Welcome to week 2! Please find below all of the medieval events across Oxford in the coming week.
The wonderful team behind the medieval mystery plays that took place at the beginning of this term have put together a full report of the event, which includes a number of amazing photos. A video of last week’s performance of The Netherhold Martyr is now available here.
Monday
French Palaeography Manuscript Reading Group – 10:30 pm in the Weston Library.
Medieval History Seminar – 5pm at All Souls College. Amanda Power (St Catherine’s College Oxford) will be speaking on ‘Salvation, alienation and sacrifice zones from medieval to modern thought’.
Tuesday
Medieval English Research Seminar – 12.15 in the English Faculty. Raphaela Rohrhofer (University of Oxford) will be speaking on ‘Nothing Matters: The Contemplative Poetics of Nought in Julian of Norwich and Beyond’.
The Latin Palaeography Reading Group meets 2-3.30pm. Please email Laure Miolo for more information.
Centre for Early Medieval Britian and Ireland Seminar ‘Sacrilizing the Everyday’ – 4pm in the Rees Davies (History Faculty).
Medieval Church and Culture – tea and biscuits from 5pm in the Wellbeloved Room, with talks from 5.15. Shaw Worth (Magdalen) will be speaking on ‘‘Bien est avoiré sur vous le langage’: practising allegory between text and image in three manuscripts of Alain Chartier’s Livre d’Espérance, 1450–1470’. Sophie Boehler (St Hugh’s) will be speaking on ‘Seeress to Abbess: women’s evolving dreams, visions and prophecies during the Icelandic conversion period’.
Wednesday
Medieval German Graduate Seminar – NB In second week, the seminar will not take place. Instead there will be a workshop on Christiane Mariane von Ziegler, the first female German Poet Laureate, in St Edmund Hall, starting at 10am. If you are interested to participate, please contact Henrike Lähnemann.
The ‘science of the stars’ in context: an introduction to medieval astronomical and astrological manuscripts and texts – 2pm in the Horton Room (Weston Library). Session 2: The daily rotation of the celestial sphere (primum mobile) [1/2].
Medieval Latin Document Reading Group – 4pm, online, please contact Michael Stansfield.
Oxford Centre of Islamic Studies Seminar – 5pm in the Oxford Centre of Islamic Studies. Professor Christophe Jaffrelot (Kings College London) will be speaking on ‘Beyond Castes and Regions: The Socio-Economic Decline of Muslims in Contemporary India’.
Merton College History of the Book Group Lecture – 5pm, Mure Room (Merton College). Professor Orietta Da Rold (Professor of Medieval Literature and Manuscript Studies, University of Cambridge) will be speaking on “The many crafts of paper”. Attendees will have the opportunity to view medieval works on paper from the Merton Library and Archives. The talk will be followed by refreshments. All are welcome, and we would appreciate an RSVP to julia.walworth@merton.ox.ac.uk
Thursday
Middle English Reading Group (MERG) – 2pm in the Beckington Room (Lincoln College). Join us to read the ‘double sorwe’ of Troilus and Criseyde in a weekly reading group. We will be reading from the end of Book IV. For more information or to be added to the mailing list, please email rebecca.menmuir@lincoln.ox.ac.uk.
The Khalili Research Centre For the Art and Material Culture of the Middle East: Research Seminar – 5.15 in the KRC Lecture Room. Richard Piran McClary (University of York) will be speaking on ‘Lajvardina: A Re-evaluation of Distinctive Ilkhanid and Golden Horde Overglaze Painted Wares’.
Friday
Medievalists Coffee Morning – 10.30am at the Weston Library. All welcome, coffee and insight into special collections provided.
Exploring Medieval Oxford through Lincoln & Magdalen Archives – 2pm in the EPA Centre (Museum Road) Seminar room 1. Please contact Laure Miolo for more information.
Upcoming
Additional spaces are available on the ‘Big Data’ and Medieval Manuscripts workshop – please sign up here.
Registration is open for the Masterclass by Patrick Boucheron – Pourquoi des médiévistes ? Penser le contemporain depuis le Moyen Âge – 29 May, 2:30pm, Maison Française d’Oxford.
