CfP: Staging Silence from Antiquity to the Renaissance

3–4 July 2025 / St John’s College, Cambridge. Deadline for paper submissions 9 January 2025

This two-day, in-person conference will explore developing traditions of silence in dramatic texts from antiquity to the Renaissance. Papers are sought from scholars across a range of fields, including classical reception, comparative literature, and medieval and/or early modern English literature. Topics may include:

  • mute characters and/or characters who never appear on stage;
  • characters who gain or lose the power of speech (welcoming perspectives e.g. from disability studies);
  • dramatic silence as represented on page and/or stage (e.g. bookhistory approaches and/or performance studies);
  • the history and/or function of animals on stage;
  • the relationship of dramatic silence to music and/orinarticulacy;
  • representations of dramatic silence in contemporary discursivetexts;
  • dumb shows;
  • silence in neo-Latin drama.

Speakers will include Elisabeth Dutton (Fribourg), Barbara Ravelhofer (Durham), and Julie Stone Peters (Columbia). Please submit a 250-word abstract for a 20-minute paper to John Colley (stagingsilence@gmail.com) by noon on Thursday 9 January 2025. Preference will be given to papers with an interdisciplinary and/or comparative focus. It’s anticipated that early career speakers will be able to apply for travel bursaries.

Woodcut depicting characters from ‘Andria’, including mute and unstaged characters –– ‘Terencius’ (Strasbourg: Grüninger, 1496), sig. b1v [Universitätsbibliothek Heidelberg, GW M45481]

Call for Papers: International Workshop

Saints and martyrs between Italy and the Mediterranean in Late Antiquity: Movements, connections, and influences

In a world such as the Late Antique one, which was experiencing profound changes compared to the previous period, areas once held together by imperial political cohesion, found themselves related by a new connection produced by the expansion of Christianity: the movement and exchange of the cult of saints.

The exchange and spread of the cults of saints and martyrs is testified by archaeological, iconographic, literary and other sources. Among the literary sources, this is illustrated, for example, by the presence of non-local cults in the liturgical calendars of certain geographical areas. A further example is provided by the accounts of late antique pilgrims and authors compiling hagiographies of martyrs, whose cult arrived through the transport of relics. Further evidence of mutual connections and influences is also attested by the construction of basilicas dedicated to ‘imported’ saints, with the consequent worship of these non-local patrons.

Within this context, Italy seems having an important role, not only in the ‘exportation’ of its own saints, but also in the reception and assimilation of foreign saints. In addition to the traditional worship, these are also assimilated into local cults. Therefore, this entails, for example, the change of the urban space itself, with the foundation of dedicated basilicas or the assimilation of foreign saints into local hagiographic literature.

Consequently, Italy may be considered as an important area of origin and spread of the cult of saints in the Mediterranean. Moreover, it may be considered as an attracting place for a large foreign cult, making it an excellent example of the movement of the cults of saints and martyrs within the whole late antique geographical area.

The aim of the workshop is to investigate and deepen the dynamics and the questions involved in the circulation of the cults of saints and martyrs from Italy to other areas of the Mediterranean and vice versa. Additionally, the objective is to analyse which exchanges and mutual influences these movements entailed and in which sources they can be found. In conclusion, the interest is directed towards the reasons why certain non-local cults became important in specific geographical areas and, in addition to the martyrs, if the cults of sanctified bishops or rather

confessors around whom a cult developed and spread to areas far from their origins were also spread and assimilated.

We will accept proposals for papers, from a multidisciplinary perspective: scholars of archaeology, art history, iconography, architecture, epigraphy, hagiography, late antique, early Christian literature and ancient history. Additionally, all related disciplines are welcome to submit a paper.

