Medieval Matters: Week 2

Has a whole week really flown by already? They do say that time always flies when you’re having fun, and we’ve already been blessed with a wealth of amazing medievalist events! Every term when I assemble the booklet, I am always in awe of the great number of things on offer. Thank you to everyone who sent updates, corrections and omissions to the booklet. Here is some wisdom from the Epistolae project which sums up the work of the communications officer:

Divitis ingenii tibi copia dives abundat,
Quo potes erratus attenuare meos.

[A rich supply of rich wit abounds in you,
by which you might lessen my errors.]
A poem from Baudri to Muriel of Wilton

Thank you to all who lessened my errors this week! The updated booklet can from now on be viewed, in all of its high-resolution glory, on our website here. This is a live and updateable document, so please do send any further corrections or adjustments to me throughout the term. You can also keep track of the term’s happenings via our google calendar, visible on the side of our blog.

For this week’s round up, please see below:

ANNOUNCEMENTS:

  • Teaching the Codex is running a small workshop on Hybridity (17th May, 14:00, Merton College): What constitutes hybridity in manuscript material, and how do we teach it? In teaching contexts which are often highly categorised, how can we find pedagogical value in such hybridity? Topics for discussion include how we teach texts transmitted in both manuscript and print; how we can help students to get to grips with instances of hybrid materiality in manuscript text; and the challenges and opportunities of teaching multilingual manuscripts. There are a very limited number of additional places available. You can register at http://bit.ly/TtCWorkshopRSVP (the form will close when the places have been filled). 
  • You are invited to celebrate the publication of Karl Kügle, Ingrid Ciulisova, Václav Žůrek (eds) Luxembourg Court Cultures in the Long Fourteenth Century:Performing Empire, Celebrating Kingship (Woodbridge: Boydell Press, 2024) Senior Common Room, Wadham College, Tuesday, 30 April, 6-7 pm. Speakers: Zoë Opačić (Birkbeck), Mark Whelan (Queen Mary), Václav Žůrek (CAS Prague). RSVP: Karl Kügle.
  • Save the date: booklaunch! Siân Grønlie’s The Old Testament in Medieval Icelandic Texts will have a launch party on 22 May 5:30-7pm: https://occt.web.ox.ac.uk/event/book-launch-of-the-old-testament-in-medieval-icelandic-texts-translation-exegesis-and-storytel.

EVENTS THIS WEEK:

Monday 29th April:

  • The Medieval Latin Manuscript Reading Group meets at 1-2pm on Teams. A friendly venue to practice your Latin and palaeography on a range of texts and scripts. We will read a very entertaining account of the legendary foundation of Cambridge University by the Carmelite friar Nicholas Cantlow. Sign up to the mailing list to receive weekly updates and Teams invites. https://web.maillist.ox.ac.uk/ox/info/medieval-latin-ms-reading
  • The Tolkien 50th Anniversary Seminar Series meets at 5pm in the Summer Common Room, Magdalen College. This week’s speaker will be Hugo Lacoue-Labarthe (Exeter College, University of Oxford), Tolkien’s Lancelot in The Fall of Arthur: the living memory of a decaying world. For more information, please see https://tolkien50.web.ox.ac.uk/.
  • The Medieval History Seminar meets at 5pm in the Wharton Room, All Souls College and on Teams. The Teams session can be accessed by logging in to Teams with your .ox.ac.uk account and joining the group “Medieval History Research Seminar” (team code rmppucs). Alternatively, you can use this link. If you have any difficulties please email: medhistsem@history.ox.ac.uk. This week’s speaker will be Elisabeth Lorans (Tours/All Souls), ‘The transformation of the monastic enclosure at Marmoutier (Tours, France) between the 11th and the early 13th century‘.

Tuesday 30th April:

  • The Medieval English Research Seminar meets at 12.15pm in Lecture Room 2, English Faculty. This week’s speakers will be Fred Morgan (Merton College, Oxford) Title TBC and Simon Heller (Lincoln College, Oxford), Rewriting Heorot in American Fiction. Seminars followed by a sandwich lunch. All welcome!
  • A Creative-Critical Afternoon , organised by Dr Laura Varnam, will take place at 2.30pm-4.30pm at University College (the Swire Seminar Room). There will be short talks from colleagues on their current creative-critical projects (ranging from poetry to performance, trade books to medievalism) and we’ll be discussing the benefits, opportunities, and challenges in this kind of work. There will also be chance to discuss using creative writing and creative responses in teaching. The hope is that we’ll get a sense of the vibrant work being done in this area in our period group and that there will be opportunities for future collaborations.
  • Queer and Trans Medievalisms: A Reading Group meets at 3pm, at Univ, and online. Today’s topic will be The questioning of Eleanor Rykener (London, 1394/5). All extremely welcome, both in-person and online! To join the mailing list and get texts in advance, or if you have any questions, email rowan.wilson@univ.ox.ac.uk
  • The Medieval Church and Culture Seminar will go on a visit to the Ashmolean for a handling session with Jim Harris, 3:30-5pm. Limited numbers; sign up: Lesley Smith.
  • Third Lyell Lecture: Cross-fertilization and the limits of the genealogical method: the case of Catullus at 5.15 at the Weston Library lecture theatre by Stephen Oakley (Cambridge): Copying the Classics (and Fathers): explorations in the transmission of Latin text. Book her for in-person attendance or live-stream.
  • The Medieval Poetry Reading Group meets at 4pm in the Colin Matthew Room, Radcliffe Humanities Building. This week’s theme will be Introducing Medieval Japanese Poetic Forms: Sugawara no Michizane’s Poetry. This is an activity of the TORCH Network Poetry in the Medieval World. For more information, you can refer to our website https://torch.ox.ac.uk/poetry-in-the-medieval-world; you can also contact Ugo Mondini.

