Digital Humanities and Sensory Heritage (DHSH): Jean-Philippe Échard (Paris)

Materiality-driven digital approaches to music museum artefacts: from spectro-imaging and CT scans, to photogrammetry

When: Thursday 1 December 2022, 4.30pm

Where: Linbury Room, Worcester College, Oxford

Speaker: Jean-Philippe Échard (Paris)

In the last three decades, the digitalisation of techniques for the analysis of cultural heritage artefacts has profoundly modified the ways of working with and interpreting data. Through a series of examples of projects conducted on the collection of historical musical instruments at the Musée de la Musique (Cité de la Musique – Philharmonie de Paris, Paris France), this talk will explore this major change, and highlight the value of these new approaches today. The characterisation of pigments in paintings decorating 17th-c. Flemish harpsichords sheds light on the painting techniques used and on the smalt trade. X-ray spectro-imaging proves to be key for identifying royal coats of arms, in painted emblems on 16th-century violins made by Andrea Amati, and to identify parchments from a single 14th-c. book of hours that were found in three instruments by Antonio Stradivari. CT-scans and photogrammetry techniques produce 3D digital models of musical instruments, used to better understand their material history or their vibrational behaviour, or to 3D-print instruments. The potentials of such techniques to improve the readability of these material historical sources can be hugely valuable stimulating for historians.

Jean-Philippe Échard is Curator of Stringed Instruments at the Musée de la Musique in Paris (Cité de la musique – Philharmonie de Paris, France) since 2014. He trained as a chemist, with a degree from the École Nationale Supérieure de Chimie, Paris (1998) and a doctorate from the Muséum National d’Histoire Naturelle (2010) on 16th-18th-c. varnishing techniques in instrument-making. He conducted research as conservation scientist on musical instruments in the laboratory of the Musée de la Musique (1999-2004 ; 2006-2013) and on easel paintings at the National Gallery of Art, Washington DC, USA (2004-2005). He is the author of two books Le violon Sarasate, stradivarius des virtuoses (2018), and Stradivarius et la lutherie de Crémone (2022) as well as numerous papers and articles.

Find out more about the Digital Humanities and Sensory Heritage Network here. 

Medieval Matters: Week 8

Here we are at the end of term! Last Friday was Oxmas, traditionally celebrated one month before Christmas Day to allow us to spread some festive cheer before term ends. I’m sure this week will be filled with festive celebrations. If you are about to embark upon Christmas shopping, you might be struggling to find the perfect gift. Fear not: Alcuin also struggled with this dilemma…

Diu deliberans, quid mentis meae devotio ad splendorem imperialis potentiae vestrae atque augmentum opolentissimi thesauri vestri muneris condignum reperire potuisset – ne ingeniolum animi mei, aliis diversa divitiarum dona offerentibus, otio torpuisset inani, et vacuis manibus parvitatis meae missus ante faciem beatudinis vestrae venisset.
[I have long deliberated over what I might consider a worthy gift for the brilliance of your imperial power and for the increase of your most opulent treasury, lest my mind might have grown slothful through the holiday and through idleness, and my messenger appear before you with empty hands whilst others were offering various gifts of riches, Ep. 205]

I have been wondering long and hard what “gifts” to offer you at the end of term, and hope that this seasonal and lengthier than usual quotation might suffice! I didn’t want to come to your inbox empty-handed since others are offering various gifts of great riches this week, from a special lecture by Professor Gordon Noble on Tuesday, to the final chance to see the exhibition of Violent Victorian Medievalism in person in the Taylorian on Friday. See below for a round-up of all of the diversa divitiarum dona on offer this week.

And a reminder: We are still looking for takers for plays for the Medieval Mystery Cycle on 22 April 2023. Full information here on how to propose a play – and do get in contact with Michael Angerer or Henrike Lähnemann if you have any questions. There will be a workshop for anybody considering taking part in early Hilary Term!

ANNOUNCEMENTS

  • Remember to sign up for the Medieval Mystery Cycle! As play proposals are starting to trickle in, don’t miss your chance to join this unique bit of medieval fun. We will be offering a workshop on cutting play scripts at St Edmund Hall on Friday 20 January 2023, open to all potential directors. You can find more information, as well as the sign-up link, on our blog post.

