Environmental History Working Group


We are organising a couple of informal meetings this term for those interested in studying the past in ways that recognise the interactions and interconnectedness of animals, plants, humans, other beings, and the environment. This will be a space to talk about exciting developments in our field, interdisciplinary conversations, and new ideas and approaches. Discussion will be informal, and we encourage anyone at all interested in these kinds of approaches to come along, regardless of research specialism or presumed existing knowledge. Undergraduates are also welcome, particularly if they are considering a dissertation or further study in this area.

The first meeting will take place at 12.30-2.00pm on 11th November at St Catherine’s College, in Seminar Room 2.2. If you are interested in getting involved, please get in touch with susannah.bain@history.ox.ac.uk and huw.jones@history.ox.ac.uk.

Workshop: Body, Gender, Purity, and Sexual Pleasure: Biblical and Medieval Models

Friday November 19th 13.00-14.30 

Location: St John’s College, New Seminar Room

In medieval Europe, Jews and Christians put some of the same cultural resources (the Hebrew Bible/Old Testament) to different uses. Stereotypes abound here: Judaism is seen to be preoccupied with ritual pollution, Christianity with moral purity; Judaism is anxious about food, but celebrates marital sex. Christianity has fewer food laws, but many more anxieties about sexual activity—and about the body as a potential source of sin. All of these dichotomic assumptions invite renewed critical scrutiny—especially in a comparative framework—and a re-consideration of the biblical directives both cultures were grappling with.  

This workshop brings together expertise from the early, central, and late Middle Ages (respectively, Conrad Leyser, Neta Bodner, and Alice Raw), in conversation with Laura Quick’s expertise in the Hebrew Bible. Participants are invited to read with us to question how the body was treated, even used, as a vehicle for “correct” piety in ways that both differ and intersect across the Middle Ages. 

Spaces are limited to 30 participants; please sign up here: https://forms.gle/n6nvcCC4Us9C7R398

Report on OMS Activities 2020/21

A group of people

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The first meeting of the 2020-2021 Oxford Medieval Studies team, from left to right, top to bottom: Francis Leneghan (Co-Director), Mary Boyle (Mentor for the MSt Programme), Tom Revell (Events Coordinator), Sarah Bridge (Postgraduate Rep), Mark Williams (Director of the Medieval Studies Master Programme), Caroline Batten (Comms Officer and Mentor for the MSt Programme), Scott Moynihan (Postgraduate Rep), Llewelyn Hopwood (Social Media Coordinator), Alexandra Vukovich (Mentor for the MSt Programme), Henrike Lähnemann (Co-Director)

Oxford Medieval Studies has had another hugely productive year, despite – or even partly because of – the pandemic. Following the excellent advice of TORCH’s Nikki Carter, we decided to expand the team to cover different aspects of communication and online events management (see image and the report on the team). Under the stewardship of Caroline Batten as Comms Officer who developed the weekly email into a poetic artform, a whole wassail of postgraduate medievalists pulled the digital strings, commissioned and wrote blog posts, ran conferences, tweeted, recorded roundtables, and in between used every open air medieval venue around Oxford to meet covid-safe in person. A splendid example for this was the ‘Dark Archives 2.0’ conference which kicked off the academic year (read a report by Llewelyn and Tom about their experience in running the conference); Stephen Pink who organised this for Medium Aevum had already in 2019 conceived this as a digital-born conference (http://darkarchiv.es/) so that in September 2020 we were ahead of the learning curve of zoomified academic life. We even dared – and pulled off – a medieval Compline, sung in Latin from five locations around Oxford, including the Norman Crypt of St-Peter-in-the-East, the library church of St Edmund Hall.

The Hilary Term Interdisciplinary Lecture, live streamed via the OMS Youtube channel, was delivered by Prof. William Chester Jordan, as was the reflection by Jim Harris from the Ashmolean on the importance of objects for teaching medieval studies. Together, the videos of the OMS channel attracted several thousand views since its start a year ago. The medieval studies booklets have been downloaded over 1500 times, the weekly newsletter has over 700 subscribers and the twitter feed @OxMedStud is reaching nearly 5,000 followers.