Wednesday 1st May:

  • The Medieval German Graduate Seminar meets at 11.15am in Oriel College King Edward Street 7 (Annette Volfing’s office; press the intercom buzzer to be let in). The topic for this term is Konrad von Würzburg: ‘Der Schwanritter’ and this week Marlene will be leading a close reading of the Marteneheschema and links with ‘Parzival’. Open access edition here. If you are interested to be added to the teams group for updates, please contact Henrike Lähnemann.
  • The Medieval Latin Document Reading Group meets at 4-5pm on Teams. A document is sent out in advance but homework is not expected. Please contact Michael Stansfield for further details and the Teams link.
  • The Late Antique and Byzantine Seminar meets at 5pm at Ioannou Centre for Classical and Byzantine Studies, 66 St. Giles, Oxford, and online via Teams. Teams link: https://msteams.link/FW0C. This week’s speaker will be Polymnia Synodinou (University of Crete) – ‘The Church of the Holy Apostles (Hagioi Apostoloi) at Kavousi, Crete: Aspects of Byzantine Art under Venetian Rule’.

Thursday 2nd May:

  • The Environmental History Working Group meets at 12.30-2pm in the Merze Tate Room, History Faculty. This week’s speaker will be Ben Stemper, “The Nature of Utopia: The ecological foundations of Joseph Déjacque’s anarchist utopianism (c. 1850s)”. We try to keep discussions informal, and we encourage anyone at all interested in these kinds of approaches to join our meetings, regardless of research specialism or presumed existing knowledge. For updates on meeting details, refer to the EHWG tab on the Environmental History website. For further information or to join the EHWG mailing list, please email environmentalhistoryworkinggroup-owner@maillist.ox.ac.uk
  • The All Souls Seminar in Medieval and Early Modern Science meets at 2-3.30pm in the Hovenden Room, All Souls College. This week’s speaker will be Jeremy Schneider (Trinity College, University of Cambridge), Authenticating Nature: Fossils and Fakes, 1590-1620.
  • The Germanic Reading Group meets at 4pm online. Please contact Howard Jones to request the handouts and to be added to the list. This week will be on Old English charms/remedies (Morgan leading).
  • The Medieval Women’s Writing Reading Group meets at 5-6.30pm in Lincoln College, Lower Lecture Room. This week’s theme is Chinese Medieval Women’s Writers. Stay up to date with events by joining our mailing list or following us on X @MedievalWomenOx. Texts for the reading group are shared on the mailing list.

Friday 3rd May:

  • The Medieval Coffee Morning meets as usual 10:30am in the Visiting Scholars Centre of the Weston Library (instructions how to find it) with presentation of items from the special collections, coffee and the chance to see the view from the 5th floor terrace. This week, Thea Gomelauri will present medieval Hebrew manuscripts.

Finally, we cannot always send out email updates, but if you learn of new events, changes to schedules etc. we will always disseminate them on our social media, especially via X/Twitter. Do make sure to follow to keep up with all of the latest updates. And please do send any and all updates or corrections to me – I am reassured by this eighth-century letter from Eangyth that corrections are a historical inevitability:

postulamus pietatem tuam, ut tua rescripta trans pontum dirigere digneris et respondeas his, quibus in his kartis caraxavimus rustico stilo et inpolito sermone
[We beg you also to be so kind as to send us word across the sea in reply to what we have scribbled in this letter in our rude, unpolished speech.]

A letter from Eangyth, abbess (719-22)

With that said, I wish you a week free from errors wherever possible, and in my rude and unpolished speech hope that you all have a lovely week 2!

[A Medievalist spots an error…]
St John’s College MS. 61, f. 41 v. 
By permission of the President and Fellows of St John’s College, Oxford
Viewable in full at Digital Bodleian
 

Medieval Matters: Week 1

It brings me such great joy to welcome you all back to Oxford for Trinity Term! Whilst it’s always lovely to have research time outside of teaching term, Oxford seems so quiet in the vacations. As we learn from the Epistolae project, waiting for your friends and colleagues to return isn’t just a modern phenomenon:

Vestri etenim reditus optati terminus, quanto celerior et propinquior a pluribus mihi promittitur, tanto magis a me, vestra frui optante praesentia et locutione, desideratur. 
[The sooner and the closer the date of your desired return is promised to me by many people, the more it is desired by me, since I long to enjoy your presence and conversation.]
A letter (1106) from Matilda of Scotland, queen of the English, to Anselm

I’m sure I speak for everyone when I say that I’m looking forward to a wonderful term enjoying the presence and conversation of our fantastic medieval community. We have so many wonderful things lined up for you this term. To get a taste of everything to come, please see our brand new Trinity Term Medieval Booklet. A compressed copy is attached to the weekly email for your convenience, but for all of the latest updates and the booklet in its high-quality glory, see the online version here.