EVENTS THIS WEEK

Monday 28th November:

  • The Byzantine Graduate Seminar takes place at 12.30-2pm online via Zoom. This week’s speaker will be İrem Kısacık (İstanbul Medeniyet University), Emotions in Late Antiquity. To register, please contact the organiser at james.cogbill@worc.ox.ac.uk.
  • The Medieval Latin Manuscript Reading Group led by Matthew Holford, Andrew Dunning, and Tuija Ainonen is meeting as usual via Teams from 1-2pm.
  • The Medieval Archaeology Seminar takes place at 3pm in the Institute of Archaeology, Lecture Room. This week’s speaker will be Jane Kershaw, ‘A Viking winter camp in Northumberland? Ongoing work in the Coquet valley‘.
  • The Queer and Trans Medievalisms Reading Group meets at 3pm at Univ College, 12 Merton St Room 2. This week’s theme is The trial of Joan of Arc. All extremely welcome! To join the mailing list and get texts in advance, or if you have any questions, email rowan.wilson@univ.ox.ac.uk.  
  • The Medieval History Seminar takes place at 5pm in the Wharton Room, All Souls College and on Teams (Teams link here). This week’s speaker will be Robert Wiśniewski (Warsaw): ‘‘Avoid undue leaps’. Clerical career paths in Late Antiquity’. The Teams session can be accessed by logging in to Teams with your .ox.ac.uk account and joining the group “Medieval History Research Seminar” (team code rmppucs). If you have any difficulties please email: medhistsem@history.ox.ac.uk 
  • The Old English Reading Group takes place at 5.30-7.30pm. Please email grace.oduffy@sjc.ox.ac.uk for more information and to be added to the mailing list.

Tuesday 29th November:

  • The Medieval English Research Seminar takes place at 12.15pm in Lecture Theatre 2, English Faculty. This week’s speaker will be Rhiannon Purdie (St Andrews),  ‘Synchronic histories of Older Scots Literature: the rewards and challenges of reconstruction’. The paper will be followed by lunch with the speaker. All welcome.
  • GLARE (Greek and Latin Reading Group) takes place at 4-5pm at Harold Wilson Room, Jesus College. Please meet at Jesus College Lodge. This week’s text will be Pseudo-Seneca, Octavia. All welcome to attend any and all sessions. For more details and specific readings each week, or to be added to the mailing list, email john.colley@jesus.ox.ac.uk or jenyth.evans@seh.ox.ac.uk.
  • The Medieval Church and Culture Seminar takes place at 5pm at Charles Wellbeloved Room, Harris Manchester College. The theme for this term is ‘Women’. This week’s speaker will be Delfi Nieto-Isabel (Queen Mary University of London): Connecting the Dots:  heresy, inquisitors and invisible women. Everyone is welcome at this informal and friendly graduate seminar.
  • The Codicology and History of the Book Seminar is hosting a Welcome Evening for Oxford DPhil Students at 6-8pm, in the Blackwell Hall, Weston Library. For further details, email bookcentre@bodleian.ox.ac.uk.
  • The Early Medieval Britain and Ireland Network will host a lecture by Dr Gordon Noble, Professor of Archaeology at the University of Aberdeen. His talk, entitled ‘Discovering the Northern Picts,’ will discuss some of the significant discoveries of the award-winning Northern Picts excavations and what these findings mean for Pictish society ca 300-900 AD. The talk will take place at 7:00 PM at Worcester College in the Linbury Room. All are very welcome to attend. Any queries, please contact Meredith Cutrer at meredith.cutrer@worc.ox.ac.uk.

Wednesday 30th November:

  • The Medieval German Graduate Seminar this week does not meet on Wednesday but rather on Friday, 3pm (see below) for a paper by Dr Pia Selmayr. If you want to be added to the medieval German mailing list, please contact Henrike Lähnemann.
  • The Medieval Latin Document Reading Group meets on Teams at 4-5pm. We are currently focusing on medieval documents from New College’s archive as part of the cataloguing work being carried out there, so there will be a variety of hands, dates and types. A document is sent out in advance but homework is not expected. Contact Michael Stansfield (michael.stansfield@new.ox.ac.uk) for further details and the Teams link.
  • The Late Antique and Byzantine Seminar takes place at 5pm at the Ioannou Centre for Classical and Byzantine Studies, 66 St Giles. This week’s speaker will be Michael Jeffreys (Oxford), Imperial ceremonies away from the Great Palace, 1148-1159: the evidence of Manganeios Prodromos.

