Job: Professor in Latin Palaeography

The Faculty of History and Wadham College are seeking an outstanding palaeographer to join the team of medieval historians. Medieval History is exceptionally strong in Oxford with a large and lively community of taught graduates, doctoral students and postdoctoral early career researchers.  The collegiate university is home to the largest university-based collection of medieval manuscripts in the world.

This post is an exciting and demanding opportunity for a proven scholar and talented teacher whose research and teaching specialism is in the history of Latin manuscripts (codices, documents, fragments thereof) within the disciplinary context of medieval history.  Beyond a specialism in scripts used for writing medieval Latin, there are no chronological or geographical preferences, and the successful candidate will be responsible for graduate teaching across the entire span of Late Antiquity and the Middle Ages including book and documentary traditions. The person appointed will conduct research of the highest quality suitable for submission to REF within the broad parameters of the discipline of medieval history, will seek external grant funding for manuscript-related projects and will participate in the public engagement and knowledge dissemination activities of the Bodleian Libraries and the colleges of the University.

The appointee will be expected to play a full part in the academic life of the Faculty of History and Wadham College and will work closely with colleagues in other faculties within the Humanities Division. The University of Oxford uses the grade of associate professor for most of its senior academic appointments. Associate professors are eligible for consideration through regular recognition of distinction exercises for award of the title of full professor.

We welcome applications from candidates at all post-doctoral career stages, including at professorial level. We are committed to creating a diverse academic workforce and positively encourage applications from under-represented communities. We particularly encourage applications from women (approximately 40% of Faculty posts are held by female academics), people with disabilities and Black, Asian, and minority ethnic candidates.

The appointee will be a member of the Faculty of History and a non-tutorial fellow of Wadham College. The post is tenable from 1 October 2025 or as soon as possible thereafter. The deadline for applications is Wednesday 19th March 2025Presentations and interviews are expected to take place in Oxford late April/Early May.

Queries about the post should be addressed to the Chair of the History Faculty Board, Professor Martin Conway  or the Chichele Professor of Medieval History, Professor Julia Smith. All enquiries will be treated in strict confidence; they will not form part of the selection decision.

Pay Scale : Associate Professor Grade 36S: £55,755 to £74,867 per annum plus additional benefits and allowances as detailed in the job description. Further particulars: AP in Medieval Latin Manuscript Studies FP-FINAL.pdf

Apply Now

Volunteering at Iffley Church

Invitation to a tea party with LIVING STONES on SATURDAY 15 MARCH 3.00-4.30 in the Church Hall, Church Way, Iffley OX4 4EG.
Come along and find out about LIVING STONES. Meet the Living Stones volunteers. Join in: Living Stones is looking for volunteers of any age, background or beliefs

Living Stones is the heritage and educational arm of St Mary’s, the church at the heart of Iffley village, Rose Hill and Donnington. Volunteers welcome visitors to the church. They also run activities, events and talks on its history and architecture. They will start welcoming visitors to the church on Sunday afternoons on Palm Sunday, 13 April. They also have three events planned:

SATURDAY 10 MAY 10.00-4.30 – Drawing Iffley Church, day-school with artist Micah Hayns.

SATURDAY 17 MAY 11.00-7.15 – Day of chant in celebration of St Dunstan, patron saint of bellringers and music. The day ends with a special service in the church sung to music composed by St Dunstan and first written down in the 12th century.

SUNDAY 7 SEPTEMBER – Patronal Festival for St Mary the Virgin, picnic and family fun.

Krasis: Object-centred symposia at the Ashmolean

Krasis is a unique, museum-based, interdisciplinary teaching and learning programme, which began life at the Ashmolean in 2017, devised by classicist (and historian of ancient Boeotia) Dr Sam Gartland and Teaching Curator Dr Jim Harris. In 2018, the programme won a University of Oxford Humanities Division Teaching Excellence Award. Hilary term 2025 was its 22nd iteration.

