Workshop 3: Victorine and Augustinian Influences in the North-East.
Aula Magna, Stockholm University, 25–26 May 2023.
Hosted by the Stockholm University Centre for Medieval Studies Arranged by Prof. Roger Andersson, Stockholm University and Prof. Samu Niskanen, University of Helsinki. Open to interested subject to availability. Register interest by contacting roger.andersson@su.se.
Thursday 25 May
COFFEE 10:00–10:30
SESSION 1: 10:30–12:00
Welcome address and general introduction (Roger Andersson & Samu Niskanen)
Christian Etheridge, National Museum, Stockholm: ”The Abbey of St. Victor and Medieval Science”
Micol Long, University of Padova: ”Mind, Body and the Environment in some Twelfth Century Augustinian Authors From Paris to Scandinavia”
LUNCH: 12:00–13:30 Fakultetsklubben, SU
SESSION 2: 13:30–15:00
Sanna Supponen, University of Helsinki: ”Influence of Victorine Authorities on Magister Mathias’s Alphabetum Disctinccionum”
Biörn Tjällén, Mid Sweden University, Sundsvall: ” Hugh of St Victor, Ericus Olai and the Chronica regni Gothorum”
Fredrik Öberg, University of Helsinki: ”Using Saint Augustine as a Way to Legitimize Katarina Ulfsdotter as a Saint”
COFFEE 15:00–15:30
SESSION 3: 15:30–16:30
Jaakko Tahkokallio University of Helsinki: ‘Victorine texts and St Victor in Sweden. A conspectus of the evidence in the fragments of the National Archives’.
Olle Ferm, Stockholm University: ”Swedish Connections with Paris 1150–1250”
DINNER 19:00 Den Gyldene Freden, Österlånggatan 51, Old Town
Friday 26 May
SESSION 4: 10:00–11:00
Anna Minara Ciardi, Catholic Diocese of Stockholm, Lund University: “Augustinian Movement in the North: Reform or Resistance? The Archdiocese of Lund in the Twelfth Century”
Kurt Villads Jensen, Stockholm University: ”The Victorines and the Danish Flag from Heaven”
COFFEE 11:00–11:30
DISCUSSION: 11:30–12:15
LUNCH: 12:30–13:30 Fakultetsklubben, SU
EXHIBITIONS OF MANUSCRIPTS: 14:00–15:00 National Library of Sweden (for speakers)
EXHIBITION OF ALTAR PANELS: 15:30–16:30 The Historical Museum (for speakers)
Friday, 26 May 2023, 2-4pm in the St Peter’s College Chapel
St Peter’s College is pleased to host a practical art workshop as part of a current display exploring the works of Hungarian artist Ervin Bossányi (1891-1975) in the College collections and Chapel stained glass. His artistic achievements range from paintings and friezes to stained glass windows in prestigious buildings such as Canterbury Cathedral and Washington National Cathedral in the USA.
A guided tour of the display by Dr Alison Ray (College Archivist) will be followed by a linocut workshop led by Dr Eleanor Baker and participants will produce their own linocut designs. Eleanor completed her DPhil in medieval material texts in 2022, and is currently working on a short anthology of book curses. She started linocutting as a lockdown hobby, and is inspired by late medieval woodcuts, folk horror, and the natural world. The afternoon will conclude with refreshments in the Chapel with thanks to the Revd Dr Elizabeth Pitkethly (College Chaplain).
Attendance is free, but booking is required as space is limited. Please contact Alison Ray to reserve a place by email: archives@spc.ox.ac.uk
Dr Eleanor Baker will lead the practical art workshop with a linocut activity
The ‘Ervin Bossányi: Stained Glass Artist’ display is currently running 12-26 May 2023, 10am-5pm (closed Thursdays) in the St Peter’s College Chapel. Admission is free and open to the public.
