Forgotten Libraries

Lost, dispersed, and marginalised manuscript collections

For updates refer to the blog of the Centre for Manuscript and Text Cultures. For more information: clement.salah@queens.ox.ac.uk or shaahin.pishbin@queens.ox.ac.uk

Forgotten Libraries Poster

Memorial Room, The Queen’s College, Oxford

This workshop brings together scholars working across linguistic traditions, regions, and historical periods to reflect on manuscript collections that have been lost, dispersed, marginalised, or rendered invisible by cataloguing practices, institutional histories, displacement, empire, and changing political or linguistic orders. It asks how such collections can be located, reconstructed, and reintegrated into the study of manuscript and textual cultures. Across two days, papers will move between collection-level histories and close attention to individual artefacts, fragments, catalogues, ownership marks, repositories, and digital data. In doing so, the workshop explores how manuscripts preserve traces of vanished intellectual worlds, and how forgotten libraries continue to shape the ways knowledge is produced, transmitted, and remembered.

Day 1: Tuesday 16 June: The Making and Unmaking of Libraries

Memorial Room, The Queen’s College, Oxford

9:00 Welcome
9:15 Shaahin Pishbin & Clément Salah, “Introduction to Forgotten Libraries”

SESSION 1: RECONSTRUCTING DISPERSED LIBRARIES
9:30 Henrike Lähnemann, “Superfluous precious objects: Reconstructing the manuscript production of the Medingen nuns”
10:00 Nour Obeid, “Writers’ Libraries as Houses of Trouble: Fragmentation and Reconstruction in the Arab Region”
10:30 James White, “The Hyperlinked Manuscript: Reading and Bibliography in Seventeenth-Century Iran”
11:00 Coffee Break

SESSION 2: ENDOWMENT, COMMUNITY, AND THE FORMATION OF LIBRARIES
11:30 Judith Olszowy-Schlanger, “Endowment practices and the formation of Jewish libraries in the Islamicate world”
12:00 Ronny Vollandt, “A Qaraite Library in 11th century Jerusalem”

Lunch Break

SESSION 3: DISPLACEMENT, EMPIRE, AND RECONFIGURED COLLECTIONS
2:00 Hallie Swanson, “Between Royal Collection and Oriental Repository: The Forgotten Library of Fort William College”
2:30 Gulguncha Lalbekova, “Imperial Legacies and Displaced Heritage: The Case Study of Badakhshani Ismaili Manuscripts in Russian State Archives”
3.00 Coffee Break

SESSION 4: MARGINALISED TRADITIONS AND HIDDEN REPOSITORIES
3:30 Balasubramanyam Chandramohan, “Forgotten Manuscripts: Lost, Dispersed and Marginalised Manuscripts- a case study of Tamil and Telugu Palm-leaf Manuscripts”
4:00 Udaya Cabral, “Hidden Knowledge Hubs: Recovering the Neglected Palm-Leaf Manuscript Collections of Sri Lankan Monastic Libraries”

Day 2: Wednesday 17 June: Tracing and Reconstructing Forgotten Collections

Taylorian Room 2, Taylor Institution, Oxford

SESSION 5: CATALOGUES, DATA, AND THE PRODUCTION OF INVISIBILITY
9:30 Matt Lampitt, “(Un)Mapping the March: Lost Books, Ghost Data”
10:00 Sian Witherden, “Defining ‘Rejected’ and ‘Unidentified’ provenance in Medieval Libraries of Great Britain”
10:30 Maeve Hagerty, “Valued at nothing’: Unsettling the (Post)Colonial Archival History of the Danson Erotica Collection”
11.00 Coffee Break

SESSION 6: LIBRARIES WITHOUT SHELVES: SINGULAR OBJECTS AND DISPERSED WORLDS
11:30 Elisian Ralli, “A lost library by design: ‘Bibliophilie créatrice’ and the reinvention of the modern manuscript”
12:00 Thea Gomelauri, “Forced Migration of Rustaveli’s Epic Poem: Bodleian Library MS. Wardrop d.27”

Lunch Break

SESSION 7: TRACING LOST COLLECTIONS THROUGH FRAGMENTS AND OBJECTS
2:00 Zoe Screti, “Finding Life in Fragments: The Obfuscation of Autograph Albums in Archive Catalogues”
2:30 Ana Dias & Julia Smith, “‘The chest of anonymous relics’: Reconstructing the earliest relic collection of Sens cathedral (France)”
3.00 Coffee Break

ROUNDTABLE AND BROADER PERSPECTIVES
3.30 Collective discussion

Events at Iffley Church

Living Stones is looking for volunteers of any age, background or beliefs. Living Stones is the heritage and educational arm of St Mary’s, the church at the heart of Iffley village, Rose Hill and Donnington. Volunteers welcome visitors to the church. They also run activities, events and talks on its history and architecture. They welcome visitors to the church on Sunday afternoons from Easter to October.

