The Medieval Mystery Cycle is back!

The next performance of the Medieval Mystery Plays is held on Saturday 22 April 2023 at St Edmund Hall, 12noon-3:30pm. All welcome! The full programme is available here.

12.00: Extracts from Piers Plowman (Swonken ful harde) Middle English
12.30: The Nativity and Salutation (English Faculty) Middle English
13.00: The Innocents (Les perles innocentes) 16th-century French
—13.30 BREAK—
14.00: The Passion (Sorores Sanctae Hildae) Latin and German
14.30: The Harrowing of Hell (Medieval Germanists) Middle High German
15.00: The Last Judgement (Past and Present Teddy Students) Modern English

Welcome to the third incarnation of the Oxford Medieval Mystery Cycle! As in 2019 and 2022, this highlight of the Oxford medieval calendar offers a variety of plays in different medieval and modern languages, staged at several stations in the beautiful grounds of St Edmund Hall. Cycles of plays retelling stories from the Bible were a popular form of entertainment in the Middle Ages, which we are only too happy to revive for modern audiences. Admission is free and you are welcome to turn up at any time.

Read the original call for participation: Sign-up is now open for the Oxford Medieval Mystery Cycle! Just follow this link to propose a play and to join one of the highlights of the Oxford Medieval Studies calendar, which will be held on Saturday 22 April 2023 at St Edmund Hall.

Following a hugely popular medieval tradition, we are looking for groups to perform a series of short plays retelling stories from the Bible. We are keen to cover a wide variety of (medieval) languages, but you don’t have to be a theatre professional or even a medievalist – all you need is lots of enthusiasm for what is above all a fun and unique experience. In the last years, plays have included:

  • The Creation and Fall
  • The Killing of Abel
  • Noah
  • Abraham
  • The Annunciation and Visitation
  • Shepherds
  • Wise Men
  • Herod the Great
  • John the Baptist
  • Lazarus
  • The Crucifixion
  • The Harrowing of Hell
  • The Resurrection
  • The Last Judgement

Feel free to propose other plays, or even to write your own – as long as the topic is not already taken, so don’t wait too long! You can see which plays have already been proposed here.

We have previously had plays in English, French, German, Spanish, and Italian, but offers for plays in other languages, including Welsh, Dutch, Latin, or Hebrew are also very welcome! Some mystery plays are easily accessible online: this includes plays in Middle English (the York, Towneley, and N-Town plays), Old French (the Seinte Resurreccion), Middle High German (the Innsbrucker Osterspiel), or Old Spanish (the Auto de los Reyes Magos). And don’t worry if you don’t have enough actors or haven’t found a group yet: we can help you put out a call for actors and link you up with other people interested in participating. All you have to do is get in touch.

For inspiration, have a look at the mystery cycles of the last few years! You can even watch recordings of the cycles in 2019 and 2022 on YouTube. (Or, alternatively, you can watch the much more professional recordings of the 1985 National Theatre Mysteries.) A small budget is available for props and costumes.

Watch the 2022 medieval English master’s students rising from the tomb as multiple Lazari!

Timeline:

  • Sign up now by following this link or emailing Michael Angerer, the Medieval Mystery Cycle convenor!
  • We will hold a workshop on how to cut longer plays on Friday of Week 1 in Hilary Term at 3–5pm (20 January 2023) on site at St Edmund Hall. This is open both to fully fledged groups and aspiring directors. [Edit: This workshop has been postponed to Friday of Week 3 at 5–6.30pm (3 February 2023)]
  • We will hold a workshop on voice projection at the end of Hilary Term.
  • You will have the opportunity to rehearse on location at St Edmund Hall during Week 0 of Trinity Term.
  • Dress rehearsals will take place on the morning of Saturday of Week 0 of Trinity Term (22 April 2023).
  • The Mystery Cycle will be performed from 12–5pm on Saturday 22 April 2023, with two half-hour breaks for tea, coffee, and cake.

Cake sale: we are also looking for people to bake cake and help run a charity cake stall on the day – if you’re interested, please get in touch!

The Launch of The Palgrave Encyclopedia of Medieval Women’s Writing in the Global Middle Ages

A round table on Women’s Writing in the Global Middle Ages.

