Play: The Enterlude of the Godly Queen Hester

When? 28 March, 18:30–20:15
Where? Research Centre, Thatched Barn, Christ Church Meadow

The anonymous English Enterlude of Godly Queene Hester (c. 1529) is a fascinating play, unperformed since the 16th century. Ostensibly in praise of Esther, heroine of Jewish history, the play is actually a political satire about the demise of Cardinal Wolsey. The fall of Wolsey, who had been the monarch’s right-hand man, was a key moment in the reign of Henry VIII. Assuerus, King of Persia, stands for Henry, while Aman, the model of the evil counsellor, for Wolsey. Henry’s wife, Katherine of Aragon, is idealised in the figure of Hester, who fills a traditional role for virtuous royal women by interceding with her husband, but also boldly argues that queens should exhibit the same virtues as kings and can perfectly well govern kingdoms when their husbands are away fighting wars! She thus anticipates the strong secular heroines of Shakespearean comedy.

Originally, the play would have been performed by a boys’ company so it is appropriate that it will be staged by Edward’s Boys. This company, from King Edward VI School, Stratford-upon-Avon, has, over the last two decades, revolutionised our understanding of the early modern repertoire. Alongside the English Enterlude, they will also present a short purimshpil, a Jewish folk play. The purim plays (still a living tradition in Yiddish) tell the story of Esther in a very different mode, celebrating the rescue of the Jewish people by their heroine in farcical style. The production is part of the WOMARD project, which explores connections between Jewish, Christian and Islamic Theatre and is sponsored by the SNSF.

Book your ticket here

The performance will be preceded by free talks, on Esther in Reformation Europe, and the purimshpil: 

16:00-16:45 Professor Cora Dietl, talk on ‘The Esther tradition and Reformation in medieval and early modern Europe

16:45-17:15 Rabbi Bex introduces the purim tradition, and a Q and A session with Bea Baldwin 

Esther pleads for the Jewish people; from The Queen’s College Library, Sel. d. 81, a Sammelband of Reformation-related pamphlets. Retratos o Tablas de las Historias de testamento (1568)
Retratos o tablas de las historias del Testamento viejo, : hechas y dibuxadas por vn muy primo y sotil artifice. Iuntamente con vna muy breue y clara exposicion … de cada vna dellas en Latin, con las quotas de los lugares de la sagrada scritura de donde se tomaron, y la mesma en lengua Castellana, para que todos gozen delas. Frellon, Jean, -1568 M. D. XLIX. | En Lion de Francia, : [Excudebat Ioannes Frellonius] | [52] leaves : ill. ; 4⁰


 

Job: Professor in Latin Palaeography

The Faculty of History and Wadham College are seeking an outstanding palaeographer to join the team of medieval historians. Medieval History is exceptionally strong in Oxford with a large and lively community of taught graduates, doctoral students and postdoctoral early career researchers.  The collegiate university is home to the largest university-based collection of medieval manuscripts in the world.

This post is an exciting and demanding opportunity for a proven scholar and talented teacher whose research and teaching specialism is in the history of Latin manuscripts (codices, documents, fragments thereof) within the disciplinary context of medieval history.  Beyond a specialism in scripts used for writing medieval Latin, there are no chronological or geographical preferences, and the successful candidate will be responsible for graduate teaching across the entire span of Late Antiquity and the Middle Ages including book and documentary traditions. The person appointed will conduct research of the highest quality suitable for submission to REF within the broad parameters of the discipline of medieval history, will seek external grant funding for manuscript-related projects and will participate in the public engagement and knowledge dissemination activities of the Bodleian Libraries and the colleges of the University.

The appointee will be expected to play a full part in the academic life of the Faculty of History and Wadham College and will work closely with colleagues in other faculties within the Humanities Division. The University of Oxford uses the grade of associate professor for most of its senior academic appointments. Associate professors are eligible for consideration through regular recognition of distinction exercises for award of the title of full professor.

We welcome applications from candidates at all post-doctoral career stages, including at professorial level. We are committed to creating a diverse academic workforce and positively encourage applications from under-represented communities. We particularly encourage applications from women (approximately 40% of Faculty posts are held by female academics), people with disabilities and Black, Asian, and minority ethnic candidates.

The appointee will be a member of the Faculty of History and a non-tutorial fellow of Wadham College. The post is tenable from 1 October 2025 or as soon as possible thereafter. The deadline for applications is Wednesday 19th March 2025Presentations and interviews are expected to take place in Oxford late April/Early May.