Thursday 1st December:

  • The Old French Reading Group takes place at 4pm at St Hilda’s College (meet by the lodge) in association with Oxford Medieval Studies, sponsored by The Oxford Research Centre in the Humanities (TORCH). We welcome readers of Old French of all abilities. For further information, please email alice.hawkins@st-hildas.ox.ac.uk or irina.boeru@st-hildas.ox.ac.uk
  • The Digital Humanities and Sensory Heritage (DHSH) – Seminar Series will meet at 4.30pm in the Linbury Room, Worcester College. The speaker will be Jean-Philippe Échard (Paris), Materiality-driven Digital Approaches to Music Museum Artefacts: from Spectro-imaging and CT Scans, to Photogrammetry. All welcome! For more information, click here.
  • The Seminar in Medieval and Renaissance Music will take place on Zoom at 5pm. This week’s speaker will be David Burn (University of Leuven): Sixteenth-Century Symbola. If you are planning to attend a seminar this term, please register using this form. For each seminar, those who have registered will receive an email with the Zoom invitation and any further materials a couple of days before the seminar. If you have questions, please just send me an email (matthew.thomson@ucd.ie).
  • The Oxford Medieval Visual Culture Seminar will take place at 5pm in St Catherine’s College, Arumugam Building. This week’s speaker will be Julian Luxford University of St Andrews, The iconography of the Mass of St Gregory in England.
  • The Celtic Seminar will take place at 5pm, online via Zoom. This week’s speaker will be Dewi Alter, ‘Darllen y tir yn iawn: Mannau’r cof yn Drych y Prif Oesoedd‘. Please contact a.elias@wales.ac.uk for the link.

Friday 2nd December:

  • The Medievalist Coffee Morning takes place at 10:30-11.30am in the Visiting Scholars Centre in the Weston Library (access via the Readers Entrance on Museum Road: straight ahead and up two floors!). This is a perfect opportunity to see treasures of the Bodleian, go up to the roof terrace, pick the brains of other medievalists and, of course, drink coffee.

Finally, some wisdom from Alcuin on the joy of gifts:

Licet nullius nunc mens mea desideret munuscula propter animi mei requiem, tua tamen mihi sunt semper dulcia.
[Although my mind now desires nothing because of the peace of my spirit, your gifts are always sweet to me, Ep. 189.]

In other words, no matter how peaceful your spirit, it’s always nice to get a present! I hope that your last week is filled with sweet gifts! I will be back in your inboxes briefly next week with a Christmas email to finish off the term.

[A Medievalist finds the perfect sweet gift for a friend]
Ashmole Bestiary, Bodleian Library MS. Ashmole 1511, f. 60 v.
Viewable in full at Digital Bodleian

Medieval Matters: Week 7

It’s only November, but the Oxford Christmas lights are up, and the Christmas market has come to Broad Street! It strikes me as a little early for Christmas celebrations just yet, particularly as we still have two whole weeks of term. Here is some advice from Alcuin on not getting ahead of ourselves:

Omnia vestra honeste cum ordine fiant. Tempus statuatur lectioni.
[Do all of your tasks decently and in order. Fix a time for reading, Ep. 72]

Of course, as well as fixing reading time, you should also fix time to attend some of our wonderful range of events. To help you keep your diary decently and in order, please see below for a list of the week’s happenings:

EVENTS THIS WEEK:

Monday 21st November:

  • The Medieval Latin Manuscript Reading Group led by Matthew Holford, Andrew Dunning, and Tuija Ainonen is meeting as usual via Teams on Mondays from 1-2pm, continuing with the Ashmole bestiary (MS. Ashmole 1511), picking up after the Elephant on f. 16r, line 6.
  • The Byzantine Graduate Seminar takes place at 12.30-2pm online via Zoom. This week’s speaker will be Bahattin Bayram (İstanbul Medeniyet University), Barbarians of Eusebius. To register, please contact the organiser at james.cogbill@worc.ox.ac.uk.
  • The Medieval History Seminar takes place at 5pm in the Wharton Room, All Souls College and on Teams (Teams link here). This week’s speaker will be Barbara Bombi (Kent), ‘Lost in translation: diplomacy and the use of languages at the papal curia in Avignon’. The Teams session can be accessed by logging in to Teams with your .ox.ac.uk account and joining the group “Medieval History Research Seminar” (team code rmppucs). If you have any difficulties please email: medhistsem@history.ox.ac.uk 
  • The Old Norse Reading Group meets at 5.30-7.30pm. Please email Ashley Castelino (ashley.castelino@lincoln.ox.ac.uk) to be added to the mailing list.

Tuesday 22nd November:

  • Workshop: Visual search for exploring and dating collections: lessons from Spanish chapbooks will take place at 09:30-11:30am online and in Cambridge. This workshop will explore the challenges and opportunities that using digital tools can bring to the study of large collections of images and their associated metadata. Registration required: https://www.cdh.cam.ac.uk/events/35527/
  • The Medieval English Research Seminar takes place at 12.15pm in Lecture Theatre 2, English Faculty. This week’s speaker will be Eleanor Myerson (Cambridge), ‘Syrian Silks: The Fabrics of English Identity‘. The paper will be followed by lunch with the speaker. All welcome.
  • GLARE (Greek and Latin Reading Group) takes place at 4-5pm at Harold Wilson Room, Jesus College. Please meet at Jesus College Lodge. This week’s text will be Sophocles, Iphigenia at Taurus. All welcome to attend any and all sessions. For more details and specific readings each week, or to be added to the mailing list, email john.colley@jesus.ox.ac.uk or jenyth.evans@seh.ox.ac.uk.
  • The Medieval French Research Seminar takes place at 5pm at the Maison française d’Oxford (www.mfo.ac.uk). Presentations begin at 5.15pm. This week’s speaker will be Dr Melek Karatas (John Rylands Library, Manchester): ‘Makers of Manuscripts as Readers of Manuscripts: The Montbaston Illuminators and the Roman de la Rose’. For more information and to be added on the seminar’s mailing list, contact sophie.marnette@balliol.ox.ac.uk 
  • The Medieval Church and Culture Seminar takes place at 5pm at Charles Wellbeloved Room, Harris Manchester College. The theme for this term is ‘Women’. This week’s speaker will be Elena Rossi (Magdalen): Our Mother the University: maternal roles and the medieval university. Everyone is welcome at this informal and friendly graduate seminar.
  • A network social for Early Medieval Britain and Ireland network will take place at 6:00 PM at the King’s Arms. Anyone with an interest in early medieval Britain and Ireland is most welcome. 

Wednesday 23rd November:

  • The Medieval German Graduate Seminar meets for a paper by Ruth von Bernuth and Henrike Lähnemann on the Yiddish and German versions of ‘Sigenot’ as part of the ‘Dietrichsepik’ seminar at 11:15am in Somerville College – ask at the Lodge for directions. If you want to be added to the medieval German mailing list, please contact Henrike Lähnemann.
  • The Medieval Latin Document Reading Group meets on Teams at 4-5pm. We are currently focusing on medieval documents from New College’s archive as part of the cataloguing work being carried out there, so there will be a variety of hands, dates and types. A document is sent out in advance but homework is not expected. Contact Michael Stansfield (michael.stansfield@new.ox.ac.uk) for further details and the Teams link.
  • The Late Antique and Byzantine Seminar takes place at 5pm at the Ioannou Centre for Classical and Byzantine Studies, 66 St Giles. This week’s speaker will be Liz James (Univ. of Sussex), Connecting Mosaics.
  • The Centre for Manuscript and Text Cultures meets at 5.15pm in Memorial Room, The Queen’s College and on Zoom for the Michaelmas Term CMTC Lecture. The lecture will be Nikolay Tarasenko (Kyiv/Pembroke College, Oxford): ‘What Can the “Greenfield Papyrus” (pLondon BM EA 10554) Tell Us about Its Owner?’. Please register here (whether you are planning to attend in person or online).

