Medieval Matters: Week 6

We are well into term and also into February. I don’t want to be too optimistic, but I think I saw some sunshine in Oxford last week! Brighter days are coming. Of course, all days are bright when they have wisdom in them, so here is some advice for fellow teaching staff this week:

Ergo magistri minuitur auctoritas, si doctrina eius destruitur opere
[The authority of a teacher will be diminished if their teachings are refuted by their own works. Ep. 217]

In other words: those who can do, teach! Of course, what better way to supplement your own works (and by extension, your teaching) with some of our fabulous seminars and reading groups? Let’s lead by example this week:

ANNOUNCEMENTS:

  • The Oxford Centre for Textual Editing and Theory is organising a workshop on ‘Genetic Narratology’ – combining genetic criticism and narrative analysis (23-24 February 2023, Jesus College, Oxford), with Karin Kukkonen as keynote speaker. Please find the preliminary programme and free registration via Eventbrite.
  • Please note that the time and date of The Medieval Italian Seminar has changed: this week’s paper will now take place on Friday at 11.30am at Colin Matthew Room, History Faculty.
  • From the Breast, an interdisciplinary hybrid seminar series and workshop whose central theme revolves around representations of breastfeeding and infant feeding in pre-modern culture will have a seminar relevant to medievalists on Wednesday 22 February, advertised below, but also several other seminars and a workshop on pre-modern breastfeeding more broadly. Please see the Eventbrite here to register for all upcoming events!
  • Valentine’s Day at the Medieval Church and Culture seminar featured a enthralling talk from Dr Federica Gigante, Curator of the Collection from the Islamic World at the History of Science Museum in Oxford.  Federica showed us the many places where Islamic textiles can be found in medieval Christian religious settings – places we’ve all seen, but never realised what we were looking at! If you missed Federica’s talk, please see our blog post here for some of the highlights.
  • Save the date! We will be running another workshop on voice projection and staging for the Medieval Mystery Cycle. This will take place on Monday 6 March (Week 8), 4.30–6pm, in the Pontigny Room at St Edmund Hall. All actors and directors interested in taking part are welcome! Beyond general voice projection exercises, there will also be an opportunity to work out staging constellations on site at St Edmund Hall (as well as an opportunity to enjoy tea and cake). The workshop will be led by Dr Jim Harris, the Mystery Cycle’s Master of Ceremonies and Teaching Curator at the Ashmolean Museum. Please let us know if you’re able to join us by emailing michael.angerer@ccc.ox.ac.uk.
  • CALL FOR TIKTOK PARTICIPANTS As you should know by now, OMS has a new TikTok account, and we want to use it to highlight the work of medievalists at Oxford (and beyond)! https://tiktok.com/@OxMedStud. If you’d be willing to film a short TikTok for us talking about what you’re working on or some interesting aspect of the medieval world, email ashley.castelino@lincoln.ox.ac.uk!

EVENTS THIS WEEK:

Monday 20th February:

  • The Childhood and Youth Studies Network is delighted to announce our first pedagogy session, with a focus on sources for integrating childhood and youth studies into teaching for undergraduate or postgraduate students. This session is run in conjunction with the Centre for the Study of the Book at the Bodleian Library, and is open to teaching staff of all career stages who hold a University or Bodleian Reader card. For full details, see here. Register via Eventbrite for the first session at 11.30-12.30 or the second session at 12.30-1.30, both Horton Room at the Weston Library. 
  • The Byzantine Graduate Seminar takes place at 12.30-2pm online via Zoom. This week’s speaker will be James Duncan (University of Liverpool), Mechanical Dragons and Underground Cults: Quodvultdeus’s Hidden Pagans. To register, please contact the organiser at james.cogbill@worc.ox.ac.uk.
  • The Medieval Latin Manuscript Reading Group led by Matthew Holford and Andrew Dunning is meeting as usual via Teams from 1-2pm continuing with the natural history theme. Sign up for the mailing list to receive updates and the Teams invite, or contact matthew.holford@bodleian.ox.ac.uk or andrew.dunning@bodleian.ox.ac.uk for more information. 
  • The Queer and Trans Medievalisms Reading and Research Group meets at 3pm at Univ College, 12 Merton St Room 2. This week’s theme is Dietrich von der Glezze’s Der Borte. All extremely welcome! To join the mailing list and get texts in advance, or if you have any questions, email rowan.wilson@univ.ox.ac.uk.
  • The Medieval Archaeology Seminar meets at 3pm at the Institute of Archaeology, Lecture Room. This week’s speaker will be Dr Corisande Fenwick, UCL, ‘The transformation of medieval Morocco: State formation and everyday life‘.
  • The Medieval History Seminar takes place at 5pm in the Wharton Room, All Souls College. This week’s speaker will be Erin Dailey (Leicester), and her talk’s title is Domestic Slavery, Sexual Exploitation, and the Transformation of the Late Roman World, AD 300-900 (You may also attend remotely, Teams link here: or log in to Teams with your .ox.ac.uk account and join the group “Medieval History Research Seminar”, team code rmppucs. If you have any difficulties please email: medhistsem@history.ox.ac.uk ). 
  • The Lincoln Leads seminar takes place at 5.30–7pm at Oakeshott Room, Lincoln College. This week’s panel is ‘What is the use of the modern museum?’. Book a free place here: https://www.eventbrite.co.uk/cc/lincoln-leads-2023-1539199

