CFP: Morality, Exemplarity and Emotion in Medieval Insular Texts

We invite papers which explore the relationship between morality, exemplarity, and the expression of emotion in medieval Insular texts, c. 700-1500.


The behaviours, ideas, and emotions that medieval writers, translators, and authors present as (im)moral and exemplary naturally fluctuate depending on time, place, genre, and language. Similarly, the textual representation and expression of emotion is culturally, temporally, and socially determined. This conference seeks to explore the nexus of morality, exemplarity, and emotion as presented throughout the medieval Insular world (Ireland and the British Isles), c. 700-c. 1500. In an effort to bring different types of texts into conversation with each other, and to probe generic boundaries, we encourage papers on a range of genres, including religious, heroic, romantic, and historic, written in Latin or the vernacular(s). In particular, we welcome papers which explore how the expression of emotion within texts was used to signal exemplary and/or (im)moral behaviour.


Topics include, but are not limited to, the following suggestions:

  • Methodological approaches to identifying emotion(s) and/or exemplary/moral behaviour.
  • The effectiveness of genre as an interpretive frame when examining morality, exemplarity, and/or emotion.
  • The implications of time, place, language, gender, and/or race on morality, exemplarity and/or emotion(s).
  • The expression of emotion(s) to provoke an affective response to different types of behaviour within texts.
  • Explicit or implicit tensions between morality, exemplarity, and the expression of emotion(s).
  • Moral and/or emotional ambiguity.
  • Emotional and/or moral standards (or transgressions) of behaviour (for religious/lay person, saint, lover, hero, knight, etc).
  • The moral implications for the restraint of emotion.


In addition, we seek participants for a roundtable discussion on:

  • The reception of medieval morality and/or emotions in the classroom, especially issues that arise when teaching texts that include emotionally and/or morally one-dimensional figures.


Please send abstracts of approximately 200 words for a twenty-minute paper and a short bio to Dr Niamh Kehoe (Heinrich Heine Universität) (niamh.kehoe@hhu.de) by the 10th December 2021. If you have any queries, please email Niamh. While we currently anticipate that this will be an in-person event at Heinrich Heine University, we may decide to switch to an online event

Call for Papers: Spirits and Spirituality in Medieval Britain and Ireland C. 600 – 1400

An Interdisciplinary Online Conference at the University of Nottingham.

Wednesdays, 9th, 16th and 23rd March 2022

A medieval illustration of a person praying.

Call for Papers

We invite papers which explore representations of spirits and spirituality in the medieval period from c. 600-1400 in Britain and Ireland, including, but not limited to, the following suggestions:

  • The influence of Eastern and / or Western patristics
  • Representations of spirits and demons
  • Approaches to spirituality
  • How spirits and spirituality are represented in medieval texts, artefacts, art and material culture
  • Alternative spiritualities

Please send abstracts of no more than 200 words to: eleni.ponirakis3@nottingham.ac.uk by the 30th November 2021.

For more information, please visit: https://www.nottingham.ac.uk/english/spirits-and-spirituality.aspx

Call for Papers: Oxford University Numismatic Society Graduate and ECR Colloquium 2021 (Tuesday 30th November 2021)

Oxford University Numismatic Society is delighted to announce its call for papers for an online colloquium on the afternoon of Tuesday 30th November 2021. This virtual event held over MS Teams will aim to explore various aspects of base metal coinage(s) and the motives behind its production. We invite contributions from postgraduate students and ECR researchers from any institution on any period or coinage. We hope to welcome three speakers to deliver talks of 30 minutes each (with additional time for questions and responses). Topics might include:

  • Political messages on base metal coinages
  • Fiduciary money and fiduciarity
  • The circulation and quantification of base metal coinage
  • Social and cultural aspects of base metal coinage and money
  • Hoards and/or base metal coins in their archaeological contexts
  • History of collections and base metal coins
  • Fakes and plated coins
  • Money and medallions in base metals

Abstracts of no more than 400 words (excluding a short bibliography) should be sent to daniel.etches@new.ox.ac.uk for consideration by the organising committee by Monday 20th September 2021. Speakers will be contacted shortly thereafter. If you have any further questions, please contact the Secretary by email at daniel.etches@new.ox.ac.uk.

