culture     
  • Queer, genderqueer, and trans theory approaches                                                                   
  • Julian’s wider intellectual and cultural contexts; e.g., Revelation and Vision in the movements of church reform across Europe during and after the western schism, or against the backdrop of continental vernacular literature                                
  • Interdisciplinary approaches to Julian
  • Julian and apocalypse                                                                          
  • Vision and Revelation as literary landmarks in medieval and post-medieval literature
  • Conversations with well and lesser-known vernacular visionaries and theologians in the British Isles, on the Continent, and beyond                                                                          
  • The history of emotions                                                               
  • Life-writing                                                                 
  • Creative engagement with Vision and Revelation: poetic, dramatic, visual arts    
  • Ecological concerns and themes                                                                                      
  • Issues of materiality, space, and embodiment in Vision and Revelation        

We also welcome proposals for contributions to the two roundtables. Potential topics include:

  • Retrieving Julian’s writings to renew contemplative and spiritual practices                        
  • Vision and Revelation and the pandemic moment       
  • Julian as a voice for the voiceless
  • Julian beyond the academy: contemplative practices, popular imagery, political uses

Please submit abstracts (up to 300 words) for a 15-minute paper or 10-minute round table contribution, accompanied by a short biography, to julianofnorwichconference@gmail.com by 1 February 2022.

In light of the pandemic, this conference will be a hybrid event combining in-person and online papers. We plan to stream the in-person papers live where possible for online attendees.

Reduced registration will be offered for postgraduate students and unwaged delegates. In addition, some travel bursaries for postgrads and unwaged delegates may be available.

This conference is part of “Women Making Memories: Liturgy and the Remembering Female Body in Medieval Holy Women’s Texts”, Dr Perk’s MSCA-IF project at the Faculty of Medieval and Modern Languages at the University of Oxford. This project has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 842443.
 
 




CFP: CCASNC 2022 ‘Marvels and Miracles’

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09/11/2021

13:00

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We are pleased to announce that the call for papers for CCASNC 2022 is now open. The Cambridge Colloquium in Anglo-Saxon, Norse and Celtic is an annual interdisciplinary graduate conference encompassing all aspects of the British Isles, Ireland, and Scandinavia in the Middle Ages. A selection of the papers will be published in the departmental journal Quaestio Insularis.

This year’s theme will be ‘Marvels and Miracles’’. Our keynote speaker will be Professor Alison Finlay, from Birkbeck University of London. We invite graduate students and recent graduates to submit abstracts of 250 words for papers no longer than 20 minutes to ccasnc@gmail.com by the 1st of December 2021.

The conference will be held on the 5th of February 2022, and it will be a hybrid conference, with the in-person component pending conditions at the time. Further details, including registration details, will be forthcoming. We hope the theme will inspire a wide range of interpretations and discussions. Potential papers could discuss wonders in many spheres: from hagiographical miracles and supernatural marvels to wonders in natural science. It could also include things that seem more marvellous to the modern reader and scholar than to a medieval audience, or to the absence of the marvellous or miraculous where it might be expected. We would like to encourage potential speakers to be as imaginative as they like with the theme. 

CFP: Adapting Violence in/from Classic Texts

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26/10/2021

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A 2-day online workshop to be held 24–25 March 2022, organised by Amy Brown (University of Bern) and Lucy Fleming (University of Oxford). This interdisciplinary event brings together specialists in literature, retelling, and feminist practice to consider how adaptations address various forms of violence in and from their canonical source-texts. Sources and adaptations examined may be in any language, though the workshop will be conducted primarily in English. Please submit proposals for 20-minute conference papers and/or text workshops online or via adaptingviolence@gmail.com. The deadline for submissions is 15 December 2021; we welcome papers from faculty members as well as postgraduates and early-career researchers. The workshop is supported by the University of Bern Fund for Promotion of Young Researchers. Attendance is free.

