Medieval Matters: Summer Vacation Notices

A quick update in the middle of the summer break with a few notices which cannot wait for the start of term.

  1. A very warm welcome to Elizabeth Crabtree, our new Social Media Officer. Read a short blogpost about her interests, and contact her for any news you would like to see spread via the numerous social media channels which OMS operates.
  2. Apply by 12 September to take part in one of the numerous language classes offered by the Oxford Centre for Hebrew and Jewish Studies this Michaelmas for rare Jewish languages (OSRJL).
  3. Attend on 12 September a conference in honour of Peggy Brown (in-person at UPenn or via Zoom). The event will also mark the official launch of the Elizabeth A. R. Brown Medieval Historians’ archive, a new initiative at Penn Libraries to collect the professional papers of scholars of the Middle Ages and of associated professional organizations.
  4. Visit the exhibition Sing Joyfully: Exploring Music in Lambeth Palace Library which runs until 6 November to mark the 500th birthday of the ‘Arundel’ or ‘Lambeth’ Choirbook (Arundel, Sussex, c. 1525) and attend upcoming concerts on 20 and 25 September.
  5. As part of two Germanist conferences beginning of September, there will be a new exhibition ‘German in the World’ at the Taylor Institution Library including a case on the ‘Nibelungenlied’, and a couple of public events, see the conference programmes for the Association for German Studies and the Anglo-German Colloquium.
  6. Apply by 3 November for a two-year postdoc position, the John W. Baldwin Post-Doctoral Fellowship at UCLA CMRS Center for Early Global Studies.
  7. The Latin Hymn as Scriptural Exegesis – from Late Antiquity to the Middle Ages. 25–26 September 2025, Ioannou Centre for Classical & Byzantine Studies, 66 St Giles’, Oxford, OX1 3LU. Registration is free but compulsory. The Latin hymnic tradition is one that spans over a millennium from Late Antiquity through the Middle Ages to the Reformation (and beyond). In that period, there are aspects of it that have remained in many ways stable and enduring, but individual and local contexts and usages at various junctures in its long-lived history have required it to change and to adapt. The corpus also represents a group of texts that would, in many cases, have been very well known beyond the narrow confines of the intellectual and social elite who operated at the highest levels of Latinity and – even if largely penned by incredibly adept Latinists – had a much wider reach than many other Latin texts because of the performed nature of hymns. The relationship of hymns to other exegetical traditions and to the liturgical and para-liturgical contexts in which they were used is also noteworthy.
  8. Call for Papers for Ars Inquirendi, a multi-day joint conference to be held on 4-7 December 2025 (online, with in-person workshops in Stockholm and Oxford), invites demonstrations of all aspects of the nascent art of using LMMs to query the pre-modern – by which we mean, broadly, any Old World cultures before their domination by movable-type print – from pre-modernists already using LMMs, and computer scientists building them, to philosophers and historians of knowledge. Submissions deadline of 30th September. https://medieval.ox.ac.uk/ars-inquirendi-querying-cfp/
  9. Presenting the Guild of Medievalist Makers, co-founded by Eleanor Baker, Kristen Haas Curtis, and Laura Varnam. The Guild was the recipient of an Oxford Medieval Studies Small Grant in Trinity Term 2025 to support the launch of their website and to assist with publicity materials for their first two conference appearances this summer. In this blogpost, Oxford co-founders Eleanor Baker and Laura Varnam introduce the Guild and its activities.
  10. Researcher position: ‘A Quiet Revolution’: Exploring West Horsley Place’s Pre-Modern Landscape. The West Horsley Place Trust has recently received a National Lottery Heritage Fund award for a project titled ‘A Quiet Revolution’, for which they are partnering with the University of Oxford to understand more about the site and its history. We are looking for a skilled and motivated researcher to conduct 239 hours (approximately 30 days) of research on the pre-modern landscape of West Horsley and its historical communities. The role combines desk-based and on-site archival research to produce high-quality outputs in support of a collaborative heritage project. If you are a late stage doctoral or postdoctoral researcher with expertise in medieval and/or early modern landscape history and an interest in working with or in the heritage sector, we’d love to hear from you. More details on how to apply. Deadline: Friday 19th September 2025. Prospective applicants are welcome to direct informal enquiries about the opportunity to Dr Rachel Delman, Heritage Partnerships Coordinator in the Humanities Division (Rachel.delman@humanities.ox.ac.uk
  11. Call for Leeds panel on Writing the Past and Shaping the Future in Thirteenth-Century Norway. In this session we invite papers which address any aspect of the political, legal, cultural, and literary life of the Norwegian court in the thirteenth century. We particularly welcome inter-disciplinary approaches which highlight the intersection of historical and literary trends shaping the political and milieu of the thirteenth century Norwegian court. Please submit an abstract of no more than 250 words by Friday 19 September and a brief biography to both Jonas Zeit-Altpeter and Mary Catherine O’Connor.