With the new academic year, we are starting to bring back in-person events while continuing with online events for outreach purposes. What definitely will be a live all-sensory event is the second edition of the Medieval Mystery Cycle which is planned for 23 April 2021 and will bring together a dozen different groups of medievalists, performing multi-lingually in various locations around St Edmund Hall. Like 2019, it will be directed by Henrike Lähnemann and Lesley Smith who has also now taken on the role as Co-Director. Also new in the team is Luisa Ostacchini who has taken over the Communications Officer role from Caroline Batten and is making the weekly emails even more colourful with newly captioned snippets from Oxford manuscripts.

Henrike Lähnemann (Modern Languages)

Lesley Smith (History)

Timeline

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A selection of blog posts from the start of the academic year 2020-21: Medieval advice on social distancing, a how-to guide to applying for a PhD and much more

Symposium: English Perceptions of the Material Text 1300-1600

A free, three day online symposium organised by Dr J.R. Mattison and Eleanor Baker, 9th-11th December 2021.

To register, please follow this link and fill in your details:

https://forms.gle/VZFr1qRuw1Xem7z47

If you have any questions, please contact

medieval.text.perceptions@gmail.com 

Follow us @TextMedieval

 

PROGRAMME:

Thursday 9th December:

Making Material Texts                      

8:00am (PCT)/ 10.00am (CDT)/ 4:00pm (GMT)/ 5.00pm (CET)

Making Manuscripts in the Twenty-First Century: Filling the Gaps in Medieval Recipes

Sara Charles (Institute of English Studies, University of London)

Imagining Medieval Colours: Blue Colour Terms in Cambridge, Trinity College, MS O.9.3

Maryann Pierse (Independent Scholar)

Sheepskins and the Law in Early Modern London

Lily Freeman-Jones (Queen Mary, University of London)

*

  Devotion and Material Texts 

  9:15am (PCT)/ 11:15am (CDT)/ 5:15pm (GMT)/ 6:15pm (CET)

  Lomen to tilde wið þe heorte’: Utility and the Idea of the Book in Ancrene Wisse

  Nia Moseley-Roberts (Jesus College, University of Oxford)

  ‘The fourtenth lefe of thys register’: Channelling Devotional Power at Syon Abbey 

  Julia King (University of Bergen)

  William Caxton and the Creation of Fifteenth-Century English Devotional Canon

  Elizabeth Perry (Texas A&M University)

*

  Authors and Material Texts 

  10:30am (PCT)/ 12:30pm (CDT)/ 6:30pm (GMT)/ 7:30pm  (CET)

  Ovid’s ‘Best Line’: Medieval Responses to the Heroides

  Rebecca Menmuir (Queen Mary, University of London)

  Passing the Buke in Late Medieval Dream Poetry: The Case of Gavin   Douglas’s Palice of Honour

  Laurie Atkinson (Durham University)

  The Imagery of Writing in the First Plantagenet Court

  Joyce Coleman (University of Oklahoma)

Friday 10th December:

Buying, Selling, and Owning Material Texts

8:00am (PCT)/ 10.00am (CDT)/ 4:00pm (GMT)/ 5.00pm (CET)

Second-hand Books

Hannah Ryley (Balliol College, University of Oxford)

Shifting Perceptions of the Library in Late Medieval Durham

J.D. Sargan (Durham University)

 Buying and Selling Books Around St Paul’s Cathedral: ‘Be Dishonest, and tell Lies’

  Benjamin King-Cox (Independent Scholar)

*

  Displaying Material Texts

  9:15am (PCT)/ 11:15am (CDT)/ 5:15pm (GMT)/ 6:15pm (CET)

  “I labour upon a Cobwebbe”: Writing on Display in Early Modern England

  Grace Murray (University of York)

  Taking Stock: William Caxton’s Manuscripts and the Idea of English Readership

  Lindsey Jones (Texas A&M University)

  The Material Forms of Lydgate’s Testament

  Niall Summers (Trinity College, University of Oxford)

Saturday 11th December:

Material Texts in Flux             

8:00am (PCT)/ 10.00am (CDT)/ 4:00pm (GMT)/ 5.00pm (CET)

 ‘Bind this to her’: The Use of Material Texts in English Childbirth, 1400-1540

Róisín Donohoe (University of Cambridge)

And som all ther eynke sched,/And som ther bokes rent’: Ripping, Tearing, and Splitting in the Comic Tale Jack and his Stepdame

Hannah Bower (University of Cambridge)