Tuesday 21st February:

  • The Europe in the Later Middle Ages Seminar will take place at 2–3.30pm in the New Seminar Room, St John’s College. Tea and coffee available from 1.45pm. This week’s speaker will be Maria João Branco, Universidade Nova, Lisbon, ‘Status, Service and Function: Revisiting Royal Councillors and Governance in 12th-13th-Century Portugal.
  • The Medieval Church and Culture Seminar meets at 5-6pm in the Charles Wellbeloved Room, Harris Manchester College. Paper starts at 5.15pm, with tea, coffee, biscuits and friendly Medievalist chat from 5pm! This week’s speaker will be Laura Light (Les Enluminures), The Paris Bible: what is it, and why its name matters.
  • The concluding Carlyle Lecture in Medieval Law with Prof. John Hudon (St Andrews) takes place at 5pm in South School, Examination Schools. This lecture reflects on the problems and possibilities of comparative legal history before moving on to the differences and similarities in patterns of England, France, and north Italy in the period c.1160-1270. All are welcome.

Wednesday 22nd February:

  • The Medieval German Graduate Seminar will meet at 11:15am in the island room of Oriel College with Marlene Schilling presenting the personification of Frau Minne and Frau Venus in Heinrich von Neustadt’s Apollonius von Tyrland. If you are interested to come along, contact Henrike Lähnemann, to be added to the teams chat.
  • GLARE (Greek and Latin Reading Group) takes place at 4-5pm at Jesus College. Please meet at Jesus College Lodge. This week’s text will be Thucydides, Peloponnesian War, 6.26.1–27.3. All welcome to attend any and all sessions. For more details and specific readings each week, or to be added to the mailing list, email john.colley@jesus.ox.ac.uk or jenyth.evans@seh.ox.ac.uk.
  • The Medieval Latin Document Reading Group meets on Teams at 4-5pm. We are currently focusing on medieval documents from New College’s archive as part of the cataloguing work being carried out there, so there will be a variety of hands, dates and types. A document is sent out in advance but homework is not expected. Contact Michael Stansfield (michael.stansfield@new.ox.ac.uk) for further details and the Teams link.
  • The Late Antique and Byzantine Seminar takes place at 5pm at the Ioannou Centre for Classical and Byzantine Studies, 66 St Giles. This week’s speaker will be Robert Wizniewski (Univ. of Warsaw), ‘The labourer is worthy of his hire? Clerics and their income in Late Antiquity’.
  • The Medieval English Research Seminar takes place at 5.15pm in Lecture Theatre 2, English Faculty, followed by a drinks reception. This week’s speaker will be Cosima Gillhammer (University of Oxford), ‘For to telle treuly holy writ and schortly and pleynly: The Wycliffite Gospel Commentaries’.
  • From the Breast, an interdisciplinary hybrid seminar series will meet at 6-7pm online. This week’s speakers are Mazi Kuzi, Tel Aviv University, Breastfeeding Culture in Twelfth-Century France, and Anna Packman, University of Birmingham ‘modes meolc’ (‘milk of the mind’): Milk as Metaphor in Old English Literature. Please see the Eventbrite here to register!