Here are the week’s announcements, events and opportunities:

ANNOUNCEMENTS:

  • Save the date: A workshop on practices of contrafacture of monophonic song (1150-1550) will take place on 20th June at 10am-7pm, in the Committee Room, Faculty of Music. The schedule will be split into two parts: the first half is reserved for presentations of individual papers with a following discussion, in the second half we will collectively examine and interpret further selected case studies. Anybody interested is welcome to attend the presentations and take part in the discussions. If you want to attend or if you have questions, please email Philip Wetzler.
  • Register now for the Oxford Medieval Society Chain Maille Workshop! Week 4, Friday 17th May, 2-5.30pm, in St John’s College New Seminar Room. Come and learn how to make chain maille with Master Maille Maker Nick Checksfield! Nick is a world-leading expert in medieval chain maille, and will be visiting Oxford Medieval Society for an all-you-need-to-know workshop. Don’t miss out, places are limited! Tickets: £15. Refreshments will be provided. To register, click here.
  • Registration open: Workshop: Binding the world, withholding life. Poetry Books in the Medieval Mediterranean. Register via Eventbrite for online attendance. Online registration closes 2 hours before the start of the event. You will be sent the joining link within 24 hours of the event, 2 hours before and once again 15 minutes before the event starts. The full programme will be shared after registration and on https://torch.ox.ac.uk/event/binding-the-world-withholding-life.-poetry-books-in-the-medieval-mediterranean.

EVENTS THIS WEEK:

Monday 22nd April:

  • The Tolkien 50th Anniversary Seminar Series meets at 5pm in the Summer Common Room, Magdalen College. This week’s speaker will be Catherine McIlwaine (Bodleian Libraries, University of Oxford), “Being a cult figure in one’s lifetime is not at all pleasant”: Tolkien’s relationship with his fans. For more information, please see https://tolkien50.web.ox.ac.uk/.
  • A Talk by Dr. Stephanie Pambakian will take place at 5PM in the Faculty of Asian and Middle Eastern Studies, Lecture Room 1. Dr. Pambakian (Tübingen / Venice Ca’Foscari) will be speaking on A 7th-century Armenian Cosmology: Anania Širakac’i’s treatise on the Universe.
  • The Medieval History Seminar meets at 5pm in the Wharton Room, All Souls College and on Teams. The Teams session can be accessed by logging in to Teams with your .ox.ac.uk account and joining the group “Medieval History Research Seminar” (team code rmppucs). Alternatively, you can use this link. If you have any difficulties please email: medhistsem@history.ox.ac.uk. This week’s speaker will be Lindy Grant (Reading), ‘Eleanor of Aquitaine: the power of a queen and duchess‘.

Tuesday 23rd April:

  • The Medieval English Research Seminar meets at 12.15pm in Lecture Room 2, English Faculty. This week’s speaker will be Christine Rauer (St Andrews), The Earliest Insular Almanac?: Types of Information in Old English and Insular Latin Calendrical Texts. Seminars followed by a sandwich lunch. All welcome!
  • The Medieval Church and Culture Seminar meets at 5.15pm in the Wellbeloved Room, Harris Manchester College. This week’s speaker will be Alexander Murray (Univ.). Everyone is welcome at this informal and friendly graduate seminar.
  • First Lyell Lecture: The transmission of Julius Caesar’s Civil War at 5.15 at the Weston Library lecture theatre by Stephen Oakley (Cambridge): Copying the Classics (and Fathers): explorations in the transmission of Latin text. Book her for in-person attendance or live-stream.
  • The Medieval French Seminar meets at 5pm at the Maison Francaise. Drinks will be served from 5pm; the presentations will start at 5:15pm. All are welcome! This week’s speaker will be Tom Hinton (University of Exeter), ‘What Did A French Language Learning Text Look Like in Medieval Britain?’.

Wednesday 24th April:

  • The Medieval German Graduate Seminar meets at 11.15am in Oriel College King Edward Street 7 (Annette Volfing’s office; press the intercom buzzer to be let in). It will be a shortish planning meeting. The topic for this term is Konrad von Würzburg: ‘Der Schwanritter’. Open access edition here. If you are interested to be added to the teams group for updates, please contact Henrike Lähnemann.
  • The Late Antique and Byzantine Seminar meets at 5pm at Ioannou Centre for Classical and Byzantine Studies, 66 St. Giles, Oxford, and online via Teams. Teams link: https://msteams.link/FW0C. This week’s speaker will be Thea Ravasi (University of Newcastle) – ‘Imperial benefaction, sanitary and religious practices in 4th-century Rome. The archaeology of the Baptistery of St. John Lateran revisited’.

Thursday 25th April:

  • The All Souls Seminar in Medieval and Early Modern Science meets at 2-3.30pm in the Hovenden Room, All Souls College. This week’s speaker will be Michael Hunter (Birkbeck), Robert Boyle’s Strange Reports: From the Outlandish to the Supernatural.
  • Second Lyell Lecture: The transmission of the Corpus Cyprianum and Pontius’ Life of Cyprian at 5.15 at the Weston Library lecture theatre by Stephen Oakley (Cambridge): Copying the Classics (and Fathers): explorations in the transmission of Latin text. Book her for in-person attendance or live-stream.
  • The Oxford Old English Work in Progress Seminar (WOOPIE) meets at 5.15pm in the History of the Book Room, English Faculty. Prof. Paul Cavill (University of Nottingham) will speak on “Gathering up the Fragments: Homiletic Fragment II”. All welcome. If you would like to attend, please contact francis.leneghan@ell.ox.ac.uk.
  • The Medieval Visual Culture Seminar meets at 5pm at St Catherine’s College, Oxford, Arumugam Building. All welcome! This week’s speaker will be Lucy Wrapson, University of Cambridge, ‘Colour Conventions and Material Hierarchies on Late-Medieval Rood Screens‘.

