Medieval Matters: Week 1

Welcome back to Oxford for Trinity Term! I’d like to take this opportunity to thank everyone who contributed to making the Oxford Medieval Graduate Conference and Medieval Mystery Cycle so wonderful. So much hard work goes into these events, and you really showcased the wide range of approaches and the incredible vivacity of Oxford’s medieval community. We could not have hoped for a better start to the term. In the words of Alcuin:

tantas grates et laudes agimus […] quantas habet liber ille syllabas!
[I give you as many thanks and praises as the book has syllables! Ep. 206 ]

But of course, these events were only the beginning of what is sure to be a busy Trinity. Indeed, you will notice that a certain book of very many syllables has arrived in your inboxes this week: the Trinity Term Medieval Booklet is now live! I have attached the compressed pdf version for your reference, but for all of the very latest updates you can consult the live version here on our website. If events are cancelled or details change, we will update them on the calendar, so check that out in case of doubt. For a guide to everything happening this week, please see below:

ANNOUNCEMENTS:

  • SAVE THE DATE! The Oxford Medieval Studies Trinity Term Lecture will take place on May 4th at 5:30-6:30pm in St Edmund Hall, Old Library. Alison Ray (Archivist at St Peter’s) and Heather Barr (Library Trainee at St Edmund Hall) will be speaking on “GLAMorous work: Medievalist Pathways in Archives and Libraries”. Join us for a careers talk with a twist and with coffee and cake PLUS the chance to see an exhibition in the Old Library and handle some of the special collections!
  • To celebrate the life and scholarship of Nigel F. Palmer, Professor of German Medieval Literary and Linguistic Studies at the University of Oxford, Faculty, College and academic community will honour his memory with a symposium, to be held at the Taylorian and the Weston Library on 19-20 May 2023. Admission is free for symposium and reception; dinner to be charged (subsidized for graduate students and early career people). Please register to attend the symposium by 30 April 2023. There will be a separate registration deadline for attending the Garden reception on Saturday, 20 May, 5pm, to which everybody is welcome, and the dinner 7:30pm, both at St Edmund Hall.
  • The Centre for Manuscript and Text Cultures invites to a Round table: Digital publishing and future research in manuscript studies on Wednesday 5.15pm in the Memorial Room of The Queen’s College, Oxford in celebration of the release of vol. 2 of the Journal of Manuscript and Text Cultures (MTC), edited by our Co-Director Lesley Smith. All welcome!

EVENTS THIS WEEK:

Monday 24th April:

  • The Byzantine Graduate Seminar will meet at 12:30-14:00 via Zoom. This week’s speaker will be Prolet Decheva (University College Dublin), Late Antique Personifications of Abstract Ideas and Elite Identity. To register, please contact james.cogbill@worc.ox.ac.uk.
  •  The Medieval History Seminar meets at 5pm at the Wharton Room, All Souls College. This week’s speaker will be Brianne Dolce (Merton) ‘Hell’s Army: Heretics and Usurers in Medieval Arras‘. The seminar will also be available remotely via Teams. The Teams session can be accessed by logging in to Teams with your .ox.ac.uk account and joining the group “Medieval History Research Seminar” (team code rmppucs). If you have any difficulties please email: medhistsem@history.ox.ac.uk.
  • The Oxford Interfaith Forum is hosting lecture on The Popes and the Jews in Sixteenth-Century Italy through the Chronicle of Pope Paul IV at 6pm, online. For full details and to register, please click here.

Tuesday 25th April:

  • The Medieval English Research Seminar will meet at 12:00 in Lecture Theatre 2, St Cross Building. This week’s speaker will be Hannah Lucas (Newnham College, Cambridge): Contemplating Criticism.
  • The Medieval Churchy and Culture Seminar meets at the Wellbeloved Room, Harris Manchester College, with tea & coffee from 5pm; papers begin at 5.15pm. This week’s speaker will be Claire Holthaus (Christ Church): Royal Displays of Power in the Welsh Castles of Edward I.
  • The Medieval French Research Seminar will meet at 5pm for drinks, with the presentation starting at 5:15pm, at the Maison Francaise d’Oxford on Norham Road. This week’s speaker will be Marion Uhlig (Université de Fribourg), ‘Tuer l’auteur. Sur quelques curieux cas de métalepse dans la littérature médiévale en français’. For more information, to be added to the seminar maillist, or for the Teams link to join a seminar remotely, contact helen.swift@st-hildas.ox.ac.uk.