Events 2026 Drawing Iffley Church

Spend a day looking at and drawing Iffley Church with local artist and teacher, MICAH HAYNS

Saturday 16 May 2026 10.30-5.00pm St Mary’s Church OX4 4EJ

Iffley Church is an outstanding Romanesque building. It stands in a unique historic landscape

  • all materials supplied
  • live demonstration and feedback
  • For amateurs aged 16+
  • Limited numbers
  • BOOK NOW! Ticket sales open!

The session starts in the Church Hall, Church Way, Iffley OX4 4EG. Bring your own lunch. Or visit nearby pub, The Prince of Wales, 73 Church Way, Iffley, Oxford OX4 4EF 01865 586379  https://www.princeofwalesiffley.co.uk/

 Living Stones will provide free hot and cold drinks throughout the day.

All materials will be provided, but you are welcome to bring your own sketching stool, sketch book, or anything you are working on if you wish.

The day will run as part of East Oxford Art Weeks. Some of Micah’s work will be exhibited in the Church Hall throughout the day. 

Work by participants will join the exhibition at the end of the day after which participants may take their work home.

MORE INFORMATION and BOOKING FORM

https://www.eventbrite.co.uk/e/drawing-iffley-church-tickets-1981794010233?aff=oddtdtcreator

Events 2025

SATURDAY 10 MAY 10.00-4.30 – Drawing Iffley Church, day-school with artist Micah Hayns.

SATURDAY 17 MAY 11.00-7.15 – Day of chant in celebration of St Dunstan, patron saint of bellringers and music. The day ends with a special service in the church sung to music composed by St Dunstan and first written down in the 12th century.

SUNDAY 7 SEPTEMBER – Patronal Festival for St Mary the Virgin, picnic and family fun.

A Multilingual Moses Play

Moses. The ‘Exagoge’ of Ezekiel. ‘Moses and the Shepherd’ by Rumi

Friday, May 8, 2026 – 18:30: Ioannou Centre, 66 St Giles
Sunday, May 10 – 12.30: Iffley Church Hall
Monday, May 11 – 6pm: Wolfson College Buttery

David Wiles directs a production of the extant fragments of a tragedy written in Alexandria in the second century BC.  Drawn from the Book of Exodus, the story tells of the Hebrews’ escape from Egypt.  The play was written by a Jew, and is the first extant dramatization of a biblical text. 

The performance is mostly given in ancient Greek, with the opening scene played in English.  The project follows on from Hrosvita’s Martyrdom of the Three Virgins performed in Latin in 2025, and prior to that Seneca’s Octavia in a Renaissance translation.  

The cast are a mix of students and seniors. The production style will be choral, using movement to illustrate narrative passages such as the burning bush and the crossing of the Red Sea – so fluent knowledge of ancient Greek is not required.  

The first performance is in the Classics Centre in St Giles at 6.30 on Friday May 8, sponsored by the APGRD https://www.apgrd.ox.ac.uk/events.  The second is in Iffley Church Hall at 12.30 on Sunday, May 10.  The third is in Wolfson College Buttery at 6.00 on Monday, May 11, sponsored by the Ancient World Research Cluster.  The performance should last for about 35 minutes, and we will have a brief Q&A afterwards. The APGRD and AWRC are both kindly providing wine.

EXAGOGE by Ezekiel. The Exagoge was written in Alexandria in the 2nd century BCE in the mode of a Greek tragedy, adapted from the Book of Exodus. It is the earliest dramatic adaptation of Biblical text. 269 lines were preserved by Christian commentators. We have made only a small number of cuts, but line allocations have been transposed, with the role of Moses divided between four different actors. Storyline: Pharaoh’s daughter discovers baby Moses in the Nile, and rears him. He kills an Egyptian overseer and flees to Libya, where he marries, sees a vision of the stars, and then God in a burning bush. Moses is reluctant to return. God tells him to inflict plagues on Egypt in order to secure the release of the Hebrews from bondage. After an angel of death has ‘passed over’ the houses of the Hebrews, they flee, pursued by the Egyptian army. The waters of the Red Sea open for them, then drown the Egyptians. In the final non-Biblical episode, the story is resolved by a kind of deus ex machina – perhaps a mirage, perhaps a demon, perhaps a phoenix.

