Medieval Matters HT25, Wk1

Welcome back to a new term. I hope you’ve all had a chance to look through the OMS termly booklet, the most recent version in full colour glory can be found here. We’ve had a number of important updates since the booklet was last circulated, so do have a look back through. New additions include:

Of particular note this term are the Ford Lectures (Thursday, 5pm, Examination Schools). Jocelyn Wogan-Browne will be giving a lecture series titled French in Medieval Britain: Cultural Politics and Social History, c. 1100-c. 1500. I look forward to seeing many of you there.

Events

Monday

  • French Palaeography Manuscript Reading Group – 10.30am in the Weston Library. Those interested should email Laure Miolo.
  • Medieval History Seminar – 5pm at All Souls College. Christian Sahner (New Coll/AMES) will be speaking on ‘A History of Mountains in Late Antiquity and the Early Middle Ages: North Africa, Syria, and Iran’.

Tuesday

  • Medieval Afterlives Season Workshop1pm – 4pm (lunch from 12.30) in the Colin Matthews Room, Radcliffe Humanities (and online via MS Teams). As part of the preparations for annual ‘Cultural Seasons’ in the new Schwarzman Centre for the Humanities, this is an invitation to brainstorm ideas for a Cultural Programme Season on Medieval Afterlives. RSVP to culturalprogramme@humanities.ox.ac.uk
  • The Latin Palaeography Reading Group meets 2-3.30pm. Please email Laure Miolo for more information.
  • Ancient and Medieval Seminar – 4.30pm, location tbc. Vladimir Olivero (Harvard) will be speaking on ‘From Jerusalem, through Alexandria, to the Caucasus: observations on the translation technique in the Armenian Psalter’.
  • Medieval Church and Culture –  5.15pm (coffee from 5pm) in the Wellbeloved Room, Harris Machester College. Mark Williams (SEH) will be speaking on ‘Magic and its Implications in some early 12th-century Welsh Prose Narratives’.

Wednesday

  • Medieval German Graduate Seminar on ‘Geistliche Spiele’ – 11.15am in the Old Library of St Edmund Hall. This week will be a short planning meeting. Contact Henrike Lähnemann if you would like to be added to the teams group
  • History and Materiality of the Book Seminar – 2pm in the Weston Library, Horton room. Matthew Holford will be talking about ‘Manuscript Structures’.
  • Medieval Latin Document Reading Group – 4pm, online.
  • Late Antique and Byzantine Seminar – 5pm in the Ioannou Centre. Kevin Blachford (King’s College London & Defence Academy) will be speaking on ‘World Order in Late Antiquity: The “Two Eyes” Rivalry of Byzantium and Sasanian Persia’.
  • Slade Lecture Series – 5pm at St John’s College. ‘Gaps in Writing’. Book a place.
  • Medieval English Research Seminar – 5.15pm, Lecture Theatre 2, St. Cross Building. Alice Jorgensen (TCD) will be speaking on ‘The Old English Apollonius of Tyre and the Name of the Father’.

Thursday

  • Medieval Hebrew Reading Group – 10am in the Clarendon Institute.
  • Greek and Latin Reading Group – 2.30pm in the Stapledon RoomExeter College. The theme this week is Cicero’s Dream of Scipio (De Re Publica 6.9).
  • Middle English Reading Group – 4pm, Beckington Room, Lincoln College. The text this term will be the ‘double sorwe’ of Troilus and Criseyde.
  • Ford Lecture – 5pm in the Examination Schools. Jocelyn Wogan-Browne will be giving the first of her lectures: ‘“Alle mine thegenas … frencisce & englisce”: The Languages of 1066 – And All That’.
  • The Khalili Research Centre For the Art and Material Culture of the Middle East: Research Seminar – 5.15pm in the in the Ioannou Centre/Faculty of Classics’ Lecture Theatre. Michael Erdman (The British Library) will be speaking on ‘Reintegrating the Empire: taking an expansive view towards “Ottoman” collections’.

Friday

  • Medievalists Coffee Morning – 10.30am at the Weston Library. All welcome, coffee and insight into special collections provided.
  • Exploring Medieval Oxford through Lincoln & Magdalen Archives – 2pm in the EPA Centre (Museum Road) Seminar room 1. Please contact Laure Miolo for more information.
  • Oxford Medieval Manuscripts Group – 3pm. This week, the group will be visiting the Balliol Historical Collections Centre. Previous experience of handling medieval manuscripts is desirable. Limited places, write to Elena Lichmanova by 22/01/2025
  • Anglo-Norman Reading Group – 5pm in the Farmington Institute in Harris Manchester College and online. For more information on the texts, email Jane Bliss.

Opportunities

CfP: The Sorrowful Virgin

When: Monday 24 March 2025
Where: St Hugh’s College

Images of the Sorrowful Virgin, whether in the form of Michelangelo’s Pietà, or Mary at the foot of the Cross on the Isenheim altarpiece are ubiquitous in medieval and early modern culture. Liturgically this was explored through the Stabat Mater, while vernacular writers found in the Marian lament a vehicle through which the Virgin could speak, offering a route for affective engagement with Mary’s suffering. The Reformation and Counter-Reformation inflected the ways in which the Sorrowful Virgin was presented, as devotions such as the Seven Sorrows served as spiritual models for more standardized monastic environments in the post-Tridentine period. Moreover, with colonisation of the New World, Marian devotion took on new emphases.  