Plenary Sessions:

  • Urvashi Chakravarty (University of Toronto), Keynote Speaker
  • Maria Sachiko Cecire (Bard College), Plenary Respondent
  • Chitra Banerjee Divakaruni (University of Houston), Author Talk
  • Round Table on violence in adaptations (TBA)

Proposal Portal:

Due by 15 Dec 2021. For proposals we ask for a title, a 200 word abstract, and for ‘Text explorations’ an excerpt or description of the media you’ll share. Please submit online through our proposal portal – but if you have any problems, email us ( adaptingviolence@gmail.com ). Do note that the responses cannot be saved to return to later – you’ll want to draft your abstract somewhere else and paste it in.

Rationale:

Jyotika Virdi (2006) described the feminist creator seeking to represent rape in film as caught between a ‘rock and a hard place’’—that is, between the ethical call to represent oppressive reality, and the risk that representing violence may perpetuate harm. Similar concerns underlie the representation—in film, literary retellings, and other forms of adaptation—of racial violence, homophobia and transpohbia, and graphic physical violence, all of which are common in works held in high esteem for their literary and/or cultural value. Violence in these ‘classic’ works thus becomes a flashpoint for social, political, and creative tensions. In response, adaptations may reify violence in these texts, or critique it; they may represent violence in the name of fidelity, or seek to reclaim the text. Both adaptors and scholars must grapple with difficult questions: When is violence in adaptation important or useful? When is it negligent or even harmful? What uses does violence serve when adapting culturally prestigious texts, and how is these texts’ very prestige linked to the violence they contain?  

This two-day, online workshop will bring together specialists in the contemporary adaptation of ‘classic texts’ and adaptation as a premodern cultural practice to consider what concerns shape the reception and re-visioning of violence. We will explore the stakes involved in adaptation, and the uses and abuses of violence in adapting texts of high cultural value.  

We define ‘violence’ broadly, including both physical violence and social oppressions, and are interested in considering adaptation strategies across and in reaction to different axes of power, including but not limited to race, gender, and sexuality. In this workshop we seek to bring together scholars working on adaptations (any period) of ‘high status cultural texts’, where the source texts predate 1865. Those texts religious, mythological, artistic and historical source-texts as well as literary forms, and adaptations may be in widely varying media. These source-texts need not derive from any particular language, region, or literary tradition; rather, we aim to feature studies from a wide range of cultural contexts and time periods, to approach our central questions from many varied perspectives. In asking what it means to (re-)write violence, potential papers could address:  

  • Case studies grappling with the ethics of rewritten violence; 
  • Applying a lens of feminist theory, queer studies, violence studies, trauma studies or other interdisciplinary modes to ‘classic’ texts; 
  • Retellings or adaptations that challenge contemporary/contemporaneous ideas of violence; 
  • Retellings for particular or unusual audiences or readerships;  
  • The canonization of works containing violence;  
  • How adaptations and retellings relate to ‘real-world’ violence; 
  • The act of adaptation as a form of violence; 
  • Rewritings of violence that are radical, liberating, and even empowering acts. 

Workshop Format:

This workshop will be entirely online, with both synchronous and asynchronous participation options possible. Given the nature of global online conferences we anticipate that many participants will alternate between synchronous and asynchronous participation depending on their location, work and/or family commitments, accessibility needs, and other considerations. Some material will be uploaded and professionally captioned in advance; plenary sessions will be recorded, professionally captioned, and uploaded after the fact. Still other sessions will be unrecorded.

Further Information:

For full details, please visit the workshop website.

Call for Papers: Reshaping the World: Utopias, Ideals and Aspirations in Late Antiquity and Byzantium

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20/10/2021

11:01

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24th International Graduate Conference of the Oxford University Byzantine Society

25th—26th February 2022, in Oxford and Online

‘There is nothing better than imagining other worlds – he said – to forget the
painful one we live in. At least so I thought then. I hadn’t yet realized
that, imagining other worlds, you end up changing this one’.

– Umberto Eco, Baudolino

It is the creative power of imagination that Baudolino described to a fictionalised Niketas Choniates in this dialogue from Eco’s homonymous novel (2000). The creation of idealised imaginary worlds has the power to change the past, the present and the future. When imagination is directed towards more worldly goals, it becomes aspiration and such aspiration can influence policies of reform. When imagination is unrestrained, utopias are born.

