The Guild of Medievalist Makers

In April 2025, the Guild of Medievalist Makers was launched, co-founded by Eleanor Baker, Kristen Haas Curtis, and Laura Varnam. The Guild was the grateful recipient of an Oxford Medieval Studies Small Grant in Trinity Term 2025 to support the launch of their website and to assist with publicity materials for their first two conference appearances this summer. In this blogpost, Oxford co-founders Eleanor Baker and Laura Varnam introduce the Guild and its activities.

The Guild of Medievalist Makers is a newly formed organisation for academic and academic-adjacent creatives and makers dedicated to furthering creative-critical practice in the humanities and making space for creative play.

The Guild’s founders are medievalists who make: Eleanor Baker is a linocut artist (who produced the cord in our Guild logo, more on that below!), Kristen Haas Curtis is a cartoonist and creative writer, and Laura Varnam is a poet. We founded the Guild in order to connect with other creative medievalists, to foster future collaborations, and to promote the burgeoning field of creative criticism in the humanities.

Our mission statement is embodied by the acronym CORD: Community, Outreach, Recognition, Development. Our website fosters Community by providing a dedicated and accessible online space for medievalist creatives to find each other and for academics who might be looking for creative partners to get in touch with us.

  • Finally, we support the Development of members’ creative-critical skills by running online and in person events, including co-working events and workshops, as well as maintaining an online bibliography of resources and scholarship.

This summer, co-founder Laura Varnam represented the Guild at two important conferences in Medieval Studies: the Middle Ages in the Modern World at King’s College, London (https://themamo.org/) and the Gender and Medieval Studies conference at Christ Church Canterbury (https://medievalgender.co.uk/2025-canterbury/)

Laura Varnam at the Guild stall at MAMO

At MAMO, Laura ran a stall advertising the Guild and she had chats with lots of delegates about their creative-critical work in medievalism. We’re very grateful to everyone who subsequently signed up to join the Guild at MAMO! (Our sign-up page is here: https://www.guildmedmak.com/join-the-guild)

Bunting (designed by Eleanor Baker), postcards, and Kristen’s Nun’s Priest’s Tale cartoon (https://hellomizk.com/comics/the-nuns-priests-tale/)  at the MAMO Guild stall

At the Gender & Medieval Studies conference, Laura also shared our newly printed Guild postcards and pin badges, and she advertised the Guild to delegates.

If you’d like to join the Guild please visit our website. And we’re very grateful once again to OMS for their financial assistance in launching the Guild!

Manuscripts by Numbers

Using Data to find Interesting Manuscripts in the Bodleian’s Medieval Catalogue

On Friday 25th July 2025, the Bodleian Coffee Morning presentation was given by Matthew Holford and Sebastian Dows-Miller, who are working on a project on the Bodleian’s western medieval manuscript catalogue data.

The purpose of the project, funded by Digital Scholarship @ Oxford, is to open up the library’s TEI catalogues for use by students and non-digital scholars by extracting the data into spreadsheets, which allow cross-comparison of over 11,000 medieval manuscripts held in Oxford’s collections.

Being able to compare manuscripts by details like their size and layout means that we can identify particularly interesting outlier manuscripts, and that was the topic of this presentation. Those present were treated to an introduction to:

  • MS. Lat. th. b. 4: the manuscript with the most lines per page (105+).
  • MS. Canon. Liturg. 28: the manuscript with the thinnest binding (9mm).
  • MS. Rawl. G. 26: one of just 4 manuscripts in the catalogue recorded as having 5 columns per page.
  • MS. Auct. F. 2. 6: the narrowest manuscript in the catalogue (that is, the one with the lowest ratio of leaf width to leaf height).
  • Canon Class. Lat. 84: one of the manuscripts in the catalogue with the biggest margins (that is, the lowest ratio of text to blank page).
  • MS. Bodl. 787 (endleaves): the manuscript unit with the greatest average height between lines.

If you’re interested, you can download the raw data by clicking here.

Watch the full recording of the talk below! The slides shown are included beneath the video.

View the Slides below:

Ars Inquirendi – Querying the Pre-Modern in the Age of Large Multimodal Models

Online / Oxford / Stockholm, 4-7 December 2025

The advent of Large Multimodal Models such as ChatGPT, Claude and Gemini – humanly conversant but also unpredictable assimilations of collective learning and experience – has opened a remarkable new era in pre-modern studies. How will LMMs transform our understanding of the pre-modern as they re-interpret the sum of its materials – from manuscripts, music, runes, and myriad other artefacts, to existing metadata and the very history of inquiry into the period?


Ars Inquirendi, a multi-day joint conference to be held on 4-7 December 2025 (online, with in-person workshops in Stockholm and Oxford)


invites demonstrations of all aspects of the nascent art of using LMMs to query the pre-modern – by which we mean, broadly, any Old World cultures before their domination by movable-type print – from pre-modernists already using LMMs, and computer scientists building them, to philosophers and historians of knowledge.

Possible Topics

Nuts and bolts of LMMs. What are the steps for non-technical scholars wanting to incorporate these powerful tools into their active research? We especially encourage the sharing of experience with the crafting of LMM queries (‘prompt engineering’), research corpus customisation, and the integration of different technologies to form a research system. The practical, hands-on workshops accompanying the conference will further support scholars new to these tools.

The darkness of the pre-modern archive. Unlike post-print cultures, the overwhelming output of pre-modern scribal cultures remains unscanned, and thus directly inaccessible to LMMs; moreover, machine learning has to date proven unable to transcribe images of manuscripts en masse, and scholarly editions remain trapped behind paywalls. How do these gaps impact LMMs’ utility for pre-modern studies? Are these tools nonetheless becoming capable of direct transcription? Which materials should be prioritised for digitisation? How might published scholarship be made more accessible to LMMs?