(7-8 January 2022) Identity Abroad in Central and Late Medieval Europe and the Mediterranean (Cambridge(venue TBC))

*Keynote Speakers: Prof. Miri Rubin (Queen Mary University, London); Prof. Roser Salicrú i Lluch (Institució Milà i Fontanals,CSIC,Barcelona); Prof. Teresa Shawcross (Princeton University)

Life in the central and late Middle Ages was characterised by high levels of mobility and migration. Shifts in political, economic, cultural and religious life encouraged and sometimes forced individuals and groups to move ‘abroad’ permanently or temporarily, to places nearby or further afield.

The position and impact of these ‘foreigners’in societieshas been widely discussed. However, what isless consideredis how theyunderstood and (re)presented themselves. Ourconference aimsto explorethe construction, expression, and practical significance of different forms of social identity among individuals and groups living ‘abroad’ in Europe and the Mediterranean in the period between the eleventh andfifteenth centuries.

We invite proposals for 20-minute papers from graduate and early career researchers working across all relevant disciplinesin the Humanities and Social Sciences. By bringing together a variety of different perspectives, the conference not only aims to consider how ‘identity abroad’ functioned in specific contexts, but also to emphasise developments, patterns, and divergences. Topics of interest include, but are not limited to:

• Individuals and groups living ‘abroad’, such as merchants, artisans, pilgrims, scholars, diplomats, soldiers, exiles, ethnic and religious minorities, and captives and enslaved people

• Voluntary orforced, temporary orpermanentmigration

•Importance of political allegiance, language, cultural heritage, and faith in identity construction

•Means of identity expression, such as writtenproduction and material culture

•Relations between different ‘foreign’ individuals and groups

• Interaction and assimilation/resistance to assimilation with ‘local’ populations, institutions, and rulers •Impact of gender, socio-economic background, and other types of differences

• Theoretical explorations of the concepts of ‘identity’, ‘foreignness’, and ‘abroad’ in the Middle Ages

Abstracts of 250 words and a short biographical note should be sent to identityabroad22@gmail.com by 12 September 2021. For more information, visit https://identityabroad22.crassh.cam.ac.uk/ and follow @identityabroad on Twitter.

Mortimer History Society Essay Prize 2021

The Mortimer History Society is proud to announce in 2021 the sixth round of its annual essay prize

With the continued difficult circumstances, the scope of the prize has once again been extended. This year, essays will be accepted on:

✓ Any aspect relating to the history, geopolitics, topography, laws, economy, society and culture of medieval borderlands, including comparative studies, between 1066-1542, or:

✓ Any aspect of the medieval Mortimer family of Wigmore including its cadet branches and its impact on the history and culture of the British Isles

The prize

✓ first prize £750, runner-up prize £300, third-place £200

The conditions

✓ the essay must contain original research not published previously elsewhere and the prize is open to everyone who can meet the assessment criteria

The chair of the judging panel

✓ Emeritus Professor Chris Given-Wilson, University of St. Andrews

The closing date

✓ essays must be submitted by 1st March 2022

Publication

✓ prizewinning essays will be published in The Mortimer History Society Journal as may other commended entries

Click here for more details about the prize
Click here to see the rules of the competition
Click here for full details & conditions

Gregorian Chant Recordings on BODcasts

During lockdown, the Bodleian library ran two Gregorian chanting workshop called ‘Singing Together Apart’. Hundreds of participants from all around the world learnt to sing along with a simple voice part from a 15th-century manuscript from the Cistercian nunnery of Medingen, in Germany, Bodleian Library MS. Lat. liturg. e. 18. You can watch the workshops on the BODcast channel here: https://podcasts.ox.ac.uk/singing-together-apart-gregorian-chant-workshop-song-simeon singing from manuscripts from the Polonsky German digitisation project

‘Lumen ad revelacionem gencium’ – the Song of Simeon from the Handbook of the Medingen Provost in the Bodleian Library. Edition by Dr Andrew Dunning

Invitation to research staff to write a blog for the University Bulletin

The Public Affairs Directorate (PAD) would like to hear from research staff who would be interested in writing a blog for publication with the University Bulletin. This is a fabulous opportunity for research staff to give insight into their area from their perspective.

Those interested in writing a blog should contact Rakiya Farah, PAD. Rakiya will need a one-line description of the subject of the proposed blog and an indicative time line that would work for the researcher.