Registration is open for Patrick Boucheron’s lecture entitled ‘The Birth of the Black Death: New Approaches in World History’ – 29 May, 5:00pm, Pembroke College.
The Digital Medieval Studies Institute is hosting a set of workshops on digital scholarly methods specifically tailored for medievalists as part of the International Medieval Congress at the University of Leeds. More information can be found here.
Opportunities
CfP for ‘Staging Silence from Antiquity to the Renaissance’ – more information here.
CfP for ‘Music and Reformation: A Symposium at Lambeth Palace Library, 16 September 2025’
A regular pub trip is being organised on a Friday at 6pm at the Chequers, from 0th week to 8th week, for all medievalists at Oxford. Email maura.mckeon@bfriars.ox.ac.uk
The fourth iteration of the Oxford Medieval Mystery Plays took place on 26 April at St Edmund Hall. And it was a truly marvellous day! A total of 13 plays were put on by about 150 participants – actors, directors, singers, costume designers, musicians, and many more. Throughout the day, about 350 audience members popped in and out of Teddy Hall, some staying for shorter periods, others for several hours or the whole day. Audience members and participants included a wonderful range: undergraduate and graduate students and academics from within and without Oxford, a full children’s choir, tourists, and members of the public found their way to Teddy Hall and partook in the medieval shenanigans.
And what shenanigans they were! This year, we are particularly proud of the incredible diversity of languages, plays, and different approaches on display. But see for yourself … (All photo credits are at the bottom of the post)
The day started – how could it be otherwise – with a trumpet blast from Henrike Lähnemann herself (Picture 1).
Once again, we were expertly guided through the day by Jim Harris, the Master of Ceremonies. Armed with Bruce Mitchell’s doctoral gown and the ceremonial scroll (consisting of the baking roll to the chaplain of St Edmund Hall, half a coat hanger and numerous layers of paper and sellotape), he introduced each play with a modern English prologue (Picture 2).
We began at the beginning, with the creation of the world and The Fall of the Angels,performed mostly in Middle English, but with modern English elements, and in a modern office setting.
Picture 3: The Holy Trinity is being fawned over by the two good angels … but trouble awaits: the two bad angels are getting arrogant, before their inevitable ejection from Heaven.
From the angels, we moved swiftly on to humans: next was the German Adam and Eve play by Hans Sachs, featuring a particularly good use of the well (the two humps underneath the spare green coat are Adam and Eve, about to be created).
Picture 4: All could be well in Eden, if it wasn’t for Lucifer, Belial, Satan, and the Serpent conspiring.
Picture 5: Adam and Eve might have fallen into desperation, but the cast have good reason to be proud of themselves, having made it to the front page of both the Oxford Mail and Oxford Times.
Skipping a few biblical ages, we next saw the Flood, presented in the Middle English Chester version. A particular highlight were the many animals saved on Noah’s Arch: they were expertly portrayed by the children of St Giles’ and St Margaret’s churches.
The Old Testament concluded with the Middle English York version of Abraham and Isaac.
Will he really do it? Abraham is getting ready to sacrifice his oldest son, Isaac (Picture 6) … but fear not! The angel of the lord approaches and shows him a sheep to sacrifice instead – the little guy, hand-crocheted by one of the cast members, rapidly became the true star of the day (Picture 7).
After a refreshing tea break, we moved from the Front Quad into the Churchyard, and from the Old to the New Testament. The fifth play of the day was the Annunciation, or rather Die Eerste Bliscap van Maria (‘The First Joy of Mary’). It was performed in Middle Dutch: a first (but hopefully not last) for the Oxford Medieval Mystery Plays!
Picture 8: The angel Gabriel announces the happy news to the reading Mary.
True to the Gospels, the Annunciation was followed by the Nativity. It was a particular pleasure to welcome back Les Perles Innocentes, who travelled all the way from Fribourg to wow us with their expert performance of the Comédie de la Nativité, written by none other than Marguerite de Navarre.
Picture 9: Mary and Joseph are desperately looking for a place where Mary can give birth. – Picture 10: If the stable looked as gorgeous as the library of Teddy Hall, it surely wasn’t the worst place to be born in!