Wednesday 26th April:

  • The Medieval German Seminar will meet at 11:15-12.45pm at St Edmund Hall Old Library. This week we will have a shorter organisational meeting. In Trinity Term, we are continuing to discuss Heinrich von Neustadt’s texts, focussing on ‘Von Gottes Zukunft’. We will meet in person in the Old Library of St Edmund Hall. Further information and reading recommendations via the teams channel; if you want to be added to that: please email Henrike Lähnemann.
  • The Medieval Latin Document Reading Group meets on Teams at 4-5pm. We are currently focusing on medieval documents from New College’s archive as part of the cataloguing work being carried out there, so there will be a variety of hands, dates and types. A document is sent out in advance but homework is not expected. Contact Michael Stansfield for further details and the Teams link.
  • The Late Antique and Byzantine Seminar meets at 5pm at Ioannou Centre for Classical and Byzantine Studies, 66 St. Giles. This week’s speaker will be Ivana Jevtić (Koç Üniversitesi, Istanbul) ‘The Landscape and Rock-Cut Architecture of Medieval Thrace: Historiography, Fieldwork, and Photogrammetry across Three Countries’.
  • The Centre for Manuscript and Text Cultures (CMTC) meets at 5.15pm in the Memorial Room of The Queen’s College, Oxford. In celebration of the release of vol. 2 of the Journal of Manuscript and Text Cultures (MTC), which takes an explicitly experimental approach of involving digital tools for the presentation of research in manuscript cultures, Round table: Digital publishing and future research in manuscript studies. To find out more, click here. The volume features two articles by Oxford Medievalists! One on The Karlevi runestone by Heather O’Donoghue and one on Cambridge, Trinity College, MS B.5.4, folio 135v: the Psalms, with commentary by Peter Lombard by Lesley Smith

Thursday 27th April:

  • The Piers Plowman in Context discussion group, for those who believe more Langland is better than less, kicks off in the Main Quad Boardroom at Univ from 16:30-17:30. This week’s seminar will be led by Professor Lawrence Warner (KCL). In preparation, please read Passus III of the B-text, plus the following short contexts: the Westminster Chronicle (pp. 60-65), John Leeder’s proclamation of 1421, and Deguileville’s Pilgrimage of Human Life (lines 2921-3300), all available through this link All welcome! Email jacob.ridley@univ.ox.ac.uk with any questions.
  • Interface of Old English Dictionaries: Inflection and Derivation, a special talk by Javier Martín-Arista, Professor of Old English Linguistics at the Universidad de La Rioja and the President of SELIM (Spanish Society for Medieval English Language and Literature) will take place at 5pm at Magdalen College, Daubeny Laboratory.
  • The Oxford Interfaith Forum is hosting lecture on Seventy Languages (and Translations) for Seventy Nations at 6pm, online. Register here.

Friday 28th April:

  • The Medieval Coffee Morning meets as usual 10:30am in the Visiting Scholars Centre of the Weston Library (instructions how to find it) with presentation of items from the special collections. This week, Charles Webster will present some rare 17th century books from the Hartlib network.
  • The Anglo-Norman Reading Group meets at 5-6.30pm at the Julia Mann room, St Hilda’s College and online. This term we are reading extracts from Hue de Rotelands’s Protheselaus. Please contact Jane Bliss and/or Stephanie Hathaway to let us know if you can come in person (so we know whom to expect), also to obtain copies of the texts, and for the Zoom invitations.

OPPORTUNITIES:

  • CFP: Pax Normanna. This conference will address the notion of “first generations” in relation to the medieval Norman conquests in England, Wales, Ireland, southern Italy, Sicily, and the Crusader states. Focusing on the conquerors’ departure from their places of origin, the papers will explore the rhythms, modalities, reasons and objectives for leaving. Please send your paper proposal to pierre.bauduin@unicaen.fr and annick.peterscustot@univ-nantes.fr. Deadline: 10 May 2023. For full details, please see the blog post here.
  • “Noblesse Oblige? Barons and the Public Good” Network: Last Call for Associate Membership! Though there might be another call next year, if you wish to take part in this year’s conference and associated events, please email max.lau@worc.ox.ac.uk with your CV and a brief cover letter. Full details can be found at http://medieval.seh.ox.ac.uk/2023/03/05/new-ahrc-network-noblesse-oblige/ and https://noblesseoblige.exeter.ac.uk/.”
  • Job in Medieval History: UCD’s School of History has just advertised a position in medieval history through the Ad Astra Fellowship scheme. Appointments will be made with a view to permanency subject to a review after four years. Further details attached. To apply click on the ‘apply’ button in the link below: https://www.ucd.ie/adastrafellows/en/ucdcollegeofartsandhumanities
  • PhD Opportunity: The Cluster of Excellence “Understanding Written Artefacts” is looking to recruit doctoral research associates to pursue their dissertation project. The core responsibility of the research associate is to pursue their dissertation project that fits the overall comparative research profile of the Cluster of Excellence “Understanding Written Artefacts”, and to contribute to the collaborative research activities of the Cluster. Candidates should have a strong interest in cooperating beyond disciplinary boundaries, especially across the humanities, natural science and computer sciences. For further information, see: https://www.uni-hamburg.de/stellenangebote/ausschreibung.html?jobID=2c372021cdb6fff2c64a56b1d8102ec996320586
  • A postdoctoral position in Manuscript Studies and Digital Humanities is advertised at Princeton University through the Manuscripts, Rare Books, and Archive Studies working group and the Center for Digital Humanities. The deadline is May 7, 2023.
  • ASIMS announcement: The Terence Barry Prize for Best Graduate Paper in Irish Medieval Studies: The prize is open to graduate students from any field who either have presented or have written and intend to present a paper on a subject of relevance to Irish Medieval Studies at any conference, including virtual ones, during the year beginning with the Kalamazoo Congress (ICMS) in May 2022 and ending with the Kalamazoo Congress (ICMS) of 2023. Please note that only graduate student papers written/presented by members of ASIMS will be considered.  Membership may begin at the time of submission. For membership and more details, please see http://www.asims.org.

It is always a pleasure to assemble your submissions for the Booklet: I’m always struck by the incredibly wide range of events and seminars happening at Oxford, and how lucky we are to have such a vibrant, busy community. In fact, there’s so much on that it can be hard to keep track. Afterall, as Alcuin says:

[memoria] saepe perdit quod servare debet, nisi in thesauro litterarum reconditum teneat
[the memory often loses what it should keep, unless it holds it stored away in the treasure hoard of the written word, Ep. 49]

I’m honoured to once again be your guide to the term’s events, and to store all of your information about Oxford’s medievalist happenings in the treasure hoard of our booklet and blog! If you have any treasures you would like to add to our proverbial hoard, be they news of publications, calls for papers, upcoming events, or even media appearances, please do get in touch: we’d love to advertise all of these things on our blog and celebrate them. For now, I wish you all a joyful first week!

[The communications officer gathering submissions to store in the treasure-hoard of the Medieval Booklet…]
Ashmole Bestiary, Bodleian Library MS. Ashmole 1511, f. 35v.
Viewable in full at Digital Bodleian

CFP: Pax Normanna

The First Generations of the Conquest (Norman Worlds, 9th-12th Century) – 1. Departing
Symposium at the
Maison Française d’Oxford, 22-23 September 2023

Image: Dove of peace between two soldiers: Tours, Bibliothèque municipale, Ms. 568, f. 249v © BMT

This conference will address the notion of “first generations” in relation to the medieval Norman conquests in England, Wales, Ireland, southern Italy, Sicily, and the Crusader states. Focusing on the conquerors’ departure from their places of origin, the papers will explore the rhythms, modalities, reasons and objectives for leaving.

The conference aims at:

1/ Determining how relevant the notion of “first generations of the conquest” is. All these movements were phenomena that took place over several generations and featured different kind of protagonists – soldiers, mercenaries, pilgrims, merchants, clerics and monks.

2/ Considering the horizons of those who departed, while avoiding teleological and unilinear assumptions. These horizons require an analysis of diverse dynamics and “push and pull” factors: political motivations, economic grounds, social mechanisms, acculturation processes, social and political creativity.

3/ Exploring the documentation, approaches, and tools that help to answer these questions. Our documentation was often produced in the regions where the conquerors settled, and it focuses on their new status; it must be compared retroactively with sources from Normandy (and more broadly speaking from northern France) to enlighten the dynamics that led to the mobility of these people.

