(11 Nov 2021) Syon’s Abbesses, women’s leadership and book networks in fifteenth-centurry England

When? – Thursday, 11 November 2021 at 5:15 pm (BTS)

Where? – T.S. Eliot Theatre, Merton College

This event will also be streamed via ZOOM; for the link please contact sarah.cusk@lincoln.ox.ac.uk

Syon Abbey is well known for its extensive libraries and its close relationships with London printers and late-medieval nobility. Julia King argues that the Syon Abbesses played a much more active role in the development of Syon’s social and bibliographical networks than has been previously allowed, telling a story of women’s agency and leadership at England’s only Birgittine monastery.

Symposium: English Perceptions of the Material Text 1300-1600

A free, three day online symposium organised by Dr J.R. Mattison and Eleanor Baker, 9th-11th December 2021.

To register, please follow this link and fill in your details:

https://forms.gle/VZFr1qRuw1Xem7z47

If you have any questions, please contact

medieval.text.perceptions@gmail.com 

Follow us @TextMedieval

 

PROGRAMME:

Thursday 9th December:

Making Material Texts                      

8:00am (PCT)/ 10.00am (CDT)/ 4:00pm (GMT)/ 5.00pm (CET)

Making Manuscripts in the Twenty-First Century: Filling the Gaps in Medieval Recipes

Sara Charles (Institute of English Studies, University of London)

Imagining Medieval Colours: Blue Colour Terms in Cambridge, Trinity College, MS O.9.3

Maryann Pierse (Independent Scholar)

Sheepskins and the Law in Early Modern London

Lily Freeman-Jones (Queen Mary, University of London)

*

  Devotion and Material Texts 

  9:15am (PCT)/ 11:15am (CDT)/ 5:15pm (GMT)/ 6:15pm (CET)

  Lomen to tilde wið þe heorte’: Utility and the Idea of the Book in Ancrene Wisse

  Nia Moseley-Roberts (Jesus College, University of Oxford)

  ‘The fourtenth lefe of thys register’: Channelling Devotional Power at Syon Abbey 

  Julia King (University of Bergen)

  William Caxton and the Creation of Fifteenth-Century English Devotional Canon

  Elizabeth Perry (Texas A&M University)

*

  Authors and Material Texts 

  10:30am (PCT)/ 12:30pm (CDT)/ 6:30pm (GMT)/ 7:30pm  (CET)

  Ovid’s ‘Best Line’: Medieval Responses to the Heroides

  Rebecca Menmuir (Queen Mary, University of London)

  Passing the Buke in Late Medieval Dream Poetry: The Case of Gavin   Douglas’s Palice of Honour

  Laurie Atkinson (Durham University)

  The Imagery of Writing in the First Plantagenet Court

  Joyce Coleman (University of Oklahoma)

Friday 10th December:

Buying, Selling, and Owning Material Texts

8:00am (PCT)/ 10.00am (CDT)/ 4:00pm (GMT)/ 5.00pm (CET)

Second-hand Books

Hannah Ryley (Balliol College, University of Oxford)

Shifting Perceptions of the Library in Late Medieval Durham

J.D. Sargan (Durham University)

 Buying and Selling Books Around St Paul’s Cathedral: ‘Be Dishonest, and tell Lies’

  Benjamin King-Cox (Independent Scholar)

*

  Displaying Material Texts

  9:15am (PCT)/ 11:15am (CDT)/ 5:15pm (GMT)/ 6:15pm (CET)

  “I labour upon a Cobwebbe”: Writing on Display in Early Modern England

  Grace Murray (University of York)

  Taking Stock: William Caxton’s Manuscripts and the Idea of English Readership

  Lindsey Jones (Texas A&M University)

  The Material Forms of Lydgate’s Testament

  Niall Summers (Trinity College, University of Oxford)

Saturday 11th December:

Material Texts in Flux             

8:00am (PCT)/ 10.00am (CDT)/ 4:00pm (GMT)/ 5.00pm (CET)

 ‘Bind this to her’: The Use of Material Texts in English Childbirth, 1400-1540

Róisín Donohoe (University of Cambridge)

And som all ther eynke sched,/And som ther bokes rent’: Ripping, Tearing, and Splitting in the Comic Tale Jack and his Stepdame

Hannah Bower (University of Cambridge)

Chaos Under Control: Introduction to the Problematics of the Expression of Chaos in Medieval Manuscripts from England

 Adrienn Orosz (Eötvös Loránd University, Budapest)

*

  Imagining Material Texts

  9:15am (PCT)/ 11:15am (CDT)/ 5:15pm (GMT)/ 6:15pm (CET)

  The Unequal Powers of Speech and Text: English Charms, 1350-1500

  Katherine Storm Hindley (Nanyang Technological University, Singapore)

  Material Evidence, Immaterial Intentions 

  Daniel Wakelin (University of Oxford)

  Imagining the Forbidden Reader

  Alexandra Da Costa (University of Cambridge)

MedievalWiki: Training Workshop and Social Editing Session

Fri, October 29, 2021

1:30 PM – 3:30 PM British Summer Time

Online: via Zoom
FREE booking required https://www.eventbrite.com/e/medievalwiki-meet-up-tickets-182576600527

This workshop is for brand new and experienced Wikipedia editors who are interested in improving Wikipedia according to the aims of MedievalWiki (on which, see below). Lucy Moore (York) and Fran Allfrey (KCL) will be hosting.