Chaos Under Control: Introduction to the Problematics of the Expression of Chaos in Medieval Manuscripts from England

 Adrienn Orosz (Eötvös Loránd University, Budapest)

*

  Imagining Material Texts

  9:15am (PCT)/ 11:15am (CDT)/ 5:15pm (GMT)/ 6:15pm (CET)

  The Unequal Powers of Speech and Text: English Charms, 1350-1500

  Katherine Storm Hindley (Nanyang Technological University, Singapore)

  Material Evidence, Immaterial Intentions 

  Daniel Wakelin (University of Oxford)

  Imagining the Forbidden Reader

  Alexandra Da Costa (University of Cambridge)

OMS Small Grants MT 2021

The TORCH Oxford Medieval Studies Programme invites applications for small grants to support conferences, workshops, and other forms of collaborative research activity organised by researchers at postgraduate (whether MSt or DPhil) or early-career level from across the Humanities Division at the University of Oxford.

The activity should take place between November 2021 and April 2022. The closing date for applications is Friday of Week 4 of Michaelmas Term 2021.

Grants are normally in the region of £100–250. Recipients will be required to supply a report after the event for the TORCH Medieval Studies blog. Recipients of awards will also be invited to present on their events at the next Medieval Roadshow.

Applicants will be responsible for all administrative aspects of the activity, including formulating the theme and intellectual rationale, devising the format, and, depending on the type of event, inviting speakers and/or issuing a Call for Papers, organising the schedule, and managing the budget, promotion and advertising. Some administrative and organisational support may be available through TORCH subject to availability.

Applications should be submitted to  lesley.smith@history.ox.ac.uk  using the grant application form. Applications submitted in other formats or after the deadline will not be considered.

Informal enquiries may be directed to lesley.smith@history.ox.ac.uk

The Oxford Medieval Studies Programme is sponsored by The Oxford Research Centre in the Humanities (TORCH).

NB: Given COVID-19, we will also consider applications for online or virtual projects, e.g., costs of hosting and/or designing a website, digital recording equipment, purchasing image rights and digitisation.

For more medieval matters from Oxford, have a look at the website of the Oxford Medieval Studies TORCH Programme and the OMS blog!

CMTC Work In Progress Colloquium

Please join us for two online talks hosted by the Centre for Manuscript and Text Cultures at The Queen’s College in the University of Oxford. Our centre promotes inter-disciplinary discussion among scholars and students interested in manuscripts and material culture in the premodern world. So your participation is most welcome regardless of your field of specialty.

We are meeting on Zoom on Tuesday 19th October at 12,30-2,00pm (UK time).

  1. Laura Banella (Mediaeval & Modern Languages, Wolfson College, Oxford)

“The Materiality and Textuality of Medieval Italian Lyric Poetry”  
The physical act of copying, editing, printing, annotating, and circulating literature has the power to create and construct an intellectual figure as an author, an auctor and an auctoritas, that is, an author as “creator” and “cultural authority”. Through a selection of Dante’s and Petrarch’s texts in material contexts, and specific instances of the circulation and reception of their lyric poetry, this talk explores medieval and early modern authoriality; the qualities of books as “textual objects”, and the ways in which context, form, and annotation in single books may bestow cultural authority upon authors and works, at a time when lyric poetry was a key-genre in the cultural system. In the late Middle Ages and in the Renaissance, Dante and Petrarch were the two main authors governing the Italian cultural field, especially as regards lyric poetry, and they soon enjoyed international success. Dante and Petrarch have been appropriated, rewritten, and repurposed by various literary, political, and ideological movements across centuries, shaping a transnational European cultural identity.  What is more, the in-between space of multi-text and multi-author volumes is a repository of meaning and large cultural discourses: the significance of the order and selection of medieval lyric poems, and the meaning of lyric sequences is one of the crucial issues in literary hermeneutics, both for authorial and non-authorial collections.  