Thursday 24th November:

  • The Celtic Seminar will take place at 5.15pm via Zoom and The History of the Book Room, English Faculty. This week’s speaker will be Myriah Williams (Berkeley): ‘Beginnings and endings: ‘Moli Duw yn Nechrau a Diwedd and Cyntefin Ceinaf Amser’‘. Please contact david.willis@jesus.ox.ac.uk if you need a link.

Friday 25th November:

  • The Medievalist Coffee Morning takes place at 10:30-11.30am in the Visiting Scholars Centre in the Weston Library (access via the Readers Entrance on Museum Road: straight ahead and up two floors!).
  • The Anglo-Norman Reading Group meets at 5-6.30pm at St Hilda’s College, in the Julia Mann Room. The text will be extracts from the Chronicle of Langtoft; pdf will be provided. For access to the text and further information, please email: stephanie.hathaway@mod-langs.ox.ac.uk or jane.bliss@lmh.oxon.org.

OPPORTUNITIES:

  • Oxford Research in English: Call for submissions: ORE invites papers on the theme of ‘conversations’, across all periods, genres, and literary disciplines. We invite full papers of 5,000-8,000 words, due on the 6th of January 2023 to ore@ell.ox.ac.uk. All questions and queries should also be submitted to this email address. The editors also invite expressions of interest for book reviews and feature articles. For full details, please see here.

Finally, for anyone eagerly looking forward to the Christmas season, when things are not so busy: some advice from Alcuin on enjoying the present and not hoping too much for the future (even when you are very busy with admissions or MSt essay writing):

Tempus huius vitae velociter currit… ideo pretiosa nobis debent esse tempora
[This life passes quickly… so we should hold our time as precious, Ep. 78]

In other words, enjoy the last couple of weeks of term. May you have a week filled with precious times!

[A Medievalist tries to focus on their work and not on the Broad Street Christmas market…]
Ashmole Bestiary, Bodleian Library MS. Ashmole 1511, f. 95 v.
Viewable in full at Digital Bodleian

Book At Lunchtime: All Men Must Die

When: 12.30pm (Lunch), 1-2pm (Discussion) on Wednesday, 9 November 2022

Where: Radcliffe Humanities Seminar Room

Winter is indeed coming and Book at Lunchtime focuses on Professor Carolyne Larrington’s All Men Must Die.

‘All men must die’: or ‘Valar Morghulis’, as the traditional Essos greeting is rendered in High Valyrian. And die they do – in prodigious numbers; in imaginatively varied and gruesome ways; and often in terror within the viciously unpredictable world that is HBO’s sensational evocation of Game of Thrones. Epic in scope and in imaginative breadth, the stories that are brought to life tell of the dramatic rise and fall of nations, the brutal sweeping away of old orders and the advent of new autarchs in the eternal quest for dominion.

Yet, as this book reveals, many potent and intimate narratives of love and passion can be found within these grand landscapes of heroism, honour and death. They focus on strong relationships between women and family, as well as among the anti-heroes, the ‘cripples, bastards and broken things’. In this vital follow-up to Winter Is Coming (2015), acclaimed medievalist Professor Carolyne Larrington (St John’s College) explores themes of power, blood-kin, lust and sex in order to draw entirely fresh meanings out of the show of the century.

Professor Larrington is joined by panellists Dr Katherine Olley (English) and Dr Laura Varnam (English) discuss the themes and narratives of her latest book.

Book your place here.

Lecture: ‘Old Frisian, a Gem of Old Germanic Studies’ by Dr Anne Popkema

In his lecture on Wednesday 9th November, 5.15 pm, at the Taylor Institution Library Room 2, Dr Anne Popkema, Groningen University, covered linguistic aspects of Old Frisian in comparison with other Old Germanic Languages, especially Old English, an overview of Old Frisian manuscript sources, and the history of Frisia after the Anglo-Saxon conquest.

Header image: A map and an image of the First Hunsingo Manuscript (ca.1300).

P.S. The lecture is also a taster session for the Old Frisian Summer School which will run in July 2023 in St Edmund Hall:

Old French Reading Group

When: Wednesdays at 4 pm. Weeks 4, 6, 8

Where: St Hilda’s College

The Old French Reading Group will meet fortnightly to read aloud and discuss Old French texts together. Readers of Old French of all abilities are invited to attend; the group will provide an opportunity to collaboratively enhance reading proficiency in a relaxed environment (with refreshments provided)!