Organizer and Chair: Diane Watt (University of Surrey).

Speakers: Ruth Lefevre (Palgrave), Michelle M. Sauer (University of North Dakota), Liz Herbert McAvoy (Swansea University), Ayoush Lazikani (University of Oxford), Kathryn Maude (American University of Beirut), Will Rogers (University of Louisiana at Monroe), Alexandra Verini (Ashoka University).
A Q&A will follow the roundtable.

To sign up, visit the eventbrite page.

OMS Lecture: Prof. Ardis Butterfield (Yale), ‘Do We Mean Lyric or Song?’

When: Monday 31 October, 5.15pm

Where: Lecture Theatre 2, English Faculty (St Cross Building)

What: Michaelmas Medieval Studies Lecture by Professor Ardis Butterfield (Yale University) as Astor Visiting Lecturer

Ardis Butterfield is Marie Boroff Professor of English and (by courtesy) Professor of French and Music at Yale University. Her many published works investigate medieval literature and music across languages and national boundaries. Her books include Poetry and Music in Medieval France, and The Familiar Enemy: Chaucer, Language and the Nation in the Hundred Years War. She is currently completing a major new edition of medieval English lyrics.

Do we mean lyric or song? Modern lyric theory in history

 Is ‘lyric’ something that has always existed as a category of poetry or music, or has it been created through a process of study and academic debate from the nineteenth century onwards – a process that Virginia Jackson has called ‘lyricization’? If that’s the case, where does medieval lyric fit in?

This lecture argued that medieval lyric is not on the edge of that debate, but at its centre. It does this by investigating the missing ingredient in many literary discussions of lyrics: their music. Thinking about the music for medieval lyrics (which in so many cases has not survived) can have an impact on modern theoretical discussions of poetry, requiring all of us to rethink our categories and assumptions.

Featured manuscripts (in order of appearance):
Oxford, Bodleian Library, MS Rawlinson C. 670, f.148v
British Library, Harley MS 978, f.11v
British Library, Arundel MS 248, f.154r
Oxford, Bodleian Library, Douce 302, f.24r (John Audelay’s book)
Edinburgh, National Library of Scotland, Advocates MS 18.7.21,ff. 116r-121v (John of Grimestone’s preaching book)

Professor Butterfield also gave a manuscripts masterclass in the Weston Library’s Sir Victor Blank Lecture Theatre, 2–4pm on Tuesday 1 November: ‘Manuscripts of medieval lyric and song in the Bodleian Library’

Short Films on Love, Hope, Death Eternity

St John’s Film Club presents two new short films on Love, Hope, Death and Eternity. The first of these, Complete Surrender (dir. Louise Nelstrop) will be of particular interest to Medievalists.

When: Wednesday 26th October, 5pm-6.30pm

Where: St John’s College, the Mark Bedingham Room (located in St John’s Library)

  • Both films have won numerous awards in recent film festivals and are not currently on general release.
  • There will be an opportunity to discuss the films with the directors after the screening.

Film Synopsis

Complete Surrender 2020 (29 mins), directed by Louise Nelstrop (UK) and Pol Herrmann (Belgium), is a short documentary that explores what love is through the eyes of five celebrated Belgian artists and three religious sisters as they engage with the erotic mysticism of the female medieval mystics Hadewijch and Marguerite Porete.

Official Trailer: https://bit.ly/3ywk4Bm

Facebook: https://bit.ly/3epZYSk

Bizzarro e Fantastico 2020 (26 mins), directed Kris Krainock (USA), by is a dark comedy that explores the meaning of life and morality. A Roman everyman discovered a violently ill intruder on his sofa after returning from the market, who he must to health. He discovers his mysterious guest has otherworldly intentions — a reminder that life is for the living.

Official Trailer: https://imdb.to/3Mrs1gB

Facebook: https://bit.ly/3Crmylx

Review: https://filmthreat.com/reviews/bizzarro-e-fantastico/

About the Directors

Louise Nelstrop is a member of the Department of Theology and a non-stipendiary lecturer in theology at John’s College, where she teaches papers on Mysticism, Medieval Religions and Jesus through the Centuries. This is her first short film made in collaboration with Belgian filmmakers, including cinematographer Pol Herrmann, who co-directed and shot the film.