Last week we hosted the fabulous OMS Trinity Term Lecture by Alison Ray and Heather Barr: a careers talk with a twist! Many thanks to Alison and Heather for a wonderful evening, and thanks to everyone who came along. Here’s some careers-based wisdom from Alcuin, in honour of the occasion:
Unus quisque proprii laboris mercedem accipiet [Each person will receive appropriate reward for their own work, Ep. 88]
If you missed the talk, don’t fear: you can catch up via our blog! You can view the Trinity Term Lecture, along with a handy list of resources for further information on working in archives, libraries and the wider heritage sector, kindly written by Alison, here: GLAMorous work: Medievalist Pathways in Archives and Libraries. Alison has also kindly written up the highlights of the Medieval Mystery Plays, so if you missed the festivities (or just want to relive them), please click here! We also have a wonderful Report by Elisabeth Dutton, Université de Fribourg, on the staging of the Comédie des Innocents, by Marguerite de Navarre: click here to read all about it! For the week’s offerings, please see below.
ANNOUNCEMENTS:
Save the date! Dies Latinus et Graecus: ‘Quid antiqui de antiquis censuerint’: We are delighted to announce that the Oxford Ancient Languages Society, with the support of Oxford Latinitas, will be running a Dies Latinus et Graecus on Saturday 20 May, in the Ship Street Centre, Jesus College. Please save the date! The broad theme of the day will be what the ancients had to say about (even earlier) ancient figures, texts, and events, and in general exploring antiquity through its own critical resources. To register interest, please fill out this form. Any questions may be directed to nicholas.romanos@worc.ox.ac.uk or aron.szocs@st-hughs.ox.ac.uk.
Registration for Literary, religious and manuscript cultures of the German-speaking lands, the symposium in memory of Nigel F. Palmer (1946-2022) which takes place on 19/20 May finished last week; please contact Henrike Lähnemann if you would still like to attend some sessions. There will be the opportunity for Oxford-based medievalists to see books related to Nigel Palmer both at the Friday coffee morning on 19 May and in the Old Library of St Edmund Hall on 20 May from 5pm.
EVENTS THIS WEEK:
Monday 8th May:
The Byzantine Graduate Seminar will meet at 12:30-14:00 via Zoom. This week’s speaker will be Valeria Annunziata (La Sapienza Università di Roma), Challenging Authorities: How and Why Byzantine Scholars Emended Classical and Authoritative Texts . To register, please contact james.cogbill@worc.ox.ac.uk.
The Medieval Latin Manuscript Reading Group led by Matthew Holford and Andrew Dunning is meeting as usual via Teamsfrom 1-2pm. This term we will read some satirical poetry from a thirteenth-century manuscript, the so-called ‘Bekyngton anthology’ (Bodl. MS. Add. A. 44). Sign up for the mailing list to receive updates and the Teams invite, or contact matthew.holford@bodleian.ox.ac.uk or andrew.dunning@bodleian.ox.ac.uk for more information.
Please note that the Medieval History Seminar will not take place this week.
Tuesday 9th May:
The Medieval English Research Seminar will meet at 12:00 in Lecture Theatre 2, St Cross Building. This week’s speakers will be Jane Griffiths (Wadham College, Oxford) and Laura Varnam (University College, Oxford), ‘Her Wordhoard: Unlocking Creativity in Academic Practice‘.
The Medieval Church and Culture Seminar meets at the Wellbeloved Room, Harris Manchester College, with tea & coffee from 5pm; papers begin at 5.15pm. This week’s speaker will be Sara Lipton (Stony Brook, NY), ‘The Law Was Like a Book of Pictures’: a sermon by Philip the Chancellor on Jewish and Christian Ways of reading and perceiving‘. Everyone is welcome at this informal and friendly graduate seminar!
The Medieval French Research Seminar will meet at 5pm for drinks, with the presentation starting at 5:15pm, at the Maison Francaise d’Oxford on Norham Road. This week’s speakers will be Ramani Chandramohan, Alice Hawkins, and Robert Ley – ‘Within and Beyond: Scribal, Textual and Narrative Voices in Medieval French Epic and Romance‘. For more information, to be added to the seminar maillist, or for the Teams link to join a seminar remotely, contact helen.swift@st-hildas.ox.ac.uk.