Our first meeting will take place at St Hilda’s College, 4pm Thursday 3rd November. We hope to see you there.

Please direct any questions about the group to Alice (alice.hawkins@st-hildas.ox.ac.uk) or Irina (irina.boeru@st-hildas.ox.ac.uk).

Header image: La Chanson de Roland, Bodleian Library MS. Digby 23, Part 2, fol. 12r

Poem, Story, and Scape in the work of Kevin Crossley-Holland

‘Poem, Story, and Scape in the work of Kevin Crossley Holland’: An exhibition in the Old Library of St Edmund Hall

Open to the public on Monday 24 and Friday 28 October from 10:00-16:00

Or by appointment: Library@seh.ox.ac.uk

This exhibition explores the work of Kevin Crossley-Holland, Honorary Fellow and alumnus of St Edmund Hall, prize-winning children’s author, translator, poet, librettist, editor and professor. Kevin engages creatively with language and poetry, place, history and legend. He captivates us by telling stories deeply rooted in past cultures, which he remakes to be compellingly contemporary and relevant. For this exhibition, Kevin has generously loaned items from his private collection to add to material from St Edmund Hall’s Archives and Special Collections; we gratefully acknowledge his help.

Early in his career, Kevin established himself as a poet and as a translator and re-teller of Old and Middle English poetry, romance, and folklore for all ages, and as an enthusiastic collaborator with composers and visual artists. His Arthur trilogy has sold over one million copies worldwide and is available in twenty-six languages; it has inspired young readers to become medievalists and writers themselves. Recent works, such as Norse Tales: Stories from Across the Rainbow Bridge (2020) demonstrate how Northern European myth and legend continue to beguile him.

Kevin is passionate about how history, landscape and poetic language shape and inform one another. This exhibition explores continuities from Kevin’s childhood in how he sees, interprets, and responds to these creative stimuli. It also reveals how meticulously he researches the past to create his imaginary yet historically accurate worlds, and how carefully he crafts his poetry.

The exhibition is based on and inspired by ‘Poem, Story & Scape in the Work of Kevin Crossley-Holland’ which ran at the Stanley and Audrey Burton Gallery at the University of Leeds from 29 March— 20 August 2022, curated by Dr Catherine Batt, Senior Lecturer in Medieval Literature at the University of Leeds. Many thanks to Sarah Prescott and the University of Leeds for their generous help and support in staging this version.

The Medieval Mystery Cycle is back!

The next performance of the Medieval Mystery Plays is held on Saturday 22 April 2023 at St Edmund Hall, 12noon-3:30pm. All welcome! The full programme is available here.

12.00: Extracts from Piers Plowman (Swonken ful harde) Middle English
12.30: The Nativity and Salutation (English Faculty) Middle English
13.00: The Innocents (Les perles innocentes) 16th-century French
—13.30 BREAK—
14.00: The Passion (Sorores Sanctae Hildae) Latin and German
14.30: The Harrowing of Hell (Medieval Germanists) Middle High German
15.00: The Last Judgement (Past and Present Teddy Students) Modern English

Welcome to the third incarnation of the Oxford Medieval Mystery Cycle! As in 2019 and 2022, this highlight of the Oxford medieval calendar offers a variety of plays in different medieval and modern languages, staged at several stations in the beautiful grounds of St Edmund Hall. Cycles of plays retelling stories from the Bible were a popular form of entertainment in the Middle Ages, which we are only too happy to revive for modern audiences. Admission is free and you are welcome to turn up at any time.

Read the original call for participation: Sign-up is now open for the Oxford Medieval Mystery Cycle! Just follow this link to propose a play and to join one of the highlights of the Oxford Medieval Studies calendar, which will be held on Saturday 22 April 2023 at St Edmund Hall.

Following a hugely popular medieval tradition, we are looking for groups to perform a series of short plays retelling stories from the Bible. We are keen to cover a wide variety of (medieval) languages, but you don’t have to be a theatre professional or even a medievalist – all you need is lots of enthusiasm for what is above all a fun and unique experience. In the last years, plays have included:

  • The Creation and Fall
  • The Killing of Abel
  • Noah
  • Abraham
  • The Annunciation and Visitation
  • Shepherds
  • Wise Men
  • Herod the Great
  • John the Baptist
  • Lazarus
  • The Crucifixion
  • The Harrowing of Hell
  • The Resurrection
  • The Last Judgement

Feel free to propose other plays, or even to write your own – as long as the topic is not already taken, so don’t wait too long! You can see which plays have already been proposed here.