Kris Krainock is an American filmmaker and playwright, who began his professional career with the publication of poetry and short stories in local and national literary journals. Krainock’s major upcoming projects include the feature motion picture ‘Madame X,’ where he’s been able to collaborate with  legends in the field such as Stanley Kubrick’s director of photography Douglas Milsome and Stanley’s widow, the artist Christiane Kubrick. Krainock is also developing the television series ‘The Idiot’ and the darkly comedic web series ‘It’s All Downhill From Here.'” (https://www.kriskrainock.com/)

The screening is open to anyone interested. Please email Louise Nelstrop if you have any questions: louise.nelstrop@theology.ox.ac.uk

Germanic Reading Group

Michaelmas: Fridays at 4 pm. Week 2, 4 — online. Week 6 — hybrid. Week 8 — in person (venue TBC).

Friday, 21 October. Old Dutch/Old Low Franconian — Johanneke Sytsema leading

Friday, 4 November. Old Saxon — Will Thurlwell leading

Thursday (!), 17 November. Gothic: ‘The linguistic relationship between the Gothic Bible and its Greek source’, by Professor Carla Falluomini (University of Perugia)
Where: Oxford Linguistics Faculty, Common Room / via Zoom

Friday, 2 December. Modern Bernese German (Bärndütsch) — Philomen Probert leading

To join the mailing list or receive the zoom-link, email howard.jones@sbs.ox.ac.uk.
The handouts will be circulated a few days before each meeting.

Header image: Page from the Codex Argenteus showing part of the Gothic (Wulfila) Bible (Source: Wikimedia Commons)

Queer and Trans Medievalisms: A Reading Group

Michaelmas: Mondays at 3pm, weeks 2, 4, 6 and 8, Univ College (room TBC)

This informal reading group will explore queer and trans themes in medieval texts. In Michaelmas, we’ll be thinking about queer/trans sanctity across medieval Christian, Jewish and Sufi traditions.

Week 2: Queer longings for God

Week 4: Transfemme prayer: Kalonymus ben Kalonymus

Week 6: Transmasc sainthood: Euphrosyne/Smaragdus

Week 8: The trial of Joan of Arc

All extremely welcome! To join the mailing list and get texts in advance, or if you have any questions, email rowan.wilson@univ.ox.ac.uk                                                     

Call for Papers: Memorial Symposium for Nigel F. Palmer

Update: Registration for the Memorial Event is now open! Please register by 23 April 2023.

What: Literary, religious and manuscript cultures of the German-speaking lands: a symposium in memory of Nigel F. Palmer (1946-2022)

When: 19/20 May 2023

Where: Oxford, Bodleian Library, Taylor Institution Library, St Edmund Hall

To celebrate the life and scholarship of Nigel F. Palmer, Professor of German Medieval Literary and Linguistic Studies at the University of Oxford, we invite expressions of interest from those who wish to honour his memory with an academic contribution to speak at a symposium in Oxford that is to take place 19-20 May 2023. Presentations of twenty minutes’ length are sought. They should speak to an aspect of the wide spectrum of Nigel’s intellectual interests, which ranged extensively within the broad scope of the literary and religious history of the German- and Dutch-speaking lands, treating Latin alongside the vernaculars, the early printed book alongside the manuscript, and the court and the city alongside the monastery and the convent. His primary intellectual contributions were methodological rather than theoretical, and he brought together a study of the book as a material object with the philological and linguistic discipline of the Germanophone academic tradition.

The first session planned for the afternoon of Friday 19 May will take place consequently in the Weston Library, and will consider the manuscript cultures of the German-speaking lands; presentations may take a workshop format, and may – though need not – focus upon one or more manuscripts in the Bodleian collections. The second and third sessions will take place on Saturday 20 May in the Taylorian Library, and will consider the religious and literary history of the German-speaking lands in relation to the questions, issues and working methods central to Nigel’s published scholarship.