  • Ruthanne Brooks. Mariam, Chum (Sepphora’s sister); Moses 3.
  • Leonie Erbenich. Pharaoh’s daughter; Sepphora (Moses’ wife).
  • Valentina Davi. Moses’ Mother.
  • Loveday (Junyu) Liu. Moses 1.
  • Alex Marshall. Raguel (Sepphora’s father); Moses 4.
  • Laurence Nagy. Pharaoh; God.
  • Vishal Rameshbabu. Herald.
  • David Wiles (standing in). Moses 2.
  • All. Chorus

MOSES AND THE SHEPHERD by Rumi. Much more contemplative, Moses and the Shepherd is a story from the Manavi, a compilation of parables dictated by the Persian Sufi poet Rumi (1207-1273) over the last fifteen years of his life. We hope that the two plays speak to each other in interesting ways.

  • Goatherd: Laurence Nagy
  • Moses: David Wiles
  • God: Alex Marshall
  • Director: David Wiles
  • Music: Jessica Qiao

Medieval Germanists Gathering (GBOFFL 2026)

“meister, phiff uff, lasz vns springen.” – Maria Magdalena, Frankfurter Passionsspiel 8b (ll. 698–743)

Enough rays to make functional the St Edmund Hall sundial; yellow, orange, and burgundy tulips; the four-note blast of that iconic hunting horn: these signs heralded the beginning of the three-day GBOFFL Conference of medieval Germanists one late afternoon in April.

The GBOFFL participants — from universities whose cities make up the abbreviated title, i.e. Geneva, Bern, Oxford, Freiburg (im Breisgau), Freiburg (im Üechtland), and Lausanne — kicked off the conference with a gathering in the cosy, climate-controlled Old Library of Teddy Hall, where they noshed anise cake and perused materials from the Hall’s collection, including a pamphlet on St Edmund and a Monty Python-themed cardboard catapult.

GBOFFL participants engage with the Teddy Hall collections (Photograph: Giovanna Truong)

After the reception, and with the rare books safely stowed, the participants poured tea and coffee and partook in analyzing and performing the Passionsspiel, in particular scenes from the Frankfurt and Alsfeld versions which are being prepared for an edition focussing on the life of Mary Magdalen — more on this during a workshop on medieval German drama on 2 May!

With their dramatic prowess soundly proven, the Germanists poured into the Wadham Room of The King’s Arms for a celebratory pint, each looking forward to the schedule of lectures and workshops in the days to come.

Gebofel in the Schweizerisches Idiotikon

The ninth of April saw a slate of four lectures by graduate scholars Monty Powell, Luke Cooper, Jasmin Eggel, and Felix Stürz. Each prepared a 30–40-minute presentation and fielded questions for the remainder of the given hour. Lively discussions ensued, on the voice of God, on magical poets, on video games, and on many further interesting topics, that are too many to elaborate here (,der zu vil zu schreiben wer’). A surprise lecture was given by Cornelia Herberichs on the etymology of the word GBOFFL, which proved not just to be an acronym, but a Swiss German description of a spirited (if labour-intensive) gathering.

After lunch, doctoral student Giovanna Truong (that’s me) led a workshop on letterpress printing (and early Yiddish typography) in which the GBOFFL participants learned to set their own names in lead type. With the expertise of Richard Lawrence, the Bodleian Bibliographical Press’s master printer, the students and faculty were able to print the list of names on a card alongside a linocut image of a peacock under a GBOFFL banner (designed and produced by yours truly with materials and assistance from Henrike Lähnemann). Some participants also printed t-shirts bearing the unofficial logo.

The card lists the names of workshop participants and bears a description in Yiddish: “דאָס קאַרטל איז געדרוקט געװאָרן אין אָקספֿאָרד אויפֿן גבאָפֿפֿל” — “This card was printed in Oxford at the GBOFFL.”

The day ended with a candlelit vegetarian dinner in the St Edmund Hall Old Dining Hall, where joyous chatter could be heard until twilight. Some of the merry group migrated to the Hall’s Crypt, where gowned Oxford scholars sang Compline in Latin and Middle High German around an Easter candle. The evening ended after sundown with the sung prayers of Havdalah, marking the end of the Jewish Passover holiday.