Thursday 23rd February:

  • The Oxford Medieval Commentary Network will meet at 12.45-2.15pm in Thatched Barn, Christ Church (by meadow entrance). Free lunch from 12.45, seminar paper begins at 1.15. Today’s speaker will be Miri Rubin, Queen Mary University of London, ‘Nigra sum: What Song of Songs Commentaries Can Tell Us About the Meanings of Blackness’. Please direct all questions to cosima.gillhammer:chch.ox.ac.uk, or visit the website.
  • The Celtic Seminar by Stuart Dunmore (Edinburgh), ‘Language acquisition motivations and identity orientations among Scottish Gaelic diasporas in Nova Scotia and New England‘ has been POSTPONED to 2 November. Please contact david.willis@ling-phil.ox.ac.uk for further info.
  • The Medieval Visual Culture Seminar meets at 5.15pm at St Catherine’s College, Arumugam Building. This week’s speaker will be Jack Hartnell University of East Anglia, ‘Visualising Wombs and Obstetrical Fantasies in Late Medieval Germany‘.

Friday 24th February:

  • The Medieval Coffee Morning meets as usual 10:30am in the Visiting Scholars Centre of the Weston Library with presentation of manuscripts from the collection, this week some manuscripts of the Rigveda, presented by Barbora Sojkova, a graduate trainee librarian at All Souls College (who has also been helping with the Bodleian Sanskrit cataloguing). Watch here the last medieval presentation by Dr Thea Gomelauri on the layout of Hebrew Bibles.
  • The Medieval Italian Seminar will take place at 11.30am at Colin Matthew Room, History Faculty. This week’s speaker will be Trevor Dean (Roehampton): ‘Female killers in late medieval Bologna‘. Please note the change of time and venue!

OPPORTUNITIES:

  • Utrecht University is looking for two researchers (1 PhD candidate and 1 Postdoc) to complete the team of the NWO VIDI project Lettercraft and Epistolary Performance in Early Medieval Europe, 476–751 CE, running from 2023-2027. The PhD candidate (1,0 fte, 4 years, details here) will conduct a case study of the consensus-building powers of lettercraft in the context of Merovingian episcopal successions. The Postdoc (0,8 fte, 2 years, details here) will work together with the project leader, Dr Robert Flierman, to develop and explore two new research tools for the study of lettercraft in early medieval Europe. The application deadline is 12 March. The projects are set to start on 1 July 2023.
  • The History Department at Hamilton College invites applications for a one-year position at the rank of Visiting Assistant Professor, beginning July 1, 2023. We seek candidates to teach courses on Late Antiquity and Early Medieval Histories. Candidates with ABD will be considered, although candidates with a Ph.D. are preferred. The teaching load for this position is five courses. Candidates should submit a cover letter, c.v., and two letters of recommendation via interfolio at http://apply.interfolio.com/121331. Questions regarding the search may be directed to John Eldevik, Search Committee Chair, at jeldevik@hamilton.edu. Our review of applications will begin on March 20, 2023.
  • Two postdoc posts (five years) are now being advertised to work on Professor Helen Fulton’s ERC/UKRI project, ‘The Medieval March of Wales, c. 1282–1550’. Closing date is 16 March. Please circulate widely. Enquiries to helen.fulton@bristol.ac.uk. For full details and to apply, see here.

I began this email by addressing teaching staff, but don’t worry, I haven’t forgotten the students of our community! Some advice on the importance of taking charge of your own learning:

Et si quid minus accepistis, non meae, credo, culpae deputari potest!
[And if anyone didn’t learn sufficiently, I don’t think they can assign the blame to me [the teacher]!, Ep. 34]

May we all learn sufficiently this week, and blame nobody for our lapses! Wishing you a sunny Week 6 full of learning and teaching.