This interdisciplinary workshop will investigate the Sorrowful Virgin in medieval and early modern culture, in which we aim to engage with some of these questions. The workshop will include a hands-on session with material objects and a performance of an early modern lament. We have entitled this workshop ‘The Sorrowful Virgin’ to encompass the many manifestations of this devotion, from the Seven Sorrows to the Mater Dolorosa and welcome broad interpretations of the theme.

We are looking for proposals for 20-minute papers on all aspects of this devotion in medieval and early modern culture, and encourage submissions from those in the fields of History, Music, Medieval Languages and Literature, Theology, and Art History including but not limited to:

  • Vernacular poetry
  • Musical Settings
  • Performativity
  • Liturgy
  • Iconography
  • Material Culture
  • Theological development
  • Affective piety
  • Reformation
  • Counter-Reformation
  • Monastic devotion

Please send proposals of 250 words along with a short bio to Anna Wilmore and Taro Kobayashi by 24th January 2025. We aim to respond by the 1st February.

Bodleian Library MS. Douce 264, fol. 12v

The Epiphanytide Mysteries

A performance of a medieval mystery play cycle, with a reconstruction of the no longer extant wedding at Cana episode. Directed by Philipp Quinn and Elliott Clark.

When: Saturday, 25 January 2025, 2pm
Where: Pusey House, Oxford

Philipp writes: We at Pusey House welcome all and sundry to join us as we continue our Epiphanytide celebrations with carefully selected mystery plays. The event is not ticketed. The runtime should be roughly an hour. We very much look forward to seeing you there!

Pusey House put on mystery plays for the first time in 2023. In that first performance, we sought to portray the Bible’s broad “narrative,” with the Creation, the Fall, the Passion, and the Final Judgement as our highlights. This time, in connection with the Epiphany Season, we’ve chosen to emphasize the Magi, Jesus’ baptism, and the Wedding at Cana. In prioritizing that theme, we’ve had to be more eclectic in our sources this year. Whereas our first performance was based largely on the York cycle, our current plays are drawn from both the Chester and York cycles. Our plays also an original, the Wedding at Cana, since the Wedding is not found in the Chester cycle and has not survived (apart from a line-and-a-half fragment) in the York cycle.

Medieval Afterlives Season Workshop

Date: Tuesday 21 January, 13.00-14.00, with lunch provided from 12.30
Location: Colin Matthews Room, Radcliffe Humanities (and online via MS Teams)

As part of the preparations for annual ‘Cultural Seasons’ in the new Schwarzman Centre for the Humanities, this is an invitation to brainstorm ideas for a Cultural Programme Season on Medieval Afterlives. From Oxford Medieval Studies, Prof. Marion Turner (English), Prof. Henrike Lähnemann (MML), Prof. Nancy Thebaut (History), and Prof. Elizabeth Eva Leach (Music) are already collaborating with the Cultural Programme on possible opportunities for the season and John Fulljames, Director of Oxford University’s Humanities Cultural Programme, is keen now to extend an invitation to others to join the conversation to explore and test the potential for the season and bring together researchers who could be involved in shaping and delivering it.
The focus of the season will be on contemporary creativity, while also centring Oxford’s extraordinary medieval resources where appropriate – our manuscripts, instruments, objects, architecture, and spaces. This season might engage with novelists, poets, musicians, graphic artists, puppeteers, playwrights, actors, composers, designers, children’s book writers, textile workers, cartoonists, computer game programmers, AI technology, and more.
We would like the season to be ambitious and international while also engaging grass-roots, local communities, especially schools and young people. It will be wide-ranging, inclusive, accessible, innovative, and fun. We also want to be open about the dark side of medieval appropriations in recent years, especially by the far right (see the previous TORCH OMS workshop on Medieval Studies and the Far Right), and to examine and counter these narratives. While we want to bring in high-profile writers and artists, we also want to celebrate the creativity of everyone, including students. The season would be likely to take place circa 2028.
One overarching question might be whether this kind of contemporary creativity is an end in itself, or a gateway to the medieval past. Please come along to this initial group meeting for all interested parties, which will be structured around the question: What has medieval research to do with contemporary creativity?

If you have something you would like to share or discuss in advance, please feel free to reach out to the researchers who are already involved or the Cultural Programme via Justine Shaw. Please RSVP to: Cultural Programmes with ‘Medieval Afterlives Workshop’ (culturalprogramme@humanities.ox.ac.uk) in the subject line by 7 January 2025.

Image: ‘Serenade to Chaucer’, a pop-up version of Chaucer’s ‘Miller’s Tale’ by Paul Johnson, runner-up of the Redesigning the Medieval Book competition by the Bodleian Library.