This symposium is part of the 2022-2026 research project Pax normanna (dir. Prof. Pierre Bauduin, University of Caen-Normandie, and Prof. Annick Peters-Custot, University of Nantes). Please send your paper proposal to pierre.bauduin@unicaen.fr and annick.peterscustot@univ-nantes.fr

Deadline: 10 May 2023 

Centre for Manuscript and Text Cultures Round table: Digital publishing and future research in manuscript studies 

26 APRIL (Wednesday week 1 of Trinity Term), 5.15pm UK time

In celebration of the release of vol. 2 of the Journal of Manuscript and Text Cultures (MTC), which takes an explicitly experimental approach of involving digital tools for the presentation of research in manuscript cultures, the Centre for Manuscript and Text Cultures (CMTC) is holding a round table 26 APRIL (Wednesday week 1 of Trinity Term), 5.15pm UK time at the Memorial Room of The Queen’s College, Oxford. The topic of the round table will be digital publishing and future research in manuscript studies

The round table will be chaired and moderated by Richard Ovenden, OBE, Professorial Fellow and Bodley’s Librarian. 

Members of the round table are Yegor Grebnev, Lesley Smith, Máire Ní Mhaonaigh, and Simon Aldridge.

Máire Ní Mhaonaigh is professor of Celtic and medieval studies at the University of Cambridge and Fellow at St John’s College. Her research stands at the interface of history and literature and focuses on connections between Ireland, England and Scandinavia and the wider western world. Máire is currently working on a complex multi-manuscript corpus of medieval Irish landscape literature, as part of a Leverhulme project which she leads, and she co-directs ongoing research on the electronic dictionary of medieval Irish (www.dil.ie) funded by the AHRC.

Lesley Smith is professor of medieval intellectual history at Oxford and Fellow of Harris Manchester College. Her research centres on the medieval Bible as both an intellectual and a material object, as it was studied in the schools and proto-university of medieval Paris. Lesley is the co-editor of vol. 2 of MTC and a member of the board of CMTC.

Yegor Grebnev is Distinguished Associate Research Fellow at Beijing Normal University (Zhuhai) and an assistant professor at BNU-HKBU United International College. Trained as a specialist on early China, he has initiated multiple collaborative projects with scholars of history, texts, and manuscripts from various regions of pre-modern world. Yegor is the co-editor of vol. 2 of MTC and a member of the board of CMTC.

Simon Aldridge is professor of Main Group Chemistry at Oxford and Fellow of The Queen’s College. He is the Director of the OxICMF CDT and will bring the perspective of the exact sciences to the table.

Oxford Medieval Mystery Plays 2023

The third Medieval Mystery Cycle was held on Saturday 22 April 2023 at St Edmund Hall, 12noon-3:30pm. https://seh.ox.ac.uk/mystery-cycle. Read a report on the cycle by Alison Ray and one on the French play by Elisabeth Dutton. Photographic documentation thanks to artist Pam Davis who took the plays as inspiration for her own production CAT.

Trailer of the most dramatic moments, compiled by Natascha Domeisen

0:00:34 Prologue
0:02:50 O quanta qualia (St Edmund Hall Choir) Latin
0:06:18 Extracts from Piers Plowman (Swonken ful harde) Middle English
0:35:40 The Nativity and Salutation (English Faculty) Middle English
1:07:13 The Innocents (Les perles innocentes) 16th-century French
1:30:19 The Passion (Sorores Sanctae Hildae) Latin and German
1:54:03 The Harrowing of Hell (Medieval Germanists) Middle High German
2:08:08 The Last Judgement (Past and Present Teddy Students) Modern English

Full length version of all prologues and plays – navigate to a particular play via the menu above

Welcome to the third incarnation of the Oxford Medieval Mystery Cycle! As in 2019 and 2022, this highlight of the Oxford medieval calendar offers a variety of plays in different medieval and modern languages, staged at several stations in the beautiful grounds of St Edmund Hall. Cycles of plays retelling stories from the Bible were a popular form of entertainment in the Middle Ages, which we are only too happy to revive for modern audiences. Admission is free and you are welcome to turn up at any time.

Join us, then, on this merry multilingual journey featuring plays dating from between the 12th and the 16th century! When the chapel bell rings at midday, the choir of St Edmund Hall will open the Cycle with a performance in front of the Old Dining Hall. We then start with an allegorical vision of Piers the Plowman before running through episodes of the New Testament, with the Christmas cycle unfolding in the Front Quad, followed by the Easter cycle in the churchyard around St Peter-in-the-East and – last but not least – the Last Judgement closing with the sound of the trumpet from the tower of St-Peter-in-the-East.

A special thank you goes to all the actors, directors, singers and other enthusiasts who have made these performances possible, to Professor Lesley Smith and Professor Henrike Lähnemann, co-directors of Oxford Medieval Studies, the driving force behind the Mystery Cycle, and to the Fellows and Principal of St Edmund Hall, for once again agreeing to host our medieval madness!