I hope you have a good summer and remember that it is never too early to send seminar or event announcements to Tristan Alphey under the Oxford Medieval Studies email!

The Guild of Medievalist Makers

In April 2025, the Guild of Medievalist Makers was launched, co-founded by Eleanor Baker, Kristen Haas Curtis, and Laura Varnam. The Guild was the grateful recipient of an Oxford Medieval Studies Small Grant in Trinity Term 2025 to support the launch of their website and to assist with publicity materials for their first two conference appearances this summer. In this blogpost, Oxford co-founders Eleanor Baker and Laura Varnam introduce the Guild and its activities.

The Guild of Medievalist Makers is a newly formed organisation for academic and academic-adjacent creatives and makers dedicated to furthering creative-critical practice in the humanities and making space for creative play.

The Guild’s founders are medievalists who make: Eleanor Baker is a linocut artist (who produced the cord in our Guild logo, more on that below!), Kristen Haas Curtis is a cartoonist and creative writer, and Laura Varnam is a poet. We founded the Guild in order to connect with other creative medievalists, to foster future collaborations, and to promote the burgeoning field of creative criticism in the humanities.

Our mission statement is embodied by the acronym CORD: Community, Outreach, Recognition, Development. Our website fosters Community by providing a dedicated and accessible online space for medievalist creatives to find each other and for academics who might be looking for creative partners to get in touch with us.

  • Finally, we support the Development of members’ creative-critical skills by running online and in person events, including co-working events and workshops, as well as maintaining an online bibliography of resources and scholarship.

This summer, co-founder Laura Varnam represented the Guild at two important conferences in Medieval Studies: the Middle Ages in the Modern World at King’s College, London (https://themamo.org/) and the Gender and Medieval Studies conference at Christ Church Canterbury (https://medievalgender.co.uk/2025-canterbury/)

Laura Varnam at the Guild stall at MAMO

At MAMO, Laura ran a stall advertising the Guild and she had chats with lots of delegates about their creative-critical work in medievalism. We’re very grateful to everyone who subsequently signed up to join the Guild at MAMO! (Our sign-up page is here: https://www.guildmedmak.com/join-the-guild)

Bunting (designed by Eleanor Baker), postcards, and Kristen’s Nun’s Priest’s Tale cartoon (https://hellomizk.com/comics/the-nuns-priests-tale/)  at the MAMO Guild stall

At the Gender & Medieval Studies conference, Laura also shared our newly printed Guild postcards and pin badges, and she advertised the Guild to delegates.

If you’d like to join the Guild please visit our website. And we’re very grateful once again to OMS for their financial assistance in launching the Guild!

A Case for Cycling in Oxford

Navigating Oxford as a Medieval Research Student

Irene Van Eldere is a PhD candidate within the ERC-project ‘Pages of Prayer’ at Leiden University. As part of her research on early Middle Dutch Books of Hours, she spent two terms at the University of Oxford.  

In the first week of my five-month research stay at the University of Oxford, I relied on the bus. Living in Iffley (about a 40-minute walk from the city centre), the bus kept me warm and dry as I settled into a new environment. Yet I began to notice something curious: the cyclists the bus passed on the way often arrived in the city centre at the same time as we did. 

