CMTC presents — “Work in Progress” Colloquium

The Centre for Manuscript and Text Cultures’ Hilary Term ‘Work-in-Progress’ colloquium – Tuesday 18th February (5.15-6.45pm, the Memorial Room at Queen’s) 

The CMTC is delighted to be hosting the following speakers: 

Dr Riccardo Montalto (Università degli Studi di Napoli Federico II): From manuscripts to history: The reconstruction of the Greek manuscript library of Achilles Statius (1524-1581)

Achilles Statius was a Portuguese humanist active in Rome in the second half of the sixteenth century. Committed to editorial and propaganda activities and, in particular, in the edition of the texts of the Fathers of the Greek Church, Statius set up one of the largest private libraries in Renaissance Rome, peculiar for its size and intellectual value. Starting from the material data detectable from the manuscripts, compared with the data available from different sources – primarily historical, archival and library science – the research aims to reconstruct a part of Achilles Statius’s library and to identify some methods and working practices of the late Renaissance humanists.

Holly Dempster-Edwards (University of Liverpool): Emotions, Gender and Crusading in Fifteenth-Century Burgundian Prose Epics and Chronicles

This paper will give an overview of my PhD thesis, which examines the social function of emotions at the fifteenth-century court of Duke Philip the Good of Burgundy (r. 1419-1467). My methodology is based on that of the historian Barbara Rosenwein, whose concept of ‘emotional communities’ has been highly influential within Medieval Studies. My study is based on emotion words in three Burgundian mises en prose Les Croniques et Conquestes de Charlemaine by David Aubert, La Belle Hélène de Constantinople by Jehan Wauquelin, and Mabrien (attrib. Aubert). I have built on Rosenwein’s framework by employing quantitative analysis of the gendered and ‘racial-religious’ distribution of emotions within each text, alongside qualitative textual analysis and examination of text-image relations. This paper demonstrates how emotions have a social function within this specific emotional community of Burgundian knights and would-be crusaders in response to the Fall of Constantinople in 1453, and how these texts function as literary propaganda which presents itself as didactic; in so doing they attempt to achieve their more subtle aim of maintaining emotion norms within the context of Burgundian chivalric masculinity, hoping to persuade Philip’s courtiers to go on crusade with him in response to the defeat of Constantinople by the Ottoman Turks.

From the archive

Tuesday the 13th of February 2024, 5.15–6.45pm UK time Centre for Manuscript and Text Cultures

Memorial Room, The Queen’s College    

1. A. D’Angelo (Rome ‘Sapienza’), ‘Catullan marginalia in the 16th century: the books of Piero Vettori’. 

The Bayerische Staatsbibliothek in Munich preserves three printed editions of Catullus’ Liber with marginal notes by Piero Vettori (1499-1585). This important scholar edited dozens of Classical authors, but never published anything on Catullus: thus, these books are the main extant evidence of his work on this poet. The notes contain variant readings, original conjectures and loci similes, and they offer new insights on Vettori’s philological method and his library. Through these marginalia, I will try to point out Vettori’s main interests in Catullus’ poetry and the sources he used for his Catullan studies.

2. Marlene Schilling (Oxford), ‘A special form of devotion – personifications of time in late medieval prayer books from Northern Germany’.  

Addressing liturgical holidays, for example welcoming Mr Easterday, is a particular characteristic of late medieval vernacular prayer-books from North German female convents. They highlight a distinct form of poetics, because describing and interacting with specific points in time – personifying them – allows an intercommunication with the divine that conveys a certain form of agency to the speaker. In this paper, we explore the particular type of prayer-books these personifications are found in, talk about their material indicators within the text, and think about the special role of the prayer-books from the Cistercian convent Medingen within this distinct manuscript landscape.