Friday 26th April:

  • The Medieval Coffee Morning meets as usual 10:30am in the Visiting Scholars Centre of the Weston Library (instructions how to find it) with presentation of items from the special collections, coffee and the chance to see the view from the 5th floor terrace.
  • David Wiles (Emeritus Professor of Drama, University of Exeter) is performing the pseudo-Senecan Roman history play Octavia in the exuberant rhetorical language of the 1561 translation in the Wolfson College Buttery at 1.15pm, under the aegis of the Ancient World Research Cluster. The play lasts for half an hour; watch a recording here. You may have seen previous productions in the garden of St Edmund Hall – last year, Mary Magdalene Play from the Carmina Burana. This is also early notice that there hopefully will be another Medieval Mystery Cycle in 2025, probably 26 April in St Edmund Hall – mark the date!
  • The Medieval Latin Document Reading Group meets at 4-5pm on Teams. A document is sent out in advance but homework is not expected. Please contact Michael Stansfield for further details and the Teams link.
  • The Oxford Medieval Manuscripts Group (OMMG) meets at 5pm in the Weston Library. Martin Kauffmann, Bodleian Library will speak on A. C. (Tilly) de la Mare and the Formation of a Palaeographer. Places are limited, please write to Elena Lichmanova by 24/04/2024.

Saturday 27th April:

  • Special Event: Creating Chaucer. 11am-4pm at the Weston Library. Join the collective of Oxford medievalists to explore Chaucer’s world through creative activities, talks and discussion!
    • Take a highlights tour of the exhibition Chaucer Here and Now with curator Marion Turner
    • Make a moving puppet of Chaucer with Sigi Koerner
    • Learn cartoon drawing in a live session with artist Kristen Haas Curtis
    • Create your own original traveller’s tale and make a Tabard Inn for its telling  
    • Take the constellation challenge and discover how horoscopes were read in Chaucer’s day with Shelley Williams
    • Make a pilgrim badge as a souvenir of your visit
    • Print a Chaucer keepsake
  • Telling Tales: Marion Turner in conversation with Patience Agbabi, 1.30 – 2pm Sir Victor Blank Lecture Theatre. Professor Marion Turner, curator of Chaucer Here and Now, talks to prize-winning poet Patience Agbabi, author of Telling Tales, about how and why she created her own versions of Chaucer’s Canterbury Tales in forms ranging from rap to sonnets. Book now
  • Living Library, 1.30 – 3.30pm. Chat to academics in our ‘Living Library’ and explore topics including:
    • Travel and travel writing in the Middle Ages with Professor Anthony Bale
    • Chaucer in the nineteenth century with Dr Clare Broome Saunders
    • Scribes and readers of Chaucer: the first century with Professor Daniel Wakelin
    • Medieval women, modern voices with Dr Laura Varnam
    • ‘Hooly blisful martir’: Chaucer’s pilgrims in Canterbury with Dr Alison Ray
    • The Medieval in the Modern with Professor Carolyne Larrington

OPPORTUNITIES:

  • Call for Contributions: Medicine at the Fringes in the Northern World (1000-1500): Proposals for engaging essays (approximately 9,000 words) are warmly welcomed that explore and challenge our understanding of medicine in the Nordic-Atlantic areas. The essays will challenge conventional perspectives and delve into the intriguing realms of illness, health, body, disability, and medicine as depicted in manuscripts, literature, and society from the Northern Atlantic World during the medieval era. For full details, please click here.
  • Call for Papers for Three Early Career Workshops on Old English Prose: Paper proposals are invited from graduate students and early career researchers working on or interested in Old English prose. Each workshop will be led by an expert who will talk about their own research and lead discussion on a particular aspect of Old English prose. These events will provide an opportunity for graduate students and early career researchers to discuss their research projects with other scholars and to develop new skills. For full details, please click here.
  • CFP: International Workshop: Saints and martyrs between Italy and the Mediterranean in Late Antiquity: Movements, connections, and influences. You are invited to submit an abstract (maximum 300 words) accompanied by a short CV by 24 Mai. All submissions should include your name, e-mail address and academic affiliation (if applicable). Participants are expected to give a 20–30-minute talk, followed by an extended session for discussion. The workshop will take place in person in English at the Ludwig-Maximilians-Universität Munich on 22-23 November 2024. A publication is planned, for which the contributions may be in English, German or Italian. A contribution will also be made towards travel expenses. For full details, please see here: http://medieval.seh.ox.ac.uk/2024/04/21/call-for-papers-international-workshop/

If you have forgotten to submit your Medieval Booklet entries, please do not worry: we will send a finalised version next week. Here is some final wisdom, surely on the topic of booklet omissions:

Si quid placet vestrae dilectioni mihi mandare, latori praesentium sicut mihi ipsi viva voce secure potestis intimare
[If it pleases your love to send me information about anything, you can safely tell it by word of mouth to the bearer of this letter as if to myself.] 
A letter (1102) from Anselm, archbishop of Canterbury to Matilda of Scotland

Luckily for us modern medievalists, no such go-between is necessary: you may simply and safely send me an email with all of your information about anything medieval, and I will make sure that it gets into the booklet. In the meantime, may you have a wonderful first week of term, and enjoy the sunshine!