GBOFFL Schola in the Norman crypt of St-Peter-in-the-East, the library church of St Edmund Hall

The GBOFFLers returned the next day to Teddy’s Doctorow Hall for an enlivening of the senses — an early lecture by Susanne Finkel on visual poetics in Partonopier and Meliur works. The schedule called for a trip to the Weston Library for the weekly Coffee Morning, this week led by Philine Armbruster, Lucian Shepherd, and Henrike Lähnemann on the topic of manuscript fragments (and, as usual, including a few minutes for gazing at the dreaming spires from the roof terrace).

Welcome to the Coffee Morning by Chris Fletcher

Manuscripts and Books shown:

  1. Otto von Passau ‚24 Alte‘: MS. Germ. b. 3, fols 2-3, ed. here https://editions.mml.ox.ac.uk/editions/otto-von-passau/);
  • Douce 212 Die vierundczweinczig Altē. od’ d’ guldin tron, GW M28503 Augsburg: Anton Sorg, 10.III.1480. 2° Letter by Wieland Schmidt, Die vierundzwanzig alten Ottos von Passau, Palaestra, 212 (Leipzig, 1938), 231-2 no. 1; See VL VII 229-34. Augsburg: Anton Sorg, 10 Mar. 1480. Folio. Wanting gathering [*] containing the register, sheet [05.6], and gathering [x]
  • Boec des gulden throēs of der xxiiij. ouden 1484[X.25] | herlem [J. Bellaert] | (fol.) Auct. 6 Q 5.23 GW M28517 Provenance: Haarlem, Netherlands, Franciscan Tertiary Nuns, S. Anna; inscription on r9r: Dit boec hoert toe den susteren van sinte Marien conuent binnen Haerlem in sinte Jans straet ende heeft ghege[n]en pieternel dirck der Ende marijtgen maertens der onse susteren tot een testement’. Purchased from Asher & Co. for £2.15.0; see Library Bills (1851-5), 77; Books Purchased (1853), 65. O-036 in Bod-Inc
  • Die vier und zweintzig Alten. Auffs new gebessert. Vet. D1 c.426, Dillingen: Sebald Meier 1568

2. Der Heiligen Leben

Fragments which were previously bound with the Der Heiligen Leben fragments

  • MS. Eng. hist. c. 36: summary catalogue, p. 865: was part of a series of unreferenced fragments &c. arranged as Palæographical Specimens, which was broken up in 1895. Now MS. Eng. hist. c. 36.
    1) a cardinal’s hat sent to Woolsey by the pope 15 Nov 1515, backed by the Bodleian (?) conservations; this presumably refers to the Cardinal’s hat still held at Christ Church https://www.chch.ox.ac.uk/news/cardinal-wolseys-hat-ipswich
    2) etc. mainly early modern letters, some 19th cent
    75, 76) list with specimen announcing and recouncing German-Turkish war

Rebecca Schleuß / Henrike Lähnemann: Regelhandschriften

Fun with Fragments manuscript presentation
The GBOFFL participants enjoyed exclusive views of Oxford.

The GBOFFL participants were allowed to stay for an extra hour-long manuscript workshop session with the aforementioned presenters plus Rebecca Schleuss, who showed off manuscripts of nuns’ regulations.

Rebecca Schleuß presenting manuscripts with monastic rules

After a lunch out on the town, the digestively sated but intellectually ravenous scholars rounded out the programme with two lectures, by Julie Dietsche and Hannah Free, which drew connections between printed works and manuscripts, and truth, fiction, and fanfiction, respectively. Their energetic presentations were the exclamation point at the end of a packed couple of days.

The group parted under sunny skies, promising to carry the warm, convivial, erudite spirit of the conference to next year’s gathering in Freiburg, Switzerland. Until then — zayt gezunt (be well)!

Medieval Matters – Vac

The OMS emails will be put on brief pause over the vac, although the blog will be continually updated with new events. Please see below a number of important opportunities and reminders before term starts. Of particular note to those interested in early medieval England (and who amongst us doesnt fall into that category) is the British Library’s upcoming PhD placement on the Norman Conquest. Applications are open for three PhD placements which will support the development of our upcoming major exhibition on the Norman Conquest, marking the 1,000th anniversary of the birth of William the Conqueror. Apply by Monday 6 April 2026. Apply by Monday 6 April 2026.

Texts in transition

A workshop on editing texts from medieval Britain

The Early English Text Society for graduate students and early career scholars.