The Sorrowful Virgin: Medieval and Early Modern Devotion

In association with Oxford Medieval Studies, sponsored by The Oxford Research Centre in the Humanities (TORCH), and the Centre for Early Modern Studies, convened by Anna Wilmore, Taro Kobayashi, and Katerina Levinson on 24 March 2025 in St Hugh’s College

9:15-10:15am – Panel 1: Textual and Visual Devotion

  • Susanne de Jong (Leiden): Praying with Compassion: The Devotion of Mary’s Sorrows in Middle Dutch Books of Hours
  • Fiammetta Campagnoli (Sorbonne): A “Devotional Mirror”: Following Mary’s Footsteps through Her Sorrow and Meditations

10:35-11:35am – Panel 2: Sacred and Secular

  • Joana Balsa de Pinho (Lisbon): Piety and welfare: the Sorrowful Virgin in the context of the Portuguese Confraternities of Mercy
  • Serena Cuomo (Santiago de Compostela): Mother of all mothers – Affective Piety and Maternal Grief in the Roman de Troie

11:35am-12:35pm – Panel 3: Emotion and Trauma

  • Costas Gavriel (Oxford): ‘You know my pain’: Trauma, Self-Narrative and Marian Devotion in the Memorias of Leonor López de Córdoba
  • Ana Vitoria Lopes (Sao Paulo): Crying Women in Devotional Panels: A Study through the Lens of the History of Emotions

2-3pm – Manuscript workshop at the Weston Library. Handout.

Presented by Anna Wilmore and Susanne de Jong, with manuscripts being shown by Bodleian curator Matthew Holford

  • Private Devotions:
    MS Douce 264: early 16th century book of private prayers and devotions (Latin and French) printed for a member of the family of Scepeaux
    MS Lat Liturg .e .36: Italian collection of prayers written for a nun, 14th /15th century
  • Latin and Vernacular:
    MS Douce 1: A tiny prayer book c. 1460 England, containing prayers in Latin and Middle English
  • Speculum humanae salvationis:
    MS Lyell 67: late 14th century, Bohemia. f. 46r and 87v (Crucifixion), 90v (Virgin pierced by sword) and 91v (Virgin surrounded by arma Christi)
    Arch. G d. 56, digitised, a hybrid Dutch incunable/blockbook c. 1470, see the description of the John Rylands copy and the CERL entry
  • Middle Dutch Books of Hours – MS Douce 243: Dutch; 3rd quarter 15th Century
    MS Buchanan f. 1: These are both Dutch Books of Hours using the translation of Geert Grote.

3:45-5pm – Montgomery Powell (Oxford): Myn kynt unde ok myn god: Sorrowful Participation in the Bordesholmer Marienklage, followed by performance and discussion of Marian laments. Handout

5pm-6pm  – Keynote by Prof. Lesley Twomey (Northumbria): The Sorrows of the Virgin Mary at the Foot of the Cross in vernacular Vitae Christi in Medieval France, England and Spain.

The Seven Sorrows of the Virgin from The Prayer Book of Cardinal Albrecht of Brandenburg, approx 1525-35, Simon Benning, Getty Museum, Ms. Ludwig IX 19 (83.ML.115), fol. 251v

The Epiphanytide Mysteries

A performance of a medieval mystery play cycle, with a reconstruction of the no longer extant wedding at Cana episode. Directed by Philipp Quinn and Elliott Clark.

When: Saturday, 25 January 2025, 2pm
Where: Pusey House, Oxford

Philipp writes: We at Pusey House welcome all and sundry to join us as we continue our Epiphanytide celebrations with carefully selected mystery plays. The event is not ticketed. The runtime should be roughly an hour. We very much look forward to seeing you there!

Pusey House put on mystery plays for the first time in 2023. In that first performance, we sought to portray the Bible’s broad “narrative,” with the Creation, the Fall, the Passion, and the Final Judgement as our highlights. This time, in connection with the Epiphany Season, we’ve chosen to emphasize the Magi, Jesus’ baptism, and the Wedding at Cana. In prioritizing that theme, we’ve had to be more eclectic in our sources this year. Whereas our first performance was based largely on the York cycle, our current plays are drawn from both the Chester and York cycles. Our plays also an original, the Wedding at Cana, since the Wedding is not found in the Chester cycle and has not survived (apart from a line-and-a-half fragment) in the York cycle.