[“Whose fault is it that we didn’t learn enough this week?”]
Ashmole Bestiary, Bodleian Library MS. Ashmole 1511, f. 25 v.
Viewable in full at Digital Bodleian

Workshop: Voice Projection & Staging Medieval Mystery Plays

Monday 6 March 2023 (Week 8), 4.30–6pm, at St Edmund Hall, Pontigny Room

In this workshop, we will be offering voice projection exercises and practical advice for the Medieval Mystery Cycle. All actors and directors interested in taking part are invited to attend! Beyond general exercises, there will also be an opportunity to work out staging constellations on site at St Edmund Hall (as well as an opportunity to enjoy tea and cake).

The workshop will be led by Dr Jim Harris, the Medieval Mystery Cycle’s Master of Ceremonies and Teaching Curator at the Ashmolean Museum. Let us know if you’re able to join us by emailing Michael Angerer, the graduate convenor.

‘Nolumus mutare…’: further reflections

Tuesday 21 February, 5:00pm 

South School, Examination Schools 

This concluding lecture reflects on the problems and possibilities of comparative legal history before moving on to the differences and similarities in patterns of England, France, and north Italy in the period c.1160-1270.

All are welcome.

Link to their page here.

‘Secreted in the interstices of procedure’: actions, ideas, and legal change

Tuesday 14 February, 5:00pm 

South School, Examination Schools 

This lecture explores the ways in which deliberate legal change came to have unintended effects, especially on substantive law. It considers the interplay of legal learning, legal reasoning, and legal change. In so doing, it ponders Sir Henry Maine’s view of substantive law being secreted in the interstices of procedure.

All are welcome.

Link to their page here.

Old Frisian Summer School

Old Frisian: a gem within the Old Germanic languages

9-16 July 2023, University of Oxford, St Edmund Hall

Link to their page here. For anybody interested, watch a lecture by the organiser Dr Johanneke Sytsema johanneke.sytsema@ling-phil.ox.ac.uk:

Introductory Lecture as part of the series Topics in German Historical Linguistics

What is the OFSS about?

Students will learn about Old Frisian language, text corpus, culture and history in the context of Old Germanic languages. Linguistic comparisons will be drawn between Old Frisian and the other (West) Germanic languages. Settlement history of Frisians in Britain, Old Frisian Law and Literature and Old Frisian manuscripts will be discussed in lectures. Library visits will focus on the Old Frisian manuscripts in Oxford. The OFSS will close with a social day in Oxford. The OFSS is about learning to read Old Frisian and to place Old Frisian in a wider linguistic, literary and historical context.

Who is the summer school for?

The summer school is aimed at students, PhD candidates and early career researchers with an interest in (Old) Germanic languages who want to familiarise themselves with Old Frisian.

What will the day programme look like?

There will be two lectures in the mornings and a translation workshop or library visit in the afternoons. The programme will cover the Old Frisian grammar in lectures by experts in the field and in translation workshops. Students will read Old Frisian texts in the afternoon workshops with help of modern handbooks and learn about the Old Frisian text corpus

By the end of the week, students should be able to translate a medium level Old Frisian text with the help of handbooks and have gained a good level of knowledge of the place and importance of Old Frisian within the Old Germanic language family

A visit to the Bodleian Library will enable students to view the Old Frisian manuscripts that are kept at Oxford.

Blog about the 2019 OFSS http://blogs.bodleian.ox.ac.uk/taylorian/2019/09/25/the-first-oxford-groningen-old-frisian-summer-school/

And video report https://www.youtube.com/watch?v=pIkV2PkKf48 (by Fardau Visser)

Confirmed speakers:

  • Prof Andreas Deutsch, Deutsches Rechtswörterbuch, Heidelberg
  • Dr Peter-Alexander Kerkhof, Frisian Academy, Ljouwert/Leeuwarden
  • Prof Simon Horobin, University of Oxford
  • Dr Rafael Pascual, University of Oxford
  • Mr Hilbert Vinkenoog (YouTube channel History with Hilbert)
  • Mr Anne Popkema MA, Groningen University
  • Dr Johanneke Sytsema, University of Oxford

What does it cost?

  • In person fees: £350 (Early bird rate £300 if booked by May 1st)
  • Hybrid fees: £150.00

Fees for in person attendance will include

  • Tuition and workshops
  • Study materials
  • Coffee/tea
  • Daily 3-course lunch
  • Saturday social activities
  • Library visits
  • Conference dinner

Hybrid fees will include access to all streamed lectures and electronic access to the grammar and dictionary during the week.