Master of Ceremonies

Jim Harris is Teaching Curator at the Ashmolean Museum, a career he came to having trained as an actor at the Royal Academy of Dramatic Art and worked for over a decade in theatre, television and radio before deciding there was more to life than castings for shower gel commercials. “Some people would describe this as the role of a lifetime. Me, I’m just glad I don’t have to actually learn the lines.”

Composer of Linking Verses

David Maskell specialises in both the academic and practical aspects of theatre in Classical and Modern Languages. He is an experienced creative writer, and he also created the verses linking the plays for last year’s Mystery Cycle.

Musical Accompaniment

The Mystery Cycle will be opened by a performance of Peter Abelard’s ‘O quanta qualia’ by the Choir of St Edmund Hall. Afterwards, our plays will be accompanied by the heavenly choir of the Turba Angelorum, composed of the ‘Harrowing of Hell’ angels.

Administration

The Mystery Cycle is managed by Henrike Lähnemann, Co-Director of Oxford Medieval Studies and Professorial Fellow at St Edmund Hall, and Michael Angerer, Graduate Convenor for the Medieval Mystery Cycle and a DPhil student in medieval English.

The performances was filmed by Natascha Domeisen and documented by members of Oxford Medieval Studies. The videos were uploaded to the Oxford Medieval Studies Youtube and TikTok account.

A coffee and cake stall was provided by members of the Oxford University German Society, organised by Thomas Henning, in aid of the German Red Cross.

1.      12noon Extracts from Piers Plowman

Group: Swonken ful harde. Language: Middle English. Director: Eloise Peniston

While our complete play follows a man named Will, who falls asleep beside a stream on a May morning in Malvern Hills with a succession of dreams, we begin with the deadly sins. We then find Piers Plowman, taking only momentary repose from his plough to guide the field of folk towards Truth, although his directions are very confusing. He agrees to take the folk himself as long as they assist him in ploughing the half-acre. However, he finds many of the folk, including pickpockets, knights, common women, wafer-sellers, pardoners, to be wasters! Piers calls Hunger to encourage them to work however, after the acre has been ploughed, Hunger refuses to leave until he has consumed the best food and wine! Truth intercedes and sends Piers a pardon however it is discovered to not be a true pardon at all so Piers, in scandalous fashion, tears it asunder! Watch a full performance of Piers Plowman on the OMS Youtube channel.

  • Will (the Dreamer): Sòlas McDonald
  • Piers (the Plowman): Charlie Epps
  • Repentaunce: Eloise Peniston
  • Pride: Sabrina Coghlan-Jasiewicz
  • Lechery/Gluttony: Laurence Nagy
  • Envy: Anna Cowan
  • Covetousness: Zelda Cahill-Patten
  • Wrath/Sloth: Sonny Pickering
  • Wastour: Liam Stewart

2.      12:30 The Chester Nativity and Salutation

Group: English Faculty. Language: Middle English. Director: Rachel Burns

In this play from the 15th-century Chester Mystery Cycle, witness the wonder of Jesus’ birth, the prophecy of the Sybil, the magnificent humility of Emperor Octavian, and the discomfiture of the midwives!

  • Gabriell/Angelus: Mishtooni Bose
  • Marya: Eugenia Vorobeva
  • Josephe: Tom Revell
  • Elizabeth/Preco: Siân Grønlie
  • Nuntius/Expositor: Cosima Gillhammer
  • Octavyan: Jacob Ridley
  • Primus Senator/Tebbell: Michael Angerer
  • Secundus Senator/Salome: Yinghan Li
  • Sybbell: Clare Mulley

3.      1pm Comédie des Innocents, by Marguerite de Navarre

Group: Les perles innocentes. Language: 16th-century French. Director: Elisabeth Dutton. Read a report on the play.

Marguerite de Navarre (1492-1549) was wife of King Henry II of Navarre, sister to Francis I, King of France, and ancestress of the Bourbon kings of France. With her brother she made the French court a celebrated intellectual and cultural centre; having received an excellent classical education, she became an author and patron of humanists and reformers. Her salon was internationally famous as the ‘New Parnassus’. She wrote poems, a collection of short stories called the Heptameron,and the intense mystical poem Miroir de l’âme pécheresse. She also wrote a number of plays: today we present her dramatization of the narrative of King Herod’s Slaughter of the Innocents.