Our next play skipped ahead, showing us the grown-up Christ at the Wedding at Cana. This play was a world premiere, reconstructed from only 1.5 surviving lines in the York cycle!
Picture 11: Panic at Cana – the wine has run out at the wedding! What to do?
Picture 12: Christ is there to save the day and transforms the water into wine. The servants are amazed!
From Cana, we moved straight to Golgotha and a Middle English performance of the Crucifixion. The York Crucifixion, strangely, is a comedy, and the four soldiers crucifying Christ were accordingly equipped with ‘Cross flatpack instructions’ and giant inflatable hammers. Certainly not inflatable, however, was the cross, which was purpose-built just for this production and turned into a much-coveted prop for numerous plays.
Picture 13: The poor, overworked soldiers struggle to lift up the heavy cross.
Once the soldiers had vacated the grassy mound in Teddy Hall’s Churchyard, the mourners came: the three Marys (the Virgin, Mary Magdalen, and Mary, Mother of John) and John arrived for the Lamentation, represented by the Bordesholmer Marienklage and beautifully sung in a mixture of Latin and Low German.
Picture 14: Owe, owe nu ys he dot…
Moving directly from the cross to the crypt, we were told about the Harrowing of Hell by the Choir of St Edmund Hall through sung Latin sequences.
Hell having been harrowed, it was time for another tea break, after which we were welcomed back by the angelic hosts of the Choir (Picture 15). And then it was time for some good news: the Resurrection! Performed in the Middle English of the York version, this play truly had it all: sleeping soldiers, lamenting Marys, bickering priests, and a highly enthusiastic angel.
Picture 16: An outraged Pilate commands the soldiers to find out the truth about the rumours concerning Christ’s resurrection. At least Caiaphas and Annas, the extremely well-dressed high priests, are there to back him up. Picture 17: Mary lamenting at the tomb – thankfully, she, too, receives moral support from the angel.
Leaving the Gospels behind, we moved on to the only non-biblical story of the day: The Martyrdom of the Three Holy Virgins by Hrosvitha of Gandersheim, performed mostly in (absolutely flawless!) Latin, with a few bits in modern English.
Picture 18: Governor Dulcitius has been ridiculed by his prisoners, the holy virgins Agape, Chionia, and Irena … his embarrassment will not go unpunished.
Picture 19: The two older sisters are burned, while the youngest is forced to watch. But never fear: all three will be rewarded in Heaven for their martyrdom.
Last, but by no means least, it was time for … the Last Judgement! Performed in a modern English adaptation of different Middle English versions, this wonderfully cheerful and funny play was the perfect end for a fantastic day.
Picture 20: Hey guys, it’s Gabe! The archangels Gabriel and Michael open Judgement day, while the soon-to-be-raised souls rest in the ditch between library wall and lawn.
Picture 21: Who will get more souls? Jesus and the angels, or Lucifer and the demons?
And … that was it! Thirteen plays, five languages, two tea breaks, and five hours later, we had travelled all the way from the Creation to Judgement Day, from Heaven to Hell, from Bethlehem to Golgotha, and from Front Quad to the far side of the library.
Our heartfelt thanks goes to everyone who made this day possible: on and off stage, casts, crews, organisers, helpers, and so many more. We are particularly grateful to Jim Harris, our Master of Ceremonies; David Maskell, who wrote the modern English prologues; and Tristan Alphey and the other helpers for their support during the day. This year’s Medieval Mystery Plays are by far the best-documented yet: Ben Arthur, James May, Archie Dimmock, and Tea Smart filmed the entire day; their recordings will be released on the St Edmund Hall Mystery Cycle page at a film launch party at the end of Trinity Term. Ashley Castelino took many fantastic pictures, and Robert Crighton and Liza Graham recorded impressions from audiences and participants for their podcast Beyond Shakespeare.
Of course, what a play really needs is its audience. We were delighted to see so many of you there, and overwhelmed by the amount of positive feedback we received. Here are just some of the comments we collected in our visitor book – many audience members had their favourite play from the host of performances:
“Brilliant! Loved the Nativity especially!”
“Great job! Love the Wedding feast!”