Confabulation, simulation, and history. LMMs are already notorious for their hallucinations (or rather ‘confabulations’ as Geoffrey Hinton tells us). Is this aspect of LMMs a danger to knowledge of the pre-modern, especially if LMMs crowd out other modes of inquiry? Is it a gateway to new forms of understanding the past, from simulation of periods, personalities and experiences, to the kind of hyper-comparative Game (‘Glasperlenspiel’) imagined by Hermann Hesse?

The transferrable value of pre-modern Humanities in an LMM-driven era. LMMs consume and are accessed through human narrative and symbolism; we already know that the greater a user’s prowess at narrative, the richer the results. Indeed such discourse has become a psychoanalytic Royal Road into the interiority of LLMs, which is otherwise largely opaque to investigation. What does this new centrality of narrative and symbolic expertise mean for the value of Humanities subjects, in their own right and relative to STEM subjects, in our cultural, economic and technological future?

Presentations for the online conference are to be around 40 minutes in length and pre-recorded. They will be made available via the Oxford Medieval Studies website several days ahead of the live sessions, which will run from 2pm to 6pm GMT, and will be dedicated to related discussion and round-table exchanges. The practical workshops are to be conducted in person at Stockholm and Oxford, to provide hands-on training and direct experience with LMMs and related technologies.
Please email proposals by 30 September 2025 to Dr Stephen Pink at arsinquirendi@gmail.com

A Case for Cycling in Oxford

Navigating Oxford as a Medieval Research Student

Irene Van Eldere is a PhD candidate within the ERC-project ‘Pages of Prayer’ at Leiden University. As part of her research on early Middle Dutch Books of Hours, she spent two terms at the University of Oxford.  

In the first week of my five-month research stay at the University of Oxford, I relied on the bus. Living in Iffley (about a 40-minute walk from the city centre), the bus kept me warm and dry as I settled into a new environment. Yet I began to notice something curious: the cyclists the bus passed on the way often arrived in the city centre at the same time as we did. 

Before arriving in Oxford, I had, like any well-prepared PhD student, consulted the extensive (and mostly tourist-oriented) literature on the city. Jan Morris’s classic Oxford informed me that “every sensible Victorian undergraduate […] roamed the hills on his bicycle” (p. 107). Not willing to fall short of my historical predecessors, I took this to heart. My host Henrike Lähnemann had already sent me a link to a local bike rental service, and so I rented a bicycle. That decision had a significant impact on my entire stay: it offered not only convenience, but also a sense of independence.

Coming from the Netherlands, I was accustomed to wide cycle lanes and a national culture shaped around cycling. Oxford, by contrast, initially felt chaotic: buses and taxis raced past with alarming proximity, and learning how to navigate The Plain roundabout filled me with dread. However, once I had overcome those early hurdles, I discovered the joy of seeing Oxford from the saddle of a bike. From the window of a bus, the famous spires had been hidden: I knew the separate buildings, not the cityscape as a whole. Now, speeding beneath Magdalen tower, I could crane my head upwards and admire them fully. 

A rare quiet moment on New College Lane

The trick to cycling in the city centre is to avoid the hustle and bustle of the High Street. From my side of town, the winding and narrow Queens Lane offered a terrific option. I would coast by the college I was affiliated with, St Edmund Hall, hear the music practice coming from The Queen’s College buildings, and finally weave around slow-moving tourists under the Bridge of Sighs, often finding myself accidentally immortalised in the background of ten different holiday snapshots. But by the end of that short stretch, I would be exactly where every medieval researcher wants to be: the library. It is there that I would thus advise you to park your bicycle: who knows, perhaps you too will discover that one manuscript which could change the course of your PhD trajectory for the better?

Presenting on manuscripts from the Bodleian Library in the Medieval Women’s Writing Research Group

You may want to escape the academic Oxford bubble for a short while. With a bike, you could reach places that remind you that medieval or early modern Oxford is not only found in its extensive library collections, but also in the surrounding countryside. You could take the Thames path to Iffley Church, with its unique Romanesque carvings, or visit the ruins of Godstow Abbey. With a sturdy bike, you could venture further, towards Blenheim Palace or the rolling hills beyond. Cycling does not only enhance your view of Oxfords medieval architecture, most of all it saves time – and everyone who has ever studied or conducted research at Oxford knows that time is the most precious commodity. For example, during Hilary Term, there were not one, but four palaeography seminars taking place, each with its own specific focus. Why wait for a bus (connection) when you could spend that time preparing a presentation on the emergence of the vernacular Book of Hours in the Low Countries or rehearsing your lines for your upcoming performance in the Medieval Mystery Cycle?

A snapshot of our performance of the Annunciation in Middle Dutch during the Oxford Medieval Mystery Plays

There are more practical advantages. Oxford is not a cheap city. Between accommodation costs, the many bookshops, and the college events, expenses can add up quickly. While you might save on lunch money because very kind-hearted peers will invite you for lunch in their colleges, renting a cheap bike still helps stretch your budget a little further.

My neglected Dutch bike upon my return: a reminder to store your bicycle properly!

Finally, there are the unexpected perks of owning a bike in Oxford. You will have the ability to stay a bit higher up than the foxes that roam the quieter suburban streets at dusk. They are, of course, more afraid of you than you are of them, but being able to speed away quickly is a reassuring feeling. And for the Oxford residents with a competitive spirit: Cambridge consistently reports higher cycling rates than Oxford (see, for example, this article in the Oxford Mail). You could help to settle the score!

Naturally, I understand that not everyone is comfortable on a bicycle. In hindsight, I realise it was perhaps only fitting that I would rent one. Working on Books of Hours and the cycles of (para)liturgical time, is it not apt that I would embrace the literal cycle as well?