  1. Zhan Zhang (Oriental Studies, St Antony’s College, Oxford)

“Form, Format, and formulae. Scribal conventions in first-millennium central Asia”
Central Asia in the first millennium CE, for the most part, was politically fragmented, and saw the flourishing of a number of (semi-)independent city-states, which produced secular documents in a multitude of languages/scripts, including Gandhari/Kharoshthi in Loulan, Khotanese/Brahmi in Khotan, Tocharian/Brahmi in Kucha, Sogdian/Aramaic in Sogdiana, and Bactrian/Greek in Bactria. A fairly large number of these documents have come to light in the last century or so, and received philological treatments individually or as a group. A synthetic analysis across the linguistic boundaries, however, is still lacking. In my talk, I will demonstrate that these documents display a number of common features in terms of form (materiality), format (diplomatics), and formulae (wording). Examples include notches on double wooden slips, sealing practice, indentations in letters and official orders, clauses and their sequence in purchase contracts, and shared technical lexicons of administration. All of these commonalities point to a shared scribal convention, the origin of which can be traced  back to the Kushan Empire. I will further explore the implication of this attribution for our understanding of the history of first-millennium Central Asia.
Here

Attendance is free of charge but sign-up is mandatory. You can sign-up here.

We will send a Zoom link to all participants by the end of the week.

Medieval Matters: Week 0 and Booklet

Michaelmas Term is finally here, which means that our Medieval Booklet has now arrived! Inside you will find details of all of the seminars, events and reading groups happening this term, as well as some CFPs and save the dates for future events. Please do peruse and fill your calendars up!

I’d also like to take this opportunity to remind you of our blog, which not only includes an archive of the Medieval Matters newsletters, but also CFPs, posts from Oxford Medievalists, and a handy calendar so that you can always keep an eye on upcoming events and copy the details to your own online calendar. We would love to receive submissions for blog posts, whether these are events, reports on ongoing projects or conferences. If you have an idea for a blog post, please email luisa.ostacchini@ell.ox.ac.uk or lesley.smith@history.ox.ac.uk.

A new term means new faces around Oxford. If this is your first Medieval Matters email, I’d like to extend a warm welcome to the Oxford Medievalist community on behalf of the OMS team! If you are a course convenor for a medieval MSt, please block-enrol your students for the newsletter (or send me names for block enrolling) so that we catch all new MSt and doctoral students in medieval subjects and ensure that everyone receives all of the latest Oxford Medieval updates. If you know of any new medievalists who have joined Oxford and wish to have them added to the mailing list, please do contact me on luisa.ostacchini@ell.ox.uk. Alternatively, anybody can subscribe themselves to the Medieval Matters newsletter via the ‘About’ section of the blog – please do share the link with your incoming students.

Onto the announcements for this week:

  • Medieval Roadshow: We are still taking submissions for this year’s Medieval Roadshow, which is a great way for all seminar/reading group/medieval event convenors to publicise their wares. Come and give a two-minute in-person advert at this term’s Roadshow: Tuesday 12th October, 5-7 pm, at Teddy Hall. Please email luisa.ostacchini@ell.ox.ac.uk so she can get an idea of who’ll be talking — but if you haven’t ‘booked’ don’t worry – turn up anyway and we’ll fit you in. The Roadshow is an excellent way re-connect with our medieval community after so many months of virtual events. We are also happy to host virtual speakers via a Teams link: if you would like to present, but would prefer to do so remotely, please just let Luisa know so that arrangements can be made.
  • Oxford Medieval Graduate Conference: We are delighted to announce that the theme of the Eighteenth annual Oxford Medieval Graduate Conference will be Medicine and Healing, and that we are looking for new committee members! Please email oxgradconf@gmail.com, if you are interested!
  • Oxford Medieval Commentary Network: The first workshop and initial meeting of the Medieval Commentary Network will take place on 9th October, Christ Church, Research Centre., 8:30-5:30pm. Please email medievalcommentarynetwork@gmail.com with any questions and for further information.

Finally, a little wisdom from Alcuin to inspire you this week:

o quam dulcis vita fuit, dum sedebamus quieti inter sapientis scrinia, inter librorum copias

[‘Oh, how sweet life was, when we sat at leasure amongst the stacks of a learned man, amongst an abundance of books’ Ep. 281 ]

May your Michaelmas term be filled with such joys as these!

A manuscript illumination of a coot making its nest on water and on a rock
A coot kindly delivers the Michaelmas Term booklet to the email inbox of Oxford’s Medievalists: Merton College, MS 249, f. 10v. [view image and text in the Taylor Edition by Sebastian Dows-Miller
https://editions.mml.ox.ac.uk/editions/bestiary/#Fullica

Hold the Date – Workshop on the Murbach Hymns and MS. Junius 25

Vernacular Glossing in the Early Middle Ages

First lines of the Murbach hymns (fol. 122v, Oxford, Bodleian Library, MS. Junius 25).