About the blog: We send out a weekly blog with University Bulletin, usually written by a senior member of staff. Several hundred staff read it every week and we are now keen to ensure that our colleagues hear from a broader range of staff at Oxford.

We’d particularly like to profile more Early Career Researchers in the blog to give more visibility to their work, and because research stories are consistently among the most popular articles we share in the Bulletin.

With this in mind, we would like to invite you to write one of our blogs. This would be a platform to describe your work to a (predominantly) uninitiated audience, to reflect on your experiences as a researcher, your motivations, and to share your perspective on research at Oxford.

The brief: • Informal, personal style and tone 
• A reflective piece that gives staff some insight into your area – we tend not to use the blog as a place for formal announcements 
• Content: a guiding question, when writing your blog, might be good to think about what staff across the University would find most interesting about your work and experiences 
• Around 250 words, but can be longer – they can be up to 450 
• Deadline: end of Thursday preceding the Monday edition – unless you are drafting a blog not for inclusion on a set date 
• We are finding that staff are really responding to this style and have been asking to hear from a wider range of staff.

Examples are available online, including these from July 2020 and October 2020 respectively.

Timing: We would welcome a blog that you draft at your leisure, which we can slot in as appropriate. But if you had a particular week in mind, we could also pencil this in provisionally. All of our blogs are subject to final approval by the Vice-Chancellor.


A great example for a suitable blog post is this short article about anchorites by Godelinde Gertrude Perk

Pre-Modern Conversations: Introducing our WIP Group

The Evangelist St. Matthew writing, with his symbol the angel.
‘The Evangelist St. Matthew writing, with his symbol the angel’, Book of Hours from the southern Low Countries (f. 18r; detail). Early sixteenth century. Now in Museum Meermanno-Westreenianum, The Hague, RMWW MS 10 E 3. Image: Museum Meermanno-Westreenianum & Koninklijke Bibliotheek, Den Haag. Source: manuscripts.kb.nl; https://manuscripts.kb.nl/show/manuscript/10+E+3; CC0 1.0)

Introduction
On a chilly Autumn day, two postdoctoral fellows (Lena Vosding and Godelinde Gertrude Perk) were conversing in their shared office. They were very fond of their group of fellow supervisees, its camaraderie, and the support it provided. Nevertheless, the two early-career researchers still struggled on occasion to improve the argument of the articles they were working on and wanted additional peer feedback and an additional space for sharing ideas. “How about we start a WIP (work in progress) group ourselves?” A pen was seized from a nearby desk, and, after a little brainstorming and scribbling on a scrap of paper, the first outline for Pre-Modern Conversations emerged. Joined shortly thereafter by Lewis Webb from Classics, the duumvirate of convenors became a triumvirate, who quickly submitted a description to the OMS booklet.

What is Pre-Modern Conversations?
Pre-Modern Conversations is an interdisciplinary group of early-career pre-modernists, offering an informal, supportive environment for helping each other revise, refine, and complete a work in progress. In the past, we’ve found that whether one works on medieval religion or Republican Rome, one tends to encounter similar theoretical and methodological questions. What is more, the challenges one encounters when writing or revising tend to be similar across fields. We, therefore, defined “pre-modern” very broadly and included any period up to 1800. Since the convenors’ research shared a focus on pre-modern gender, we were particularly interested in hearing from other scholars with a similar or adjacent focus. We had initially decided that the format for the one-hour session would alternate between a presentation to the entire group (for conference contributions) and a discussion of a pre-circulated written text. For Hilary Term, however, the WIPs submitted were mostly written texts, which we discussed in detail, focusing mostly on content and argument.

Tondo of woman with wax tablets and stylus (so-called “Sappho”).
Tondo of woman with wax tablets and stylus (so-called “Sappho”), VI.Ins.Occ., Pompeii. First century CE. Now in National Archaeological Museum of Naples (inv. no. 9084). (Image: Wikimedia Commons; CC BY-SA 2.0)

Experiences so far
To our delight, the four available slots filled up very quickly. Both medievalists and Classicists joined the group, which led to lively interdisciplinary synergy. Topics varied widely, from Roman law and urban space in Asia Minor in the late Antique period through medieval recluses to early-modern refugees and twentieth-century poets, yet similar themes emerged. We also decided to spend the last twenty minutes discussing more general concerns, for instance writing grant applications, and sharing our experiences as ECRs. The phase following one’s DPhil or PhD can potentially feel stressful, precarious, and directionless, and many ECRs feel lost at sea, a problem our friends in the ECR Network of Medieval and Modern Languages also seek to alleviate. A forum for sharing ideas, knowledge, experiences and alternative perspectives can help ECRs find their bearings and navigate this uncertain stage of their career.