Accommodation:

Participants can book accommodation in student halls belonging to St Edmund Hall (email address susan.mccarthy@seh.ox.ac.uk first come first served) or find accommodation in another college in Oxford via https://www.universityrooms.com/

For further information about the Summer School please contact: oldfrisian@ling-phil.ox.ac.uk (for all interested) or ofss@rug.nl (for students of Groningen University)

Deadline for registration:

  • 1st May for early birds – (in-person)
  • 31st May for in-person participation
  • 15th June for online attendance.

Register

Please complete the application form and payment details will be sent to you by email.

Registration QR code

Travel and Venue

Heathrow Airport is most convenient for Oxford. The Airline Bus Service to Oxford is frequent and cost-effective.

Directions from the train station

Most lectures and workshops will be held at St Edmund Hall. Information about travel to St Edmund Hall can be found here.

The 54th Spring Symposium of Byzantine Studies: Material Religion in Byzantium and Beyond

17-19 March 2023, Corpus Christi College & All Souls College, Oxford

The 54th Annual Spring Symposium in Byzantine Studies will be held in Oxford on the theme of Material Religion in Byzantium and Beyond. The Symposium brings together Byzantine studies with a series of innovative approaches to the material nature and realities of religion – foregrounding the methodological, historical and archaeological problems of studying religion through visual and material culture. Taking a broad geographical and chronological view of the Byzantine world, the Symposium will range across Afro-Eurasia and from Antiquity to the period after the fall of Constantinople. Sessions will be arranged around the themes of ‘Objects in motion’, ‘Religion in 3D’, ‘Religious landscapes’, ‘Things without context’, ‘Things and their context’ and ‘Spatial approaches to religion’.

Confirmed speakers include: Béatrice Caseau, Paroma Chatterjee, Francesca Dell’Acqua, Ivan Foletti, David Frankfurter, Ildar Garipzanov, Troels M. Kristensen, Anne Lester, Birgit Meyer, Brigitte Pitarakis, Myrto Veikou, and Anne-Marie Yasin.

The Symposium will be hybrid, taking place at Oxford – Corpus Christi College and All Souls College –, and on Zoom.

Fees and registration:

  • In person, for three days: Full: £130; Members of the SPBS: £110; Students/Unwaged: £60.
  • In person, for one day: Full: £65; Members of the SPBS: £55; Students/Unwaged: £30.
  • On-line: Full: £35; Members of the SPBS: £20; Students/Unwaged: £10

For more information, the Symposium programme and registration, please visit the Symposium website here.

Symposiarchs

Jaś Elsner, Ine Jacobs, Julia Smith

Piers Plowman Performance at St Edmund Hall

The Fair Field of Folk. Piers Plowman: A Potted Adaptation of the B Text
When: 11 February 2023, to be repeated partially during the Medieval Mystery Cycle 22 April 2023
Where: St Edmund Hall, Queen’s Lane, OX1 4AR Oxford

Director: Eloise Peniston

Trailer filmed and edited by Natascha Domeisen, music by Alexander Nakarada

Welcome to our mervelous sweven, the Middle English prose B text of Piers Plowman dramatized and brought to stage by an eclectic mix of English students, medievalists, business students, historians, even a mathematician! Starring

  • 😴 Sòlas McDonald as Will the Dreamer
  • 😜 Jonathan Honnor as Piers Plowman/False Tongue
  • ⛪ Clare-Rose McIntyre as Holy Church
  • ✝️ Chantale Davies as Theology/Priest
  • 🤔 Rei Tracks as Conscience
  • 🌾 Alexane Ducheune as Mede’s Handmaid
  • 👑 Kate Harkness as The King
  • 💃 Eloise Peniston as Envy/Lady Mede
  • 💰 Sabrina Coghlan-Jasiewicz as Simony/Pride
  • 😡 Sonny Pickering as Wrath
  • 👩‍⚖️ Zelda Cahill-Patten as Civil Law/Covetousness

With original music by Anna Cowan (harp) and Rachael Seculer-Faber; ceremonial trumpet: Henrike Lähnemann, special advice: Jocelyn Wogan-Browne. Supported by Oxford Medieval Studies and St Edmund Hall 