Featuring: Richard Dance, Ralph Hanna, Kathryn Lowe, William Marx, Ad Putter, and Susan Irvine.

St Hilda’s College, Oxford

11.00 a.m. – 5.00 p.m.

Saturday 18 April 2026.

£20 for members of the EETS,

£34 for non-members.

Lunch and refreshments will be provided free

For registration or membership of the EETS, contact Dr Daniel Orton at eets@ell.ox.ac.uk

It is possible to obtain the members’ discount by joining at the time of registration. Website EETS

Peterborough Chronicle, first page

Conference: New Directions in Old English Prose

University of Oxford – 30 March 2026

L1 Lecture Theatre 10.300 Stephen A. Schwarzman Centre for the Humanities, Radcliffe Observatory Quarter, Woodstock Road, Oxford, OX2 6GG, Faculty of English Language and Literature, University of Oxford

Registration is now closed for this event, which is sold out.

Day 1: 30th March 2026

08.30–9.00: Welcome and Registration

09.00–10.30: Session 1: Early Prose (chair: Tom Revell)

Samuel Cardwell (University of Nottingham), ‘The Earliest English Sentence? Old Northumbrian psalm glosses in MS Pal. Lat. 68‘

Maura McKeown (University of Oxford), ‘The Four Senses of Scripture and the Vespasian Psalter Glosses‘

Emily Kesling (University of Bergen), ‘The Old English Exhortation to Prayer and the “Mercian Prefacing Tradition”‘

10.30–11.00: Tea and coffee break

11.00–12.00: Session 2: Putting Prose in its Place (chair: Helen Appleton)

Christine Rauer (University of St Andrews),  ‘Assigning Mercian Texts to Places and Individuals‘

Tristan Major (Pontifical Institute of Mediaeval Studies), ‘Old English Prose at Winchester, c. 940–c. 1100‘

12.00–12.15: Comfort break

12.15–13.00: Keynote 1 (chair: Francis Leneghan): 

John Hines (University of Cardiff), ‘Syntax, Style and Semiotics: How Anglo-Saxon Inscriptions help to frame and define Old English Prose‘

13.00–14.00: Lunch break [sandwich lunch provided] 

14.00–15.30: Session 3: New Contexts for Alfredian Prose (chair: Amy Faulkner)

Nagore Palomares (University of the Basque Country), ‘Weaving the Vernacular: Tracing Frankish Influences in Old English Texts‘

Alice Jorgensen (Trinity College Dublin),  ‘Gesceadwisnes in the Alfredian Prose Translations‘

Eleni Ponirakis (University of Nottingham/UCL/University of Oxford),  ‘Swa swa leof on treowum: Eriugena and the Alfredian Solioquies‘

15.30–16.00: Tea and coffee break 

16.00–17.30: Session 4: Repurposing Prose (chair: Jasmine Jones)

Courtnay Konshuh (University of Calgary),  ‘Missing Ealdormen: Editing Chronicle Prose‘

Claudio Cataldi (University of Palermo),  ‘Rewriting Christianisation in King Edgar’s Establishment of the Monasteries‘

Gabriele Cocco (University of Bergamo),  ‘From Cloak to Allegory: Christian Adaptations in the Old English Apollonius of Tyre‘

17.30–17.45: Comfort break

17.45–18.30: Keynote 2 (chair: Niamh Kehoe):

Luisa Ostacchini (University of Oxford), ‘Thinking Global, Acting Local: The Old English Martyrology’s Worldview and Mercian Prose Composition‘

18.30: Drinks Reception and Book Celebration

20.00: Conference Dinner

Day 2: 31st March

09.00–10.30: Session 5: Prose beyond the Pulpit (chair: Francis Leneghan)

Stefan Jurasinski (SUNY Brockport), ‘Beyond Wulfstan: The Homiletic Element in Old English Legislation‘

Anine Englund (University of Oxford), ‘Revisiting the Old English Soul-and-Body Homilies‘

Elaine Treharne (Stanford University), ‘Women Readers (and Writers?) of Old English Prose‘

10.30–11.00: Tea and coffee break

11.00–12.00: Session 6: Inclusion and Exclusion, Then and Now (chair: Hannah Bailey)

Juliet Mullins (University College Dublin), ‘Ignored and Obscured: “Behind the Scenes” of Ælfric´s Lives of Saints‘

Rebecca Stephenson (University College Dublin), ‘Weeding out the Danes: An examination of gardening metaphors in Latin and Old English prose texts describing Viking attacks and/or religious conversions‘