The following topics are suggested, but any other topic is accepted:

– The spread of the cult of saints and martyrs between Italy and other areas of the

Mediterranean through epigraphic, hagiographic, iconographic sources

– The transport of relics: archaeological and historiographical evidence

– The construction of basilicas or monasteries dedicated to ‘imported’ saints

– The role of bishops in the spread of the cults of saints and martyrs

– The spread of cults dedicated not only to martyrs, but rather to bishops or confessors

You are invited to submit an abstract (maximum 300 words) accompanied by a short CV by 24 Mai. All submissions should include your name, e-mail address and academic affiliation (if applicable). Participants are expected to give a 20–30-minute talk, followed by an extended session for discussion. The workshop will take place in person in English at the Ludwig-Maximilians-Universität Munich on 22-23 November 2024. A publication is planned, for which the contributions may be in English, German or Italian. A contribution will also be made towards travel expenses.

The workshop is organised by the Institut für Byzantinistik, Byzantinische Kunstgeschichte und Neogräzistik, Ludwig-Maximilians-Universität München, with the kind support of the Spätantike Archäologie und Byzantinische Kunstgeschichte e.V.

If you have any questions, please do not hesitate to contact:

Daniela Coppola, M.A.

Ludwig-Maximilian-Universität, Munich

Call for Papers for Three Early Career Workshops on Old English Prose

Call for Papers for Three Early Career Workshops on Old English Prose

Paper proposals are invited from graduate students and early career researchers working on or interested in Old English prose. Each workshop will be led by an expert who will talk about their own research and lead discussion on a particular aspect of Old English prose. These events will provide an opportunity for graduate students and early career researchers to discuss their research projects with other scholars and to develop new skills.

Workshop 1, 13th February 2025: ‘Mercian Prose’ with Dr Christine Rauer (University of St Andrew’s)

Workshop 2, 15th May 2025: ‘Alfredian Prefaces and Epilogues’, with Dr Amy Faulkner (UCL)

Workshop 3, 16th October 2025: ‘The Old English Boethius’, with Prof. Susan Irvine (UCL)

The workshops will take place at the University of Oxford.

This project is funded by Francis Leneghan’s AHRC Research, Development and Engagement Fellowship on Writing Pre-Conquest England: A New Literary History of Old English Prose.

Registration and attendance will be free, but numbers will be limited.

Please send abstracts of no more than 200 words to francis.leneghan@ell.ox.ac.uk by 1st July 2024. Enquiries about the workshops can also be directed to this email address.

CFP: Medicine at the Fringes in the Northern World (1000-1500): Manuscripts, Language, and Society

For consideration by Medieval Institute Publications & De Gruyter

Proposals for engaging essays (approximately 9,000 words) are warmly welcomed that explore and challenge our understanding of medicine in the Nordic-Atlantic areas. The essays will challenge conventional perspectives and delve into the intriguing realms of illness, health, body, disability, and
medicine as depicted in manuscripts, literature, and society from the Northern Atlantic World during the medieval era.

Our interdisciplinary approach aims to shed light on marginal perspectives and subversive themes prevalent in medical texts from Norway, Sweden, Denmark, Iceland, and other Norse colonies, including Scotland, Ireland, the Faroe Islands, Greenland, and Medieval England. The collection of essays will examine the societal significance of the female body, the gendered model of illness, conceptions of body, health, and disability, as well as attitudes towards remedies of dubious nature.

We welcome contributions from scholars at all career stages. Whether you’re delving into Old English Studies, Middle English Studies, Old Norse Studies, or exploring themes in Disability Studies and Gender Studies, we want to hear from you. The book will include commissioned and invited works. Current contributions include medical charms in Anglo-Norman sources, Disability and social function in the works of John Arderne, and Social acceptability of disability in Sigurðar saga þögla.

Selected essays will form a thought-provoking collection submitted for consideration by Medieval Institute Publication & De Gruyter under the series ‘The Northern Medieval World.’