  • God/Herod/1st Woman: Aurélie Blanc
  • 1st Angel/1st Tyrant: Coraline Vuarnoz
  • 2nd Angel/Captain: Helene Wigginton
  • 3rd Angel/2nd Tyrant: Carmen Vigneswaren-Smith
  • Mary/1st Doctor of the Law/Nurse of Herod’s Son/1st Soul: Felicitas Harris
  • Joseph/2nd Doctor of the Law/2nd Woman, Rachel/2nd Soul: Elisa Pagliaro
  • Singer: Lucy Matheson

BREAK

4.      2pm The Carmina Burana Passion Play

Group: Sorores Sanctae Hildae (unter Beteiligung einiger Bauern aus Iftelei). Language: Latin and slightly modernized Middle High German. Director: David Wiles. Stage manager: Isabel Schwörer

Mary Magdalene is a courtesan who repents her life of sin and pleasure. When she anoints Christ’s feet with expensive ointment, Judas is outraged, and betrays his master for thirty pieces of silver. In the Garden of Gethsemane, Jesus begs for the cup to be taken from him, before accepting God’s will. Mary his mother suffers at the foot of the cross, and takes John as a replacement for the son she is losing. The juxtaposition of the two Maries is a striking feature of the play from which our extract is taken. The text originates in 12th-century Bavaria. The performance was repeated in Iffley churchyard on the following day.

  • Narrator: Alex Marshall
  • Angel/Voice of Jesus: Imogen Lewis
  • Devil: Andrew Stilborn
  • Mary Magdalene: Irina Boeru
  • Merchant/Weeping Woman/Longinus: Laura Laube
  • Caiaphas/Woman: Jonathan Honnor
  • Judas: Alice Hawkins
  • Virgin Mary: Laurence Nagy
  • Amator/John the Evangelist: Justin Vyvyan-Jones
  • Joseph of Arimathea: David Wiles

5.      2:30pm The Harrowing of Hell

Group: Medieval Germanists. Language: Middle High German. Director: Luise Morawetz.

In the Harrowing of Hell you can follow the battle between Christ and Lucifer – good and evil – from Lucifer’s perspective. Imagine how Lucifer feels when Christ and his retinue of angels storm hell without difficulty and rush off with his most precious captured souls, Adam and Eve! No wonder he overreacts and tries to make up for quality with quantity by sending his faithful servant Satanas on the hunt for as many lost souls as possible. Watch out, or they might get you too!

The script is based on the ‘Innsbruck Easterplay’ edition by Nigel F. Palmer & Henrike Lähnemann, with modern English narration by Haley Flower.

  • Lucifer: Montgomery Powell
  • Satan: Freya Hoult
  • Jesus: Timothy Powell
  • Adam: Alyssa Steiner
  • Eve: Nicholas Champness
  • Narrator: Evgeny Gurin
  • Lost souls: Lena Vosding, Godelinde Perk, Anja Peters, Justin Vyvyan-Jones, Julia Brusa, Felix Clayton McClure, Elizabeth Hogermeer, Georgia Macfarlane
  • Angels: Andrew Dunning, Travis Fuchs, Cosima Gillhammer, Nicole Jedrzejko, Henrike Lähnemann, Oliver Riordan

6.      3pm The Last Judgement

Group: Past and Present Teddy Students (and Friends). Director: Amy Hemsworth. Assistant Director: Aili Channer

Language: Modern English

A modern take on the final play of the Towneley Cycle by Amy Hemsworth and Alex Gunn, featuring a very confused John of Patmos, an exasperated Angel, and their best attempts to make sense of the Book of Revelation. For a full account of the story behind the script, read the blog post on the 2019 Medieval Mystery Play website.

  • John of Patmos: Patrick Painter
  • Angel: Lily Massey
  • Jesus: Sebastian Morson
  • Satan: Freddie Houlahan
  • 1st Evil Soul: Hester Gleeson
  • 2nd Evil Soul: Holly James Johnston
  • 1st Demon: Alex Gunn
  • 2nd Demon: Jake Caudwell
  • 1st Good Soul: Aili Channer
  • 2nd Good Soul: Amy Weihang Deng

Medieval Matters: Week 0

Welcome back to Oxford, and to the Oxford Medieval Studies Trinity Term programme! We have so many exciting things in store for you this term, and I’m really looking forward to once again being your guide for all of Oxford’s Medieval Matters. In the words of Alcuin:

nos semper suspensi de reditu tuo
[I will be continually in suspense until your return, Ep. 64]

To kick the term off to a triumphant start, we have two very special events. Firstly, the Oxford Medieval Graduate Conference: Names and Naming, takes place on April 20th and 21st, both Online & In-Person at Ertegun House, Oxford. Secondly, this Saturday, April 22nd, join us for the annual Medieval Mystery Plays at St Edmund Hall! This is sure to be a day of merriment and festivity, and a chance to celebrate the diverse languages, departments and medievalists of our community. For the short programme, see the pdf attached to this week’s email, and please see the event listings below for further details.