“Terrific! Thank you very much. I particularly enjoyed Adam and Eve, and Satan with his acolytes in [the Last Judgement]!”
“Really enjoyed the camp Satan!”
“The singing [in the Nativity, Lamentation, and Harrowing of Hell] was superb. Altogether a delightful event!”
The best audience members are naturally those who were themselves surprised by how much they enjoyed themselves: one person wrote that they had a “very unexpectedly enjoyable day supporting a friend in one play, but then enjoy[ed] all the others!” Many also appreciated the use of medieval languages in keeping these plays “alive” through modern performance and praised the “pace, diversity, and inventiveness” of the troupes, the beautiful medieval setting of St Edmund Hall, and the overall “vibrant and entertaining” environment of the Cycle. One particularly nice comment described our day of performances as “full of whimsy” – made even more whimsical by the little stars they drew around their comment. Thank you very much to each and everyone of you!
Are you sad you missed out? Can you not wait to get back into medieval drama? Watch this space! The Oxford Medieval Mystery Plays will be back …
Picture Credits
Pictures 2 and 7: Ashley Castelino
Picture 5: Rahel Micklich
Picture 16: Antonia Anstatt
Header and Pictures 1, 3, 4, 6, 8-15, 17-21: Stills from the video recordings made by Ben Arthur, James May, Archie Dimmock, and Tea Smart.
With full term about to begin, I have three exciting developments for you all.
First, a final reminder that the Oxford Medieval Mystery Plays take place on the 26 April (this Saturday) from 12 noon at St Edmund Hall. The incredible booklet can be found at the end of this post, which illustrates just how many of our community are involved, and the feast of entertainment available on the day. See you all there!
Second, the first draft of the termly OMS booklet can be found here. If you have submitted an event, please cast a quick eye over the information to ensure that it is correct. If you are yet to submit your events but woul like them to be included, please do so ASAP.
Finally, OMS is seeking a new Social Media Officer. The Social Media Officer is in charge of connecting all of Oxford’s medievalists via the OMS Facebook, Twitter, and Instagram accounts and also occasionally posting on here, the OMS blog. You will be responsible for posting across these platforms to advertise OMS events, opportunities and news. Familiarity with social media advertising is beneficial but not essential: this is an ideal way to gain technical know-how about social media, advertising and marketing that can be used in your academic career and beyond. The post usually comprises an hour or two a week. You can read a retrospective of the current Officer Ashley here. Those interested should reply to this email address before Saturday, where there will be the chance to shadow.
Are you curious about what manuscripts can tell us beyond their texts? Join Digital Scholarship @ Oxford and the Bodleian Libraries for a hands-on workshop using data from manuscript catalogues to explore trends and patterns in medieval manuscript production.
You’ll learn:
What kinds of data can be recorded about manuscripts
How to interpret and analyse manuscript catalogue entries
Ways to identify trends and patterns using simple tools like Excel
You’ll have the opportunity to work directly with manuscripts from the Bodleian’s collections, learning new skills that you can apply in your future studies and research. You’ll also get to contribute to the ongoing development of the manuscript catalogues, with your contributions credited on the Bodleian website.
No technical experience is required, just a basic familiarity with Excel.
Spaces are limited and will be filled on a first-come, first-served basis.
Workshop dates:
Thursday of 3rd week (15th May), 1–5pm – undergraduates
Thursday of 4th week (22nd May), 1–5pm – undergraduates
Thursday of 7th week (12th June), 1–5pm – postgraduates
Please still fill in the form if you are unavailable on these dates, as we may be able to make additional workshops available if there is demand.
Signup deadline: Midday, Friday of 2nd Week (9th May)
On 24 April, 8pm, Antiquum Documentum are pleased to present a concert to celebrate the launch of the new book ‘Light on Darkness: The Untold Story of the Liturgy’ (Cosima Clara Gillhammer, Reaktion Publishers). The programme features music connected to the book’s main themes, by composers such as Palestrina, Byrd, Weelkes, Amner, Judith Weir, and others, sung in ornamented style.
Entry is free. Books and drinks will be available for sale in the interval.