Before arriving in Oxford, I had, like any well-prepared PhD student, consulted the extensive (and mostly tourist-oriented) literature on the city. Jan Morris’s classic Oxford informed me that “every sensible Victorian undergraduate […] roamed the hills on his bicycle” (p. 107). Not willing to fall short of my historical predecessors, I took this to heart. My host Henrike Lähnemann had already sent me a link to a local bike rental service, and so I rented a bicycle. That decision had a significant impact on my entire stay: it offered not only convenience, but also a sense of independence.

Coming from the Netherlands, I was accustomed to wide cycle lanes and a national culture shaped around cycling. Oxford, by contrast, initially felt chaotic: buses and taxis raced past with alarming proximity, and learning how to navigate The Plain roundabout filled me with dread. However, once I had overcome those early hurdles, I discovered the joy of seeing Oxford from the saddle of a bike. From the window of a bus, the famous spires had been hidden: I knew the separate buildings, not the cityscape as a whole. Now, speeding beneath Magdalen tower, I could crane my head upwards and admire them fully. 

A rare quiet moment on New College Lane

The trick to cycling in the city centre is to avoid the hustle and bustle of the High Street. From my side of town, the winding and narrow Queens Lane offered a terrific option. I would coast by the college I was affiliated with, St Edmund Hall, hear the music practice coming from The Queen’s College buildings, and finally weave around slow-moving tourists under the Bridge of Sighs, often finding myself accidentally immortalised in the background of ten different holiday snapshots. But by the end of that short stretch, I would be exactly where every medieval researcher wants to be: the library. It is there that I would thus advise you to park your bicycle: who knows, perhaps you too will discover that one manuscript which could change the course of your PhD trajectory for the better?

Presenting on manuscripts from the Bodleian Library in the Medieval Women’s Writing Research Group

You may want to escape the academic Oxford bubble for a short while. With a bike, you could reach places that remind you that medieval or early modern Oxford is not only found in its extensive library collections, but also in the surrounding countryside. You could take the Thames path to Iffley Church, with its unique Romanesque carvings, or visit the ruins of Godstow Abbey. With a sturdy bike, you could venture further, towards Blenheim Palace or the rolling hills beyond. Cycling does not only enhance your view of Oxfords medieval architecture, most of all it saves time – and everyone who has ever studied or conducted research at Oxford knows that time is the most precious commodity. For example, during Hilary Term, there were not one, but four palaeography seminars taking place, each with its own specific focus. Why wait for a bus (connection) when you could spend that time preparing a presentation on the emergence of the vernacular Book of Hours in the Low Countries or rehearsing your lines for your upcoming performance in the Medieval Mystery Cycle?

A snapshot of our performance of the Annunciation in Middle Dutch during the Oxford Medieval Mystery Plays

There are more practical advantages. Oxford is not a cheap city. Between accommodation costs, the many bookshops, and the college events, expenses can add up quickly. While you might save on lunch money because very kind-hearted peers will invite you for lunch in their colleges, renting a cheap bike still helps stretch your budget a little further.

My neglected Dutch bike upon my return: a reminder to store your bicycle properly!

Finally, there are the unexpected perks of owning a bike in Oxford. You will have the ability to stay a bit higher up than the foxes that roam the quieter suburban streets at dusk. They are, of course, more afraid of you than you are of them, but being able to speed away quickly is a reassuring feeling. And for the Oxford residents with a competitive spirit: Cambridge consistently reports higher cycling rates than Oxford (see, for example, this article in the Oxford Mail). You could help to settle the score!

Naturally, I understand that not everyone is comfortable on a bicycle. In hindsight, I realise it was perhaps only fitting that I would rent one. Working on Books of Hours and the cycles of (para)liturgical time, is it not apt that I would embrace the literal cycle as well?

Medieval Matters, The Long Vac

Dear all,

Weekly emails will stop over the long vac, but it is worth drawing to your attention a number of opportunities that take place before term starts up again. It is never too early to send in events for the booklet and / or the calendar – we will keep posting events on the OMS calendar as soon as you send them in.