When?           17th/18th February 2022 (week 5)

What?            In this workshop, the fascinating Murbach hymns – a Latin hymnal with Old High German interlinear glosses from the 8/9th century – and their manuscript (Oxford, Bodleian Library MS. Junius 25) will be carefully examined regarding their translation technique, use and function, cultural background and transmission. Expect an afternoon full of presentations and discussions, a peek in the original manuscript and a live recitation of the hymns.

For further information, visit http://medieval.seh.ox.ac.uk/2021/11/26/webinar-the-murbach-hymns/.

Convenor: Luise Morawetz (luise.morawetz@mod-langs.ox.ac.uk)

Workshop: Oxford Medieval Commentary Network

Saturday, 9 October 2021, Christ Church, Oxford

Sign-ups for the workshop are now open. Sign-up closes 15 July 2021.

Sign-up form

The first workshop and initial meeting of the Medieval Commentary Network will take place at Christ Church, Oxford, on 9 October 2021, from 9am – 5pm. A buffet lunch will be provided. The workshop is free of charge for all participants.
This will take place as an in-person workshop (unless government regulations change). Unfortunately we are unable to live-stream the event, but we are hoping to make recordings of some talks available online after the event (subject to speaker approval).

Speakers include Alastair Minnis, Andrew Kraebel, Edit Lukacs, Audrey Southgate, Elizabeth Doherty, Malena Ratzke, Zachary Guiliano, Bond West, Rachel Cresswell, and others. The full conference programme will be available at https://medievalcommentary.network/ by the end of July.

We recognise that the current situation brings with it a great deal of uncertainty regarding travel; if you find you are no longer able to attend, please let us know as soon as possible.

Please email medievalcommentarynetwork@gmail.com with any questions and for further information.

CALL FOR PAPERS (archived version; CfP now closed)

Manuscripts Live: Singing from Medieval Sources in the Bodleian Library

Building on the success of Gregorian chant workshops  with manuscripts from the Bodleian Library (Singing Together, Apart 1  and Singing Together, Apart 2 ), a group of Oxford medievalists are offering insights into working with manuscripts during lockdown. Meet some of the manuscripts from the Abbey of Medingen, recently digitized through the Polonsky German project, and sing along to chants from the Easter period.  A special focus was on the ‘Exsultet’ which attracted some of the most colourful illumination of the manuscripts as well as detailed devotional instructions in Latin and Low German on how to sing it both out aloud and “on the harp strings of the soul”. Read more on Savouring the Exultet at Medingen in this blog post by Innocent Smith OP for the Polonsky German manuscript digitisation project.

Andrew Dunning, R.W. Hunt Curator of Medieval Manuscripts, showed the Medingen manuscripts at the Bodleian Library live via visualiser from the Weston Library; Zachary Guiliano, Chaplain of St Edmund Hall, Henrike Lähnemann, Professor of Medieval German Literature and Linguistics, and Nick Swarbrick, Gregorian chant instructor, and Connor Wood, Organ Scholar at St Edmund Hall, formed a Schola in the Crypt of St-Peter-in-the-East, the library of St Edmund Hall, and commented on the manuscripts, the music, and their theological significance. Two graduate students working on the Easter prayer books, Carolin Gluchowski and Marlene Schilling, pointed out some of the special nuntastic features of the manuscripts.

This was part of the IMC Leeds Fringe Events but open to all manuscript and music enthusiasts! Music downloads for the event: Nunc dimittis (audience sings the ‘repetitio’ Lumen ad revelacionem gencium as congregational responses); Exultet (audience sings the congregational responses); Victime paschali laudes (audience sings the ‘Christ ist erstanden’ as congregational response and the question of the disciples Dic nobis Maria…)

Exultet iam angelica turba celorum…

Oxford, Bodleian Library, MS. Lat. liturg. f. 4, fol. 20r – view the full manuscript on the Polonsky German website hab.bodleian.ox.ac.uk

Website Medingen Manuscripts

Recording of the first Polonsky German Workshop “Singing Apart, Together”.

Instruction for the Medingen Provost when during the ‘Exsultet’ to put the incense into the Easter candle, Bodleian Library MS. Lat. liturg. e. 18, fol. 36v