Each term Krasis gathers eight early career researchers from the University of Oxford (the Ashmolean Junior Teaching Fellows or AJTFs) and 16 current Oxford undergraduates and taught-postgraduates (the Krasis Scholars) for a series of object-centred symposia, devised and delivered by the Teaching Fellows, who each address a shared theme from the standpoint of their own discipline and their own research.

For the Krasis Scholars, the programme offers first-hand insight into what an academic pathway might look like, and provides a rare opportunity to learn directly from researchers and to contribute to the conversation from within their degree specialism. For the AJTFs, it offers a forum for interdisciplinary dialogue and a ready, able team of students and colleagues to explore creative, imaginative approaches to collaborative, collections-based teaching. For all participants, it offers the chance to engage with the peerless collections of the Ashmolean at first hand.

Over the past seven years, Krasis has seen series on Power, the Body, Absence, Presence, Performance, Devotion, Imitation, Voices in Conflict, Movement/Transition, Play, Danger, Identity, Constraint, Opening, Becoming, Belonging, Re-Use, Work, Dialogue, Container, Wealth, Intersections, and Ruptures. We have used objects ranging from kimonos, musical scores and Tibetan musical instruments to Renaissance bronzes, newspaper advertisements, palaeolithic hand-axes and ancient Egyptian magic wands.

Most recently, we have used images loaned to the Ashmolean by the Terra Foundation for American Art to anchor each symposium, with Teaching Fellows connecting outwards from them to explore, for example, Chinese jade, the anthropology of obesity, economic aspiration in the French Revolution, witchcraft and common wealth in early modern Europe, and gift-giving in pre-Christian Sweden, in symposia involving four thousand years of objects from Egypt, China, Japan, Europe and ancient West Asia.

Krasis Teaching Fellows and Scholars have come from Classics, English, History, Economics, Fine Art, Chemistry, Archaeology, Anthropology, Egyptology, Assyriology, Russian, Japanese Studies, German, Earth Sciences, Engineering, Politics, French, Portuguese, History of Art, Arabic, Physics, Statistics, Islamic Studies, Development Studies, Geography, Music, South Asian Studies, Philosophy, Linguistics, Theology, Women’s Studies, Experimental Psychology and Law, and from almost every college of the University.

The growing number of former Scholars returning as Teaching Fellows testifies to the impact of Krasis on its participants. If you’d like to take part, please fill out the application form and return it to krasis@ashmus.ox.ac.uk by 5pm on Friday of 8th week, 14th March.

Four afternoons to change your way of thinking. Forever.

CMTC presents — “Work in Progress” Colloquium

The Centre for Manuscript and Text Cultures’ Hilary Term ‘Work-in-Progress’ colloquium – Tuesday 18th February (5.15-6.45pm, the Memorial Room at Queen’s) 

The CMTC is delighted to be hosting the following speakers: 

Dr Riccardo Montalto (Università degli Studi di Napoli Federico II): From manuscripts to history: The reconstruction of the Greek manuscript library of Achilles Statius (1524-1581)

Achilles Statius was a Portuguese humanist active in Rome in the second half of the sixteenth century. Committed to editorial and propaganda activities and, in particular, in the edition of the texts of the Fathers of the Greek Church, Statius set up one of the largest private libraries in Renaissance Rome, peculiar for its size and intellectual value. Starting from the material data detectable from the manuscripts, compared with the data available from different sources – primarily historical, archival and library science – the research aims to reconstruct a part of Achilles Statius’s library and to identify some methods and working practices of the late Renaissance humanists.