We have previously had plays in English, French, German, Spanish, and Italian, but offers for plays in other languages, including Welsh, Dutch, Latin, or Hebrew are also very welcome! Some mystery plays are easily accessible online: this includes plays in Middle English (the York, Towneley, and N-Town plays), Old French (the Seinte Resurreccion), Middle High German (the Innsbrucker Osterspiel), or Old Spanish (the Auto de los Reyes Magos). And don’t worry if you don’t have enough actors or haven’t found a group yet: we can help you put out a call for actors and link you up with other people interested in participating. All you have to do is get in touch.

For inspiration, have a look at the mystery cycles of the last few years! You can even watch recordings of the cycles in 2019 and 2022 on YouTube. (Or, alternatively, you can watch the much more professional recordings of the 1985 National Theatre Mysteries.) A small budget is available for props and costumes.

Watch the 2022 medieval English master’s students rising from the tomb as multiple Lazari!

Timeline:

  • Sign up now by following this link or emailing Michael Angerer, the Medieval Mystery Cycle convenor!
  • We will hold a workshop on how to cut longer plays on Friday of Week 1 in Hilary Term at 3–5pm (20 January 2023) on site at St Edmund Hall. This is open both to fully fledged groups and aspiring directors. [Edit: This workshop has been postponed to Friday of Week 3 at 5–6.30pm (3 February 2023)]
  • We will hold a workshop on voice projection at the end of Hilary Term.
  • You will have the opportunity to rehearse on location at St Edmund Hall during Week 0 of Trinity Term.
  • Dress rehearsals will take place on the morning of Saturday of Week 0 of Trinity Term (22 April 2023).
  • The Mystery Cycle will be performed from 12–5pm on Saturday 22 April 2023, with two half-hour breaks for tea, coffee, and cake.

Cake sale: we are also looking for people to bake cake and help run a charity cake stall on the day – if you’re interested, please get in touch!

Your OMS Team for 2022/23

The cover image shows the new OMS team united on the roof terrace of the Weston Library with the Sainte Chapelle architectural quotation as backdrop. From left to right: Coral Kim, Luisa Ostacchini, Lesley Smith, Henrike Lähnemann, Ashley Castelino, Michael Angerer, Eugenia Vorobeva

Henrike Lähnemann (Professor of Medieval German Literature and Linguistics) and Lesley Smith (Professor of Medieval Intellectual History) are Co-Directors of the Oxford Medieval Studies Programme at TORCH. They also co-direct, now for the third time, the Medieval Mystery Cycle! Henrike is a German medievalist, currently mainly working on the rich material and textual legacy of the North German convents Medingen and Lüne, including editing 1.800 letters exchanged by the nuns of Lüne between 1480 and 1550. Lesley works on the medieval Bible, as both a physical and intellectual object. This ranges from close technical work with manuscripts of Bibles, biblical commentary, theology and pastoralia, to the exposition of commentary and theology, to investigation of the intellectual milieu of the schools in which the Bible was studied – the people and the products of this early university system, from the twelfth century onwards.  In particular, Lesley explores the two-way link between the manuscript evidence and the intellectual evidence of these early schools – in modern terms, how technology affects what we learn and know, and vice versa.  The study of the Bible has also led them to contribute to the study of medieval Jewish-Christian scholarship and relations.

The new OMS teams presents itself at the Coffee Morning in the Weston Library on 14 October 2022

Dr Luisa Ostacchini: Communications Officer

Luisa is the Communications Officer for Oxford Medieval Studies, and is responsible for the weekly Medieval Matters email/blog posts, the Google calendar, and the termly Medieval Booklet.

Luisa read her BA in English Literature at the University of Warwick. She then studied for a Masters in Medieval English Literature (650–1550) at Wolfson College, Oxford, and remained there for her subsequent DPhil in Old English and Latin Literature. She is now a stipendiary lecturer in Medieval Literature at St John’s and Exeter colleges and teaches Medieval Latin at the English Faculty. She is also a mentor for MSt/ MPhil/ DPhil students in the English Faculty and MSt students on the Humanities interdisciplinary Medieval MSt. Her research interests include the cult of saints, Medieval travel, and the global world in Early Medieval literature.