Video filmed and edited by Natascha Domeisen, cover image by Duncan Taylor

Plot summary

The play follows a man named Will, who falls asleep beside a stream on a May morning in Malvern Hills with a succession of dreams, beginning with a tower on a hill, a dungeon, and a fair field of folk. On his quest for Truth, Will meets a host of allegorical personifications, wandering through the marriage and later trial of Lady Mede, the confession of the Seven Sins, the Crucifixion, and the Harrowing of Hell. In the midst of all, Piers Plowman emerges, taking only momentary repose from his plough to guide Will towards Truth and, rather scandalously, chastise members of the clergy.

Scenes

  1. Introduction from Holy Churche and Mede
    Holy Churche and Mede will explain what to expect from our play.
  2. Prologue
    The bugle breaks through the air, and the dulcet tones of our bard and piper will lead you to a May Morning on Malvern Hills
  3. Holy Churche and Will
    Will searches for Truth, imploring guidance of Holy Churche. Truth is, of course, that one must Do Well, Do Better, and Do Best. 
  4. Lady Mede
    Mede, the incarnation of financial reward, bribery, corruption, arrives. 
  5. Marriage of Mede
    False and Mede attempt to marry but the King requests their presence at the court, as False is not deemed a suitable husband for the noble lady. 
  6. Trial of Mede
    Mede pleads her case, explaining the importance of ‘mede’ or reward in the world at large.
  7. Seven Deadly Sins
    Pride, Lechery, Envy, Wrath, Covetousness, Gluttony, and Sloth come and confess their sins.
  8. Piers Plowman
    Piers Plowman arrives and agrees to show the field of folk where Truth is, if they help him plough his half acre.
  9. Tearing of the Pardon
    Truth sends a pardon for Piers, however it is discovered not to be a real pardon at all. Piers tears it in two and interprets the Latin better than a priest ever could. 

Background

Piers Plowman is an allegorical text that exists in different versions. The A text is the incomplete earliest version, the B text is the most broadly translated and edited, while also being highly scandalous, and the C text is highly censored, notably failing to mention the Peasants Revolt and the Tearing of the Pardon, which our performance presents. 

The B text can be approximately dated to 1388, and has quite the volatile position in history, especially in relation to the peasant’s revolt and heresy. While locked inside Maidstone Castle, John Ball penned his radical Letter to Essex Men, citing Piers Plowman and Robin Hood as comrades in the fight. In short, Piers Plowman is a working class hero, a Billy Bragg if you will, representing the right of common man. The concept of class struggle is deeply entrenched into the text, carrying the relics of the Domesday Book serfdom, to the climbing taxes in the midst of the 100 years war, the dwindling population as the Black Death roamed the country. All of these tensions boiled over on the 30th of May, 1381, as John Bampton arrived in Essex to collect unpaid poll taxes. In consideration of 1990 Poll Tax riots, the UK Miners’ Strikes in 1984, and the recently unveiled Strike Laws, clearly class struggle repeats itself. With a ploughman at the helm, the voice of the working people is vital in the text. With all that in mind, sit back, relax, and enjoy the chaos.  God spede þe plouȝ!

Director’s Story

Read a full version of Eloise Peniston’s reflection on her blog. Elise writes: I first discovered Piers Plowman at a bus stop. I was characteristically lost with a dead phone and only a charity shop book to keep me company. While no one murmured ‘Thou still unravished bride of quietness’, at me, I was acutely aware of being in the presence of the literary as I thumbed through the wind-swept pages. I was intensely confused, which, at the age of fifteen, I supposed was the hidden intention of all literature. With the charmed hand of A. V. C. Schmidt to guide me, I followed Will fallling asleep. I remember after being “found” an hour later how I, rather breathlessly, recounted the events of the B text to my mother as she, mid-flap, chastised me about reckless spontaneity and the need for charged phones.

At that bus stop, I knew that, by the fortuity of an Oxfam find, I had discovered something wonderful, but I had no idea that seven years later, I would be scavenging liripipes and slit-mittens in an attempt to bring this dream-vision to life. Now, I often take that humble copy with me to Malvern Hills, and it is positively crammed with pressed, may-morning flowers. However, little did I know then how deeply entrenched this text was in the public sphere or about the literary and literal rebellions that have emerged beneath the mouldboard.