Holly Dempster-Edwards (University of Liverpool): Emotions, Gender and Crusading in Fifteenth-Century Burgundian Prose Epics and Chronicles

This paper will give an overview of my PhD thesis, which examines the social function of emotions at the fifteenth-century court of Duke Philip the Good of Burgundy (r. 1419-1467). My methodology is based on that of the historian Barbara Rosenwein, whose concept of ‘emotional communities’ has been highly influential within Medieval Studies. My study is based on emotion words in three Burgundian mises en prose Les Croniques et Conquestes de Charlemaine by David Aubert, La Belle Hélène de Constantinople by Jehan Wauquelin, and Mabrien (attrib. Aubert). I have built on Rosenwein’s framework by employing quantitative analysis of the gendered and ‘racial-religious’ distribution of emotions within each text, alongside qualitative textual analysis and examination of text-image relations. This paper demonstrates how emotions have a social function within this specific emotional community of Burgundian knights and would-be crusaders in response to the Fall of Constantinople in 1453, and how these texts function as literary propaganda which presents itself as didactic; in so doing they attempt to achieve their more subtle aim of maintaining emotion norms within the context of Burgundian chivalric masculinity, hoping to persuade Philip’s courtiers to go on crusade with him in response to the defeat of Constantinople by the Ottoman Turks.

From the archive

Tuesday the 13th of February 2024, 5.15–6.45pm UK time Centre for Manuscript and Text Cultures

Memorial Room, The Queen’s College    

1. A. D’Angelo (Rome ‘Sapienza’), ‘Catullan marginalia in the 16th century: the books of Piero Vettori’. 

The Bayerische Staatsbibliothek in Munich preserves three printed editions of Catullus’ Liber with marginal notes by Piero Vettori (1499-1585). This important scholar edited dozens of Classical authors, but never published anything on Catullus: thus, these books are the main extant evidence of his work on this poet. The notes contain variant readings, original conjectures and loci similes, and they offer new insights on Vettori’s philological method and his library. Through these marginalia, I will try to point out Vettori’s main interests in Catullus’ poetry and the sources he used for his Catullan studies.

2. Marlene Schilling (Oxford), ‘A special form of devotion – personifications of time in late medieval prayer books from Northern Germany’.  

Addressing liturgical holidays, for example welcoming Mr Easterday, is a particular characteristic of late medieval vernacular prayer-books from North German female convents. They highlight a distinct form of poetics, because describing and interacting with specific points in time – personifying them – allows an intercommunication with the divine that conveys a certain form of agency to the speaker. In this paper, we explore the particular type of prayer-books these personifications are found in, talk about their material indicators within the text, and think about the special role of the prayer-books from the Cistercian convent Medingen within this distinct manuscript landscape.

The Sorrowful Virgin: Medieval and Early Modern Devotion

In association with Oxford Medieval Studies, sponsored by The Oxford Research Centre in the Humanities (TORCH), and the Centre for Early Modern Studies, convened by Anna Wilmore, Taro Kobayashi, and Katerina Levinson on 24 March 2025 in St Hugh’s College

9:15-10:15am – Panel 1: Textual and Visual Devotion

  • Susanne de Jong (Leiden): Praying with Compassion: The Devotion of Mary’s Sorrows in Middle Dutch Books of Hours
  • Fiammetta Campagnoli (Sorbonne): A “Devotional Mirror”: Following Mary’s Footsteps through Her Sorrow and Meditations

10:35-11:35am – Panel 2: Sacred and Secular

  • Joana Balsa de Pinho (Lisbon): Piety and welfare: the Sorrowful Virgin in the context of the Portuguese Confraternities of Mercy
  • Serena Cuomo (Santiago de Compostela): Mother of all mothers – Affective Piety and Maternal Grief in the Roman de Troie

11:35am-12:35pm – Panel 3: Emotion and Trauma

  • Costas Gavriel (Oxford): ‘You know my pain’: Trauma, Self-Narrative and Marian Devotion in the Memorias of Leonor López de Córdoba
  • Ana Vitoria Lopes (Sao Paulo): Crying Women in Devotional Panels: A Study through the Lens of the History of Emotions

2-3pm – Manuscript workshop at the Weston Library. Handout.