We would request expressions of interest, of not more than one full page, to be received by 11 November 2022, to be sent to Stephen Mossman. We ask in advance for the understanding of all who submit that we anticipate receiving many more expressions of interest than we can accommodate within the schedule. A reception will be held at St Edmund Hall on the Saturday afternoon, to which all are cordially invited and welcome, followed by a dinner in College. Those planning to attend are advised to reserve accommodation in good time, e.g. via universityrooms. We hope to secure funding to support early career researchers in attending the symposium, but anticipate that participants will need to cover their travel and accommodation expenses. Details of the symposium and registration will be available through the Faculty of Medieval and Modern Languages web-site in early 2023.

For the organising committee: Racha Kirakosian, Henrike Lähnemann, Stephen Mossman, Almut Suerbaum

Image: Nigel F. Palmer studying the facsimile of the Osterspiel von Muri on the gallery of the Taylor Institution Library. Photograph by Henrike Lähnemann

OMCN lectures now online

Trinity Term 2022 saw a lecture series at Christ Church on the medieval commentary tradition, organised by the Oxford Medieval Commentary Network. Video recordings of the lectures by Madalena Brito, Maria Czepiel, and Zachary Giuliano are now available to watch online, along with an extensive video archive of papers from last year’s OMCN workshop.

The CfP for the upcoming OMCN conference on 29 September is still open.

Outgoing OMS Events Coordinator: Tom Revell

The primary reason I threw my hat into the ring two years ago (as a first-year DPhil student) to help OMS run their events was because I was passionate about trying to help increase the access to and reach of the great variety of outstanding events that OMS was hosting. Especially in the deep-pandemic, when everyone (including myself) was learning how to make the best of things being done entirely online or in a hybrid format, it felt well worth giving a shot to help keep the medievalist community, in Oxford and abroad, in contact with one another in such a way. With this wish, a very modest amount of experience in running Zoom events and editing video, and having attended OMS events in the past, I was granted the opportunity to coordinate events for OMS. However, after two wonderful years, it is time for another person to take the reins.

The role requires overseeing the OMS Teams and YouTube Channels, being responsive by email to any queries about events, setting up Zoom streaming events, coordinating with individuals and institutions (such as TORCH, or the Bodleian Conservators or Centre for the Study of the Book) in both the preparation for and the real-time running of events (mostly hybrid and online, but also in-person), and maintaining open channels of communication before, during, and after events with the organisers and the rest of the OMS Team. For example, for an event such as the Murbach Hymns hybrid webinar (organised by Luise Morawetz), I was involved from the planning stage, helped to gather equipment and test rooms, monitored audio and visual in real-time for virtual presenters and attendees, and facilitated, recorded, edited, and uploaded the evening’s bilingual Singing from the Manuscript session (https://youtu.be/p4zImJl8ppY).

The Events Coordinator really comes down to two things: being organised, and being adaptable. Things will go wrong, but communicating with everyone involved and putting things in place ahead of time can save you when the Wi-Fi fails, when batteries run out, when someone is sick, or when the weather turns. Having an interest in much of the material is a bonus, but any medievalist should have this; and a little knowledge of any medieval or modern languages wouldn’t do any harm either, although this is not at all essential.

I had the privilege of facilitating a wide range of events: conferences, lectures, colloquia, plays, memorials, complines, and launches, all down to the variety of interests of medievalists at Oxford and around the world. One of my personal favourites was Alyssa Steiner’s Ship of Fools multi-manuscript event (https://youtu.be/8g3z6k4CSUg), showcasing surviving versions of the texts in different languages and editions that survive in Oxford, London, and Bamberg. Among the other events I was involved in, it was a real privilege to host Professor William Chester Jordan’s OMS Lecture (https://youtu.be/PWRVIX4B3hE), a memorial for Peter Ganz (https://youtu.be/2rhXw0YQOWk), and another OMS Lecture delivered by the inimitable Dr Jim Harris (https://youtu.be/vKs5wKg2Eh4). I would be remiss not to mention the other huge perk of the job: working with all the wonderful people whose research inspires these events, and alongside the amazing OMS Team (including Nikki from TORCH) who are each as delightful as the last.