About the book: Light on Darkness: The Untold Story of the Liturgy offers a captivating journey through the history of religious rituals in Western Europe, showcasing the profound impact of Christian liturgy on art, literature, music and architecture. Through ten evocative stories, it explores medieval rituals and their cultural influence up to the present day, providing fresh insights into the enduring legacy of the liturgy as an expression of human emotion and religious experience. Accessible to all, this guide provides translations and explanations to uncover the hidden treasures of ancient rites and their lasting significance, appealing to those seeking a deeper understanding of Western liturgical traditions. For more information: www.liturgybook.com
The Oxford Medieval Commentary Network is pleased to present a plainchant workshop on 24 April 2025, 3-4.30pm in Christ Church. All are welcome; no prior experience necessary. Please sign up here or email cosima.gillhammer@lmh.ox.ac.uk
When? 26 April 2025, from 12 noon. Where? St Edmund Hall, Queen’s Lane, OX1 4AR
Come One, Come All! Free entry, no booking required.
On Saturday, 26 April 2025, a cycle of medieval mystery plays will be performed by various troupes around St Edmund Hall’s grounds. Medieval mystery plays were performed throughout the Middle Ages by and for everyday townspeople, and we’re excited to put on quite a day of shows for you!
Worried that you won’t understand the performances done in medieval languages? Never fear! Each play will be accompanied by a modern English prologue, which will help to summarise the play.
12 noon: OldTestamentPlays (Front Quad):
The Fall of the Angels (Angels of Oxford) – Middle English
Adam and Eve (Oxford German Medievalists) – Hans Sachs, German
The Flood (The Travelling Beavers) – Middle English
Abraham and Isaac (Shear and Trembling) – Middle English
1.30pm: New Testament Plays (Churchyard):
The Annunciation (Low Countries Ensemble) – Middle Dutch
The Nativity (Les Perles Innocentes) – Marguerite de Navarre, French
The Wedding at Cana (Pusey House) – Modern English, with Middle English archaisms
The Crucifixion (The Wicked Weights) – Middle English
The Lamentation (St Edmund Consort) – Bordesholmer Marienklage, Low German and Latin
The Harrowing of Hell (The Choir of St Edmund Hall) – Latin Sequence
3.30pm: New Testament Plays Continued:
The Resurrection (St Stephen’s House) – Middle English
The Martyrdom of the Three Holy Virgins (Clamor Validus) – Hrosvitha of Gandersheim, Latin and modern English
The Last Judgement (MSt English, 650–1550) – Modern English
6.15pm: Evensong (Chapel)
No tickets or booking is required, and it is free to attend. You are welcome to drop in and out throughout the afternoon. All performances will take place outside, so please dress comfortably for the weather conditions. There will be two small tea breaks, at around 1.15pm and 3.15pm.
The Wicked Weights admire their purpose-built cross – all ready for the Crucifixion! Picture: Rebecca Menmuir
If you have any questions about the cycle or the performances, email the co-heads of performance: Sarah Ware (sarah.ware@merton.ox.ac.uk) and Antonia Anstatt (antonia.anstatt@merton.ox.ac.uk). And look out for updates to our website, where detailed information about the individual plays will be published.
For a trailer of the type of Medieval Mystery play which awaits you, have a look at the extract from the Towneley Last Judgement play performed for a HistoryHit programme about the Apocalypse
When? 28 March, 18:30–20:15 Where? Research Centre, Thatched Barn, Christ Church Meadow
The anonymous English Enterlude of Godly Queene Hester (c. 1529) is a fascinating play, unperformed since the 16th century. Ostensibly in praise of Esther, heroine of Jewish history, the play is actually a political satire about the demise of Cardinal Wolsey. The fall of Wolsey, who had been the monarch’s right-hand man, was a key moment in the reign of Henry VIII. Assuerus, King of Persia, stands for Henry, while Aman, the model of the evil counsellor, for Wolsey. Henry’s wife, Katherine of Aragon, is idealised in the figure of Hester, who fills a traditional role for virtuous royal women by interceding with her husband, but also boldly argues that queens should exhibit the same virtues as kings and can perfectly well govern kingdoms when their husbands are away fighting wars! She thus anticipates the strong secular heroines of Shakespearean comedy.