Queries about the post should be addressed to the Chair of the History Faculty Board, Professor Martin Conway  or the Chichele Professor of Medieval History, Professor Julia Smith. All enquiries will be treated in strict confidence; they will not form part of the selection decision.

Pay Scale : Associate Professor Grade 36S: £55,755 to £74,867 per annum plus additional benefits and allowances as detailed in the job description. Further particulars: AP in Medieval Latin Manuscript Studies FP-FINAL.pdf

Apply Now

Medieval Women’s Writing Group

Talk: Breaking Walls, A Graphic Novel: Reflections on Public History. Medieval Women’s Writing Research Seminar

Friday 28 February 2025, 5pm -7pm

Lower Lecture Room, Lincoln College, Turl St, Oxford OX1 3DR

Medieval Women’s Writing Research Seminar Hilary Term 2025

Lower Lecture Room, Lincoln College

Week 6: Friday, 28 February 2025, 5pm

Speaker: Dr Carolin Gluchowski (University of Hamburg) 

All welcome

The Medieval Women’s Writing Research Group meets to discuss everything to do with women’s writing in the medieval period. We hold a variety of events throughout the term. All welcome! 

 Week 1,  Saturday 25th January   Medieval Women’s Writing Research Group Trip to the British Library’s exhibition “Medieval Women” (London) – The registration period for subsidised tickets has passed but if anyone wants to purchase their own tickets for the same time slot and join our group, please get in contact with Kat Smith: katherine.smith@lincoln.ox.ac.uk  
 Week 3, Wednesday, 5th February    Special Event: Medieval recipe books at the Oxford Bodleian Libraries. A collaboration between Critical Food Studies Network, Medieval Women’s Writing Research Group and the Bodleian Academic Engagement – Horton Room, Weston Library  
 Week 6, Friday, 28th February   Medieval Women’s Writing Research Seminar: Dr. Carolin Gluchowski (University of Hamburg) – Breaking Walls, A Graphic Novel: Reflections on Public History (provisional title) – Time & place tbc  
 Week 7, Friday, 7th March   Medieval Women’s Writing Research Seminar: Ved Prahba Shama (Independent Researcher) – Medieval Indian Women’s Writing (provisional topic) – Online 12.30pm (GMT), registration details tbc  

Please see the individual dates for time and place of the session. 

Stay up to date with events by joining our mailing list or following us on X @MedievalWomenOx

Convenors: Katherine Smith, Marlene Schilling and Santhia Velasco Kittlaus. 

Funded by the “TORCH Critical-Thinking Communities” fund. 

Krasis: Object-centred symposia at the Ashmolean

Krasis is a unique, museum-based, interdisciplinary teaching and learning programme, which began life at the Ashmolean in 2017, devised by classicist (and historian of ancient Boeotia) Dr Sam Gartland and Teaching Curator Dr Jim Harris. In 2018, the programme won a University of Oxford Humanities Division Teaching Excellence Award. Hilary term 2025 was its 22nd iteration.

Each term Krasis gathers eight early career researchers from the University of Oxford (the Ashmolean Junior Teaching Fellows or AJTFs) and 16 current Oxford undergraduates and taught-postgraduates (the Krasis Scholars) for a series of object-centred symposia, devised and delivered by the Teaching Fellows, who each address a shared theme from the standpoint of their own discipline and their own research.

For the Krasis Scholars, the programme offers first-hand insight into what an academic pathway might look like, and provides a rare opportunity to learn directly from researchers and to contribute to the conversation from within their degree specialism. For the AJTFs, it offers a forum for interdisciplinary dialogue and a ready, able team of students and colleagues to explore creative, imaginative approaches to collaborative, collections-based teaching. For all participants, it offers the chance to engage with the peerless collections of the Ashmolean at first hand.

Over the past seven years, Krasis has seen series on Power, the Body, Absence, Presence, Performance, Devotion, Imitation, Voices in Conflict, Movement/Transition, Play, Danger, Identity, Constraint, Opening, Becoming, Belonging, Re-Use, Work, Dialogue, Container, Wealth, Intersections, and Ruptures. We have used objects ranging from kimonos, musical scores and Tibetan musical instruments to Renaissance bronzes, newspaper advertisements, palaeolithic hand-axes and ancient Egyptian magic wands.

Most recently, we have used images loaned to the Ashmolean by the Terra Foundation for American Art to anchor each symposium, with Teaching Fellows connecting outwards from them to explore, for example, Chinese jade, the anthropology of obesity, economic aspiration in the French Revolution, witchcraft and common wealth in early modern Europe, and gift-giving in pre-Christian Sweden, in symposia involving four thousand years of objects from Egypt, China, Japan, Europe and ancient West Asia.