Two more things OMS is looking for:
1) We are still seeking information on your publications for the production of an impact document – please send information of any monographs/edited volumes etc with a short blurb to this email address ASAP.
2) The social media officer position is still vacant – we know that Ashley Castelino is a hard act to follow (see his report here) but he is prepared to help whoever is taking over to learn the trade secrets.

Last week saw the premiere of the filmed version of the Oxford Medieval Mystery Play – thank you to all of you who watched along online! The entire collection is available on our Youtube channel here, where each individual play can also be found.

IMC Leeds 2026 has opened its Call for Papers. Following the death of Twitter, it can be hard to circulate CfPs – if you are organising an event for this, please send me information ASAP, and I will try and make sure that these are all circulated as a group. Medievalists Coffee Mornings continue throughout the term break, only stopping in August.

Events

  • 26th June, 6:30pm. Oxford University Heraldry Society online lecture on ‘The King’s Esquire. The life of Robert Waterton ( c.1365-1425 ) in its heraldic context’. Zoom link here.
  • 1st July, 5.15pm-6.15pm. ‘Invisible Treasures’ film screening and panel discussion. More information, and free tickets, here.

Opportunities

  • Three-year postdoc research fellowship in Göttingen in Early Medieval Manuscript Studies and Germanic Philology, on the ERC INSULAR project. More information here.
  • CfP for ‘Borders, Boundaries and Barriers: Real and Imagined in the Middle Ages’, a conference held at Oxford 20th-21st April 2026. More information here.

‘Art of the Book’ Exhibition at New College, Oxford

Friday 13 June 2025, 12 noon–5PM
Lecture Room 4, New College, Oxford

New College Library is pleased to announce our exhibition for Trinity Term!

Clockwise: New College Library, Oxford, BT3.275.1, MS 281, MS 369

In ‘Art of the Book’, we explore the beauty of all things bibliographical through our wonderful special collections—from the medieval period to the present day. Expect fabulous illumination, exquisite illustrations, beautiful bindings, and some outstanding private press works.

The items will be on display in Lecture Room 4 in New College on 13 June, between 12pm and 5pm. For those unfamiliar with New College, just head to the Porters’ Lodge (located halfway down Holywell Street). There will be signs to direct visitors to the exhibition.

The exhibition is free and open to all, so please do spread the word . . .

Film Launch Medieval Mystery Plays 2025

Watch the release of the films of the Mystery Plays and celebrate the end of the academic year with Oxford Medieval Studies! Since OMS was just awarded a prize for the Mystery Plays from the ‘Engagement with Research’ fund, there will be liberal quantities of drinks (including the famous Tiddly Pommes applejuice) and nibbles as well as discussions on how to continue the dramatic adventures in the future. Do come along to have your say whether, when, and how to stage the next Mystery Cycle!

When? Thursday, 19 June 2025, 4.30-6pm
Where? Farmingdon Institute, Harris Manchester College

Film premiere will start on 19 June 2025, 4:45pm. Join us from anywhere in the world to comment live on the premiere!

16:45 – Opening
16:48 – The Fall of the Angels
17:00 – Adam and Eve
17:21 – The Flood
17:42 – Abraham and Isaac
17:58 – The Annunciation
18:06 – The Nativity
18:32 – The Wedding at Cana
18:47 – The Crucifixion
19:02 – The Lamentation & The Harrowing of Hell 1
19:17 – The Harrowing of Hell 2
19:20 – The Resurrection
19:42 – The Martyrdom of the Three Holy Virgins
20:07 – The Last Judgement

Read a report on the 2025 Medieval Mystery Cycle. After the film launch, all plays will be accessible via the Oxford Medieval Studies youtube channel as one film and individually!

Header image: Ben Arthur capturing the Passion of the Holy Virgins, the penultimate play in the Mystery Cycle

Medieval Matters TT25, Week 1

Let us begin by toasting the great success that was the Medieval Mystery Plays! I’m sure you will all join me in thanking the great host of people that made the day possible, not least of all the many actors, musicians, directors, and props-people who put on such a spectacle. Particular thanks must go to the organisers – Antonia and Sarah – and, of course, the wonderful Henrike. A full report of the day will be available soon on the OMS blog, so watch this space.