The full OMGC and Mystery Play programmes can be found here, along with a sneak-peek at some of the offerings in the draft of this term’s Medieval Booklet. If you have not sent in your booklet submissions yet, please do so ASAP to ensure inclusion in time for the full release on Monday.

The full newsletter will begin again on Monday, but for now, a sample of the delights in store upon our return to term time:

ANNOUNCEMENTS:

  • SAVE THE DATE: 26 APRIL (Wednesday week 1 of Trinity Term), 5pm UK time: In celebration of the release of vol. 2 of the Journal of Manuscript and Text Cultures (MTC) by the Centre for Manuscript and Text Cultures (CMTC), which takes an explicitly experimental approach of involving digital tools for the presentation of research in manuscript cultures, CMTC are holding a round table 26 APRIL (Wednesday week 1 of Trinity Term), 5pm UK time at the Memorial Room of The Queen’s College, Oxford. The topic of the round table will be digital publishing and future research in manuscript studies. The round table will be chaired by Richard Ovenden, OBE, Professorial Fellow and Bodley’s Librarian. More information to follow.

EVENTS THIS WEEK:

Thursday 20th April:

  • The Oxford Medieval Graduate Conference 2023: Names & Naming takes place at 9-6pm, both online and at Ertegun House. Attendance is free, but you must register in advance. To register to attend, either online or in person, please visit the conference website here.
  • A Special Lecture for the Churches Conservation Trust will take place at 1pm, online via Facebook Live. Shelley M. Williams will be presenting at this lecture, which will consider how the twelve signs of the zodiac were incorporated into ecclesiastical architecture between c. 1100-1250 CE. To attend, please click this link.

Friday 21st April:

Saturday 22nd April:

  • The Medieval Mystery Plays take place at 12-3:30pm at St Edmund Hall. Join us on this merry multilingual journey featuring plays dating from between the 12th and the 16th century! This highlight of the Oxford medieval calendar offers a variety of plays in different medieval and modern languages, staged at several stations in the beautiful grounds of St Edmund Hall. Cycles of plays retelling stories from the Bible were a popular form of entertainment in the Middle Ages, which we are only too happy to revive for modern audiences. Admission is free and you are welcome to turn up at any time. For more details about the programme, please see our blog post here.

OPPORTUNITIES:

  • “Noblesse Oblige? Barons and the Public Good” Network: Last Call for Associate Membership! Though there might be another call next year, if you wish to take part in this year’s conference and associated events, please email max.lau@worc.ox.ac.uk with your CV and a brief cover letter. Full details can be found at http://medieval.seh.ox.ac.uk/2023/03/05/new-ahrcnetwork-noblesse-oblige/ and https://noblesseoblige.exeter.ac.uk/.”
  • Three-year Senior Researcher Position at the University of Oslo, Deadline May 14th: A three-year Senior Researcher position in medieval studies has been just announced at the University of Oslo with the application deadline on May 14th. The job will be available  from the fall of 2023. The position is funded by the ERC Advanced Grant project 101018645 MINiTEXTS “Minuscule Texts: Marginalized Voices in Early Medieval Latin Culture (c. 700–c.1000),”. A more detailed description of this position and the application requirements are provided at the job announcement at https://www.jobbnorge.no/en/available-jobs/job/242179/senior-researcher-in-medieval-studies.
  • 10 funded PhDs opportunities within the Marie Skłodowska-Curie doctoral network “From Antiquity to Community: Rethinking Classical Heritage through Citizen Humanities” (AntCom): Interested applicants will find information on the training program, on each fellowship as well as details on specific requirements and the application process on the consortium’s website: https://antcom.eu/call-for-applications/. For further questions you are welcome to contact the project’s PI Aglae Pizzone (pizzone@sdu.dk).
  • The Arizona Center for Medieval and Renaissance Studies is excited to hire a new postdoctoral research scholar in premodern critical race studies. This position is open to PhDs in language, history, religion, philosophy, classics, or related humanistic fields. The postdoctoral research scholar will join our ongoing Mellon Foundation-funded RaceB4Race initiative for a two-year appointment starting Fall 2023 at a stipend salary of $75,000/fiscal year. More information and how to apply can be found at our website.

