Graduate Students: OMS is hiring!

OMS is one of the largest forums in the world for interdisciplinary research on the Middle Ages, bringing together over 200 academics and a large body of graduate students. If you would like to be involved behind the scenes, we have three exciting (paid) opportunities to get involved! Though these are advertised as three separate posts, we welcome applications from students who would like to combine two or even all three posts:

1) OMS Social Media Officer: The Social Media Officer is in charge of connecting all of Oxford’s medievalists via the OMS Facebook, Twitter, and Instagram accounts and also occasionally posting on here, the OMS blog. You will be responsible for posting across these platforms to advertise OMS events, opportunities and news. You will work closely with the OMS directors (Profs Henrike Lähnemann and Lesley Smith), the Communications Officer (Dr Luisa Ostacchini) and the Events Coordinator. Familiarity with social media advertising is beneficial but not essential: this is an ideal way to gain technical know-how about social media, advertising and marketing that can be used in your academic career and beyond. The post usually comprises an hour or two a week. To read more about the post from the out-going postholder, Llewelyn Hopwood, including tips and tricks for social media success, see his blog post here.

2) OMS Events Coordinator: The Events Coordinator ensures that all of our in-person and online OMS events run smoothly. You will organise the google calendar, oversee the OMS Teams and YouTube Channels, respond to email queries about events, set up Zoom streaming events, assist in the real-time running of events (mostly hybrid and online, but also in-person), and serve as a point of liaison point between events organisers and the rest of the OMS Team. You will work closely with the OMS directors (Profs Henrike Lähnemann and Lesley Smith), the Communications Officer (Dr Luisa Ostacchini) and the Social Media Officer. Some familiarity with Teams and Zoom is necessary, but you by no means need to be an expert in these software packages as you can learn on the job. The post usually comprises an hour or two a week. To read more about the post from the out-going postholder, Tom Revell, including insight into the exciting range of events he helped to facilitate, see his blog post here.

3) Graduate Convenor for the Medieval Mystery Cycle 2023: the graduate convenor will take the mantle of the operation from Dr Eleanor Baker by organising the Medieval Mystery Cycle, which takes place on 22 April 2023. You will liase with the various Mystery Players and directors, help to coordinate workshops, and ensure that the plays run smoothly on the day. Experience in events organisation and a love of theatre are beneficial, but not essential. You will work closely with the OMS directors (Profs Henrike Lähnemann and Lesley Smith), the Communications team, and Mystery Players from across the university and beyond. To get a sense for the scope of the project, and to see the plays performed in previous years, see seh.ox.ac.uk/mystery-cycle.
Payment for all of these roles is at the standard rate for graduate students, and is billed by timesheet — up to a maximum of six hours per week per role, although actual hours will usually comprise one or two hours per week per role.

Please send expressions of interest to Co-Directors Henrike Lähnemann and Lesley Smith by 30 September 2022, 12noon, at medieval@torch.ox.ac.uk, including a one-page CV and a cover email explaining why you are interested in the job(s) and what experience you bring to it.

Header image: Matthew Paris Elephant from Parker MS 016II fol 152v (See the manuscript online via Parker Library on the Web)

Medievalist Events at Oxford Festival of the Arts

The Art of Illumination: makers and users of medieval manuscripts

Prof Michelle Brown, Patricia Lovett MBE, Dr Andrew Dunning

June 25, Lecture Theatre, Weston Library, 2pm – 4.30pm

It is the brilliance of yellow gold set off by jewel colours that makes so many mediaeval manuscripts so eye-catching.”

Join us for fascinating insight with our festival triumvirate of experts on illuminated manuscripts. Fresh from her involvement in the British Library’s journey from East to West through the dazzling beauty of fifty spectacular manuscripts across cultures for their exhibition
‘Gold’, world-renowned scribe and illuminator, Patricia Lovett MBE will talk about the origin and use of pigments and the mediaeval craft processes that enabled these luminous manuscripts to ‘catch the light’. Professor Emerita of Medieval MS Studies (SAS, University of London) and former Curator of Illuminated Manuscripts at the British Library, Michelle Brown will discuss these wonders from an historical perspective, using the manuscripts as windows into the lives of those who made and used them, and into the age in which they were made. This evening of medieval wonder is made whole by the display on manuscripts curated by Dr Andrew Dunning, R.W. Hunt Curator of Medieval Manuscripts; Supernumerary Fellow in Book History (Jesus College), who will speak to the manuscripts.