Week One of Trinity term brings a full list of events for you all to enjoy. The full Medieval Studies booklet is available here and always updated on the Oxford Medieval Studies blog – to which you are all invited to contribute! A special call-out to current Oxford Graduate students: please see the opportunities at the end of the booklet for a) the role of Social Media Officer (deadline Friday of week 2 – read the blogpost by our outgoing Social Media Officer Ashley Castelino about what the role entails) and b) for Small Grants (deadline Friday of week 4).

Monday

  • French Palaeography Manuscript Reading Group – 10:30 pm in the Weston Library.
  • Medieval History Seminar – 5pm at All Souls College. Graeme Ward (Tübingen) will be speaking on ‘Biography, Textual Authority, and the Transformation of the Carolingian World’.

Tuesday

  • Medieval English Research Seminar – 12.15 in the English Faculty. Helen Appleton (Oxford) will be speaking on ‘Salvation and the Land in the Old English Andreas’.
  • The Latin Palaeography Reading Group meets 2-3.30pm. Please email Laure Miolo for more information.
  • Medieval Church and Culture –  5pm in the Wellbeloved Room. This week is the MMC Social – everyone welcome to meet old friends and make new ones.
  • Medieval French Research Seminar – 5pm in the Maison française d’Oxford. Tina Montenegro (Boston College) will be speaking on ‘vategories of Knowledge: from Rhetoric to Theology through Brunetto Latini’s Tresor’

Wednesday

  • Medieval German Graduate Seminar – 11.15am in Oriel College, Harris Lecture Theatre. The first week will be a shortish planning meeting. The topic for this term are ‘Alexanderroman’. If you are interested to be added to the teams group for updates, please contact Henrike Lähnemann.
  • The ‘science of the stars’ in context: an introduction to medieval astronomical and astrological manuscripts and texts – 2pm in the Horton Room (Weston Library). Session 1: Introduction to the relationship between astronomy and astrology from Late Antiquity to the Renaissance.
  • Medieval Latin Document Reading Group – 4pmonline, please contact Michael Stansfield.
  • Late Antique and Byzantine Seminar – 5pm in the Ioannou Centre.
  • Medieval Society and Landscape Seminar Series – 5pm in the Department for Continuing Education. Chris Dyer (University of Leicester) will be speaking on ‘Winchcombe Abbey and 2,000 Peasants: Documenting a Crisis, 1340-1381’. Book here.
  • Oxford Centre of Islamic Studies Seminar – 5pm in the Oxford Centre of Islamic Studies. Professor Sevket Pamuk (Bogaziçi University) will be speaking on ‘Political Economy and Economic Institutions of the Ottoman Empire in Comparative Perspective’.

Thursday

  • Environmental History Working Group – 12:30 in the Colin Matthew Room, History Faculty. Thomas Laskowski (MPhil Islamic Studies and History) will be speaking on ‘Writing the Environmental History of the Medieval Islamic East’.
  • Middle English Reading Group (MERG) – 2pm in the Beckington Room (Lincoln College). Join us to read the ‘double sorwe’ of Troilus and Criseyde in a weekly reading group. We will be reading from the end of Book IV. For more information or to be added to the mailing list, please email rebecca.menmuir@lincoln.ox.ac.uk.