Philip Flacke sitting on a bench reading a pamphlet next to a statue of Lichtenberg

10 Rules for Oxford You’d Regret Not Knowing

Is this your first term in Oxford or have you been here for years? Are you visiting? Or perhaps planning on applying for our Medieval Studies programme?

Philip Flacke completed an internship in Oxford in Trinity 2024, and he’s prepared an important list of 10 rules for Oxford you’d regret not knowing:

  1. Read (oh and watch TV)
  2. Pack lightly
  3. Don’t be afraid
  4. Learn to tie a bow tie – or don’t
  5. Embrace performance
  6. Remain sceptical
  7. Go to church
  8. Work with objects
  9. Don’t forget when it’s time for ice cream
  10. The library is not for talking

Learn more about these rules from Philip’s original post at https://historyofthebook.mml.ox.ac.uk/10-rules-for-an-oxford-internship-youd-regret-not-knowing/

…or just watch him act them out for you below!

@oxfordmedievalstudies

Philip Flacke stars in… “10 rules for @University of Oxford you’d regret not knowing” Filmed by @Henrike Lähnemann #oxford #oxforduniversity #performance #church #icecream #library #medieval #medievaltiktok #göttingen

♬ Charlie Chaplin Music – Piano Amor

This video was filmed by Henrike Lähnemann in the courtyard of the old university library in Göttingen, next to the statue of the philosopher and scientist and aphorist Lichtenberg and adjacent to the repurposed Paulinerkirche. Fun fact: Göttingen had close links to Oxford as founded by one of the King Georges of England and Hanover!

Epiros: The Other Western Rome, Workshop 8th-9th November 2024

On Friday 8th and Saturday 9th November, the online workshop Epiros: The Other Western Rome was held, platforming twenty-one papers from sixteen universities. As the second phase of a new international project, the workshop investigated the Byzantine successor-state of Epiros (1204–1444). Formed from the Fourth Crusade, this Balkan state existed as an alternative narrative and third Byzantine-Roman context, encompassing a vast variety of peoples of the former empire.

Originally envisioned as a one-day workshop, the programme was expanded to two days to accommodate so many excellent submissions. As a result, we were able to offer panels on, The ‘Post-Komnenian System’, ‘Epiros and Bulgaria’, ‘Epiros and its other Neighbours’, ‘Network Analysis,’ ‘Hybrid Material Culture,’ and more. The workshop’s convenors are hugely grateful for the participation of speakers and attendees, as well as the support of both The Oxford Centre Research Centre in the Humanities (TORCH) and the Oxford Centre for Byzantine Research (OCBR).

An edited volume of papers is planned, and a selection of images below.

Medieval Afterlives Season Workshop

Date: Tuesday 21 January, 13.00-14.00, with lunch provided from 12.30
Location: Colin Matthews Room, Radcliffe Humanities (and online via MS Teams)

As part of the preparations for annual ‘Cultural Seasons’ in the new Schwarzman Centre for the Humanities, this is an invitation to brainstorm ideas for a Cultural Programme Season on Medieval Afterlives. From Oxford Medieval Studies, Prof. Marion Turner (English), Prof. Henrike Lähnemann (MML), Prof. Nancy Thebaut (History), and Prof. Elizabeth Eva Leach (Music) are already collaborating with the Cultural Programme on possible opportunities for the season and John Fulljames, Director of Oxford University’s Humanities Cultural Programme, is keen now to extend an invitation to others to join the conversation to explore and test the potential for the season and bring together researchers who could be involved in shaping and delivering it.
The focus of the season will be on contemporary creativity, while also centring Oxford’s extraordinary medieval resources where appropriate – our manuscripts, instruments, objects, architecture, and spaces. This season might engage with novelists, poets, musicians, graphic artists, puppeteers, playwrights, actors, composers, designers, children’s book writers, textile workers, cartoonists, computer game programmers, AI technology, and more.
We would like the season to be ambitious and international while also engaging grass-roots, local communities, especially schools and young people. It will be wide-ranging, inclusive, accessible, innovative, and fun. We also want to be open about the dark side of medieval appropriations in recent years, especially by the far right (see the previous TORCH OMS workshop on Medieval Studies and the Far Right), and to examine and counter these narratives. While we want to bring in high-profile writers and artists, we also want to celebrate the creativity of everyone, including students. The season would be likely to take place circa 2028.
One overarching question might be whether this kind of contemporary creativity is an end in itself, or a gateway to the medieval past. Please come along to this initial group meeting for all interested parties, which will be structured around the question: What has medieval research to do with contemporary creativity?