I would encourage anyone with a spare couple of hours per week (though often less is required), any knowledge of Zoom and Teams, and a desire to help contribute to the continuing evolution of Oxford Medieval Studies, to throw their hat into the ring.

Tom Revell is a DPhil student in Old English poetry at Balliol College, and a College Lecturer at Keble College. He is also a Research Assistant on the CLASP Project.

Main image credit: Frontispiece of Bible Moralisee, https://commons.wikimedia.org/wiki/File:God_the_Geometer.jpg

Medieval Matters: sigelbeorhte dagas

Trinity Term has ended, and with it, the academic year! Since this is the final Medieval Matters of the year, on behalf of everyone at OMS I would like to take the opportunity to thank everyone who has enabled our many wonderful seminars, reading groups and events this year to happen. The Medievalist community at Oxford is incredibly fortunate to have such a diversity of scholarship and such a wealth of goings-on, and all of your contributions have made this year richer and more enjoyable! Here is some wisdom on doing good things, from Beowulf:

Lofdædum sceal
in mægþa gehwære man geþeon.

[By praiseworthy deeds one shall prosper among peoples everywhere.]

Wherever your summer is taking you, I am sure that your praiseworthy organisation, convening and paper-giving will lead you to prosper! Safe travels to those of you leaving Oxford and congratulations to our Masters students for finishing their studies. Please see below for the roundup of summer events, save the dates, and some important tasks to do:

Important To-Do:

  • For those leaving Oxford/changing college: if you would like to continue to receive Medieval Matters emails, please make sure to sign up with your new email address. You can do it yourself via http://medieval.seh.ox.ac.uk/about/ or contact me. Please also alert any medievalist visitor or new student to this! For postgraduate course convenors: when your incoming students have their Oxford email addresses, please register them for the mailing list or contact me with a list of addresses and I can do this for you.

Summer events:

  • Coffee Morning with Professor William Chester Jordan, 23rd June 10.30-12 noon. The Faculty of History and Oxford Medieval Studies are pleased to invite you to an informal meet and greet coffee morning with William Chester Jordan (Professor of Medieval History, Princeton University) on the occasion of his reception of an honorary degree of the University of Oxford, in the garden of Harris Manchester College (Mansfield Road), or in the Warrington Room in the case of rain. Coffee and croissants will be provided. For catering purposes, please register your attendance if possible: https://forms.gle/AkvPUsX2Ur1hbgTU7
  • Mandeville 700 Conference, 30 June 2022. In 1322, Sir John Mandeville left his native England to travel through Europe, to the pilgrim sites of Jerusalem, and beyond to the Far East, where he served as a mercenary in the Great Khan’s army before returning home 34 years later to write an immensely popular and influential account of his travels. Or not: historical research has been unable to find any John Mandeville who can be firmly identified either as traveller or author, and the book itself was largely adapted from other sources. To mark the 700th anniversary of his supposed departure, this conference will bring together scholars working on one of the most striking and enduring inventions of the late Middle Ages. For further information and to book, please click here.
  •  Medium Ævum Annual Lecture taking place on Saturday, 2 July (4:30-6pm BST): Dr Ryan Perry (University of Kent) will deliver the annual lecture on ‘Middle English Books of Devotion and Liturgical Privatisation in Fifteenth-century England’, as part of the ‘Pfaff at 50’ conference at the University of Nottingham marking 50 years since the publication of Richard W. Pfaff’s ground-breaking New Liturgical Feasts in Later Medieval England. Registration details for in-person and online attendance are available at the following link: https://pfaff50.wordpress.com/keynote/
  • The Oxford Festival of the Arts has a smorgasbord of exciting events of interest to medievalists:
    -The Art of Illumination: makers and users of medieval manuscripts (June 25, Lecture Theatre, Weston Library, 2pm – 4.30pm)
    -Illuminated Manuscript Workshop with Patricia Lovett MBE (June 26, Magdalen College School Studio, 10am – 5pm)
    -Professor Robert Bartlett: The Middle Ages and the Movies (June 27, Festival Marquee, 8pm)
    -Treasures from Around the World at New College Library (July 2, 11am-4pm, Lecture Room 4, New College)
    -British Society of Master Glass Painters Centenary Touring Exhibition (The Chapter House, Christ Church Cathedral (throughout the festival))
    -Dr Janina Ramirez in discussion with Peter Frankopan (July 5, 7.30pm, Festival Marquee, Magdalen College School, Oxford)
    -John Leighfield: Atlases and Maps (July 6, 5pm-7pm, Magdalen College School Studio)
    For full details of these events, and links for booking, please consult our blog here.