This event was curated to coincide with Sensational Books – a Bodleian Libraries exhibition at ST Lee Gallery, Weston Library.

Details & Booking for THE ART OF ILLUMINATION.



Illuminated Manuscript Workshop with Patricia Lovett MBE

June 26, Magdalen College School Studio, 10am – 5pm

Patricia Lovett MBE is a world-renowned scribe and illuminator who has taught and lectured at many prestigious institutions in the UK and abroad.

This is your chance to join the Festival Glitterati! Spend a day illuminating with real gold leaf and painting an animal from a medieval bestiary (book of beasts). You will be able to choose your own animal to copy from a small selection and be shown how to prepare calfskin vellum for painting, how to apply gold leaf and the sequence of medieval painting for miniatures using a fine Kolinsky sable brush. You will go home with your illumination on vellum ready to frame.

Since this workshop is one which will have a focus on one-to-one instruction, it is restricted to 16 people. We suggest early booking. Anyone taking part in this workshop will need to be contacted by Patricia in advance of the session, so please be aware that email and/or other contact will be required.

Details & Booking for ILLUMINATED MANUSCRIPT WORKSHOP.


Professor Robert Bartlett: The Middle Ages and the Movies

June 27, Festival Marquee, 8pm

 ‘This book will entertain and intrigue historians and film buffs alike. In a wide-ranging critical study of the creative process that tackles head-on the exchange between historical fact and artistic licence, Robert Bartlett shows how twentieth-century cinema’s variously imagined Middle Ages speak as much to modern sensibilities as to any reconstructed past.’ – Professor Christopher Tyerman

How was Umberto Eco’s Name of the Rose translated from page to screen? Why is Monty Python and the Holy Grail funny? And how was Eisenstein’s Alexander Nevsky shaped by the Stalinist tyranny under which it was filmed?  These, and many more questions will be answered tonight by eminent historian Robert Bartlett, who takes a fresh, cogent look at how our view of medieval history has been shaped by eight significant films of the twentieth century: from the concoction of sex and nationalism in Mel Gibson’s Braveheart, to Fritz Lang’s silent masterpiece Siegfried; the art-house classic The Seventh Seal to Tarkovsky’s Andrei Rublev and the epic historical drama El Cid.

Robert Bartlett is Bishop Wardlaw Professor of Mediaeval History Emeritus at the University of St Andrews, Scotland. His many books include the Wolfson Prize-winning The Making of Europe: Conquest, Colonization and Cultural Change, 950–1350 (1994), and he has written and presented three television series for the BBC, Inside the Medieval Mind, The Normans and The Plantagenets.

Details & Booking for ROBERT BARTLETT.


Treasures from Around the World at New College Library

July 2, 11am-4pm, Lecture Room 4, New College

More manuscripts survive from the medieval library of New College than from that of any other Oxford or Cambridge college. Today, New College Library holds what is probably the finest collection of medieval manuscripts of any of the Oxford colleges, also holding more incunabula (15th-century European imprints) than any other undergraduate college at Oxford. The Library’s collections of rare and early printed books are likewise spectacular.

View some of the Library’s fabulous manuscript and rare book treasures from around the world. Our world tour starts from 13th-century Catte Street, Oxford with one of the world’s great illuminated manuscripts (now housed just a few hundred metres away from where it was first created), and it takes in gorgeous and resplendent manuscripts and printed books from China to Constantinople, by means of Arabic, Armenian, Belgian, Dutch, English, French, German, Greek, and Syrian treasures, which date from the 11th century onwards.

Details & Booking for TREASURES FROM NEW COLLEGE. Entrance is free


British Society of Master Glass Painters

Centenary Touring Exhibition

The Chapter House, Christ Church Cathedral (throughout the festival)

Coming to Oxford from the cathedrals of Ely, Winchester, Wells and Worcester, this touring exhibition of stained glass panels celebrates the centenary of the British Society of Master Glass Painters. Over 90 artists from across the UK and overseas contributed to the exhibition. The tour highlights 60 of these panels that celebrate the unique art of glass. The works have been created using both traditional and modern glass techniques, demonstrating the extraordinary range of stained glass currently practiced.