Originally, the play would have been performed by a boys’ company so it is appropriate that it will be staged by Edward’s Boys. This company, from King Edward VI School, Stratford-upon-Avon, has, over the last two decades, revolutionised our understanding of the early modern repertoire. Alongside the English Enterlude, they will also present a short purimshpil, a Jewish folk play. The purim plays (still a living tradition in Yiddish) tell the story of Esther in a very different mode, celebrating the rescue of the Jewish people by their heroine in farcical style. The production is part of the WOMARD project, which explores connections between Jewish, Christian and Islamic Theatre and is sponsored by the SNSF.
When? 2 May 2025, 6-8pm Where? Old Library (drinks) and Crypt of St-Peter-in-the-East (performance)
Come one, come all! Prepare to worship the power of a good shit and marvel at the agonies and ecstasies of excrement!
The year is 1320 in the stinking town of Netherhole. A young nun feels the hand of God clutch her guts, an ambitious Earl issues a dangerous decree, and a ghost rises from the river. Doctors, priests and rumours descend and Netherhole’s fortunes are changed forever.
The Netherhole Martyr is a play recounting a year in the fortunes of the people of Netherhole, a Yorkshire town in the grip of religious fervour after a young novitiate enacts a painful communion with the divine through her constipated bowels.
This semi-staged reading of the play, held in the spectacular Crypt of St-Peter-in-the-East at St Edmund Hall, celebrates its recent publication by Strange Region Press. Written in shades of Donne and Swift, the text of this surreal and macabre work by Good Friends for a Lifetime is fully illustrated by Sigrid Koerner and Hannah Mansell.
The event is free to attend and no booking is required. Copies of the book will be available to purchase. The event will begin with drinks in the Old Library at 6pm, followed by a performance in the Crypt that will last approximately 1 hour and 15 minutes.
Maeve Campbell, Minna Jeffery and Lily Levinson are Good Friends for a Lifetime. They met on the MA Text and Performance at Birkbeck and RADA. Their first production, Shades of Mediocrity, about friendship, the cult of male genius and Simon & Garfunkel was performed at Camden People’s Theatre and the Old Red Lion. They were associate artists at Bathway Theatre, University of Greenwich, in 2021.
Strange Region is a publisher of experimental writing by artists, novelists and poets. They endeavour to use publishing as a tool to celebrate writing as performance, as architecture , as a mechanical component of creative practice and as a space to enjoy the perilous corners of the human experience.
We have made it to 8th week, and the sun has come out in celebration. The full booklet of weekly events, as always, can be found here. A few brief notes to begin:
Please take a moment to fill in a short survey exploring the possibilities of turning the Bodleian’s TEI-encoded medieval manuscript catalogues into accessible tabular formats such as CSV. Posted by Seb Dows-Miller and Matthew Holford for a new DiSc-funded project within the Bodleian Libraries.
The 2025 Oxford Medieval Graduate Conference programme has now been released, and can be found here. The OMGC2025 will be followed directly by the Medieval Mystery Cycle on 26 April! Join us on Thursday for a brainstorming session if you want to get involved.
Monday
French Palaeography Manuscript Reading Group – 10.30am in the Weston Library. Those interested should email Laure Miolo.
Seminar in Palaeography and Manuscript studies – 2.15 in the Horton Room. Lucio del Corso will be speaking on ‘Greek papyri in the Bodleian Library. A tale of lost texts and forgotten books’.
Medieval History Seminar – 5pm at All Souls College. Daisy Livingston (Durham) will be speaking on ‘How to qualify as a notary in the early-16th century Mamluk Sultanate’.
Old Norse Reading Group – 5.30, English Faculty Graduate Common Room. This term we will be reading Hrafnkels saga.
Tuesday
Europe in the Later Middle Ages – 2pm in the Dolphin Seminar Room, St John’s College. Katy Beebe (North Texas) will be speaking on ‘Movement in the Mind: A Typology, Critique, and New Interpretative Model of Imagined Pilgrimage’.
Latin Palaeography Manuscript Reading Group – 2pm, Weston Library.
