15-16 July 2022, Somerville College & Online
in association with Oxford Medieval Studies, sponsored by The Oxford Research Centre in the Humanities (TORCH)
Organisers: Antje Elisa Chan (Lincoln College, Oxford), Godelinde Gertrude Perk (Somerville, Oxford), Raphaela Rohrhofer (Somerville, Oxford), Alicia Smith (English Faculty, Oxford)
This international hybrid conference, held in Somerville College (Oxford) on 15th and 16th July, is the first academic event to focus solely on Julian’s writing, life, contexts, and influence long after her death. Offering thought-provoking panels and roundtables on a range of topics, from anchoritic transformations of the mundane to critical race studies, it maps out new and emerging dimensions in Julian scholarship.
The Somerville College choir will perform anthems based on Julian’s writing; a new play by writer-director Cindy Oswin, exploring the effect of age on the anchorite, will premiere at the conference. The opening lecture will be given by Professor Nicholas Watson (Harvard) with responses from Professor Laura Saetveit Miles (Bergen) and Professor Barry Windeatt (Cambridge). Professor Liz Herbert McAvoy (Swansea) will close the conference.
We particularly encourage graduate students and early-career researchers to attend; lower fees are offered for graduate students, unwaged and low-waged attendees.
To register: https://bit.ly/3vTAu5y
More info: https://visionsofjulian.mml.ox.ac.uk/
Thursday 14th July
18:00-19:00 In-Person Welcoming Performance
New Music for a New Vision
by Dr. Alison Daniell (University of Southampton), Louise Stewart (Multitude of Voyces), and members of Somerville College Choir, dir. Will Dawes
Friday 15th July
09:15 Opening session
Keynote speaker – Nicholas Watson
Julian of Norwich: Witness and Recension
Respondents – Laura Saetveit Miles, Barry Windeatt
11:30 Panel 1
TRANSFIGURING THE MUNDANE
Chair: Elizabeth Robertson
Gillian Adler
Julian of Norwich and Medieval Traversals of Time
Raphaela Rohrhofer
Julian of Norwich on Love and Nothingness
Laura Kalas
Producing Passioun: Reading Pain Generatively in the Revelations of Love
Jo Koster
The Custom of Our Prayer: Establishing the Context of Julian’s Anchoritic Discourse
14:00 Panel 2
MATERIAL AND IMMATERIAL
Chair: Annie Sutherland
Fred Morgan
“But I saw not synne”
Anna-Nadine Pike
“dereworthy blod”, Meditation and Performance in Julian of Norwich’s Revelations of Divine Love and British Library, MS Egerton 1821
Melissa Tu
“These words seyd our Lord”: Virtual Voices in Julian’s Text
Victoria Yuskaitis
Julian of Norwich’s Cell: The Role Archaeology Plays in Strengthening Authenticity and Impact
16:00 Roundtable 1a (at Pusey House)
CREATIVE ENGAGEMENTS WITH JULIAN
Moderator: Antje E. Chan
Max Brumberg-Kraus and Jennifer Awes-Freeman
“Visions of Divine Love”: A Poetic and Visual Response to Julian’s Revelations
Caroline Golum
Creative Engagement with Revelations of Divine Love as Transcendental Cinema
Laura Varnam
Voices in Dialogue: Meeting Julian through Margery in Contemporary Creative Adaptations
16:00 Roundtable 1b (at Pusey House)
JULIAN IN THE COVID ERA
Moderator: Hannah Lucas
Gill Butterworth
An Icon for Such a Time as This: A Pre-UK First Lockdown Anticipatory Consideration of Julian of Norwich and Pandemic Themes
Margaret Healy-Varley
Reading Julian for Resilience
Richard Norton
Julian of Norwich, The Church and Covid-19: A Scholarly and Pastoral Response
17:30 Roundtable 2a (at Pusey House)
PREMODERN CRITICAL RACE STUDIES AND JULIAN OF NORWICH
Moderator: Mishtooni Bose
A conversation between:
Michelle M. Sauer
Dorothy Kim
Bailey Ludwig
Kyle Moore
17:30 Roundtable 2b (at Pusey House)
JULIAN AND MODERN CONTEMPLATIVE PRACTICES
Moderator: Godelinde Gertrude Perk
Carla MacKinnon
When a Woman Sits Alone: A Creative Project Inspired by Julian of Norwich
Emma Pennington
Doorway to Silence: An Analysis of the Use of Julian’s Text by Contemplative Prayer Groups Today
Claire Foster-Gilbert
Contemplating Cancer Cells: A Personal Account of Julian’s Companionship Enduring and Writing about Two and a Half Years of Treatment for Myeloma
Saturday 16th July
09:00 Panel 3
MODERN RESPONSES TO JULIAN
Chair: Alicia Smith
Laura De Gaspari
Divine Motherhood in Julian of Norwich and Spiritual Maternity in Edith Stein
Heather Glover
Beholding as Interpretive Strategy: Julian of Norwich’s Revelations of Divine Love and Christina Rossetti’s The Face of the Deep
Simon Horobin
“A dangerous book”: C.S. Lewis on the Revelations of Julian of Norwich
Nancy Bradley Warren
Julian of Norwich: New Visions of Her Lives and Afterlives
11:00 Panel 4
TEXTUAL INTERVENTIONS
Chair: Laura Saetveit Miles
Samira Lindstedt
Towards a Grammar of Revelation: Editing and Translating Julian’s Revelations
Fumiko Yoshikawa
What Do Scribal Corrections Show in Paris, BNF, Fonds Anglais MS 40?
Brenna Duperron
Editing Community in the Works of Julian of Norwich
13:30 Panel 5
BEYOND THE ANCHORHOLD
Chair: Nicholas Watson
Alexis Becker
Behovely Work
Laurence Bond
“With alle the faith of haly kyrke”: Social Meaning and Dissent in the Writings of Julian of Norwich
David Palko
Moving Beyond Economics with Julian of Norwich
Chase Padusniak
Julian and the Politics of Norwich
15:30 Panel 6
WORKING ON / WITH JULIAN
Chair: Ayoush Lazikani
Juliana Dresvina
Julian of Norwich’s Shewings: A Medieval Failure, An Early Modern Success
Daniel Fishley
The Weakness of A Revelation: Julian of Norwich, John Caputo, and the Questioning Event of Theology
Hannah Lucas
The Good Enough Mystic: Toward a Practical Theory of Julian Scholarship
Melaney Poli
How We got “Saint Julian”: A Short History in Images
17:15 Respondent
Liz Herbert McAvoy
18:15-19:30 Play
A darkly humorous play written and performed by Cindy Oswin
‘Cell’ examines the enclosed life of Julian of Norwich into old age.
20:00-21:30 Closing Dinner