Plans for next term
We’re thrilled to continue in Trinity Term! We will again convene in weeks 2, 4, 6, and 8 on TEAMS. The programme looks very promising already, but there are still slots left. Interested in joining? Send an abstract (up to 300 words) of your WIP, accompanied by a short biography to lena.vosdingATmod-langs.ox.ac.uk by Friday 30 April. You are also very welcome to participate without contributing a paper.

Study of a woman's right hand (said to be that of Artemesia Gentileschi) holding a brush’.
‘Study of a woman’s right hand (said to be that of Artemesia Gentileschi) holding a brush’, by Pierre Dumonstier II. 1625. Now in London, British Museum (Museum no. NN,7.51.3). (Image: British Museum. © The Trustees of the British Museum; CC BY-NC-SA 4.0.)

OMS Small Grants TT 2021

The TORCH Oxford Medieval Studies Programme invites applications for small grants to support conferences, workshops, and other forms of collaborative research activity organised by researchers at postgraduate (whether MSt or DPhil) or early-career level from across the Humanities Division at the University of Oxford.

The activity should take place between April 2021 and October 2021. The closing date for applications is Friday of Week 1 of Trinity Term 2021.

Grants are normally in the region of £100–250. Recipients will be required to supply a report after the event for the TORCH Medieval Studies blog. Recipients of awards will also be invited to present on their events at the Medieval Roadshow in 1st week of Michaelmas Term 2021.

Applicants will be responsible for all administrative aspects of the activity, including formulating the theme and intellectual rationale, devising the format, and, depending on the type of event, inviting speakers and/or issuing a Call for Papers, organising the schedule, and managing the budget, promotion and advertising. Some administrative and organisational support may be available through TORCH subject to availability.

Applications should be submitted to  lesley.smith@history.ox.ac.uk  using the grant application form. Applications submitted in other formats or after the deadline will not be considered.

Informal enquiries may be directed to lesley.smith@history.ox.ac.uk

The Oxford Medieval Studies Programme is sponsored by The Oxford Research Centre in the Humanities (TORCH).

NB: Given COVID-19, for this round of Small Grants we particularly welcome applications for online or virtual projects.

Call for Papers: Nottingham Medieval Studies

Saturday 31 July 2021, 12:00pm

Image from the Rushall Psalter, Nottingham, Me LM 1, f. 20v

Image from the Rushall Psalter, Nottingham, Me LM 1, f. 20v

Nottingham Medieval Studies is the UK’s longest running medieval studies journal. Published by Brepols, NMS is an interdisciplinary journal for the study of European history and literature from Late Antiquity through the Reformation. It also features articles in related fields such as archaeology, art history, linguistics, musicology and philosophy. It is flexible in publishing scholarly editions of texts and longer articles. Proposals for special issues based on conference proceedings or specific themes which fit the general remit of the journal are welcomed.

We invite submissions of articles of around 8,000 words in length in any of the above.

Deadline for submissions: 31 July 2021

NMS 65 (2021) will also feature a prize-winning article composed by a postgraduate or early career graduate. The deadline for next year’s competition, the winner of which will be published in the 2021 volume, is 1 February 2021.

Please send articles, preferably by email attachment, to the editors at

Dr Rob Lutton, rob.lutton@nottingham.ac.uk

Dr Natasha Hodgson, natasha.hodgson@ntu.ac.uk

copying to nms@nottingham.ac.uk

or by mail at

Dr Rob Lutton, Department of History, University of Nottingham, Nottingham NG7 2RD

Dr Natasha Hodgson, Department of History, Nottingham Trent University, Clifton Campus, Nottingham NG11 8NS

For more information about Nottingham Medieval Studies, including submission guidelines, please click here

For more medieval matters from Oxford, have a look at the website of the Oxford Medieval Studies TORCH Programme and the OMS blog!