EMBI Lecture – 4pm in the Gillis Lecture Theatre, Balliol College. Sue Brunning (British Museum) will be speaking on ‘Silk Roads at the British Museum: A co-curatorial journey’.
Medieval Church and Culture – 5.15pm (coffee from 5pm) in the Wellbeloved Room, Harris Manchester College. Maria Czepiel (University of Warwick) will be speaking on ‘Hebraist Erudition in Spanish Renaissance Biblical Poetry’.
Wednesday
The Medieval German Graduate Seminar on ‘Geistliche Spiele’ – 11.15am in the Old Library of St Edmund Hall will conclude with a presentation by Irene Van Eldere on Middle Dutch texts: the Annunciation play which she is staging for the Medieval Mystery Cycle and on the prayerbook project in Leiden
History and Materiality of the Book Seminar – 2pm in the Weston Library, Horton room. Matthew Holford and Laure Miolo will be speaking on ‘Text Identification’.
Late Antique and Byzantine Seminar – 5pm in the Ioannou Centre. Michael Featherstone (Oxford) & Juan Signes Codoñer (Universidad Complutense de Madrid) will be speaking on ‘A Team of Palace Historians: the Final Redactions of Theophanes Continuatus and the De Cerimoniis’.
Thursday
Medieval Hebrew Reading Group – 10am in the Clarendon Institute.
Middle English Reading Group – 4pm, Beckington Room, Lincoln College. The text this term will be the ‘double sorwe’ of Troilus and Criseyde.
Seminars in Medieval and Renaissance Music- 7pm online. Paul Kolb (University of Leuven) will be speaking on ‘Contextuality and Irregularity in Late-Medieval Mensural Notation’.
Preparatory Meeting for the Medieval Mystery Cycle – 5pm at St Edmund Hall in the Principal’s Lodgings. Anybody welcome who would like a site-visit, meet other actors, directors, and survey the costume stock in Henrike Lähnemann’s office.
Medieval Visual Culture Seminar – 5pm at St Catherine’s College. Eleanor Townsend (Oxford) will be speaking on ‘All the werkemanship and masonry crafte of a frounte’: The problem of the Jesse reredos in St Cuthbert’s, Wells’.
The Khalili Research Centre For the Art and Material Culture of the Middle East: Research Seminar – 5.15pm in the in the Ioannou Centre/Faculty of Classics’ Lecture Theatre. Edward Zychowicz-Coghill (King’s College London) will be speaking: title TBC.
Friday
Medievalists Coffee Morning – 10.30am at the Weston Library. All welcome, coffee and insight into special collections provided. A special treat to end the term: the German Blockbook Apocalypse will be out, combined with the performance of an extract from the Towneley Last Judgement Play.
Exploring Medieval Oxford through Lincoln & Magdalen Archives – 2pm in the EPA Centre (Museum Road) Seminar room 1. Please contact Laure Miolo for more information.
Deadline today for The Ashmolean’s Krasis Scheme: ‘a unique, museum-based, interdisciplinary teaching and learning programme’. You can find out more about this wonderful opportunity here.
Opportunities
Eruditio Nummorum: Symposium on Coins in Honour of Hugh Pagan (29th March) – more info here.
Postdoctoral fellowship opportunity at the university of Notre Dame (deadline 31 March) – more information here.
The Oxford-Bloomsbury Fantasy Summer School (23–25 September 2025, Exeter College) is welcoming expressions of interest. More information can be found here.
CfP for ‘lluminating Nature: Explorations of Science, Religion, and Magic’ (21-22 July 2025 at the UNESCO World Heritage Site of Durham Castle).
Register for ‘History, Eugenics, and Human Enhancement: How the Past Can Inform Ethical Debates in the Present’ (24 March 2025, 9am – 5.30pm).
Register now for the workshop on 21st March From Jean le Bon to Good Duke Humphrey to celebrate the arrival of the French New Testament which was recently recognised to have been owned by Humfrey, duke of Gloucester. The event is free (including tea and coffee).
CfP for the 35th International Conference of the Spanish Society for Medieval English Language and Literature (University of Málaga, 24th-26th September 2025). More info here.
The Sorrowful Virgin workshop takes place at St Hughs, 24 March 2025