Friday

  • Medievalists Coffee Morning – 10.30am at the Weston Library. All welcome, coffee and insight into special collections provided.
  • Medieval Manuscripts Support Group – 11:30 in the Horton Room. Readers of medieval manuscripts can pose questions to a mixed group of fellow readers and Bodleian curators in a friendly environment. Come with your own questions, or to see what questions other readers have!
  • Exploring Medieval Oxford through Lincoln & Magdalen Archives – 2pm in the EPA Centre (Museum Road) Seminar room 1. Please contact Laure Miolo for more information.
  • Anglo-Norman Reading Group – 5pm in the Farmington Institute in Harris Manchester College and online. For more information on the texts, email Jane Bliss.
  • Henry Bradshaw Lecture – 5pm in the Collier Room (Regent’s Park College). Helen Gittos will be speaking on ‘Christianity Before Conversion: The Archaeology of Liturgy’
  • Medieval Women’s Writing Research Seminar – 5pm in person & online (Lower Lecture Room, Lincoln College). Saudamini Siegrist (NYU graduate) will be speaking on ‘Julian of Norwich and Modern Philosophy’. registration details via their website.
  • O’Donnell Lecture – 5pm in Lecture Theatre 2 of the English Faculty. Ronald Hutton (Bristol) will be speaking on ‘The Morrigan Revisited’
  • Oxford Medieval Manuscripts Group – 5pm. Merton College Library Visit. Previous experience of handling medieval manuscripts is desirable. Limited places, write to the Oxford Medieval Manuscripts Group email by 30/04/2025
  • The Netherhole Martyr – A Dramatic Reading6pm at St Edmund Hall. This semi-staged reading of the play by Good Friends for a Lifetime (Maeve Campbell, Minna Jeffery and Lily Levinson) celebrates its recent publication by Strange Region Press. The event is free to attend and no booking is required. The event will begin with drinks at 6pm, followed by a performance in the Crypt that will last until ca. 8pm.

Opportunities

  • CfP for ‘Staging Silence from Antiquity to the Renaissance’ – more information here.
  • CfP for ‘Music and Reformation: A Symposium at Lambeth Palace Library, 16 September 2025’
  • A regular pub trip is being organised on a Friday at 6pm at the Chequers, from 0th week to 8th week, for all medievalists at Oxford. Email maura.mckeon@bfriars.ox.ac.uk

‘Big Data’ and Medieval Manuscripts

Are you curious about what manuscripts can tell us beyond their texts? Join Digital Scholarship @ Oxford and the Bodleian Libraries for a hands-on workshop using data from manuscript catalogues to explore trends and patterns in medieval manuscript production.

You’ll learn:

  • What kinds of data can be recorded about manuscripts
  • How to interpret and analyse manuscript catalogue entries
  • Ways to identify trends and patterns using simple tools like Excel

You’ll have the opportunity to work directly with manuscripts from the Bodleian’s collections, learning new skills that you can apply in your future studies and research. You’ll also get to contribute to the ongoing development of the manuscript catalogues, with your contributions credited on the Bodleian website.

No technical experience is required, just a basic familiarity with Excel.

Spaces are limited and will be filled on a first-come, first-served basis.

Workshop dates:

  • Thursday of 3rd week (15th May), 1–5pm – undergraduates
  • Thursday of 4th week (22nd May), 1–5pm – undergraduates
  • Thursday of 7th week (12th June), 1–5pm – postgraduates

Please still fill in the form if you are unavailable on these dates, as we may be able to make additional workshops available if there is demand.

Signup deadline: Midday, Friday of 2nd Week (9th May)

Signup using the online form here: https://forms.office.com/e/cHL1Zg7qJU

If you have any questions, please contact Seb Dows-Miller at sebastian.dows-miller@bodleian.ox.ac.uk.

The Netherhole Martyr – Dramatic Reading

When? 2 May 2025, 6-8pm
Where? Old Library (drinks) and Crypt of St-Peter-in-the-East (performance)

Come one, come all! Prepare to worship the power of a good shit and marvel at the agonies and ecstasies of excrement!

The year is 1320 in the stinking town of Netherhole. A young nun feels the hand of God clutch her guts, an ambitious Earl issues a dangerous decree, and a ghost rises from the river. Doctors, priests and rumours descend and Netherhole’s fortunes are changed forever.

The Netherhole Martyr is a play recounting a year in the fortunes of the people of Netherhole, a Yorkshire town in the grip of religious fervour after a young novitiate enacts a painful communion with the divine through her constipated bowels.