Krasis Teaching Fellows and Scholars have come from Classics, English, History, Economics, Fine Art, Chemistry, Archaeology, Anthropology, Egyptology, Assyriology, Russian, Japanese Studies, German, Earth Sciences, Engineering, Politics, French, Portuguese, History of Art, Arabic, Physics, Statistics, Islamic Studies, Development Studies, Geography, Music, South Asian Studies, Philosophy, Linguistics, Theology, Women’s Studies, Experimental Psychology and Law, and from almost every college of the University.

The growing number of former Scholars returning as Teaching Fellows testifies to the impact of Krasis on its participants. If you’d like to take part, please fill out the application form and return it to krasis@ashmus.ox.ac.uk by 5pm on Friday of 8th week, 14th March.

Four afternoons to change your way of thinking. Forever.

CfP: SELIM 35

The 35th International Conference of the Spanish Society for Medieval English Language and Literature (SELIM 35) will be hosted by the Department of English at the University of Málaga, 24th-26th September 2025. There is a long-standing link of SELIM to Oxford since offer Bruce Mitchell Award for early-career scholars which honours the memory of Dr Bruce Michell (1920–2010), a distinguished scholar of Old English, his long-enduring contribution to the field of medieval English language and literature and active involvement with the Society’s activities and journal in their early decades.

As in previous SELIM conferences, SELIM 35 will have four thematic panels accepting proposals on any topic related to any aspect of linguistic and literary research on Old and Middle English:

PanelPanel coordinatorContact
Old English Literature and CultureFrancisco Rozano-Garcíafrozg@unileon.es
Old English Language and LinguisticsEsaúl Ruiz Narbonaernarbona@us.es
Middle English Literature and CultureAndoni Cossio Garridoandoni.cossio@ehu.eus 
Middle English Language and LinguisticsMarta Pacheco Francomartapacheco@uma.es

Scholars interested in offering 20-minute presentations (followed by a 10-minute discussion) must send a 300-word abstract (excluding references) in electronic format (please use this MSWord template) to the panel coordinator before 30 March 2025. Acceptance of proposals will be confirmed by 15 April 2025. References should comply with the latest APA format (7th edition). Should you have any doubts regarding panel adscription, please send your proposal to the Organising Committee at selim35@uma.es.

Important dates
Proposal submission: 30 March 2025
Notification of acceptance: 15 April 2025
Registration (early bird): 16 April – 15 June 2025
Registration (regular): 16 June – 12 September 2025
Conference dates: 24 – 26 September 2025

For further information please contact the organizing committee at selim35@uma.es.

The Epiphanytide Mysteries

A performance of a medieval mystery play cycle, with a reconstruction of the no longer extant wedding at Cana episode. Directed by Philipp Quinn and Elliott Clark.

When: Saturday, 25 January 2025, 2pm
Where: Pusey House, Oxford

Philipp writes: We at Pusey House welcome all and sundry to join us as we continue our Epiphanytide celebrations with carefully selected mystery plays. The event is not ticketed. The runtime should be roughly an hour. We very much look forward to seeing you there!

Pusey House put on mystery plays for the first time in 2023. In that first performance, we sought to portray the Bible’s broad “narrative,” with the Creation, the Fall, the Passion, and the Final Judgement as our highlights. This time, in connection with the Epiphany Season, we’ve chosen to emphasize the Magi, Jesus’ baptism, and the Wedding at Cana. In prioritizing that theme, we’ve had to be more eclectic in our sources this year. Whereas our first performance was based largely on the York cycle, our current plays are drawn from both the Chester and York cycles. Our plays also an original, the Wedding at Cana, since the Wedding is not found in the Chester cycle and has not survived (apart from a line-and-a-half fragment) in the York cycle.

Epiros: The Other Western Rome, Workshop 8th-9th November 2024

On Friday 8th and Saturday 9th November, the online workshop Epiros: The Other Western Rome was held, platforming twenty-one papers from sixteen universities. As the second phase of a new international project, the workshop investigated the Byzantine successor-state of Epiros (1204–1444). Formed from the Fourth Crusade, this Balkan state existed as an alternative narrative and third Byzantine-Roman context, encompassing a vast variety of peoples of the former empire.

Originally envisioned as a one-day workshop, the programme was expanded to two days to accommodate so many excellent submissions. As a result, we were able to offer panels on, The ‘Post-Komnenian System’, ‘Epiros and Bulgaria’, ‘Epiros and its other Neighbours’, ‘Network Analysis,’ ‘Hybrid Material Culture,’ and more. The workshop’s convenors are hugely grateful for the participation of speakers and attendees, as well as the support of both The Oxford Centre Research Centre in the Humanities (TORCH) and the Oxford Centre for Byzantine Research (OCBR).