The artists explore a variety of subjects such as the environment and the beauty of nature. The exhibition portrays an understanding of the concerns of glass artists a hundred years after the society was established to help stained glass remain relevant today. Displayed in the Chapter House of Christ Church Cathedral, this exhibition will also give the visitor the chance to explore the Romanesque doorway and interior.

Founded in 1921, the British Society of Master Glass Painters is the UK’s leading organisation
devoted exclusively to the art and craft of stained glass. In collaboration with Christ Church Cathedral, Oxford.


Dr Janina Ramirez in discussion with Peter Frankopan

July 5, 7.30pm, Festival Marquee, Magdalen College School, Oxford

We look forward to a stimulating and lively conversation between two brilliant Oxford historians; Dr Janina Ramirez, cultural historian, broadcaster and author, whose passion for communicating ideas about the past is always conveyed with an infectious enthusiasm, as exemplified in her brand new book FEMINA: A New History of the Middle Ages Through the Women Written Out of It; and the acclaimed historian Peter Frankopan, Professor of Global History and Director of the Centre for Byzantine Research at Oxford University, who is particularly interested in ‘exchanges and connections between regions and peoples’. Peter’s seminal book The Silk Roads: A New History of the World, (Dazzling – The Guardian; Phenomenal – Die Welt) was an international bestseller, topping the non-fiction charts all around the world, followed by The New Silk Roads: The Present and Future of the World, a ‘masterly mapping out of a new world order’ (Evening Standard).

Join us tonight to see the medieval world with fresh eyes and discover why the remarkable women ‘rediscovered’ in Janina’s Femina were removed from our collective memories. This book is a ground-breaking reappraisal of medieval history revealing why women were struck from our historical narrative, and restoring them to their rightful positions as the power-players who shaped the world we live in today.

Details & Booking for DR JANINA RAMIREZ IN DISCUSSION WITH PETER FRANCOPAN.


John Leighfield: Atlases and Maps

July 6, 5pm-7pm, Magdalen College School Studio

Join John Leighfield CBE, for his highly illustrated talk about how the maps of Oxford have developed from the 16th century until the present. Highly respected for his knowledge of the maps of the county and city of Oxford, John has had a passion for maps since his schooldays and has built a marvellous collection, some of which will be on display after the talk.

Details & Booking for ATLASES AND MAPS.

Conference: ‘New Visions of Julian of Norwich’

15-16 July 2022, Somerville College & Online

in association with Oxford Medieval Studies, sponsored by The Oxford Research Centre in the Humanities (TORCH)

Organisers: Antje Elisa Chan (Lincoln College, Oxford), Godelinde Gertrude Perk (Somerville, Oxford), Raphaela Rohrhofer (Somerville, Oxford), Alicia Smith (English Faculty, Oxford)

This international hybrid conference, held in Somerville College (Oxford) on 15th and 16th July, is the first academic event to focus solely on Julian’s writing, life, contexts, and influence long after her death. Offering thought-provoking panels and roundtables on a range of topics, from anchoritic transformations of the mundane to critical race studies, it maps out new and emerging dimensions in Julian scholarship.

The Somerville College choir will perform anthems based on Julian’s writing; a new play by writer-director Cindy Oswin, exploring the effect of age on the anchorite, will premiere at the conference. The opening lecture will be given by Professor Nicholas Watson (Harvard) with responses from Professor Laura Saetveit Miles (Bergen) and Professor Barry Windeatt (Cambridge). Professor Liz Herbert McAvoy (Swansea) will close the conference.

We particularly encourage graduate students and early-career researchers to attend; lower fees are offered for graduate students, unwaged and low-waged attendees.

To register: https://bit.ly/3vTAu5y 

More info: https://visionsofjulian.mml.ox.ac.uk/

Thursday 14th July

18:00-19:00 In-Person Welcoming Performance

New Music for a New Vision
by Dr. Alison Daniell (University of Southampton), Louise Stewart (Multitude of Voyces), and members of Somerville College Choir, dir. Will Dawes

Friday 15th July 

09:15 Opening session 

Keynote speaker – Nicholas Watson 

Julian of Norwich: Witness and Recension 

Respondents – Laura Saetveit Miles, Barry Windeatt 

11:30 Panel 1  

TRANSFIGURING THE MUNDANE 
Chair: Elizabeth Robertson 

Gillian Adler 
Julian of Norwich and Medieval Traversals of Time 

Raphaela Rohrhofer  
Julian of Norwich on Love and Nothingness  

Laura Kalas 
Producing Passioun: Reading Pain Generatively in the Revelations of Love
  