Submit your 300-word abstract along with a brief introduction of yourself to the editor, Luthien Cangemi (luthien.cangemi.20@ucl.ac.uk), by May 20th, 2024. First full drafts of contributions are expected in January 2025. Join us in uncovering the hidden narratives of medicine in the North Atlantic World!

Oxford Medieval Graduate Conference 2024: Signs and Scripts

The Oxford Medieval Graduate Conference is back on April 8-9, 2024 with the theme of ‘Signs and Scripts’!

MONDAY, APRIL 8

9:30-10:00 Registration (in-person)

10:00-11:30 Session 1: Divine Affectivity

  • Marlene Schilling, ‘Connected through Script – Personifications of time as a distinct form of devotion across Northern German Convents’
  • Lucy Dallas, ‘Together in Love: Carthusian Marginalia in the Book of Margery Kempe’
  • Wilhelm Lungar, ‘Communicating Identity on Scandinavian Monastic Seals in the Middle Ages’

11:30-12:00 Break with refreshments

12:00-13:30 Session 2: Scribes & Song

  • Peter Fraundorfer, ‘Did somebody write a Latin-Greek Sammelband for the monastic school of Reichenau Abbey?’
  • Thomas Phillips, ‘1000 Years Later: Reconstructing Fragments of the Anglo-Saxon Office of St. Alban’
  • Ellen Hausner, ‘A Threefold Bursting Sun: the symbolic vocabulary of the Ripley Scroll’

13:30-14:30 Lunch

14:30-16:00 Session 3: Visual Signs

  • Elena Lichmanova, ‘Mirror Writing and the Art of Self-Reflection’
  • Furqon Muhammad Faiz, Tori Nuariza Sutanto, ‘Early Islamic Seals on Sumatra’s West Coast: Inscriptions and Cultural Significance’
  • Ilari Aalto, ‘Tracing Brickmakers’ Marks in Late Medieval Finland’

16:00-16:30 Break with refreshments

16:30-17:30 Keynote Address 1: Professor Sophie Page

17:30 Drinks Reception

18:30/19:00 Conference Dinner (optional)

TUESDAY, APRIL 9

10:00-11:30 Session 4: Objects & Collections

  • Megan Gorlitz, ‘Old English Riddles and Anglo-Saxon Reading Practices’
  • Marc Lawson, ‘Wielding the Word: The Symbolism of Book Satchels in Early Irish Christianity’
  • Charlotte Wood, ‘Signals of Death: Comb placement in cremations’

11:30-12:00 Break with refreshments

12:00-13:30 Session 5: Palaeography

  • Sebastian Dows-Miller, ‘Signs in (Manu)scripts: Towards a New Study of Scribal Abbreviation’
  • Max Hello, ‘Ornamenting and Writing: An aesthetic approach to Merovingian book writing (7th-8th centuries)’
  • Corinne Clark, ‘A Wild Dragon Appears: Difficult Significations in the Life of St. Margaret’

13:30-14:30 Lunch

14:30-16:00 Session 6: Codicology

  • Elliot Vale, ‘Missing the Point: Punctuating Prose/Poetry in CCCC 201’
  • Jemima Bennet, ‘Fragments in Fifteenth-Century Oxford Bookbinding’
  • Rhiannon Warren, ”Þad er nu eydilagt’? AM 241 b I fol as a Case Study of Árni Magnússon’s Collection and Manipulation of Icelandic Latin Liturgical Manuscripts

16:00-16:30 Break with refreshments

16:30-17:30 Keynote Address 2: Dr Hannah Ryley

17:30 OMGC 2025 Theme Selection + Closing Remarks

Call for Papers

We are delighted to announce this call for papers and invite proposals relating to all aspects of the broad topic ‘signs and scripts’ in the medieval world. Submissions are welcome from all disciplinary perspectives, whether historical, literary, archaeological, linguistic, interdisciplinary, or anything else. There are no limitations on geographical focus or time period, so long as the topic pertains to the medieval period.