Wednesday 10th May:
The Medieval German Seminar will meet at 11:15-12.45pm at St Edmund Hall Old Library. This week Luise Morawetz will offer a short presentation on her project editing the Old High German glosses in Bodleian Library, MS. Canon. Pat. Lat. 57 – have a look at her work-in-progress edition.
The Medieval Latin Document Reading Group meets on Teams at 4-5pm. We are currently focusing on medieval documents from New College’s archive as part of the cataloguing work being carried out there, so there will be a variety of hands, dates and types. A document is sent out in advance but homework is not expected. Contact Michael Stansfield for further details and the Teams link.
The Late Antique and Byzantine Seminar meets at 5pm at Ioannou Centre for Classical and Byzantine Studies, 66 St. Giles. This week’s speaker will be Federico Montinaro (Universität Tübingen), ‘The edition of the Acts of the Council of Constantinople of 879-80: an interim report’. To join remotely via Teams, click here.
TheCentre for Manuscript and Text Cultures (CMTC) at The Queen’s College (Oxford) is hosting the Trinity Term Lecture at 5.15–6.45pm, in the Memorial Room, The Queen’s College and online via Zoom. The lecture will be by Jean-Luc Fournet (Collège de France, Paris), ‘The End of a Script and the Beginning of Myth. Hieroglyphs and the Greeks’. Please register here (whether you are planning to attend in person or online).
Thursday 11th May:
The Discussion Group: Governability across the medieval globe meets at 12.30 in Seminar Room A in Jesus College. Everyone welcome: staff, students and researchers, of all historical periods. We encourage you to bring lunch along. This week’s topic is ‘Gender’.
Laura Ashe is leading this week’s Piers Plowman in Context discussion group, which meets in the Butler Room at Univ (please note the change of college room) from 4.30-5.30. This week’s session will be on Passus VII of the B-text, which we’ll be discussing in relation to the short contextual passages in this PDF. All welcome! Email Jacob Ridley with any questions.
The Oxford Interfaith Forum meets online via Zoom at 6pm. Professor Adele Berlin, Robert H. Smith Professor Emerita of Hebrew Bible at the University of Maryland, USA, will be leading this session on Exile and Restoration in the Psalms. To register, please click here.
Friday 12th May:
The Medieval Coffee Morning meets as usual 10:30am in the Visiting Scholars Centre of the Weston Library (instructions how to find it) with presentation of items from the special collections, coffee and the chance to see the view from the 5th floor terrace.
The Germanic Reading Group meets at 4pm on Zoom. To mark the publication of his new book, Prosody in Medieval English and Norse, Nelson Goering will lead this session on Laȝamon’s Brut. To receive the materials and be added to the mailing list, please contact howard.jones@sbs.ox.ac.uk.
The Anglo-Norman Reading Group meets at 5-6.30pm at the Julia Mann room, St Hilda’s College and online. This term we are reading extracts from Hue de Rotelands’s Protheselaus. Please contact Jane Bliss and/or Stephanie Hathaway to let us know if you can come in person (so we know whom to expect), also to obtain copies of the texts, and for the Zoom invitations.
I hope you are all enjoying your second bank holiday weekend! Though Alcuin thought it was important to work hard to receive your just rewards, he also acknowledged that taking a break was sometimes necessary:
Qui placido in puppi carpebat pectore somnum, Exurgens uentis imperat et pelago [With a quiet heart he snatched some sleep in the ship’s stern; waking, he commanded the wind and sea.Oratio in Nocte.]
I take this to mean: snatch some sleep on this bank holiday so that you can accomplish great things the rest of the week! Wishing you all a week of good work, good rest, and the rewards that you deserve!