We will gather on Zoom and introduce newcomers to the MedievalWiki project and how to get started. This will be a relaxed and informal workshop, designed to build the confidence of new and new-ish editors and to provide a social space for more experienced editors.

Everyone is welcome! Medievalists and non-medievalists, researchers, and students. If you can’t make the whole two hours, feel free to drop in just for the first or the second hour (let us know when you book when you plan to stop by).

What is MedievalWiki?

MedievalWiki is a project to improve the quality of medieval articles on Wikipedia (and related projects including Wikimedia and Wikidata). The project is specifically dedicated to making and editing articles with citations to medieval scholars whose work is indebted to or develops feminist, queer, and critical race studies methods and theories. Making and editing biographical pages for Black medievalists and medievalists of colour, women and non-binary and queer medieval scholars, and artists whose work remakes the medieval is firmly within the MedievalWiki remit.

You can read more about the MedievalWiki project here https://medievalwomenwiki.wordpress.com/

Please send any questions to Dr Fran Allfrey francesca.allfrey@kcl.ac.uk

CFP: Morality, Exemplarity and Emotion in Medieval Insular Texts

We invite papers which explore the relationship between morality, exemplarity, and the expression of emotion in medieval Insular texts, c. 700-1500.


The behaviours, ideas, and emotions that medieval writers, translators, and authors present as (im)moral and exemplary naturally fluctuate depending on time, place, genre, and language. Similarly, the textual representation and expression of emotion is culturally, temporally, and socially determined. This conference seeks to explore the nexus of morality, exemplarity, and emotion as presented throughout the medieval Insular world (Ireland and the British Isles), c. 700-c. 1500. In an effort to bring different types of texts into conversation with each other, and to probe generic boundaries, we encourage papers on a range of genres, including religious, heroic, romantic, and historic, written in Latin or the vernacular(s). In particular, we welcome papers which explore how the expression of emotion within texts was used to signal exemplary and/or (im)moral behaviour.


Topics include, but are not limited to, the following suggestions:

  • Methodological approaches to identifying emotion(s) and/or exemplary/moral behaviour.
  • The effectiveness of genre as an interpretive frame when examining morality, exemplarity, and/or emotion.
  • The implications of time, place, language, gender, and/or race on morality, exemplarity and/or emotion(s).
  • The expression of emotion(s) to provoke an affective response to different types of behaviour within texts.
  • Explicit or implicit tensions between morality, exemplarity, and the expression of emotion(s).
  • Moral and/or emotional ambiguity.
  • Emotional and/or moral standards (or transgressions) of behaviour (for religious/lay person, saint, lover, hero, knight, etc).
  • The moral implications for the restraint of emotion.


In addition, we seek participants for a roundtable discussion on:

  • The reception of medieval morality and/or emotions in the classroom, especially issues that arise when teaching texts that include emotionally and/or morally one-dimensional figures.


Please send abstracts of approximately 200 words for a twenty-minute paper and a short bio to Dr Niamh Kehoe (Heinrich Heine Universität) (niamh.kehoe@hhu.de) by the 10th December 2021. If you have any queries, please email Niamh. While we currently anticipate that this will be an in-person event at Heinrich Heine University, we may decide to switch to an online event

Workshop on the Murbach Hymns and MS. Junius 25

When?        17th/18th February 2022 (week 5, HT)

What?         In this workshop, the fascinating Murbach hymns – a Latin hymnal with Old High German interlinear glosses from the 8th/9th century – and their manuscript (Oxford, Bodleian Library MS. Junius 25) will be carefully examined regarding their translation technique, use and function, cultural background and transmission. Expect two days full of presentations and discussions, a consultation of this and other manuscripts and a live recitation of the hymns.

Updates and official registration on this page!

Convenor: Luise Morawetz (luise.morawetz@mod-langs.ox.ac.uk)

Image: fol. 122v, Oxford, Bodleian Library MS. Junius 25

Region and Enmity: A RaceB4Race® Symposium


The symposium is being held virtually from October 19-22, 2021 and will include panels, informal coffee talks, an editor roundtable, and 1-on-1 sessions with invited editors. 

Enmity is a sustaining force for systemic racism, a fervent antipathy toward a category of people. Enmity exists at the nexus of individual and group identity and produces difference by desiring opposition and supremacy, imagining separation by force, and willing conflict. Enmity unfolds in different ways in different places, according to local logics of territory, population, language, or culture, even as these geographical divisions are subject to constant change.