12.00–12.15: Comfort break

12.15–13.00: Keynote 3 (chair: Amy Faulkner):

Daniel Anlezark (University of Sydney),  ‘West Saxon Prose from Alfred to Ælfric‘

13.00–14.00: Lunch break [sandwich lunch provided] 

14.00–15.30: Session 7: Wulfstan’s Style (chair: Rachel A. Burns)

Winfried Rudolf (University of Göttingen), ‘Wulfstan’s Autograph Homily on Baptism and Its Echoes‘

James Titterington (University of Oxford), ‘Prose in Progress: Tracing Wulfstan’s Intellectual Development through Autograph Evidence‘

Thomas A. Bredehoft (Chancery Hill Books), ‘Wulfstan’s Prose‘

15.30–16.00: Tea and coffee break

16.00–17.30: Session 8: Saints and Sinners (chair: Niamh Kehoe)

Claudia Di Sciacca (University of Udine),  ‘Gūþ-Lāc vs Se Ealda Fēond? New Directions in the Demonology and Angelology of Gulthlac’s Old English Prose Tradition‘

Susan Irvine (University College London), ‘The Bridge as a Penitential Motif in Old English Prose‘

Corinne Clark (University of Oxford), ‘Fashioning fragmentation in the Corpus Christi MS 303 Life of St. Margaret‘

17.30: Close

Organising committee: Helen Appleton (Oxford), Rachel A. Burns (Oxford), Amy Faulkner (UCL), Niamh Kehoe (Oxford), Francis Leneghan (Oxford)

Contact: Francis Leneghan

Header image: Peterborough Chronicle

500 Years of Yiddish Printing: Symposium

4–6 October 2026 | University of Oxford, Oxford, UK


In celebration of the quincentenary of the first Yiddish printing (the 1526/7 Agode of Gershom ben Salomon Kohen of Prague), please join us at the University of Oxford on the 4th–6th of October for a symposium on Yiddish printing, broadly defined.

Papers and workshops will be on the topics of Yiddish printing (letterpress & otherwise), book & publishing history, type design & production, printed images, orthography & linguistics of the printed word, &c. Other topics are included as they relate to Yiddish printing history and practice.

Inquiries may be submitted to Giovanna Truong.

Symposium Programme

Sunday 4 October

09.00–14.00 | Arrival – Orientation – Refreshments

14.00–14.30 | Introductory Remarks

14.30–15.00 | Break

15.00–16.30 | Panel I: The Contemporary Practice of Yiddish Printing

  • Seth Gottlieb, “Casting Lots (of Type): Type Production for Yiddish Letterpress Printing Today”
  • Frank Baseman, “The Quest for Hebrew (Wood) Type”
  • Tyler Kliem and Raizel Bromberg, “Os: A Digital Yiddish Type Foundry and Design Magazine”

Monday 5 October

09.00–10.30 | Panel II: Histories of Yiddish Printing in the 20th Century

  • Victoria Gerasimova, “Yiddish Periodicals on the Polish Cultural Map (1867–1918): Spatial and Quantitative Analysis”
  • Julie Beuschel Mikkelsen, “Searching for loved ones: Letters for missing relatives published in Dos Vokhen Blat, 1919–1921”
  • Rachelle Grossman, “Yiddish Printing in Postwar Poland”

10.30–11.00 | Break

11.00–12.30 | Panel III: The Art and Craft of Yiddish Printing in the 20th Century

  • Caleb Sher, “‘Partners in Creation’: The Histories of Jewish Typesetters, in Their Own Words”
  • Etai Rogers-Fett, “Tsu shafn a nayem vort, IKRES: Printing and Self-Publishing in The Jewish Consumptive Relief Society”

12.30–13.45 | Lunch Break

13.45–14.00 | Remarks from Katherine Ibbett, Academic Director of Ertegun Graduate Scholarship Programme in the Humanities

14.00–15.30 | Workshop I: Yiddish Song with Diana Matut and Lutenist Matthew Spring

15.30–16.00 | Break

16.00–17.30 | Panel IV: Materials and Layout in Yiddish Printing

  • Nikki Halpern, “Materializing Memory in Yizker (Memorial) Books”
  • Jordan Lee Schnee, “Grotesque Urbanity: Debora Vogel’s Forays into Concrete Poetry”
  • Timothy Powell, “Printing Yiddish in the GDR: Es brennt, Brüder, es brennt (1966/1985)”