[A rather sheepish Medievalist forgot to submit their contribution to the Booklet…]
St John’s College MS. 61, f. 25 v. 
By permission of the President and Fellows of St John’s College, Oxford
Viewable in full at Digital Bodleian
 

Pseudo-Seneca: Octavia (transl. 1561)

Where: Wolfson College Buttery
When: Friday, April 26 2024 at 1.15.

David Wiles (Emeritus Professor of Drama, University of Exeter) is performing the pseudo-Senecan Roman history play Octavia in the exuberant rhetorical language of the 1561 translation by Thomas Nuce with a group of players from Iffley and the University of Oxford.

  • Octavia, daughter of Claudius, wife of Nero – Imogen Lewis
  • Agrippina, wife and killer of Claudius, now dead – Laurence Nagy
  • Nero, son of Agrippina, now Emperor, killed his mother – Abigail Pole
  • Poppaea, mistress of Nero – Priya Toberman
  • Octavia’s nurse – Laura Laubeova
  • Seneca – Alex Marshall
  • Prefect – Andrew Stilborn
  • Messenger– Ivana Kuric
  • Chorus of Roman citizens – members of the company
  • Violin – Jessica Qiao
  • Director – David Wiles

Production sponsored by the Ancient World Research Cluster, Wolfson College Oxford.

Performance filmed by Henrike Lähnemann at Iffley Church Hall on April 21st.

The tragedy of Octavia is a unique example of the Roman history play, and survives because it was bound up with the tragedies of Seneca. The chorus, unlike those of Seneca, is engaged in the action as it rises up in rebellion against Nero. We are performing the play in the student translation of c.1561. Elizabeth had recently come to the throne, and in a polarised world the performance of religious plays seemed increasingly problematic. It was logical to turn to the classics, but the question arose, how to render Seneca in an equivalent English. It was not a matter of searching out what the words meant, but rather of forging a language with an equivalent rhetorical force, which in the Erasmus age meant a more copious language. The translator, Thomas Nuce, had an ear for performance, and did not attempt to find any pedantic metrical equivalence for the Latin. We have stripped the text down to a half-hour version, and have relished playing with the rhythms, rhymes and alliteration. Parsing the Latinate grammar was often a challenge.    

The story was scarcely a safe choice in 1561. It tells how Nero cast off his first wife, Octavia, whom he had married for domestic reasons, and contracted a love match. Henry VIII had likewise terminated a dynastic marriage, to the great displeasure of his people, and the fruit of that love match had just come to the throne.     

We are a mixed cast of students and community players, and on four occasions have worked on mediaeval plays for the festival at St Edmund Hall. The present production was put together for the annual conference of the Classical Association in Warwick on 24 March. If you are interested in participating in a production at St Edmund Hall in 2025, please contact David Wiles d.wiles@exeter.ac.uk.

Call for Papers: International Workshop

Saints and martyrs between Italy and the Mediterranean in Late Antiquity: Movements, connections, and influences

In a world such as the Late Antique one, which was experiencing profound changes compared to the previous period, areas once held together by imperial political cohesion, found themselves related by a new connection produced by the expansion of Christianity: the movement and exchange of the cult of saints.

The exchange and spread of the cults of saints and martyrs is testified by archaeological, iconographic, literary and other sources. Among the literary sources, this is illustrated, for example, by the presence of non-local cults in the liturgical calendars of certain geographical areas. A further example is provided by the accounts of late antique pilgrims and authors compiling hagiographies of martyrs, whose cult arrived through the transport of relics. Further evidence of mutual connections and influences is also attested by the construction of basilicas dedicated to ‘imported’ saints, with the consequent worship of these non-local patrons.

Within this context, Italy seems having an important role, not only in the ‘exportation’ of its own saints, but also in the reception and assimilation of foreign saints. In addition to the traditional worship, these are also assimilated into local cults. Therefore, this entails, for example, the change of the urban space itself, with the foundation of dedicated basilicas or the assimilation of foreign saints into local hagiographic literature.

Consequently, Italy may be considered as an important area of origin and spread of the cult of saints in the Mediterranean. Moreover, it may be considered as an attracting place for a large foreign cult, making it an excellent example of the movement of the cults of saints and martyrs within the whole late antique geographical area.

The aim of the workshop is to investigate and deepen the dynamics and the questions involved in the circulation of the cults of saints and martyrs from Italy to other areas of the Mediterranean and vice versa. Additionally, the objective is to analyse which exchanges and mutual influences these movements entailed and in which sources they can be found. In conclusion, the interest is directed towards the reasons why certain non-local cults became important in specific geographical areas and, in addition to the martyrs, if the cults of sanctified bishops or rather

confessors around whom a cult developed and spread to areas far from their origins were also spread and assimilated.

We will accept proposals for papers, from a multidisciplinary perspective: scholars of archaeology, art history, iconography, architecture, epigraphy, hagiography, late antique, early Christian literature and ancient history. Additionally, all related disciplines are welcome to submit a paper.