[A Medievalist trying to snatch some sleep on the bank holiday] Ashmole Bestiary, Bodleian Library MS. Ashmole 1511, f. 69 r. Viewable in full at Digital Bodleian
The Oxford Medieval Studies Trinity Term lecture on Thursday, 4 May was a careers talk with a twist, featuring an exhibition in the St Edmund Hall Old Library as well as coffee and cake! Alison Ray (Archivist, St Peter’s College) and Heather Barr (Graduate Trainee Library Assistant, St Edmund Hall) were delighted to share their experiences of working in archives and libraries to attendees and how they make use of their skills as medievalists in their present roles.
You can watch back the careers talk in the video below and check out the handy list of resources for further information on working in archives, libraries and the wider heritage sector:
GLAMorous Work: Resources
Archives Listserv: Jobs, training, current events and issues, professional discussion
Report by Elisabeth Dutton, Université de Fribourg, on the staging of the Comédie des Innocents, by Marguerite de Navarre. Presented by les perles innocentes as part of the Medieval Mystery Cycle 2023 at St Edmund Hall, University of Oxford (see there for a synopsis of the play and the cast list).
The play at first reading seemed to me a fairly conventional dramatization of the story, not so different from the story as told in the English mystery plays, for example– the idea that Herod kills his own son is found in the Golden Legend and thus well established in European tradition. But Marguerite gives particular force to female characters, not just the feisty mothers and Nurse who care for the slaughtered babies, but also most importantly Rachel, whose lengthy lament, a rhetorical tour de force, is really the climax of Marguerite’s script. In a play which shows mothers and Herod violently deprived of their children, and which foreshadows God’s loss of his own Son, the Old Testament matriarch Rachel powerfully gives voice to the grief of women, King, and ultimately God. She also raises a protest against tyranny and abuse that feels all too contemporary.
I knew that I needed an actress for Rachel who could be at once strong and feminine, and utterly absorbing to the audience, and I was delighted that Elisa Pagliaro agreed to play the role. I wanted the speech to be supported by some haunting music, and am grateful that Lucy Matheson found a medieval French setting of the Vox in Rama, and agreed to sing it for us for the performance in Oxford. The effect of Marguerite’s verse, delivered by Elisa directly to the audience, with Lucy’s haunting song underneath, was very powerful indeed, and quite unlike anything I had experienced in other dramatisations of the Innocents. Its power took us all a little by surprise. There was a completely different reading and understanding of the Comédie des Innocents – in particular of Rachel’s lament – from the very first time I independently read it, and the way I felt and understood it on the day of the performance in Oxford.
Elisa Pagliaro on performing Rachel’s lament
The original play is 1075 lines long: in order to fit into our allotted 20 minutes, Aurélie Blanc cut more than half of its lines, while expertly maintaining a sense of the versification. Aurélie was also essential to my vision of the play from the start, as I needed her exceptional talents for the roles both of Herod and of God. As a travelling troupe, we had to keep our costs down through maximal doubling – and the structure of the various scenes required that God be doubled with the royal tyrant, as well as one of the mothers. This doubling was in fact rather pointed, as Aurélie writes:
The main challenge when participating in this play was to take on three roles: I played God, then Herod, and then one of the women whose child is killed by the soldiers. During the play, I did not have much time to go from one character to another. I struggled with those transitional moments because God, Herod, and Woman 1 seemed so different from each other. I tried to find what their main characteristics were so I could focus on these while changing roles. God and Herod are both rulers, both authoritative and confident (at least at times in the case of Herod). However, Herod is more frantic, chaotic, and changeable than God. Surprisingly perhaps, I found the character of God harder to play. It was much easier to relate to Herod with his mood swings and emotional outbursts! As for the Woman, she seemed completely unlike the other two characters. Her tender love for her child is her main concern throughout her scenes. Thinking about these characters helped me understand them, but I felt that things truly came together when I realized that all three were parents and all three lost their child. God’s worry for his son is what prompts him to send an angel to Joseph and Mary, it is the reason motivating his first speech. Understanding this helped me relate to God: when playing him, I did not have to try to pretend to be all powerful and all knowing, I had to focus instead on thinking about saving a person that I loved. Herod’s motivations are more selfish, but he also acts with his son in mind: he wants his son rather than Jesus to rule over his kingdom after him. Once I saw this, I found it much easier to play his shock and grief when his dead son is presented to him. And Woman 1, of course, was always a character focused on her child. Understanding these connections between my three characters was really helpful to me. These people no longer seemed entirely different from each other but were united by the same love and the same grief. This love and grief could stay with me throughout the play as I moved between God, Herod, and Woman 1.