Michael Angerer: Graduate Convenor (Mystery Cycle)

Michael is a first-year DPhil student in English at Corpus Christi College. His research, funded by the E. K. Chambers Studentship, considers the changing culture of verse translation in England across the Norman Conquest and its impact on vernacular history-writing. He is also more generally interested in translation theory and multilingualism. As graduate convenor for the Medieval Mystery Cycle 2023, he will be coordinating one of the highlights of Oxford’s medieval calendar: the all-day performance of a cycle of short biblical plays, by a variety of groups and in a variety of medieval and modern languages, at St Edmund Hall on 22 April 2023. Please get in touch if you are interested in taking part or if you have any questions – and definitely have a look at the recordings of the plays from 2019 and 2022!

Eugenia Vorobeva: Events Coordinator

Eugenia graduated MSt in Medieval Studies in 2019, and now is a third-year DPhil Student in Old Norse at Jesus College. She is passionate about all things medieval and is joining the OMS team as its Events Coordinator to ensure everything runs smoothly and is on your medieval calendars!

Ashley Castelino: Social Media Officer

Ashley Castelino is a second-year DPhil student at Lincoln College working on supernatural dogs in Old Norse and other medieval literature. He is passionate about anything and everything medieval, and brings this to his role as Social Media Officer for OMS. In this role, he manages all social media accounts for OMS, including Twitter, Facebook and Instagram, all accessible via our Beacons page. Ashley is responsible for spreading the word about all of the wonderful medieval events, lectures, seminars, reading groups and other activities at Oxford, so if you have something you’d like advertised, do get in touch!

Coral Kim: Administrative Assistant

Coral Kim is an MSt English (650-1550) student at Exeter College, who just completed her BA in English (Course II) at Oxford. She enjoys reading about Anglo-Saxon metalwork and inscriptions, with an additional interest in early medieval Cumbrian history following her research internship in the region. She has joined the OMS as support for the team, helping with administrative work and the running of the OMS website.

OMS Lecture: Prof. Ardis Butterfield (Yale), ‘Do We Mean Lyric or Song?’

When: Monday 31 October, 5.15pm

Where: Lecture Theatre 2, English Faculty (St Cross Building)

What: Michaelmas Medieval Studies Lecture by Professor Ardis Butterfield (Yale University) as Astor Visiting Lecturer

Ardis Butterfield is Marie Boroff Professor of English and (by courtesy) Professor of French and Music at Yale University. Her many published works investigate medieval literature and music across languages and national boundaries. Her books include Poetry and Music in Medieval France, and The Familiar Enemy: Chaucer, Language and the Nation in the Hundred Years War. She is currently completing a major new edition of medieval English lyrics.

Do we mean lyric or song? Modern lyric theory in history

 Is ‘lyric’ something that has always existed as a category of poetry or music, or has it been created through a process of study and academic debate from the nineteenth century onwards – a process that Virginia Jackson has called ‘lyricization’? If that’s the case, where does medieval lyric fit in?

This lecture argued that medieval lyric is not on the edge of that debate, but at its centre. It does this by investigating the missing ingredient in many literary discussions of lyrics: their music. Thinking about the music for medieval lyrics (which in so many cases has not survived) can have an impact on modern theoretical discussions of poetry, requiring all of us to rethink our categories and assumptions.

Featured manuscripts (in order of appearance):
Oxford, Bodleian Library, MS Rawlinson C. 670, f.148v
British Library, Harley MS 978, f.11v
British Library, Arundel MS 248, f.154r
Oxford, Bodleian Library, Douce 302, f.24r (John Audelay’s book)
Edinburgh, National Library of Scotland, Advocates MS 18.7.21,ff. 116r-121v (John of Grimestone’s preaching book)

Professor Butterfield also gave a manuscripts masterclass in the Weston Library’s Sir Victor Blank Lecture Theatre, 2–4pm on Tuesday 1 November: ‘Manuscripts of medieval lyric and song in the Bodleian Library’