Presented by Anna Wilmore and Susanne de Jong, with manuscripts being shown by Bodleian curator Matthew Holford

  • Private Devotions:
    MS Douce 264: early 16th century book of private prayers and devotions (Latin and French) printed for a member of the family of Scepeaux
    MS Lat Liturg .e .36: Italian collection of prayers written for a nun, 14th /15th century
  • Latin and Vernacular:
    MS Douce 1: A tiny prayer book c. 1460 England, containing prayers in Latin and Middle English
  • Speculum humanae salvationis:
    MS Lyell 67: late 14th century, Bohemia. f. 46r and 87v (Crucifixion), 90v (Virgin pierced by sword) and 91v (Virgin surrounded by arma Christi)
    Arch. G d. 56, digitised, a hybrid Dutch incunable/blockbook c. 1470, see the description of the John Rylands copy and the CERL entry
  • Middle Dutch Books of Hours – MS Douce 243: Dutch; 3rd quarter 15th Century
    MS Buchanan f. 1: These are both Dutch Books of Hours using the translation of Geert Grote.

3:45-5pm – Montgomery Powell (Oxford): Myn kynt unde ok myn god: Sorrowful Participation in the Bordesholmer Marienklage, followed by performance and discussion of Marian laments. Handout

5pm-6pm  – Keynote by Prof. Lesley Twomey (Northumbria): The Sorrows of the Virgin Mary at the Foot of the Cross in vernacular Vitae Christi in Medieval France, England and Spain.

The Seven Sorrows of the Virgin from The Prayer Book of Cardinal Albrecht of Brandenburg, approx 1525-35, Simon Benning, Getty Museum, Ms. Ludwig IX 19 (83.ML.115), fol. 251v

The Epiphanytide Mysteries

A performance of a medieval mystery play cycle, with a reconstruction of the no longer extant wedding at Cana episode. Directed by Philipp Quinn and Elliott Clark.

When: Saturday, 25 January 2025, 2pm
Where: Pusey House, Oxford

Philipp writes: We at Pusey House welcome all and sundry to join us as we continue our Epiphanytide celebrations with carefully selected mystery plays. The event is not ticketed. The runtime should be roughly an hour. We very much look forward to seeing you there!

Pusey House put on mystery plays for the first time in 2023. In that first performance, we sought to portray the Bible’s broad “narrative,” with the Creation, the Fall, the Passion, and the Final Judgement as our highlights. This time, in connection with the Epiphany Season, we’ve chosen to emphasize the Magi, Jesus’ baptism, and the Wedding at Cana. In prioritizing that theme, we’ve had to be more eclectic in our sources this year. Whereas our first performance was based largely on the York cycle, our current plays are drawn from both the Chester and York cycles. Our plays also an original, the Wedding at Cana, since the Wedding is not found in the Chester cycle and has not survived (apart from a line-and-a-half fragment) in the York cycle.

Philip Flacke sitting on a bench reading a pamphlet next to a statue of Lichtenberg

10 Rules for Oxford You’d Regret Not Knowing

Is this your first term in Oxford or have you been here for years? Are you visiting? Or perhaps planning on applying for our Medieval Studies programme?

Philip Flacke completed an internship in Oxford in Trinity 2024, and he’s prepared an important list of 10 rules for Oxford you’d regret not knowing:

  1. Read (oh and watch TV)
  2. Pack lightly
  3. Don’t be afraid
  4. Learn to tie a bow tie – or don’t
  5. Embrace performance
  6. Remain sceptical
  7. Go to church
  8. Work with objects
  9. Don’t forget when it’s time for ice cream
  10. The library is not for talking

Learn more about these rules from Philip’s original post at https://historyofthebook.mml.ox.ac.uk/10-rules-for-an-oxford-internship-youd-regret-not-knowing/

…or just watch him act them out for you below!