Jo Koster 
The Custom of Our Prayer: Establishing the Context of Julian’s Anchoritic Discourse 

14:00 Panel 2  

MATERIAL AND IMMATERIAL 
Chair: Annie Sutherland 

Fred Morgan 
“But I saw not synne” 

Anna-Nadine Pike 
“dereworthy blod”, Meditation and Performance in Julian of Norwich’s Revelations of Divine Love and British Library, MS Egerton 1821 

Melissa Tu 
“These words seyd our Lord”: Virtual Voices in Julian’s Text 
 

Victoria Yuskaitis 
Julian of Norwich’s Cell: The Role Archaeology Plays in Strengthening Authenticity and Impact 

16:00 Roundtable 1a  (at Pusey House)

CREATIVE ENGAGEMENTS WITH JULIAN 
Moderator: Antje E. Chan 

Max Brumberg-Kraus and Jennifer Awes-Freeman 
“Visions of Divine Love”: A Poetic and Visual Response to Julian’s Revelations 

Caroline Golum 
Creative Engagement with Revelations of Divine Love as Transcendental Cinema 

Laura Varnam 
Voices in Dialogue: Meeting Julian through Margery in Contemporary Creative Adaptations 

16:00 Roundtable 1b (at Pusey House)  

JULIAN IN THE COVID ERA 
Moderator: Hannah Lucas 

Gill Butterworth 
An Icon for Such a Time as This: A Pre-UK First Lockdown Anticipatory Consideration of Julian of Norwich and Pandemic Themes 

Margaret Healy-Varley 
Reading Julian for Resilience 

Richard Norton 
Julian of Norwich, The Church and Covid-19: A Scholarly and Pastoral Response  

17:30 Roundtable 2a   (at Pusey House)

PREMODERN CRITICAL RACE STUDIES AND JULIAN OF NORWICH 
Moderator: Mishtooni Bose  

A conversation between:  

Michelle M. Sauer 

Dorothy Kim 

Bailey Ludwig 

Kyle Moore 

17:30 Roundtable 2b (at Pusey House)

JULIAN AND MODERN CONTEMPLATIVE PRACTICES  
Moderator: Godelinde Gertrude Perk

Carla MacKinnon 
When a Woman Sits Alone: A Creative Project Inspired by Julian of Norwich 

Emma Pennington 
Doorway to Silence: An Analysis of the Use of Julian’s Text by Contemplative Prayer Groups Today 

Claire Foster-Gilbert 
Contemplating Cancer Cells: A Personal Account of Julian’s Companionship Enduring and Writing about Two and a Half Years of Treatment for Myeloma 

Saturday 16th July 

09:00 Panel 3 

MODERN RESPONSES TO JULIAN  
Chair: Alicia Smith 

Laura De Gaspari 
Divine Motherhood in Julian of Norwich and Spiritual Maternity in Edith Stein 

Heather Glover 
Beholding as Interpretive Strategy: Julian of Norwich’s Revelations of Divine Love and Christina Rossetti’s The Face of the Deep 

Simon Horobin 
“A dangerous book”: C.S. Lewis on the Revelations of Julian of Norwich 

Nancy Bradley Warren 
Julian of Norwich: New Visions of Her Lives and Afterlives 

11:00 Panel 4 

TEXTUAL INTERVENTIONS  
Chair: Laura Saetveit Miles 

Samira Lindstedt 
Towards a Grammar of Revelation: Editing and Translating Julian’s Revelations 

Fumiko Yoshikawa
What Do Scribal Corrections Show in Paris, BNF, Fonds Anglais MS 40? 

Brenna Duperron 
Editing Community in the Works of Julian of Norwich  

13:30 Panel 5 

BEYOND THE ANCHORHOLD 
Chair: Nicholas Watson 

Alexis Becker 
Behovely Work 

Laurence Bond 
“With alle the faith of haly kyrke”: Social Meaning and Dissent in the Writings of Julian of Norwich 

David Palko 
Moving Beyond Economics with Julian of Norwich 

Chase Padusniak 
Julian and the Politics of Norwich 

15:30 Panel 6 

WORKING ON / WITH JULIAN 
Chair: Ayoush Lazikani 

Juliana Dresvina  
Julian of Norwich’s Shewings: A Medieval Failure, An Early Modern Success 

Daniel Fishley 
The Weakness of A Revelation: Julian of Norwich, John Caputo, and the Questioning Event of Theology 

Hannah Lucas 
The Good Enough Mystic: Toward a Practical Theory of Julian Scholarship 

Melaney Poli 
How We got “Saint Julian”: A Short History in Images 

17:15 Respondent  

Liz Herbert McAvoy 

18:15-19:30 Play
A darkly humorous play written and performed by Cindy Oswin
‘Cell’ examines the enclosed life of Julian of Norwich into old age.