Aurélie Blanc on playing God, Herod and a grieving mother
Aurélie’s performance of all three roles was extraordinary. And the requirements of the doubling also lay behind the blocking of the piece, which came to me very early on in rehearsals. I wanted to find a way to use the whole of Teddy Hall’s front quad: early drama, I believe, always exploited its venues to the full, and it’s good to make actors do hard physical work. Then, the actors would have no ‘offstage’ space for changing, and in any case they wouldn’t have time to do anything other than change ‘onstage’; but the audience needed to recognize clearly their changes of role, so we associated role with place (an idea most clearly demonstrated in medieval drama by the extant stage plan of the Castle of Perseverance, with its ‘skaffolds’ for the God, the World, the Flesh and the Devil.)
I enjoyed the sense of empowerment that came from filling the front quad with our voices and bodies.
Helene Wigginton on performing in a medieval venue
God begins the play in a scene of heavenly harmony, commanding his angels. We established him standing on the well in the centre of the quad (scriptural associations of wells are a pleasing coincidence). In each of the four corners of the quad we placed a black storage stool, containing costume changes, and Mary and Joseph began sitting on the stools to God’s right, while Herod was to occupy the stool on God’s left. The effect was formal and stylized, which matches the verse. The angels could move freely between ‘heaven’ and ‘earth’, delivering messages and also distributing chocolates to the audience (we are a Swiss troupe, after all); when the angel actors had to become soldier-tyrants, they went to the other ‘left’ stool to swap their wings for helmets.
As the scene shifted from heaven to Herod’s court, Aurélie left her golden cape on the well and donned regal robes on Herod’s ‘throne’: since Herod then issues quick-fire commands to doctors and soldiers, frantic activity ensued as all the other actors rushed backwards and forwards across the playing area to obey his orders. The pace contrasted with the calm order of heaven, and the audience had a disconcerting sense that the focus was pulled ‘off-centre’ with Herod’s power. Tyranny pulls all things out of joint.
The babies (dolls with soft torsos) were slaughtered using a sword and two spears, mainly because I am haunted by the image of ‘naked infants spitted upon pikes’. We used this device once before, in a staging of the Middle English Digby Killing of the Children, and it provoked horrified laughter in the audience. I was fascinated that the effect in Marguerite’s play was completely different: there was no laughter, but there was genuine horror. I think this is partly because, whereas the Digby play includes a Fool character among Soldiers, who all seem rather dim, Marguerite writes her killers concisely and explicitly as Tyrants.
Carmen Vigneswaren-Smith on her role as soldier: ‘the audience flinched back from my spear, gasped and covered their mouths in surprise at the murder of the babies, and I was suddenly reminded of what the familiarity of rehearsal can make you forget — that it was in fact a brutal massacre that we were acting out.’ One woman in the audience clutched her own baby to her. Audience members commented that their stomachs were knotted.
The sense of horror was not entirely dispelled by the final song, which was a Christmas song, since the play would originally have been performed on the feast of the Innocents, December 28th. The script states that it should be sung to “Si j’ayme mon amy”: for our performance, Sandy Maillard, founder of the all-female choir Fa Mi Cantar, adapted a tune of that name found in the songbook of Françoise de Foix, Countess of Châteaubriant, 1495-1537, celebrated beauty and lover of King Francis I (the songbook is now British Library MS Harley 5242.) It is a strangely unnerving ending to a powerfully disconcerting play.