@oxfordmedievalstudies

Philip Flacke stars in… “10 rules for @University of Oxford you’d regret not knowing” Filmed by @Henrike Lähnemann #oxford #oxforduniversity #performance #church #icecream #library #medieval #medievaltiktok #göttingen

♬ Charlie Chaplin Music – Piano Amor

This video was filmed by Henrike Lähnemann in the courtyard of the old university library in Göttingen, next to the statue of the philosopher and scientist and aphorist Lichtenberg and adjacent to the repurposed Paulinerkirche. Fun fact: Göttingen had close links to Oxford as founded by one of the King Georges of England and Hanover!

Epiros: The Other Western Rome, Workshop 8th-9th November 2024

On Friday 8th and Saturday 9th November, the online workshop Epiros: The Other Western Rome was held, platforming twenty-one papers from sixteen universities. As the second phase of a new international project, the workshop investigated the Byzantine successor-state of Epiros (1204–1444). Formed from the Fourth Crusade, this Balkan state existed as an alternative narrative and third Byzantine-Roman context, encompassing a vast variety of peoples of the former empire.

Originally envisioned as a one-day workshop, the programme was expanded to two days to accommodate so many excellent submissions. As a result, we were able to offer panels on, The ‘Post-Komnenian System’, ‘Epiros and Bulgaria’, ‘Epiros and its other Neighbours’, ‘Network Analysis,’ ‘Hybrid Material Culture,’ and more. The workshop’s convenors are hugely grateful for the participation of speakers and attendees, as well as the support of both The Oxford Centre Research Centre in the Humanities (TORCH) and the Oxford Centre for Byzantine Research (OCBR).

An edited volume of papers is planned, and a selection of images below.

Medieval Afterlives Season Workshop

Date: Tuesday 21 January, 13.00-14.00, with lunch provided from 12.30
Location: Colin Matthews Room, Radcliffe Humanities (and online via MS Teams)

As part of the preparations for annual ‘Cultural Seasons’ in the new Schwarzman Centre for the Humanities, this is an invitation to brainstorm ideas for a Cultural Programme Season on Medieval Afterlives. From Oxford Medieval Studies, Prof. Marion Turner (English), Prof. Henrike Lähnemann (MML), Prof. Nancy Thebaut (History), and Prof. Elizabeth Eva Leach (Music) are already collaborating with the Cultural Programme on possible opportunities for the season and John Fulljames, Director of Oxford University’s Humanities Cultural Programme, is keen now to extend an invitation to others to join the conversation to explore and test the potential for the season and bring together researchers who could be involved in shaping and delivering it.
The focus of the season will be on contemporary creativity, while also centring Oxford’s extraordinary medieval resources where appropriate – our manuscripts, instruments, objects, architecture, and spaces. This season might engage with novelists, poets, musicians, graphic artists, puppeteers, playwrights, actors, composers, designers, children’s book writers, textile workers, cartoonists, computer game programmers, AI technology, and more.
We would like the season to be ambitious and international while also engaging grass-roots, local communities, especially schools and young people. It will be wide-ranging, inclusive, accessible, innovative, and fun. We also want to be open about the dark side of medieval appropriations in recent years, especially by the far right (see the previous TORCH OMS workshop on Medieval Studies and the Far Right), and to examine and counter these narratives. While we want to bring in high-profile writers and artists, we also want to celebrate the creativity of everyone, including students. The season would be likely to take place circa 2028.
One overarching question might be whether this kind of contemporary creativity is an end in itself, or a gateway to the medieval past. Please come along to this initial group meeting for all interested parties, which will be structured around the question: What has medieval research to do with contemporary creativity?

If you have something you would like to share or discuss in advance, please feel free to reach out to the researchers who are already involved or the Cultural Programme via Justine Shaw. Please RSVP to: Cultural Programmes with ‘Medieval Afterlives Workshop’ (culturalprogramme@humanities.ox.ac.uk) in the subject line by 7 January 2025.

Image: ‘Serenade to Chaucer’, a pop-up version of Chaucer’s ‘Miller’s Tale’ by Paul Johnson, runner-up of the Redesigning the Medieval Book competition by the Bodleian Library.