From the pen of a man who described Piers Plowman as “not worth reading”, Gerard Manley Hopkins perfectly captured the flesh-good of the text:

And features, in flesh, what deed he each must do –
His sinew-service where do.

He leans to it, Harry bends, look. Back, elbow, and liquid waist
In him, all quail to the wallowing o’ the plough: ‘s cheek crimsons; curls
Wag or crossbridle, in a wind lifted, windlaced –
See his wind – lilylocks – laced;
Churlsgrace, too, child of Amansstrength, how it hangs or hurls
Them – broad in bluff hide his frowning feet lashed! raced
With, along them, cragiron under and cold furls –
With-a-fountain’s shining-shot furls.
Harry Ploughman
G. M. Hopkins

This particular poem encapsulates the essence of Piers Plowman: pure inscape, or as Stephen Medcalf calls it, an “extraordinary combination of roughness and a delicate magic.” It is incredibly difficult to describe what happens in Piers Plowman but “churlsgrace” is certainly the perfect descriptor for the essence of the text. A mere ploughman knows the way to Truth and is gracious enough to guide the reader, in return for help in plowing and sowing a half-acre.

Piers Plowman is ultimately a text that encourages mental labour, in a field, at a bus stop, or even in the gardens of St Edmund Hall…

We invite you to toil with us at Teddy Hall. From a tower on toft, a trumpet shall hail the dream, before the gentle plucking of a harp will guide you to sleep. Come and set forth on a dream-pilgrimage, exploring political satire, social upheaval, and spiritual crisis.
We hope to see you soon in the fair field. God spede þe plouȝ!

Piers Plowman poster

Keynote Lecture with Lisa Fagin Davis (Boston, USA): Framing Fragments

When: Monday, 3 April 2023, 5-6.45 pm
Where: Weston Library, Lecture Theatre
Speaker: Dr Lisa Fagin Davis (Medieval Academy of America)
Admission: free, but registration is required

We are delighted to have Lisa Fagin Davis as a keynote speaker. The lecture is part of the workshop ‘Cultures of Use and Reuse. Towards a Terminological and Methodological Framework of Reframing and Recycling‘.

About the Keynote Lecture
Applying the theme of Use and Reuse to the practice of manuscript fragmentation, this lecture will address the material and ontological “framing” of leaves of dismembered manuscripts. Manuscript leaves undergo multiple types of “framing” as they journey from their medieval haptic origins to the digital realm. A parchment leaf begins as the hide on an animal’s skeletal framework, a fleshly origin whose shape is permanently imprinted on the folio. That hide is then stretched on a pergamenter’s frame for scudding and preparation for trimming and writing. The book’s binding is another framelike container that holds the leaf and provides its spatial boundaries. If a manuscript is dismembered, the leaf may find itself contained not in a binding but in a matte, the matte then framed for presentation on a wall. As we move into the digital space, images must be themselves contained in the frame of a viewer. What can we make of these various transformations and the frames that contain and constrain them?

About the Speaker
Lisa Fagin Davis received her Ph.D. in Medieval Studies from Yale University in 1993. She is a paleographer, codicologist, and bibliographer with a particular interest in pre-1600 manuscript fragments and collections in North America. She has served as the supervisor or principal investigator for several digital reconstructions of dismembered manuscripts using shared-canvas viewers and IIIF-compliant images. She has served as Executive Director of the Medieval Academy of America since 2013 and was elected to the Comité international de paléographie latine in 2019.

How to Register for the Event
If you wish to attend the keynote lecture, please register via this link.

Contact Details
For any enquires regarding the event, please contact: JProf. Dr Julia von Ditfurth (julia.von.ditfurth@kunstgeschichte.uni-freiburg.de), Dr Hannah Ryley (hannah.ryley@ell.ox.ac.uk) or Carolin Gluchowski (carolin.gluchowski@new.ox.ac.uk).

This event this generously supported by the Oxford Berlin Research Partnership, New College, Balliol College, the Centre for the Study of the Book, the Ashmolean Museum, and the Bodleian Library. We are delighted to collaborate with Henrike Lähnemann, Alexandra Franklin, Andrew Dunning, and Jim Harris.