The Oxford University Byzantine Society’s twenty-fourth International Graduate Conference seeks to explore the impact utopias, ideals and aspirations had in changing the course of history and, therefore, how imagined or alternative realities shaped the Late Antique and Byzantine world(s), broadly understood.  

Our conference provides a forum for postgraduate and early-career scholars to reflect on this theme through a variety of cultural media and (inter)disciplinary approaches. In doing so, we hope to facilitate the interaction and engagement of historians, philologists, archaeologists, art historians, theologians and specialists in material culture. To that end, we encourage submissions encompassing, but not limited to, the following themes: 

  • Theological and/or philosophical usage of utopias in the depictions of the ideal society, of the afterlife, or to serve a particular worldview; 
  • Political, administrative, martial, economic and religious reforms as embodiments of aspirations or ideals;  
  • Allegory as both a literary and philosophical tool that endowed texts with new and original meanings; 
  • The ‘Byzantine novel’ and utopias: sceneries, characters and endings; 
  • ‘Chivalry’ in Byzantium as a form of utopia, for example in works such as Digenis Akritis; 
  • Language purism as a form of utopia; 
  • Encomia, hagiography and historiography used to cater to and curate idealised images; 
  • Numismatics, for example the depiction of harmonious imperial families on coinage in defiance of ‘reality’; 
  • Gift-giving and exchange of luxury goods to communicate ideals or aspirations; 
  • The performance of ceremony and ritual to suggest the continuity, legitimacy and permanence of imperial power; 
  • The ideal city in various artistic media, for example frescos and manuscript illuminations; 
  • Utopian ideas conveyed through material objects like seals or epigraphs; 
  • Utopia and manuscript culture, for example the ‘perfect book’, illuminations of utopia/dystopia, and ‘idealised’ writing styles; and, 
  • Byzantium as a utopia in the post-1453 imagination.  

Please send an abstract of no more than 250 words, along with a short academic biography in the third person, to the Oxford University Byzantine Society by Friday 19th November 2021 at byzantine.society@gmail.com. Papers should be twenty minutes in length and may be delivered in English or French. As with previous conferences, selected papers will be published in an edited volume, chosen and reviewed by specialists from the University of Oxford. Speakers wishing to have their papers considered for publication should aim to be as close to the theme as possible in their abstract and paper. Nevertheless, all submissions are warmly invited.  

To read the full text of the call for papers, please visit the OUBS website here.

The conference will have a hybrid format, taking place both in Oxford and online. Accepted speakers are strongly encouraged to participate in person, but livestreamed papers are also warmly welcomed. 

OMS Small Grants MT 2021

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17/10/2021

19:45

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The TORCH Oxford Medieval Studies Programme invites applications for small grants to support conferences, workshops, and other forms of collaborative research activity organised by researchers at postgraduate (whether MSt or DPhil) or early-career level from across the Humanities Division at the University of Oxford.

The activity should take place between November 2021 and April 2022. The closing date for applications is Friday of Week 4 of Michaelmas Term 2021.

Grants are normally in the region of £100–250. Recipients will be required to supply a report after the event for the TORCH Medieval Studies blog. Recipients of awards will also be invited to present on their events at the next Medieval Roadshow.

Applicants will be responsible for all administrative aspects of the activity, including formulating the theme and intellectual rationale, devising the format, and, depending on the type of event, inviting speakers and/or issuing a Call for Papers, organising the schedule, and managing the budget, promotion and advertising. Some administrative and organisational support may be available through TORCH subject to availability.

Applications should be submitted to  lesley.smith@history.ox.ac.uk  using the grant application form. Applications submitted in other formats or after the deadline will not be considered.

Informal enquiries may be directed to lesley.smith@history.ox.ac.uk

The Oxford Medieval Studies Programme is sponsored by The Oxford Research Centre in the Humanities (TORCH).

NB: Given COVID-19, we will also consider applications for online or virtual projects, e.g., costs of hosting and/or designing a website, digital recording equipment, purchasing image rights and digitisation.

For more medieval matters from Oxford, have a look at the website of the Oxford Medieval Studies TORCH Programme and the OMS blog!