This semi-staged reading of the play, held in the spectacular Crypt of St-Peter-in-the-East at St Edmund Hall, celebrates its recent publication by Strange Region Press. Written in shades of Donne and Swift, the text of this surreal and macabre work by Good Friends for a Lifetime is fully illustrated by Sigrid Koerner and Hannah Mansell.

The event is free to attend and no booking is required. Copies of the book will be available to purchase. The event will begin with drinks in the Old Library at 6pm, followed by a performance in the Crypt that will last approximately 1 hour and 15 minutes.

Maeve Campbell, Minna Jeffery and Lily Levinson are Good Friends for a Lifetime. They met on the MA Text and Performance at Birkbeck and RADA. Their first production, Shades of Mediocrity, about friendship, the cult of male genius and Simon & Garfunkel was performed at Camden People’s Theatre and the Old Red Lion. They were associate artists at Bathway Theatre, University of Greenwich, in 2021.

Strange Region is a publisher of experimental writing by artists, novelists and poets. They endeavour to use publishing as a tool to celebrate writing as performance, as architecture , as a mechanical component of creative practice and as a space to enjoy the perilous corners of the human experience. 

Krasis: Object-centred symposia at the Ashmolean

Krasis is a unique, museum-based, interdisciplinary teaching and learning programme, which began life at the Ashmolean in 2017, devised by classicist (and historian of ancient Boeotia) Dr Sam Gartland and Teaching Curator Dr Jim Harris. In 2018, the programme won a University of Oxford Humanities Division Teaching Excellence Award. Hilary term 2025 was its 22nd iteration.

Each term Krasis gathers eight early career researchers from the University of Oxford (the Ashmolean Junior Teaching Fellows or AJTFs) and 16 current Oxford undergraduates and taught-postgraduates (the Krasis Scholars) for a series of object-centred symposia, devised and delivered by the Teaching Fellows, who each address a shared theme from the standpoint of their own discipline and their own research.

For the Krasis Scholars, the programme offers first-hand insight into what an academic pathway might look like, and provides a rare opportunity to learn directly from researchers and to contribute to the conversation from within their degree specialism. For the AJTFs, it offers a forum for interdisciplinary dialogue and a ready, able team of students and colleagues to explore creative, imaginative approaches to collaborative, collections-based teaching. For all participants, it offers the chance to engage with the peerless collections of the Ashmolean at first hand.

Over the past seven years, Krasis has seen series on Power, the Body, Absence, Presence, Performance, Devotion, Imitation, Voices in Conflict, Movement/Transition, Play, Danger, Identity, Constraint, Opening, Becoming, Belonging, Re-Use, Work, Dialogue, Container, Wealth, Intersections, and Ruptures. We have used objects ranging from kimonos, musical scores and Tibetan musical instruments to Renaissance bronzes, newspaper advertisements, palaeolithic hand-axes and ancient Egyptian magic wands.

Most recently, we have used images loaned to the Ashmolean by the Terra Foundation for American Art to anchor each symposium, with Teaching Fellows connecting outwards from them to explore, for example, Chinese jade, the anthropology of obesity, economic aspiration in the French Revolution, witchcraft and common wealth in early modern Europe, and gift-giving in pre-Christian Sweden, in symposia involving four thousand years of objects from Egypt, China, Japan, Europe and ancient West Asia.

Krasis Teaching Fellows and Scholars have come from Classics, English, History, Economics, Fine Art, Chemistry, Archaeology, Anthropology, Egyptology, Assyriology, Russian, Japanese Studies, German, Earth Sciences, Engineering, Politics, French, Portuguese, History of Art, Arabic, Physics, Statistics, Islamic Studies, Development Studies, Geography, Music, South Asian Studies, Philosophy, Linguistics, Theology, Women’s Studies, Experimental Psychology and Law, and from almost every college of the University.

The growing number of former Scholars returning as Teaching Fellows testifies to the impact of Krasis on its participants. If you’d like to take part, please fill out the application form and return it to krasis@ashmus.ox.ac.uk by 5pm on Friday of 8th week, 14th March.

Four afternoons to change your way of thinking. Forever.