20:00-21:30 Closing Dinner

Call to Action: Medieval Mystery Cycle 2023

Following the successful Medieval Mystery Cycle 2.0, plans are underway for the third iteration of what has fast become an Oxford tradition. Please reserve the date of 22 April 2023 (Saturday before Trinity Term) and spread the word! We are looking for actors, directors, musicians, prop makers, and above all a graduate convenor who will take on the mantle of Eleanor Baker in masterminding the operation. Have a look at seh.ox.ac.uk/mystery-cycle for getting a sense of the scope and watching the plays performed in 2019 and 2022.

Please send expressions of interest for the Graduate Convenor by 30 June 2022 to Co-Directors Henrike Lähnemann and Lesley Smith under medieval@torch.ox.ac.uk

CfP: Oxford Medieval Commentary Network: Second Conference, 29 September 2022

Proposals are invited for the second conference organised by the Oxford Medieval Commentary Network, following the successful launch of the Network last year. The one-day conference will take place at Christ Church, Oxford on 29 September 2022.

The Oxford Medieval Commentary Network is a multi-disciplinary network for research and discussion of medieval commentary culture and its long afterlife. OMCN aims to bring together research on traditional forms of commentary as well as research on commentaries in a broader sense, including interpretations of texts through visual art, performance, music, and drama. OMCN seeks to establish a conversation between scholars from a range of disciplines working on different languages and geographical areas. This includes the medieval period and post-medieval responses to the commentary tradition. The longer-term objective for OMCN is to become a nexus of research and discussion of medieval commentary culture and its expression in various textual and artistic forms. The network is open to everyone with an interest in these topics.

Proposals are invited for presentations of 15 minutes on all aspects of the medieval commentary tradition and its post-medieval responses. Topics can include, but are not limited to, biblical interpretation, commentaries on classical texts, forms of commentary, textual criticism, interplay between Latin and the vernacular, etc. Please submit your title and abstract (150-200 words) by 31 July 2022 via this form. If you wish to attend without giving a paper, please sign up via the same form, by 31 August 2022. The workshop is free for all participants and will include a sandwich lunch and wine reception.

For further information, see www.medievalcommentary.network, or contact Dr Cosima Gillhammer, cosima.gillhammer [at] chch.ox.ac.uk.

Coffee Morning with Professor William Chester Jordan

The Faculty of History and Oxford Medieval Studies are pleased to invite you to an informal meet and greet coffee morning with William Chester Jordan (Professor of Medieval History,
Princeton University) on the occasion of his reception of an honorary degree of the University of Oxford.
When? Thursday 23rd June, 10.30am-12 noon
Where? The garden of Harris Manchester College (Mansfield Road), or in the Warrington
Room in the case of rain.
Coffee and croissants will be provided.
For catering purposes, please register your attendance if possible:
https://forms.gle/AkvPUsX2Ur1hbgTU7

Bill Jordan gave the 2021 Oxford Medieval Studies keynote lecture “A Thirteenth-Century Polymath Considers the Jews” – watch it here:

Oxford Medieval Studies lecture 2021

Dag Nikolaus Hasse (Würzburg University): What is European? Medieval, Colonial and Postcolonial Perspectives

Friday, 10 June 2022, 5pm, in St Edmund Hall, Old Library

We often talk about Europe, but our traditional ideas about European culture are questionable. This is because we carry views from the colonial and romantic periods that distort our image of history and geography and may prove a burden for future coexistence on the continent. I would like to encourage us to think more openly about Europe, about its broad cultural roots and its intensive relations with its continental neighbours. 
This includes reflecting on medieval clichés: medieval Europe was not a “Christian land” as the Romantics Novalis and Chateaubriand dreamed it. It was much more than that.

If you would like to participate remotely, please contact Henrike Lähnemann to be added to a teams call.