Save the Date:

  • Prof. Ardis Butterfield giving the Michaelmas Medieval Studies Lecture: ‘Do we mean lyric or song?’ We’re very pleased to announce that Prof. Ardis Butterfield (Yale) will give the Medieval Studies Lecture in Michaelmas Term, as part of her stay in Oxford as an Astor Visiting Lecturer. She will be here in week 4 of term (31 October to 4 November), taking part in a number of events and seminars and working with students in a number of medieval disciplines, in particular on medieval lyric and song. The lecture itself is planned for Monday 31 October, and its provisional title is ‘Do we mean lyric or song?’.
  • Medieval Mystery Cycle 2023. Following the successful Medieval Mystery Cycle 2.0, plans are underway for the third iteration of what has fast become an Oxford tradition. Please reserve the date of 22 April 2023 (Saturday before Trinity Term) and spread the word! 

Opportunities:

  • Oxford Medieval Commentary Network Second Conference, 29 September 2022: Call for Papers and Sign-up. Proposals are invited for the second conference organised by the Oxford Medieval Commentary Network, following the successful launch of the Network last year. The one-day conference will take place at Christ Church, Oxford, on 29 September 2022. For full details, please see our blog.
  • Graduate Convenor for the Medieval Mystery Cycle 2023: we are looking for a graduate convenor who will take on the mantle of Eleanor Baker in masterminding the operation. Have a look at seh.ox.ac.uk/mystery-cycle for getting a sense of the scope and watching the plays performed in 2019 and 2022. Please send expressions of interest for the Graduate Convenor by 30 June 2022 to Co-Directors Henrike Lähnemann and Lesley Smith under medieval@torch.ox.ac.uk.
  • CFP: Christian Political Cultures in Late Antiquity. We invite papers for a conference (and planned edited volume) on Christian Political Cultures in Late Antiquity. This conference is designed as a pre-publication workshop for a planned edited volume on Christian Political Cultures in Late Antiquity. The deadline for proposals is 30 June 2022. Please send a title and an abstract (no longer than 500 words) to robin.whelan@liverpool.ac.uk. If you have questions, do not hesitate to get in touch with one of the organisers. For full details, click here.
  • CFP: Early Book Society University of Limerick, 11th-15th July 2023: Meaning, Memory, and the Making of Culture: Manuscripts and Books, 1350–1550. The 18th biennial conference of the Early Book Society will be hosted by Carrie Griffin and Eleanor Giraud at the University of Limerick from 11th to 14th July 2023, with an excursion on 15th July. Confirmed keynote speakers include John Thompson, Emeritus Professor, Queen’s University Belfast, and Lisa Fagin Davis, Executive Director, Medieval Academy of America. Planned activities include an early music concert and hands-on use of the university’s printing press. Please mark your calendars.  We invite proposals for 20-minute papers, themed panels (three papers and a chair), roundtables, and 5-minute lightning papers (ideal for work-in-progress updates). Scholars at all levels, including graduate students and early career researchers, are cordially invited to participate. 

Finally: It has been an honour and a delight to be your guide to all things Medieval in Oxford this academic year. Here is my final piece of Old English wisdom for the academic year, taken from the Old English Maxims:

Ræd biþ nyttost,
yfel unnyttost.

Good advice is the most useful, bad the least useful.

I hope that some of this year’s Old English Wisdom has fallen into the former category! I am delighted to be remaining in my role as Comms Officer for 2022-23, so I will be back in your inboxes come September. Until then, I wish you all a productive and restful summer – may you enjoy these ‘sigelbeorhte dagas’ (sun-bright days)!

Medievalists leaving Oxford for the summer encounter some strange adventures…
Merton College, MS 249, f. 7r.
View image and text in the Taylor Edition by Sebastian Dow