Tuesday 6 October

09.30–10.30 | Panel V: Pasts and Futures

  • Giovanna Truong, “Optical Character Recognition and Automated Font Identification for Vaybertaytsh”
  • Yehuda Miklaf, Remarks on his print of “Di blayene platn fun Roms drukeray” by Avrom Sutzkever

10.30–11.00 | Break

11.00–12.30 | Rare Book Viewing at the Weston Library

12.30–14.00 | Lunch Break

14.00–16.00 | Print Workshop at the Bodleian Bibliographical Press

16.00–16.30 | Break

16.30–17.00 | Concluding Remarks

Medieval Matter HT26, Week 8

We have made it, at long last, to the end of another Hilary term – but the events don’t stop coming! Please find below another week full of medieval events for you to enjoy, and an ever-increasing list of future opportunities. NB: the Maison Française d’Oxford lecture this Tuesday has had to move earlier and is now at 12:00.

Monday

  • French Palaeography Manuscript Reading Group – 10:30, Weston Library.
  • Seminar in Palaeography and Manuscript studies – 2:15, Weston Library. Seamus Dwyer (Cambridge) will speak on ‘Pen-Flourishing and the Boundaries of Meaning’.
  • Medieval Archaeology Seminar – 3:00, Archaeology Faculty.  Eugene Costello will be speaking on ‘Exploring the expansion of pastoral farming in northern Europe’s uplands, c.1200-1600’.
  • Medieval History Seminar – 5:00, All Souls College. Nick Evans (Birkbeck) “Cowries, Cloth and Coins: Currency in Medieval Economic Anthropology”.
  • Theory and Play: Comparative Medievalisms – 5.15, Lady Margaret Hall.

Tuesday

  • Europe in the Later Middle Ages Seminar – 2:00, New Seminar Room, St John’s College. Mike Carr (Edinburgh) will be speaking on ‘Popes, Ambassadors and Falcons: Trade and Diplomacy between Latin Europe and the Mamluk Sultanate in the Fourteenth Century’.
  • Latin Palaeography Manuscript Reading Group – 2:00, Weston Library (Horton Room). Those who are interested can contact the convenor, Laure Miolo.
  • Maison Française d’Oxford lectures: ‘Children in the Middle Ages’ – 12:00, Maison Française. NB. the new, earlier, time.
  • Maghrib History Seminar: “Reading the Qurʾān across the Mediterranean: Toward a Maghribī School of Tafsīr in Early Islam” – 5:00, The Queen’s College.
  • Medieval Church and Culture, theme: TRANSLATION(S) – tea and coffee from 5:00, Harris Manchester College. Celeste Pan (Balliol) will be speaking on ‘Some issues of translation in an illuminated Hebrew bible manuscript from medieval Brussels (Hamburg, Staats- und Universitätsbibl., Cod. Levy 19)’.
  • Old English Hagiography Reading Group – 5:15, Jesus College Memorial Room.
  • Church Historian Pub Night – 6:00 at the Chequers Inn. Contact Rachel Cresswell.

Wednesday

  • History and Materiality of the Book Seminar series – 2:15, Weston Library. Matthew Holford and Laure Miolo will be speaking on ‘Text identification’.
  • Older Scots Reading Group – 2:30, Room 30.401 (Humanities Centre). Palyce of Honour, Thyrd Part, ll. 1288-2142; Palyce of Honour, Dedication, ll. 2142-2169.
  • The Medieval Latin Documentary Palaeography Reading Group – 4:00, online.
  • Islamic Studies Seminar – 5:00, Oxford Centre for Islamic Studies. Professor Sheilagh Ogilvie (University of Oxford) will speak on ‘Leviathan’s Health: State Capacity and Epidemics from the Black Death to Covid’.
  • Late Antique and Byzantine Seminar – 5:00, Ioannou Centre for Classical and Byzantine Studies. Nathan Websdale (Oxford) will be speaking on ‘Unbecoming Roman: Performative Ethnicity and Panspermía in the Byzantine World c.1190-1235’.
  • eCatalogus+: A Digital Tool for the Automated Study of Latin Manuscripts (Liturgical Case Studies) – 5:00, Weston Library. More infomation here.
  • Lydgate Book Club – Weston manuscript visit with Laure Miolo. Meet 3:50pm at the Weston lockers for a 4pm start. Please email Shaw Worth for any information.