The following topics are suggested, but any other topic is accepted:

– The spread of the cult of saints and martyrs between Italy and other areas of the

Mediterranean through epigraphic, hagiographic, iconographic sources

– The transport of relics: archaeological and historiographical evidence

– The construction of basilicas or monasteries dedicated to ‘imported’ saints

– The role of bishops in the spread of the cults of saints and martyrs

– The spread of cults dedicated not only to martyrs, but rather to bishops or confessors

You are invited to submit an abstract (maximum 300 words) accompanied by a short CV by 24 Mai. All submissions should include your name, e-mail address and academic affiliation (if applicable). Participants are expected to give a 20–30-minute talk, followed by an extended session for discussion. The workshop will take place in person in English at the Ludwig-Maximilians-Universität Munich on 22-23 November 2024. A publication is planned, for which the contributions may be in English, German or Italian. A contribution will also be made towards travel expenses.

The workshop is organised by the Institut für Byzantinistik, Byzantinische Kunstgeschichte und Neogräzistik, Ludwig-Maximilians-Universität München, with the kind support of the Spätantike Archäologie und Byzantinische Kunstgeschichte e.V.

If you have any questions, please do not hesitate to contact:

Daniela Coppola, M.A.

Ludwig-Maximilian-Universität, Munich

Call for Papers for Three Early Career Workshops on Old English Prose

Call for Papers for Three Early Career Workshops on Old English Prose

Paper proposals are invited from graduate students and early career researchers working on or interested in Old English prose. Each workshop will be led by an expert who will talk about their own research and lead discussion on a particular aspect of Old English prose. These events will provide an opportunity for graduate students and early career researchers to discuss their research projects with other scholars and to develop new skills.

Workshop 1, 13th February 2025: ‘Mercian Prose’ with Dr Christine Rauer (University of St Andrew’s)

Workshop 2, 15th May 2025: ‘Alfredian Prefaces and Epilogues’, with Dr Amy Faulkner (UCL)

Workshop 3, 16th October 2025: ‘The Old English Boethius’, with Prof. Susan Irvine (UCL)

The workshops will take place at the University of Oxford.

This project is funded by Francis Leneghan’s AHRC Research, Development and Engagement Fellowship on Writing Pre-Conquest England: A New Literary History of Old English Prose.

Registration and attendance will be free, but numbers will be limited.

Please send abstracts of no more than 200 words to francis.leneghan@ell.ox.ac.uk by 1st July 2024. Enquiries about the workshops can also be directed to this email address.

CFP: Medicine at the Fringes in the Northern World (1000-1500): Manuscripts, Language, and Society

For consideration by Medieval Institute Publications & De Gruyter

Proposals for engaging essays (approximately 9,000 words) are warmly welcomed that explore and challenge our understanding of medicine in the Nordic-Atlantic areas. The essays will challenge conventional perspectives and delve into the intriguing realms of illness, health, body, disability, and
medicine as depicted in manuscripts, literature, and society from the Northern Atlantic World during the medieval era.

Our interdisciplinary approach aims to shed light on marginal perspectives and subversive themes prevalent in medical texts from Norway, Sweden, Denmark, Iceland, and other Norse colonies, including Scotland, Ireland, the Faroe Islands, Greenland, and Medieval England. The collection of essays will examine the societal significance of the female body, the gendered model of illness, conceptions of body, health, and disability, as well as attitudes towards remedies of dubious nature.

We welcome contributions from scholars at all career stages. Whether you’re delving into Old English Studies, Middle English Studies, Old Norse Studies, or exploring themes in Disability Studies and Gender Studies, we want to hear from you. The book will include commissioned and invited works. Current contributions include medical charms in Anglo-Norman sources, Disability and social function in the works of John Arderne, and Social acceptability of disability in Sigurðar saga þögla.

Selected essays will form a thought-provoking collection submitted for consideration by Medieval Institute Publication & De Gruyter under the series ‘The Northern Medieval World.’

Submit your 300-word abstract along with a brief introduction of yourself to the editor, Luthien Cangemi (luthien.cangemi.20@ucl.ac.uk), by May 20th, 2024. First full drafts of contributions are expected in January 2025. Join us in uncovering the hidden narratives of medicine in the North Atlantic World!

2024 Oxford Medieval Graduate Conference in Review

The 2024 Oxford Medieval Graduate Conference, hosted by the Maison Française d’Oxford, took place this past Monday and Tuesday, the 8th and 9th of April.

Since 2005, the OMGC has been an annual forum for graduate scholars from Oxford and beyond to share their research. The two-day conference brought together rising medievalists from Ireland, Sweden, Finland, Canada, France, Switzerland, and the UK and featured panels on divine affectivity, scribes and songs, visual signs, objects and collections, palaeography, and codicology.

Professor Henrike Lähnemann (Oxford) heralded the start of the conference on Monday morning with fanfare from the Oxford Medieval Studies trumpet – an appropriate opening to the conference, which was themed around ‘signs and scripts.’ United by the semiotic theme, participants found unexpected connections between a diverse set of presentations.

Professor Henrike Lähnemann playing her OMS trumpet in the Maison Française d’Oxford auditorium.

Professor Sophie Page (UCL) delivered her keynote presentation “Magic Signs and Censored Scripts in Medieval Europe,” closing the first day of papers. Her keynote delved into the syncretic texts of medieval magic, the efficacy of which required proper ritual performance – careful attention to the details of diagrams, auspicious star and cosmological signs, and specific material components.

Magic circle from the De secretis spirituum planetis in which the practitioner stands to summon planetary angels. Collection of alchemical, technical, medical, magic, and divinatory tracts (Miscellanae Alchemica XII), late 15th century. Wellcome Collection, MS 517, f. 234v.