The sixteenth-century French seemed to present no obstacle to the audience’s engagement, and we are grateful to have had such an opportunity to explore its quality. Our production was probably different in many ways from any performance Marguerite might have seen or even envisaged, but we hope that our all-female production, delivered with precise attention to the words she wrote, may have captured something of their spirit, which seems that of an almost feminist protest against tyranny.
A fantastic day was had by all at the third Medieval Mystery Cycle held on Saturday, 22 April that took place across the Front Quad and St Peter-in-the-East churchyard of St Edmund Hall. Actors, directors, singers and designers staged six plays dating from between the 12th and 16th centuries. Retelling Biblical stories from the Nativity to the Last Judgement, the cast expertly performed in medieval and modern languages, including Latin, Middle English and Middle High German.
Master of Ceremonies Jim Harris (left) and the Choir of St Edmund Hall (right)
Master of Ceremonies Jim Harris (Teaching Curator, Ashmolean Museum) delighted everyone as audience guide and play narrator with linking verse composed by David Maskell, and we were treated to Peter Abelard’s ‘O quanta qualia’ sung by the Choir of St Edmund Hall led by College Chaplain the Revd Dr Zachary Guiliano.
Piers Plowman with tackling the seven deadly sins (left) and the Virgin and Christ Child of the Nativity scene (right)
Group ‘Swonken ful harde’ performed first with extracts from Piers Plowman in Middle English, that saw Piers taking on the seven deadly sins through the visions of Will the Dreamer. Following in Middle English, The English Faculty wonderfully performed the Chester Nativity and Salutation with a humorous interpretation of Roman Emperor Octavyan as King Charles III in time for the Coronation!
Oxford Medieval Mystery Plays 2023
God announces judgement in the Slaughter of the Innocents (left) and Mary Magdalene steals a member of the audience (right)
Marguerite de Navarre’s 16th-century French play of the Comédie des Innocents was performed by group ‘Les perles innocentes’ with singing by Lucy Matheson (read a report by director Elisabeth Dutton), with the dark scenes of the Slaughter of the Innocents countered by a comically scheming Herod and angels supplying chocolates to the audience. We were then treated to a charity coffee and cake stall in the break by the Oxford German Society in support of the German Red Cross. This was followed by a fantastic adaptation of the Carmina Burana Bavarian Passion play by the ‘Sorores Sancte Hildae’ group in Latin and German, with audience participation!
Professor Henrike Lähnemann and trumpet leading the angels (left) and a gleeful Lucifer capturing lost souls for Hell (right)
The unofficial award for best costume design went to the Medieval Germanists who performed the Harrowing of Hell in Middle High German with English narration, that saw a troupe of winged angels and Lucifer herd an imaginative array of lost souls to the Crypt’s Hellmouth. The day closed with Past and Present Teddy Students delivering a high-energy staging of a modern English version of the Last Judgment with St John of Patmos being guided by an exacerbated angel through comic visions of the battle between Christ and Satan for souls.
St John of Patmos and his visions of Heaven and Hell in the Last Judgement
We are particularly grateful to Professor Lesley Smith and Professor Henrike Lähnemann, co-directors of Oxford Medieval Studies, the driving force behind the Mystery Cycle, Michael Angerer, Graduate Convenor for the Mystery Cycle, and to the Fellows and Principal of St Edmund Hall, for once again agreeing to host our medieval madness!