I will return to your inboxes on Monday with the Medieval Booklet and the Week 1 events. In the meantime, we hope to see many of you on Saturday for the mystery plays. For those of you contributing to the plays, some words of wisdom from Alcuin:

modo vero viriliter fac et fortiter!
[Play your part powerfully and bravely! Ep. 72]

Wishing you all a week of power and bravery in all of your medieval endeavours!

[A brave and powerful performance at the mystery plays!]
Ashmole Bestiary, Bodleian Library MS. Ashmole 1511, f. 27 v.
Viewable in full at Digital Bodleian
The text reads ' OMGC 2023. Save the Date! Online and in Oxford, 20th - 21st April, 2023 ', and is overlaid on a manuscript, a 15th century preist's vade medum, Bodleian Library MS. Douce 18, f. 44 v. This folio is the calendar page for April.

Oxford Medieval Graduate Conference 2023

The Oxford Medieval Graduate Conference is back on April 20-21, 2023 with the theme of ‘Names and Naming’!

The conference takes place fully hybrid, in Oxford and online. Follow us on Twitter @OxMedGradConf and In the meantime, check out the conference website (https://oxgradconf.wixsite.com/omgc), with its extensive digital collection of Oxford medieval medical manuscripts and its blog featuring some excellent articles on past conference themes. If you’d like to contribute a blog post or have any questions about the conference, you can get in touch at oxgradconf@gmail.com.

20 Apr, 09:00 – 21 Apr, 18:00. Online & In-Person at Ertegun House, Oxford
Register here for free to participate remotely

THURSDAY, APRIL 20

9:55-10:00 Opening Remarks

10:00-11:30 Session 1: Individual & Unique

  • Tristan Alphey, ‘Nicknames in Early Medieval England and Social Regulation’
  • Will Hoff, ‘In the name of Robin Hood: a new look at byname evidence for the outlaw tradition’
  • Sebastian Dows-Miller, ‘Jean from Saint-Quentin: who was he, and does it matter?’

12:00-13:30 Session 2: Patterns & Variations

  • Madeleine Killacky, ‘Rubricating Names in Malory’s Le Morte Darthur
  • Birger Mård, ‘Name-phrase variation in the Arboga municipal court records (1450–1569)’
  • Marina Ilia, ‘Naming Patterns in Venetian Cyprus’

14:30-16:00 Session 3: Reading the Land

  • Abigail Lloyd, ‘How to find a medieval settlement by the name of a hill? A challenge to the Gelling and Cole hypothesis’
  • Christophe de Coster, ‘‘Hic Sunt Dracones’: data-driven analysis of the (un)changing nature of toponyms and its implications for toponym-based landscape-reconstructions
  • Em Horne, ‘An Examination of the value of place-names as evidence for the history, landscape and, especially, language(s) of the Lancashire Coast’

16:30-17:30 Keynote Address 1 Dr David Zakarian, ‘The World through the Eyes of Medieval Armenian Scribes’

FRIDAY, APRIL 21

10:00-11:30 Session 4: Genealogies & Histories

  • Claire Lober, ‘Monuments to Meaning in the Historia and Brut y Brenhinedd
  • Deepashree Dutta, ‘The Little Kingdom of Bishnupur: Naming, Self-Fashioning and Making of a Vaishnava Devotional Realm’
  • Jodie Miller, ‘Naming and Moral Lineage in Les Enfances de Renart

12:00-13:30 Session 5: Identification & Definition

  • Jack Nunn, ‘Anthological Identities: Naming Names in the Robertet Manuscripts’
  • Wyn Shaw, ‘Naming, Gender and Transition in Old French Chansons de Geste
  • Nancy Michaud, ‘Masons’ Marks in the York Minster: Using masons’ marks to understand the construction of the York Minster’

14:30-16:00 Session 6: Unseen & Unknown

  • Hillel Feuerstein, ‘Satan is a List: Naming Demons in Medieval Kabbalah’
  • Ilinca-Simona Ionescu, ‘Naming Household Spirits: a Lexicographic Perspective on Late Medieval Spain’
  • Rodrigo Ballon Villanueva, ‘Naming God: A More Radical Medieval Theory?’

16:30-17:30 Keynote Address 2 Professor Richard Dance, ‘The Name Game: The Etymologist vs. the Vikings’

17:30-17:45 OMGC 2024 Theme Selection + Closing Remarks