An edited volume of papers is planned, and a selection of images below.

Medieval Afterlives Season Workshop

Date: Tuesday 21 January, 13.00-14.00, with lunch provided from 12.30
Location: Colin Matthews Room, Radcliffe Humanities (and online via MS Teams)

As part of the preparations for annual ‘Cultural Seasons’ in the new Schwarzman Centre for the Humanities, this is an invitation to brainstorm ideas for a Cultural Programme Season on Medieval Afterlives. From Oxford Medieval Studies, Prof. Marion Turner (English), Prof. Henrike Lähnemann (MML), Prof. Nancy Thebaut (History), and Prof. Elizabeth Eva Leach (Music) are already collaborating with the Cultural Programme on possible opportunities for the season and John Fulljames, Director of Oxford University’s Humanities Cultural Programme, is keen now to extend an invitation to others to join the conversation to explore and test the potential for the season and bring together researchers who could be involved in shaping and delivering it.
The focus of the season will be on contemporary creativity, while also centring Oxford’s extraordinary medieval resources where appropriate – our manuscripts, instruments, objects, architecture, and spaces. This season might engage with novelists, poets, musicians, graphic artists, puppeteers, playwrights, actors, composers, designers, children’s book writers, textile workers, cartoonists, computer game programmers, AI technology, and more.
We would like the season to be ambitious and international while also engaging grass-roots, local communities, especially schools and young people. It will be wide-ranging, inclusive, accessible, innovative, and fun. We also want to be open about the dark side of medieval appropriations in recent years, especially by the far right (see the previous TORCH OMS workshop on Medieval Studies and the Far Right), and to examine and counter these narratives. While we want to bring in high-profile writers and artists, we also want to celebrate the creativity of everyone, including students. The season would be likely to take place circa 2028.
One overarching question might be whether this kind of contemporary creativity is an end in itself, or a gateway to the medieval past. Please come along to this initial group meeting for all interested parties, which will be structured around the question: What has medieval research to do with contemporary creativity?

If you have something you would like to share or discuss in advance, please feel free to reach out to the researchers who are already involved or the Cultural Programme via Justine Shaw. Please RSVP to: Cultural Programmes with ‘Medieval Afterlives Workshop’ (culturalprogramme@humanities.ox.ac.uk) in the subject line by 7 January 2025.

Image: ‘Serenade to Chaucer’, a pop-up version of Chaucer’s ‘Miller’s Tale’ by Paul Johnson, runner-up of the Redesigning the Medieval Book competition by the Bodleian Library.

Medieval Mystery Cycle 2025 Update

We are advertising for a Head of Performance and announcing a speed dating / workshop meeting!

1. Medieval Mystery Plays Meeting of the Minds Workshop

Friday 29 November 2024 (Week 7), 5–6.30pm, at St Edmund Hall, Doctorow Hall

Join this speed dating workshop for matching up actors, directors, musicians, texts, and props for the upcoming Medieval Mystery Cycle on 26 April 2025! Whether you are interested but still unsure how to put together a play, which play to choose, or how to act, all are welcome! The focus of the workshop will be on how to produce a medieval play script in an accessible version (of up to 20 minutes), but there will also be an opportunity to match actors and directors and to discuss any other practical questions you might have on site at St Edmund Hall – and to enjoy tea and cake!

Meanwhile, we’re still looking for groups to join the Medieval Mystery Cycle: have a look at the original blog post!

Let us know if you’re interested in joining by emailing Henrike Lähnemann and Lesley Smith, the Co-Directors. Also contact us if you are a graduate student or postdoc interested in this opportunity:

2. Head of Performance sought for Medieval Mystery Plays

Are you interested in pulling the strings for a successful run of the 2025 performance of the Medieval Mystery Plays? We are looking for an enthusiastic, creative and, above all, well-organised graduate student or postdoc to

  • liaise with the directors, volunteers, and groups taking part
  • plan the logistics of the performance
  • run the operations on the actual performance date
  • coordinate the publicity
  • write and / or edit the programme
  • facilitate the documentation
  • head the stewarding team

There will be a reward of £300 plus the opportunity of networking closely across the medievalist and performance people of Oxford and beyond. Please apply by Monday, 25 November 2025, with a short statement of interest and your CV by emailing Henrike Lähnemann and Lesley Smith, the Co-Directors.