Storyteller (meddah) at a coffeehouse in the Ottoman Empire. The first coffeehouses appeared in the Islamic world in the 15th century. Source: Wikimedia

Marriages, Unmarriages, and Subjectivities: A Roundtable Discussion with Sara McDougall and Hannah Skoda

The Oxford Medieval Society is pleased to announce our first event of Trinity Term 2022, a Roundtable Discussion with Professors Sara McDougall and Hannah Skoda

We invite all interested parties to attend the event on Thursday 26th May at 13:00-14.30, in the New Seminar Room in St. John’s College. Participants will be able to ask questions and engage in discussion with Professor McDougall and Professor Skoda on a shared area of their research, Marriages, Unmarriages, and Subjectivities

Professor Sara McDougall is Associate Professor of History at John Jay College of Criminal Justice (City University of New York) and coordinator of the Medieval Studies Certificate Program at the CUNY Graduate Center. Specialising in legal history, her research focuses primarily on women and crime in medieval France and explores topics such as gender, marriage, religion and illegitimacy. Her publications include Royal Bastards: The Birth of Illegitimacy, 800-1230 (Oxford University Press, 2017) and Bigamy and Christian Identity in Late Medieval Champagne (University of Pennsylvania Press, 2012). Professor McDougall is in Oxford this term as an Astor Visiting Lecturer.  

Professor Hannah Skoda is Fellow and Tutor in Medieval History at St. John’s College, Oxford, and specialises in the cultural and social history of the later Middle Ages. She has particular interests in education, conflict, ownership, slavery and constructions of deviance in late medieval Europe. Her monograph Medieval Violence: Physical Brutality in Northern France, 1270-1330 (Oxford University Press, 2013) won the Society for Medieval Feminist Scholarship’s 2014 Best First Book Prize, in which year she was also awarded a Philip Leverhulme Prize to explore nostalgia in the fourteenth century. 

Please do not hesitate to get in touch with any questions at oxfordmedievalsociety@gmail.com

We look forward to seeing you there!

OMS Small Grants TT 2022

The TORCH Oxford Medieval Studies Programme invites applications for small grants to support conferences, workshops, and other forms of collaborative research activity organised by researchers at postgraduate (whether MSt or DPhil) or early-career level from across the Humanities Division at the University of Oxford.

The activity should take place between June 2022 and January 2023. The closing date for applications is Friday of Week 5 of Trinity Term (27 May 2022).

Grants are normally in the region of £100–250. Recipients will be required to supply a report after the event for the TORCH Medieval Studies blog. Recipients of awards will also be invited to present on their events at the next Medieval Roadshow.

Applicants will be responsible for all administrative aspects of the activity, including formulating the theme and intellectual rationale, devising the format, and, depending on the type of event, inviting speakers and/or issuing a Call for Papers, organising the schedule, and managing the budget, promotion and advertising. Some administrative and organisational support may be available through TORCH subject to availability.

Applications should be submitted to  lesley.smith@history.ox.ac.uk  using the grant application form. Applications submitted in other formats or after the deadline will not be considered.

Informal enquiries may be directed to lesley.smith@history.ox.ac.uk

The Oxford Medieval Studies Programme is sponsored by The Oxford Research Centre in the Humanities (TORCH).

For more medieval matters from Oxford, have a look at the website of the Oxford Medieval Studies TORCH Programme and the OMS blog!

Image: OMS Small grant being given to John (or: Bamberg Apocalypse, Staatsbibliothek Bamberg Msc.Bibl.140)

Public Lecture – Christine de Pizan

The Oxford Medieval Society is pleased to announce a public lecture by Dr Charlotte Cooper-Davis on Thursday 9th June 2022.

Dr Cooper-Davis will speak on the topic of “Christine de Pizan: Guilty Feminist?”.

The lecture will take place in the New Seminar Room in St. John’s College, 13:00-14.30.

About the speaker: Dr Charlotte Cooper-Davis is an Honorary Research Fellow of the Faculty of Medieval and Modern Languages at the University of Oxford, and the author of Christine de Pizan: Life, Works, Legacy (Reaktion Press, 2021). Her DPhil thesis explored text-image relations in de Pizan’s works, and a resulting monograph is currently under contract with ARC Humanities Press.

Please direct any queries to oxfordmedievalsociety@gmail.com.

Image credit: British Library MS Harley 4431, f.259v (courtesy of Wikimedia Commons).