Areas of interest may include but are not limited to:

  • Semiotics and semantics
  • Ways of (mis)reading
  • Palaeography and codicology
  • Spiritual / cosmological signs
  • Codes and conduct
  • Behavioural script
  • Dramatic script; theatre
  • Monuments; inscriptions
  • Heraldry; signboards
  • Graffiti and marginalia
  • Scripts of the body; tattoos
  • Textiles

We ask that all presenters attend in person with hybrid participation available for attendees who cannot travel to the event.

Submission Guidelines

Papers should be a maximum of 20 minutes. A limited number of bursaries are available to help with travel costs, and we welcome applications from graduate students at any university.

Please send abstracts of 250 words to oxgradconf@gmail.com by 17th December, 2023.

CFP: Medieval Women’s Writing Research Group Conference 2024: Exchanging Words

The Medieval Women’s Writing Research Group is delighted to announce the date and the theme for their 2024 conference: The conference will be held in person on June 18th 2024 with the theme of “Exchanging Words” in Room 2 of the Taylor Institution Library.

The aim of this conference is to explore the concept of exchange, whether it be textual or material, to, for and between women in the global Middle Ages. As a research group based upon the concept of exchanging ideas, we wish to explore medieval women’s own networks of exchange and transmission, and the influence of this upon both the literature and culture of the period as well as the present day.

We therefore welcome papers exploring any aspect of connections, correspondence and communication in the field of medieval women’s writing, from any discipline, be it literary, historical or otherwise. There are no limitations on geographical or language focus, as long as the topic falls within the medieval period.  

Examples of areas of interest may include, but are not limited to:

  • Letters to, from, between and about women
  • Female epistolary networks
  • The epistolary genre, rhetoric, and ars dictaminis
  • Manuscripts, manuscript networks and transmission
  • Gifts between women
  • Female patronage of the arts and architecture 
  • Knowledge exchange by women
  • Applying theoretical approaches (e.g. feminist or queer theory) to medieval texts
  • The material culture of women’s writing

Papers should aim to be 20 minutes, to be delivered in English.

Please submit your abstracts (250-300 words) along with a brief bio (max. 100 words) to Katherine Smith (katherine.smith@mod-langs.ox.ac.uk) and Marlene Schilling (marlene.schilling@mod-langs.ox.ac.uk). The deadline for the submission is March 31st 2024 and notifications will be made in mid April 2024. The final program will be published by the end of April 2024.

Please direct any questions to any of the conference organizers Katherine Smith, Marlene Schilling, Carolin Gluchowski or Santhia Velasco Kittlaus

The research group and the conference are generously funded by The Oxford Research Centre in the Humanities (TORCH) and their “Critical-Thinking Communities” Initiative. 

CFP: The Fifteenth Century Conference

St John’s College, Oxford, 5th-7th September 2024

Proposals are now invited for The Fifteenth Century Conference 2024. This annual meeting brings together established scholars and new researchers in the field, acting as a showcase for current research and a forum for encouraging new directions of enquiry. We invite proposals for research papers on any subject relating to the history of the long fifteenth century in the British Isles, Ireland, or in the French territories of the English monarchy. Proposals on all kinds of history are welcome, as are interdisciplinary ones.

Papers should be 40-45 minutes in length, to be followed by 15-20 minutes of questions and discussion. They should therefore be based on original research and be suitable for working up for submission to The Fifteenth Century, an edited series closely associated with the Conference. (Please note: there is no obligation to publish and submissions to this series undergo a separate peer-review process. For details see: https://boydellandbrewer.com/the-fifteenth-century/)

Proposals from postgraduates at the later stages of doctoral work and from early-career researchers are particularly encouraged. All speakers will be expected to deliver their papers in person and to pay the standard registration and other fees. This cost-sharing helps to make the conference as affordable as possible for everyone. However, there are two £250 bursaries for postgraduate speakers at the conference offered by the Richard III Society.