Professor Page’s keynote dovetailed with Ellen Hausner’s (Oxford) paper on the alchemical images and text of the Ripley Scroll, which communicate a sense of time and space as core alchemical concepts trickle down from divine creation to the corporeal world. Signs and symbols are concentrations of meaning. Even small signifiers (although the scroll is over 2.6 meters long!) can signify immense, cosmological ideas.

As exemplified by Marlene Schilling’s (Oxford) paper on devotion to personified liturgical days in the prayer books of northern German convents, signs and scripts also have the power to lend physicality, visuality, and agency to concepts. Signs and scripts are means of power and community creation and consolidation. Or as Wilhelm Lungar (Stockholm) put it in his paper ‘Communicating Identity on Scandinavian Monastic Seals in the Middle Ages,’ objects like seals, as both historically situated artefacts and texts, mediate representation, identity, and authority.

From left to right: presentations by Elena Lichmanova (Oxford), Wilhelm Lungar (Stockholm), and Corinne Clark (Geneva).

The challenge of interpretation and an embrace of plural perspectives was a through-line for the conference, sparking rich, generative conversation. In her paper, ‘Mirror Writing and the Art of Self Reflection,’ Elena Lichmanova (Oxford) asked why and how offensive phrases like tu es asin[us] (‘you are an ass’) could be included in the thirteenth-century Rutland Psalter and surveyed the ways artists created nuances of meaning by manipulating the direction of script. Corinne Clark’s (Geneva) presentation on the life of St. Margaret considered the symbolism and mixed hagiographic reception of the saint’s battle with a dragon in which she is consumed by the demonic beast, erupting from its abdomen. Both topics inspired collaborative thinking among participants and emphasized the importance of analytical parallax to deepen our understanding of images and texts controversial and cryptic even to contemporaries.

As Megan Gorsalitz (Queen’s University, Kingston) made clear in her presentation on Old English riddles, mindless consumption steals meaning and risks careless, uncritical perpetuation. Signs and scripts require careful reflection of the manifold voices and identities they represent as well as those they conceal.

Detail of illuminated moth in decorated border. Book of Hours of King Charles VIII, 15th century. Utopia, armarium codicum bibliophilorum, Cod. 111, f. 96r.

A moth ate words. It seemed to me / a strange occasion, when I inquired about that wonder, / that the worm swallowed the riddle of certain men, / a thief in the darkness, the glorious pronouncement / and its strong foundation. The stealing guest was not / one whit the wiser, for all those words he swallowed.

Exeter Book Riddle 47

Charlotte Wood (Oxford), Marc Lawson (Trinity College Dublin), and Ilari Aalto (Turku) all grappled with the difficulties of studying oft-overlooked material culture. For Wood, whose paper focused on comb placement in Anglo-Saxon cremations, the significance of deliberately broken comb-ends in Anglo-Saxon burial urns remains elusive but exciting for their potential to tell us more about funerary practices. In his paper on brickmakers’ marks in late medieval Finland, Aalto suggested explanations for marks found in churches, which may simultaneously represent saints as an allusion to brickmakers’ names and act as a remembrance of the artisan embedded in the church. Drawing upon visual culture, written references, and extant examples of early Irish book satchels, Lawson demonstrated the prevalence of book satchels and suggested a more complex understanding of manuscript binding and use in early medieval Ireland.

The conference also featured a comprehensive selection of case studies exploring signs of manuscript creation, composition, authorship, revision, genre, and punctuation. Peter Fraundorfer’s (Trinity College Dublin) paper on a sammelband produced for Reichenau Abbey considered what the text’s language and contents can tell us about its author and intended readership, while Sebastian Dows-Miller (Oxford) took a statistical approach to the relationship between composition and authorship, identifying changes in scribal hand through changes in abbreviation frequency. In her presentation on Carthusian marginalia in The Book of Margery Kempe, Lucy Dallas (East Anglia) discussed the reception and reworking of the text for the monks and Elliot Vale’s paper on CCCC MS 201 problematized modern translations of vernacular works in which poetry and prose blend in structural and punctuation.

Margaret of Antioch emerging from the defeated dragon with the sign of the cross. Book of Hours, 15th century. Oxford, Bodleian Library MS. Rawl. liturg. e. 12, fol. 149v.

Papers by Jemima Bennett (Kent and Bodleian Libraries), Rhiannon Warren (Cambridge), Max Hello (Paris 1 – HiCSA), and Thomas Phillips (Bristol) all focused on the collection, manipulation, recycle, reconstruction, and aesthetics of manuscripts. Bennett’s work on fifteenth-century Oxford bookbinding continued the theme of plural interpretations as she discussed patterns and possible reasoning behind the recycle of manuscript fragments by collectors. Similarly, Phillips focused on recovering lost script from fragments of the Anglo-Saxon Office of St. Alban. Warren and Hello also touched on signs of manuscript manipulation, reuse, and changing aesthetic preferences in their respective presentations on Árni Magnússon’s Icelandic manuscript collection and ornamentation in Merovingian book writing. Complementing the presentations on material culture, the palaeography and codicology sessions reinforced the materiality of manuscripts and fluidity of text.

From left to right: presentations by Max Hello (Paris 1 – HiCSA), Jemima Bennett (Kent and Bodleian Libraries), and Sebastian Dows-Miller (Oxford).