If you have something you would like to share or discuss in advance, please feel free to reach out to the researchers who are already involved or the Cultural Programme via Justine Shaw. Please RSVP to: Cultural Programmes with ‘Medieval Afterlives Workshop’ (culturalprogramme@humanities.ox.ac.uk) in the subject line by 7 January 2025.

Image: ‘Serenade to Chaucer’, a pop-up version of Chaucer’s ‘Miller’s Tale’ by Paul Johnson, runner-up of the Redesigning the Medieval Book competition by the Bodleian Library.

Medieval Mystery Cycle 2025 Update

We are advertising for a Head of Performance and announcing a speed dating / workshop meeting!

1. Medieval Mystery Plays Meeting of the Minds Workshop

Friday 29 November 2024 (Week 7), 5–6.30pm, at St Edmund Hall, Doctorow Hall

Join this speed dating workshop for matching up actors, directors, musicians, texts, and props for the upcoming Medieval Mystery Cycle on 26 April 2025! Whether you are interested but still unsure how to put together a play, which play to choose, or how to act, all are welcome! The focus of the workshop will be on how to produce a medieval play script in an accessible version (of up to 20 minutes), but there will also be an opportunity to match actors and directors and to discuss any other practical questions you might have on site at St Edmund Hall – and to enjoy tea and cake!

Meanwhile, we’re still looking for groups to join the Medieval Mystery Cycle: have a look at the original blog post!

Let us know if you’re interested in joining by emailing Henrike Lähnemann and Lesley Smith, the Co-Directors. Also contact us if you are a graduate student or postdoc interested in this opportunity:

2. Head of Performance sought for Medieval Mystery Plays

Are you interested in pulling the strings for a successful run of the 2025 performance of the Medieval Mystery Plays? We are looking for an enthusiastic, creative and, above all, well-organised graduate student or postdoc to

  • liaise with the directors, volunteers, and groups taking part
  • plan the logistics of the performance
  • run the operations on the actual performance date
  • coordinate the publicity
  • write and / or edit the programme
  • facilitate the documentation
  • head the stewarding team

There will be a reward of £300 plus the opportunity of networking closely across the medievalist and performance people of Oxford and beyond. Please apply by Monday, 25 November 2025, with a short statement of interest and your CV by emailing Henrike Lähnemann and Lesley Smith, the Co-Directors.

Book at Lunchtime: The Life of Nuns

Wednesday 13 November, 12.30pm lunch. 1pm-2pm discussion. Book your place here. Join Henrike Lähnemann, Lyndal Roper, and Nancy Thebaut to discuss The Life of Nuns: Love, Politics, and Religion in Medieval German Convents by Henrike Lähnemann and Eva Schlotheuber, open access available via Cambridge: Open Book Publishers as html, pdf, and audiobook: https://www.openbookpublishers.com/books/10.11647/obp.0397
For a 20% discout on paper copies, use the code LONHL_24

Reading this remarkable volume left me with the distinct impression that medieval monasticism was far earthier, and less subject to the kind of dualistic tensions we tend to associate with asceticism, perhaps because the life of nuns was at that time a social norm, something wholly reflective of its period, rather than a counter-cultural choice or radical defiance of other orthodoxies. These tough yet pious women, while silenced by time and neglected by research, undoubtedly had and were aware of their status and influence within the broader human and divine scheme of things (Catherine Coldstream, author of Cloistered: My Years as a Nun)