Keynote Lecture with Kate Rudy (University of St Andrews, UK): Feature it, or hide it?

When: Thursday, 6 April 2023, 2-3.45 pm 
Where: Weston Library, Lecture Theatre 
Speaker: Prof Kate Rudy (University of St Andrews, UK)
Admission: free, but registration is required 

We are delighted to have Kate Rudy as a keynote speaker. The lecture is part of the workshop ‘Cultures of Use and Reuse. Towards a Terminological and Methodological Framework of Reframing and Recycling‘. 

About the Keynote Lecture 

As Hannah Ryley and others have eloquently discussed in recent articles, medieval book materials—especially parchment—were costly but also durable. These two features of parchment encouraged its reuse.  In this talk I survey objects that undergo a shift in media in the process of being repurposed. Folios become objects, prints become miniatures, texts become images, folios become bindings. I will look in particular at the processes of transformation, considering cases in which the old, fragmented object is put on display, and cases in which the frame between the old and the new is smoothed over and minimalized. The status of the old material determines the length to which a craftsperson will go to either underscore, or minimalize, the disjunction between the repurposed material and its new housing. 

About the Speaker  

Kathryn Rudy (Kate) earned her Ph.D. from Columbia University in Art History, and a Licentiate in Mediaeval Studies from the University of Toronto. Before coming to St. Andrews, she held research, teaching, and curatorial positions in the US, the UK, Canada, The Netherlands, and Belgium. Her research concentrates on the reception and original function of manuscripts, especially those manufactured in the Low Countries, and she has pioneered the use of the densitometer to measure the grime that original readers deposited in their books. She is currently developing ways to track and measure user response of late medieval manuscripts.

How to Register for the Event 
If you wish to attend the keynote lecture, please register via this link

Contact Details 

For any enquires regarding the event, please contact: JProf. Dr Julia von Ditfurth (julia.von.ditfurth@kunstgeschichte.uni-freiburg.de), Dr Hannah Ryley (hannah.ryley@ell.ox.ac.uk) or Carolin Gluchowski (carolin.gluchowski@new.ox.ac.uk). 

This event this generously supported by the Oxford Berlin Research Partnership, New College, Balliol College, the Centre for the Study of the Book, the Ashmolean Museum, and the Bodleian Library. We are delighted to collaborate with Henrike Lähnemann, Alexandra Franklin, Andrew Dunning, and Jim Harris.

Working Group on Race & Gender in the Global Middle Ages

Emory University and the Medieval Academy of America are pleased to announce the launch of a Zoom working group on Race & Gender in the Global Middle Ages. The aim is to bring together scholars from various disciplines (history, art history, and literary studies) who work on Europe and the Mediterranean, the Islamic world, Africa, and Asia to discuss works-in-progress that deal with race and gender from 500 CE to 1600 CE. The working group is open to all medievalists, including graduate students.To participate in the working group, please register at https://scholarblogs.emory.edu/raceandgenderglobalmiddleages/

Spring 2023 schedule of meetings:

February 17 at 12pm-1:30pm EST
Angela Zhang, Postdoctoral Fellow, Harvard University “Charity and Slavery: Childcare and Race in the Ospedale degli Innocenti in Premodern Florence”

March 24 12pm-1:30pm EST (9am Pacific time)
Roland Betancourt, Professor of Art History, University of California, Irvine”The Case of Manuel I Komnenos: Articulating Identity through Gender, Sexuality, and Racialization”

April 28 at 12pm-1:30pm EST
Nicole Lopez-Jantzen, Associate Professor of History, CUNY: Borough of Manhattan Community College and Graduate Center”Shifting Concepts of Race: Italy through the Earlier Middle Ages”

May 19 at 12pm-1:30pm EST 
Sierra Lomuto, Assistant Professor of English, Rowan University “Mongols in Medieval Europe: Exoticism and the Legend of Prester John”

June 9 at 12pm-1:30pm EST
Alexa Herlands, Ph.D. Candidate, University of Chicago”Juan Martínez Silíceo as Historian: Toledo’s 1547 Blood Purity Statute Revisited”