This interdisciplinary symposium, hosted by Rutgers University, focuses on how premodern racial discourses are tied to cartographical markers and ambitions. The notions of enmity and region provide a dual dynamic lens for tracing the racial repertoires that developed in response to increasingly hostile contention between premodern cultural and political forces. The symposium will invite scholars to take up this intersection between region and enmity, and to examine how belief in difference, or the emergence of polarizing structures and violent practices, configured race thinking and racial practices in ways that are both unique to different territories and that transcend them.

Register for the event: https://www.eventbrite.com/e/region-and-enmity-a-raceb4race-symposium-tickets-165791636247

Learn more about RaceB4Race: https://acmrs.asu.edu/RaceB4Race

Workshop: Oxford Medieval Commentary Network

Saturday, 9 October 2021, Christ Church, Oxford

Sign-ups for the workshop are now open. Sign-up closes 15 July 2021.

Sign-up form

The first workshop and initial meeting of the Medieval Commentary Network will take place at Christ Church, Oxford, on 9 October 2021, from 9am – 5pm. A buffet lunch will be provided. The workshop is free of charge for all participants.
This will take place as an in-person workshop (unless government regulations change). Unfortunately we are unable to live-stream the event, but we are hoping to make recordings of some talks available online after the event (subject to speaker approval).

Speakers include Alastair Minnis, Andrew Kraebel, Edit Lukacs, Audrey Southgate, Elizabeth Doherty, Malena Ratzke, Zachary Guiliano, Bond West, Rachel Cresswell, and others. The full conference programme will be available at https://medievalcommentary.network/ by the end of July.

We recognise that the current situation brings with it a great deal of uncertainty regarding travel; if you find you are no longer able to attend, please let us know as soon as possible.

Please email medievalcommentarynetwork@gmail.com with any questions and for further information.

CALL FOR PAPERS (archived version; CfP now closed)

Manuscript journeys: from German lands to digital libraries

About the event

This event marks the completion of a three-year digitization project delivered by the Bodleian Libraries, Oxford and the Herzog August Bibliothek in Wolfenbuttel. The ‘Manuscripts from German-Speaking Lands’ project, funded by The Polonsky Foundation, has digitized hundreds of medieval manuscripts from collections at The Herzog August Bibliothek and the Bodleian and made these freely available online to scholars and the public.

The panel discussion will explore the journey of these manuscript collections from their origins in the religious houses of medieval Germany, their acquisition by the libraries in Wolfenbüttel and Oxford and their digitization and publication online.

 Speakers

Richard Ovenden OBE, Bodley’s Librarian

Julia Gross, Chargé d’ Affaires a.i. of the German Embassy London

Marc Polonsky, The Polonsky Foundation

Peter Burschel, Herzog August Bibliothek

Henrike Lähnemann, University of Oxford

Joanna Story, University of Leicester

Booking information

When you have booked your place, the ticketing system will send you an automated confirmation.

A link to access the online event will be sent by the morning of the event to the email address associated with your booking.

See our project website for more information about the project and to see the digitized collections.

Sebastian Brant’s Ship of Fools in German and English Collections

On the 500th anniversary of the death of Sebastian Brant, this show-and-tell session brought together a multilingual array of his European bestseller, the Ship of Fools, live from the Bodleian Library, the British Library and the Staatsbibliothek Bamberg.

Presentation of the ‘Narrenschiff’ in High German, Low German, Latin, and French copies from English and German collections on 10 May 2021

Presenters:
Alexandra Franklin (Bodleian Library)
Susan Reed (British Library)
Bettina Wagner (StaatsbibliothekBamberg) Alyssa Steiner (Bamberg / Oxford
Henrike Lähnemann (Oxford)

Sebastian Brant: Narrenschiff. Basel: Johann Bergmann von Olpe, 12.II.1499.4° (GW 5047) Copy of the third edition of Sebastian Brant’s ‘Narrenschiff’London BL, IA.37957and Bamberg SB.

Sebastian Brant: Das neue Narrenschiff. Augsburg: Johann Schönsperger, 28.V.1498 (GW 5052)

Copy of an Augsburg reprint of the Strasburg interpolation of the Ship of Fools.Oxford Bod., Auct. 7Q 5.20

Sebastian Brant: Das Narrenschiff, Middle Low German. Lübeck [Mohnkopfdrucker (Hans van Ghetelen)], 1497. 4° (GW 5053) One of two extantcopies of the Middle Low German translation of the Ship of Fools.London BL, IA.9927

Sebastian Brant: Das Narrenschiff, Latin by Jacobus Locher Philomusus. Basel: Johann Bergmann von Olpe. 1.III.1497. 4° (GW5054) Copy of the edition princeps of the highly influential Latintranslation Oxford Bod., Douce 70

Sebastian Brant: Das Narrenschiff, Latin by Jacobus Locher Philomusus. With additions by Thomas Beccadelli. Basel: Johann Bergmann von Olpe, 1.VIII.1497.4°.Bamberg SB