From Henrike Lähnemann’s Medingen Manuscripts Blog a short account of the genesis of the book:

Love, Politics, and Religion in Medieval German Convents

It all started with a mistake: ‘Der Spiegel’, a widely read news magazine in Germany, ran a double-spread article on the big research project which Eva Schlotheuber and I direct, the edition of 1.200 letters from the Benedictine convent Lüne in North Germany. In the interview for it, we had talked about how important education by the nuns was for the ‘Lehrkinder’, children educated at the convent. The girls would come into the community, aged 7 to 9, and then get a thorough grounding in a wide range of discipline such as music, as pictured in the scene from a text book from Kloster Ebstorf.

Teaching Music in the Convents (Ebstorf, Klosterarchiv V 3, 15th century, fols 200v–201r)

Der Spiegel’ turned our phrase of ‘Lehrkinder’ into ‘die Kinder der Nonnen’ (the children of the nuns) – hinting at sex and scandal behind convent walls (in 2/2020 ‘So colourful was the life of nuns in the Middle Ages’).

This sparked further media interest and the Ullstein publishing house approached us because it had piqued their interest. When we explained that the attention-grabbing headline about “the nuns had children” was based on a misunderstanding, they were slightly disappointed – but then offered us the opportunity to set the record straight. And, arguably, what we could offer was much more exciting: the colourful and detailed accounts of lively, intellectual, strategic, argumentative, powerful women, shaping religion and politics of their times, looking after the girls (despite or even because they were their spiritual and not biological daughters!), negotiating business deals, writing, painting, composing and influencing the way we live today through their books, songs, and art.

‘The Life of Nuns’ tries to capture the richness of the life of these medieval nuns by incorporating as much primary source material as possible. Each of the big topics – such as Education, Music, and yes: Love and Friendship – starts with an account taken from the diary of a nun who lived at the end of the 15th century in the convent St Crucis in Braunschweig. The anonymous author covers the high feasts – celebrating the entry of new nuns, welcoming illustrious visitors –  and the everyday mundane events – lice, Lebkuchen (gingerbread), laundry. And we end every of our chapters with the presentation of a significant art work from the convents: the impressive wall paintings done in the 14th century by “three nuns all called Gertrud” in Wienhausen, the largest medieval world map in Ebstorf (30 goatskins sewn together), tapestries, statues, stained glass, the oldest spectacles in the world (fallen through the floorboard cracks in the nuns’ choir) – an embarrassment of riches from a world that few people even know existed. That is particularly true for an Anglophone audience since so much of the evidence is lost due mainly to the dissolution of the monasteries but also a repurposing of surviving architecture and treasures. Compare Kloster Wienhausen and Godstow Abbey: in Wienhausen we have got the full set of monastic buildings, cloisters, huge grain stores, cells, corridors, imposing Gothic nuns choir and more – and everything that furnished it: stained glass, wall paintings, sculptures, down to the different set of dresses for the statues.

The Cistercian Convent of Wienhausen from the South: Magazine (left) and Nuns’ Choir. Photograph: Henrike Lähnemann
Filming at the ruins of one Godstow Abbey near Oxford

In Godstow, on the other hand, we can sense the dimensions of its former power by looking at the impressively long surrounding wall of enclosure and glimpse some of its stylish beauty from the ruined chapel at the back – the rest is only possible to reconstruct from scant archival evidence. Looking at the German counterparts, who shapeshifted through the Reformation, transforming into Protestant female communities who still look after the rich tapestry of medieval life, offers the chance to rectify this in part – and encounter the Life of Nuns at their fullest, mystical, worldly, polyphonous and very much relevant still today.

Read here more about reactions to the book.

The inaugural ADAM workshop (Addressing Difficult Aspects of the Medieval) 

The inaugural ADAM (Addressing Difficult Aspects of the Medieval) workshop took place from the 23rd–24th September 2024 at St. John’s College, University of Oxford. 