Please send proposals for papers to Laura Flannigan (laura.flannigan@sjc.ox.ac.uk) and Rowena Archer (rowena.archer@history.ox.ac.uk) by 31 January 2024. Proposals should include a title and an abstract of the paper totalling no more than 300 words, outlining the research basis, methodology, and significance for the field. Please also provide a short biography including any institutional affiliations and, in the case of postgraduate students, the name of your PhD supervisor. All proposals will be reviewed by the Fifteenth Century Conference advisory board.

CFP: Conflicts, Connections and Communities in the Anglo-Saxon Chronicles

23 November 2023 [Australian Central Daylight Time]
Online via Microsoft Teams


Keynote speakers: Prof. Daniel Anlezark (University of Sydney) and Dr Courtnay Konshuh (University of Calgary)


The complex series of interrelated Old English annals known as the Anglo-Saxon Chronicles (ASC) constitutes one of the richest surviving examples of historical writing from early medieval England. Compiled in several extant manuscripts at different centres of monastic, episcopal, and royal activity, these annals shed crucial light on changing dynamics of power, on important cultural developments, on linguistic evolution, and on the crystallisation of communal identities in England between the late ninth and mid-twelfth centuries. In recent decades, increased linguistic, palaeographical, historical, and literary scrutiny of the annals has laid secure foundations for fine-grained work on the ASC as cultural artefacts that were reworked, redeployed, and reinterpreted in many different contexts throughout the middle ages (and beyond).
This online symposium, hosted by researchers at Flinders University in Adelaide, Australia, seeks to build on this scholarship by foregrounding new approaches to the ASC. In particular, we invite scholars from various disciplines and different career stages to submit proposals for 20-minute papers (to be presented in English) relating in some way to themes of conflict, connection, and/or community in the ASC and their wider context.
Potential topics include, but are not limited to:

  • Representations of war and/or violence in the ASC
  • Discrepancies within and/or between separate versions of the ASC
  • Cross-cultural encounters and interactions in the ASC
  • Relationships between manuscripts of the ASC and related texts
  • Representations of particular communities and/or their relationships in the ASC
  • The creation and use of copies of the ASC within specific communities in early medieval England
  • The dissemination of the ASC and related texts

Please send paper proposals, including a title, 150–200-word abstract, and short biography, to Dr James Kane (james.kane@flinders.edu.au) and A/Prof. Erin Sebo (erin.sebo@flinders.edu.au).

CFP: The Medieval Translator

THE XIII CARDIFF CONFERENCE ON THE THEORY AND PRACTICE OF TRANSLATION IN THE MIDDLE AGES: THE MEDIEVAL TRANSLATOR

Translation, Memory, and Politics in the Medieval World
To be hosted by the Universidade de Lisboa – Portugal
17-21 June 2024

The medieval world was marked by the simultaneous emergence of vernacular languages in writing and the efforts of various institutions to establish and strengthen their own power and identities. Kingdoms, monastic institutions, cathedrals, noble houses, and cities sought to gain political prominence through the use of vernacular languages as a means of constructing historical memories based on older texts written primarily in Latin, but also in Greek, Arabic, or other vernacular languages. This could involve chronicles, short histories, but also hagiographies, epics or legal texts, among others.

For instance, in Iberia, the court of Alfonso X of Castile provides a notable example of this effort, through works such as the Estoria de España and the General estoria, and in Portugal with the Crónica Geral de Espanha de 1344 by Pedro de Barcelos. This effort was concurrent with the investment in translating, paraphrasing, and abridging texts of biblical origin or biblical histories (e.g., Comestor’s Historia Scholastica), which had a significant impact on the creation of new texts and translations. This was part of the medieval goal to construct global, regional, or local historical memories in vernacular languages, or to link more specific histories (e.g., of monasteries) to broader historical contexts (such as those provided by universal chronicles or biblical histories).