Thursday

  • Middle English Reading Group (MERG) – 11:00, Lincoln College, Beckington Room. Sir Gawain and the Green Knight.
  • Medieval Women’s Writing Research Seminar – 4:00, Somerville College. Making and Breaking Connections, including letters sent by Hildegard von Bingen and Catherine of Lancaster, queen of Castile.
  • Seminars in Medieval and Renaissance Music – 5:00, online. Elisabeth Giselbrecht, Louisa Hunter-Bradley and Katie McKeogh (King’s College London) will be speaking on ‘No two books are the same. Interactions with early printed music and the people behind them’.
  • Celtic Seminar – 5:15, hybrid. Eleanor Stephenson (Cambridge) will be speaking on ‘Landscapes of Extraction: Philippe de Loutherbourg and the Morris Family’s Copper Works, Swansea’.
  • Medieval Visual Culture Seminar – 5:00, St Catherine’ College. Emily Guerry (University of Oxford) will be speaking on ‘Silver trees and pearl crosses: Franco-Mongolian diplomacy and cultural exchange in thirteenth-century Karakorum’.
  • The Khalili Research Centre For the Art and Material Culture of the Middle East: Research Seminar – 5:15, The Khalili Research Centre. Johannes Niehoff-Panagiotidis (Freie Universität, Berlin) will be speaking on ‘A Greek-Orthodox monastery in the desert: Mount Sinai and the material culture of its Arabic (and Islamic) manuscripts’.

Friday

  • Medievalist Coffee Morning – Friday 10:30, Visiting Scholars Centre (Weston Library). All welcome, coffee and insight into special collections provided. This week, Jana Lammerding will speak on the representation of witches in the Douce Collection.
  • The History of the Bible: From Manuscripts to Print – 12:00, Visiting Scholars Centre at the Weston Library. Week 8: The Bible printed. Places are limited. To register interest and secure a place, please contact Péter Tóth.
  • Exploring Medieval Oxford through Surviving Archives – 2:00, Weston Library (Horton Room). Those who are interested can contact the convenor, Laure Miolo.
  • EMBI ‘New Books: A Celebration’. – 4:30, Schwartzman Room 421. Helena Hamerow and Conor O’Brien will talk informally about the process of researching and writing the projects that they have both just published, and we will also hear some reflections on being a postdoctoral researcher on a major project such as the ERC-funded grant for FeedSax. End-of-term drinks in Jude the Obscure, Walton St.
  • Oxford Medieval Manuscript Group – 5:00, John Roberts Room at Merton College. Julian Harison (Curator, British Library) will be speaking on ‘Sir Robert Cotton and Oxford’.

Opportunities and Reminders

eCatalogus+: A Digital Tool for Latin Manuscripts

11 March, 5pm, Horton Room, Weston Library
Dr Paweł Figurski Institute of Art of the Polish Academy of Sciences, Warsaw
eCatalogus+: A Digital Tool for the Automated Study of Latin Manuscripts  (Liturgical Case Studies)

The presentation introduces eCatalogus+, an innovative digital platform designed for the comprehensive description and automated analysis of medieval Latin manuscripts, with a particular focus on liturgical sources. At its core, eCatalogus+ combines HTR (Handwritten Text Recognition) technology with advanced tools that improve transcription accuracy and enable the automatic analysis of manuscript contents. Its main features—powerful search functions, interactive databases, and collaborative research modules—facilitate both individual and collective work on medieval texts. The system has been successfully implemented in research projects such as eCLLA+ and Liturgica Poloniae: A Descriptive Catalogue of Polish Liturgical Manuscripts, where it supports the study, cataloguing, and interpretation of medieval liturgical sources. Through selected liturgical case studies, the presentation will demonstrate the platform’s research potential and its contribution to the evolving field of digital manuscript studies. Ultimately, the talk aims to show how digital technologies are transforming the study of medieval manuscripts, opening new avenues for both academic inquiry and public engagement.

Paweł Figurski is Assistant Professor at the Institute of Art of the Polish Academy of Sciences. The focus of his research is on the history of liturgy and its political significance as well as on medieval manuscript culture, book illumination, and the theology of politics in the Early and High Middle Ages. He is also an active researcher, database analyst, and developer of tools for automated research on the Latin liturgical tradition in the field of digital humanities. He is currently the Principal Investigator (PI) of two projects: “Liturgica Poloniae…”, funded by the Polish Ministry of Higher Education (NPRH), and “Dangerous Prayers…”, funded by the Polish National Science Centre (SONATA)  

Please let Matthew Holford know if you would like to join him and the speaker for dinner after the talk.