Happy May Morning! The May Morning celebrations in Oxford traditionally mark the official arrival of Spring. If you were up early celebrating at Magdalen Bridge, I hope that you had a wonderful time. Here is some wisdom from Alcuin regarding mornings, whether literal or more metaphorical:
Mane, florentibus per aetatem studiis, seminavi in Brittania [In the morning of my life, with my spirit flowering during that time, I sowed the seeds of learning in Britain. Ep. 8]
May your May Morning be filled with the seeds of learning! To help you along the way, here are some wonderful events happening this week:
EVENTS THIS WEEK:
Monday 1st May:
The Byzantine Graduate Seminar will meet at 12:30-14:00 via Zoom. This week’s speaker will be Paul Ulishney (University of Oxford), The Crisis of the Chalcedonian Episcopate in Egypt, c. 652-c. 710. To register, please contact james.cogbill@worc.ox.ac.uk.
The Medieval Latin Manuscript Reading Group led by Matthew Holford and Andrew Dunning is meeting as usual via Teamsfrom 1-2pm. This term we will read some satirical poetry from a thirteenth-century manuscript, the so-called ‘Bekyngton anthology’ (Bodl. MS. Add. A. 44). Sign up for the mailing list to receive updates and the Teams invite, or contact matthew.holford@bodleian.ox.ac.uk or andrew.dunning@bodleian.ox.ac.uk for more information.
The Queer and Trans Medievalisms Reading and Research Group meets at 3pm at Univ College, 12 Merton St Room 2. This week’s theme is Creaturely lais: Marie de France, Bisclavret and Yonec. All extremely welcome! To join the mailing list and get texts in advance, or if you have any questions, email rowan.wilson@univ.ox.ac.uk.
The Medieval History Seminar meets at 5pm at the Wharton Room, All Souls College. This week’s speaker will be Tom Johnson (York) ‘Reckoning and Economic Life in Late-Medieval England‘. The seminar will also be available remotely viaTeams. The Teams session can be accessed by logging in to Teams with your .ox.ac.uk account and joining the group “Medieval History Research Seminar” (team code rmppucs). If you have any difficulties please email: medhistsem@history.ox.ac.uk.
Tuesday 2nd May:
The Medieval English Research Seminar will meet at 12:00 in Lecture Theatre 2, St Cross Building. This week’s speaker will be Jeremy Smith (University of Glasgow), Reinventing medieval English liturgy: the lives and afterlives of The Lay Folks’ Mass Book.
The Medieval Church and Culture Seminar meets at the Wellbeloved Room, Harris Manchester College, with tea & coffee from 5pm; papers begin at 5.15pm. This week’s speaker will be Virginia Bainbridge (freelance researcher), ‘Taking advantage? Syon Abbey and regime change in the Wars of the Roses’. Everyone is welcome at this informal and friendly graduate seminar!
Wednesday 3rd May:
The Medieval German Seminar will meet at 11:15-12.45pm at St Edmund Hall Old Library. In Trinity Term, we are continuing to discuss Heinrich von Neustadt’s texts, focussing on ‘Von Gottes Zukunft’. We will meet in person in the Old Library of St Edmund Hall. This week we will be discussing the prologue. Further information and reading recommendations via the teams channel; if you want to be added to that: please email Henrike Lähnemann.
The Old High German Reading Group at 11-12 in 41 Wellington Square, 2nd floor (Henrike Lähnemann’s office). It will be an opportunity to read and analyse some simpler OHG texts and give people the chance to read the oldest form of German if they’ve not been exposed to it before. It will be very informal, and all are welcome. Led by William Thurlwell william.thurlwell@wolfson.ox.ac.uk – contact him for updates
The Medieval Latin Document Reading Group meets on Teams at 4-5pm. We are currently focusing on medieval documents from New College’s archive as part of the cataloguing work being carried out there, so there will be a variety of hands, dates and types. A document is sent out in advance but homework is not expected. Contact Michael Stansfield for further details and the Teams link.
The Late Antique and Byzantine Seminar meets at 5pm at Ioannou Centre for Classical and Byzantine Studies, 66 St. Giles. This week’s speaker will be Nikolas Vryzidis (Aristoteleio Panepistimio, Thessaloniki), ‘Transitional threads: Textiles in the late medieval Balkans, 14th-16th centuries’.