In frontier territories, the translation of texts served the same purpose of building historical memory, often incorporating new elements and rewriting older texts (and therefore memories) in a new language. For example, in Iberia, one can see examples of translations from Latin to Arabic (e.g., Historiae by Orosius), from Arabic to Latin (e.g., Chronica pseudoisidoriana), or from Arabic to vernacular, either to Portuguese or to Castilian (Crónica del moro Rasis).


In light of this context, we propose to explore the following themes that articulate the relationship between memory and translation in the medieval period:

  • Translation, memory, and the creation, reinforcement, or expression of new cultural and political
    identities.
  • Translators and readers: production, circulation, and uses of translations of historical (or related) texts.
  • The influence of translation on the development of vernacular languages: How translation of historical (or related) texts contributed to the standardization and evolution of vernacular languages.
  • The role of translation in preserving and transmitting classical and late antique visions of the past to the medieval world.
  • The role of translating historiographical or hagiographical texts in facilitating or blocking political and cultural exchange and cross-cultural communication.
  • The ways in which translated texts about the past were adapted to suit local cultural, linguistic, and
    political contexts.
  • The role of translation in the transmission of historical knowledge between different communities and cultures in the medieval world: appropriations and refusals.
  • Translation and the formation of a literary canon concerning the past: How translations helped shape a literary canon about the past in different regions and how this/these canon(s) influenced literary
    production in the vernacular languages.
  • Translation, memory, and the representation of “others”: The representation of “others” in translated
    texts and the impact of translating texts about the past on shaping attitudes towards “others.

We invite submissions that address these themes and related topics in the context of the medieval world. Papers may be given in English, French or Portuguese, and should be twenty minutes long. Please send a 500-word abstract, an essential bibliography and a brief curriculum vitae by 15 October 2023 to:
medtransl_lisbon2024@letras.ulisboa.pt Following previous practice, it is planned to publish a book of selected papers in the peer-reviewed Medieval Translator series (Brepols) following the conference.
Further information about the conference will be available in the next months.

Medieval Germany Workshop 2024, German Historical Institute London

Organised by the German Historical Institute London in co-operation with the German Historical Institute Washington and the German History Society, to be held in London.

This one-day workshop on the history of medieval Germany (broadly defined) will provide an opportunity for researchers in the field from the UK, continental Europe, and the USA to meet in a relaxed and friendly setting and to learn more about each other’s work. Proposals for short papers of 10–15 minutes are invited from researchers at all career stages with an interest in any aspect of the history of medieval Germany. Participants are encouraged to concentrate on presenting work in progress, highlighting research questions and approaches, and pointing to yet unresolved challenges of their projects. Presentations will be followed by a discussion.
Attendance is free, which includes lunch, but costs for travel and accommodation cannot be reimbursed. Doctoral students from North America (USA and Canada) who wish to present at the workshop, however, can apply for two travel grants provided by the German Historical Institute Washington. Please express your interest in this grant in your application. Support for postgraduate and early career researchers from the United Kingdom and the Republic of Ireland is available on a competitive basis, subject to eligibility requirements: postgraduate members of the German History Society currently registered for a higher degree at a university in the United Kingdom or the Republic of Ireland, and those who have completed a PhD within two years of the deadline for application but who have no other institutional sources of funding may apply for up to £150 for travel and accommodation.
Please see the GHS website for further information and application deadlines.
Please send your proposal, which must include a title, an abstract of c.200 words, and a biographical note of no more than c.100 words, to Marcus Meer: m.meer@ghil.ac.uk. Questions about all aspects of the workshop can also be sent to Len Scales: l.e.scales@durham.ac.uk

Students and researchers interested in medieval German history are also very welcome to attend and listen to the presentations. There is no charge for attendance, but pre-booking is essential. If you would like to attend as a guest, please contact Julian Triandafyllou: j.triandafyllou@ghil.ac.uk
The deadline for proposal submissions is 20 December 2023.