The programme on Monday 23rd began with a 90-minute discussion of the ‘Möndull-Ingibjörg’ episode from Göngu-Hrólfs saga. The committee selected this episode as it contains references to sexual assault, physical disability, and race. 

We distributed the text in an English translation several weeks before the workshop. In the session we discussed: the ‘sanitisation’ of sexual violence and racial insensitivity through translation; the difficulty in mapping contemporary understandings of rape, race, and disability onto the past; the scholar’s positionality in their approach to these topics. The conversation soon moved beyond the text to consider these issues in academia at large. Positionality was particularly controversial, with delegates discussing their discomfort in studying topics without lived experience – ‘am I the right person to be speaking about this?’ – and the potential advantages and disadvantages to foregrounding one’s own experience in academic work. The conversation led us to consider how research grounded in lived experience might complement that which is not, and how scholars of different positionalities might collaborate.

This opening discussion was followed by two paper sessions, the first of which was on ‘Facing the public: What do people want from history?’ and the second on ‘Ethnic identities: interrogating nationhood and colonialism’. Among the papers, we heard considerations of: the risk of harassment faced by women scholars; museological representations of slavery; racial erasure in the interpretation of a Middle English lyric; and the miscategorisation of the ‘Ruthanian’ language along contemporary national lines.

These sessions were followed by a keynote presentation from Professor Corinne Saunders (University of Durham). Professor Saunders gave an instructive account of her movement from her doctoral thesis, to her seminal monograph on ‘Rape and Ravishment’; an academic path she did not anticipate as a postgraduate. She was aware of the pressure upon scholars who ‘fall into’ the study of topics such as these to equip themselves both academically and psychologically. She also noted that a project can become more ‘difficult’ due to external factors, such as when COVID-19 and the murder of George Floyd coincided with the final stage of a project on ‘breathlessness’.

The following day began with a group tour with the Uncomfortable Oxford social enterprise. In our scheduled discussion afterwards, delegates were especially taken by the tour’s engagement with the history of antisemitism in the city and the location of a number of University landmarks atop significant Jewish sites. We discussed the University’s reticence when addressing difficult histories and the insufficiency of the ‘plaque response’, whereby a commemorative plaque is erected in a way that might be easily overlooked or dismissed. Delegates debated the best way to supplement such a response so that these aspects of institutional history sit alongside prevailing, comfortable narratives.

Two sessions followed under the banner of ‘Sexual interactions’, the first considering ‘Power structures and interpersonal relationships’ and the second ‘Violence, affect, and audience’. Dividing this topic into two allowed delegates to engage with medieval representations of sexual material that frustrate contemporary categories.  We heard papers on the study of: conjugal violence in court reports of 15th-century Freising; how best to teach the phenomenon of the ‘raping hero’; and ‘compassion fatigue’ in scholars dealing with artistic representations of Lucretia’s rape by Tarquinius.

The workshop concluded with a panel on ‘Redefinitions: Moving beyond structures’, which dovetailed with our recurrent discussions of terminology and the lack of overlap between contemporary language and historical concepts. Papers were presented on the inadequacy of contemporary disability theory in appraising medieval medical text, and the applicability of queer theory to the interpretation of cross-dressing in a monastic context. The workshop concluded with an hour-long discussion, in which we restated our need to wrangle with contemporary language and its misalignment with the categories of the past, as well as to continuously re-evaluate ‘best practice’ in addressing these difficult topics, both in the classroom and in scholarship.

We canvassed for anonymous feedback from our delegates following the workshop and the response has been uniformly positive, with comments emphasising the value of the workshop environment for rigorous and respectful debate. Our delegates have offered a number of suggestions for the network’s development and we now look towards implementing a mailing list and website to provide resources for scholars, organising an edited collection of papers from the workshop, and arranging an open conference at Heinrich Heine University Düsseldorf. We have also been invited to collaborate with Corinne Saunders in her work at The Affective Experience Lab, University of Durham.

We are most grateful to OMS for the financial support.

Adam Kelly (University of Oxford), Grace O’Duffy (University of Oxford), Elliot Worrall (Heinrich Heine University Düsseldorf)