Thursday 4th May:
The Environmental History Group meets at 12-2pm in the Rees Davies Room, History Faculty. This week’s speaker will be Jake Hatton, “‘Land for Improvement’: extraction and ecosystem in mid-18th century Nova Scotia”. We try to keep discussions informal, and we encourage anyone at all interested in these kinds of approaches to join our meetings, regardless of research specialism or presumed existing knowledge. For those interested in joining the group, you can join our mailing list by getting in touch with us at environmentalhistoryworkinggroup-owner@maillist.ox.ac.uk.
The Searobend Masterclass and Focus Group for Linked Metadata for English Language Texts, 1000-1300 will take place at 2-5pm at the Weston Library. This event will showcase the project’s sources and methods, including a masterclass on Bodley 340+342, and an introduction to linked open data, knowledge graphs, and metadata structure. It aims to gather feedback from undergraduates, postgraduates, and early career researchers, which will influence the size, structure and scope of the project’s final website interface, scheduled to launch in July 2024. Tea and coffee break will be provided. Participants will need to bring a laptop. To register, sign up on EventBrite: https://tinyurl.com/56b8z8e6 For more information, please contact Matthew Holford (matthew.holford@bodleian.ox.ac.uk), Colleen Curran (ccurran2@tcd.ie), or Mark Faulkner (mark.faulkner@tcd.ie).
The Medieval Women’s Writing Reading Group meets at 3-4pm at Lincoln College: meet at the lodge. This week’s theme will be Female foremothers: imitating and building on the authority of past women. Please email katherine.smith@lincoln.ox.ac.uk to be added to the mailing list and get texts in advance, or to find out more.
Simon Horobinis leading this week’s Piers Plowman in Context discussion group, which meets in the Butler Room at Univ (please note the change of college room) from 4:30-5:30pm. This week’s session will be on Passus V of the B-text, which we’ll be discussing in relation to the following short contexts: the section on ‘Sloth’ from the Book of Vices and Virtues; sermon 11A from Lollard Sermons; and the section ‘De Invidia’ from Chaucer’s Parson’s Tale; all available through this link: https://drive.google.com/drive/folders/1ecmqwQpuxmxbEn7e9Pu0uFCMVONSCdRC?usp=share_link All welcome! Email jacob.ridley@univ.ox.ac.uk with any questions.
The Medieval Visual Culture Seminar meets at 5.15-6.45pm at St Catherine’s College, Arumugam Building. This week’s speaker will be Richard Gameson (Durham University), British Medieval Illuminators’ Blues. For further information, contact Elena Lichmanova (elena.lichmanova@merton.ox.ac.uk).
The Oxford Medieval Studies Trinity Term Lecture will take place at 5:30-6:30pm in St Edmund Hall, Old Library. Alison Ray (Archivist at St Peter’s) and Heather Barr (Library Trainee at St Edmund Hall) will be speaking on “GLAMorous work: Medievalist Pathways in Archives and Libraries”. Join us for a careers talk with a twist and with coffee and cake PLUS the chance to see an exhibition in the Old Library and handle some of the special collections!
Friday 5th May:
The Medieval Coffee Morning meets as usual 10:30am in the Visiting Scholars Centre of the Weston Library (instructions how to find it) with presentation of items from the special collections, coffee and the chance to see the view from the 5th floor terrace.
Of course, whilst being up at 5am to welcome in the seeds of learning is all very well and good, there’s also a lot to be said for enjoying a bank-holiday lie-in! Alcuin, of course, also has some wisdom for those less inclined towards early mornings:
pia compassione fessum concedat requiescere [With compassionate sympathy, let the tired rest,Ep. 198]
Wishing you all a week of rest and learning in equal measure!
[A Medievalist feeling rather tired after waking up early for May Morning] Ashmole Bestiary, Bodleian Library MS. Ashmole 1511, f. 62 r. Viewable in full at Digital Bodleian