Presentations aside, the congenial atmosphere and enthusiasm of the participants made for constructive knowledge exchange and an enjoyable two days of conversation. From the 2024 OMGC committee, thank you to all who attended. The committee is also excited to announce that the theme for the 2025 Oxford Medieval Graduate Conference will be Magic, Rituals, and Ceremonies! Until then, keep an eye on the OMGC blog for posts by this year’s presenters.

The 2024 OMGC committee (Katherine Beard, Ashley Castelino, Emma-Catherine Wilson, Kate McKee, Ryan Mealiffe, Mary O’Connor, and Eugenia Vorobeva) thank our sponsors for making this year’s conference possible.

The 2024 Oxford Medieval Graduate Conference was presented in association with the Maison Française d’ Oxford, the Oxford Festival of the Arts, the Society for the Study of Medieval Languages and Literature (Medium Ævum), the Oxford Faculty of Music, the Oxford Faculty of Medieval and Modern Languages, Oxford Medieval Studies (OMS), and The Oxford Research Centre in the Humanities (TORCH).

Header Image: The White Hart, pub sign (colorized), ca. 1750. Victoria and Albert Museum, London, W.69:2-1938. Photoshopped onto background of Merton Street, Oxford.

Oxford Medieval Graduate Conference 2024: Signs and Scripts

The Oxford Medieval Graduate Conference is back on April 8-9, 2024 with the theme of ‘Signs and Scripts’!

MONDAY, APRIL 8

9:30-10:00 Registration (in-person)

10:00-11:30 Session 1: Divine Affectivity

  • Marlene Schilling, ‘Connected through Script – Personifications of time as a distinct form of devotion across Northern German Convents’
  • Lucy Dallas, ‘Together in Love: Carthusian Marginalia in the Book of Margery Kempe’
  • Wilhelm Lungar, ‘Communicating Identity on Scandinavian Monastic Seals in the Middle Ages’

11:30-12:00 Break with refreshments

12:00-13:30 Session 2: Scribes & Song

  • Peter Fraundorfer, ‘Did somebody write a Latin-Greek Sammelband for the monastic school of Reichenau Abbey?’
  • Thomas Phillips, ‘1000 Years Later: Reconstructing Fragments of the Anglo-Saxon Office of St. Alban’
  • Ellen Hausner, ‘A Threefold Bursting Sun: the symbolic vocabulary of the Ripley Scroll’

13:30-14:30 Lunch

14:30-16:00 Session 3: Visual Signs

  • Elena Lichmanova, ‘Mirror Writing and the Art of Self-Reflection’
  • Furqon Muhammad Faiz, Tori Nuariza Sutanto, ‘Early Islamic Seals on Sumatra’s West Coast: Inscriptions and Cultural Significance’
  • Ilari Aalto, ‘Tracing Brickmakers’ Marks in Late Medieval Finland’

16:00-16:30 Break with refreshments

16:30-17:30 Keynote Address 1: Professor Sophie Page

17:30 Drinks Reception

18:30/19:00 Conference Dinner (optional)

TUESDAY, APRIL 9

10:00-11:30 Session 4: Objects & Collections

  • Megan Gorlitz, ‘Old English Riddles and Anglo-Saxon Reading Practices’
  • Marc Lawson, ‘Wielding the Word: The Symbolism of Book Satchels in Early Irish Christianity’
  • Charlotte Wood, ‘Signals of Death: Comb placement in cremations’

11:30-12:00 Break with refreshments

12:00-13:30 Session 5: Palaeography

  • Sebastian Dows-Miller, ‘Signs in (Manu)scripts: Towards a New Study of Scribal Abbreviation’
  • Max Hello, ‘Ornamenting and Writing: An aesthetic approach to Merovingian book writing (7th-8th centuries)’
  • Corinne Clark, ‘A Wild Dragon Appears: Difficult Significations in the Life of St. Margaret’

13:30-14:30 Lunch

14:30-16:00 Session 6: Codicology

  • Elliot Vale, ‘Missing the Point: Punctuating Prose/Poetry in CCCC 201’
  • Jemima Bennet, ‘Fragments in Fifteenth-Century Oxford Bookbinding’
  • Rhiannon Warren, ”Þad er nu eydilagt’? AM 241 b I fol as a Case Study of Árni Magnússon’s Collection and Manipulation of Icelandic Latin Liturgical Manuscripts

16:00-16:30 Break with refreshments

16:30-17:30 Keynote Address 2: Dr Hannah Ryley

17:30 OMGC 2025 Theme Selection + Closing Remarks

Call for Papers

We are delighted to announce this call for papers and invite proposals relating to all aspects of the broad topic ‘signs and scripts’ in the medieval world. Submissions are welcome from all disciplinary perspectives, whether historical, literary, archaeological, linguistic, interdisciplinary, or anything else. There are no limitations on geographical focus or time period, so long as the topic pertains to the medieval period.

Areas of interest may include but are not limited to:

  • Semiotics and semantics
  • Ways of (mis)reading
  • Palaeography and codicology
  • Spiritual / cosmological signs
  • Codes and conduct
  • Behavioural script
  • Dramatic script; theatre
  • Monuments; inscriptions
  • Heraldry; signboards
  • Graffiti and marginalia
  • Scripts of the body; tattoos
  • Textiles

We ask that all presenters attend in person with hybrid participation available for attendees who cannot travel to the event.

Submission Guidelines

Papers should be a maximum of 20 minutes. A limited number of bursaries are available to help with travel costs, and we welcome applications from graduate students at any university.

Please send abstracts of 250 words to oxgradconf@gmail.com by 17th December, 2023.