CfP: Transgression in Late Antiquity and Byzantium

26th International Graduate Conference of the Oxford University Byzantine Society:
Transgression in Late Antiquity and Byzantium

24th-25th February 2024, Oxford

We are pleased to announce the call for papers for the 26th Annual Oxford University Byzantine Society International Graduate Conference on the 24th – 25th February, 2024. Papers are invited to approach the theme of ‘Transgression’ within the Late Antique and Byzantine world (very broadly defined). For the call for papers, and for details on how to submit an abstract for consideration for the conference, please see below.

‘Seduced by love for you, I went mad, Aquilina … she, smouldering, not any less love-struck than me, would wander throughout the house … love alone became her heart’s obsession … Her tutor chased me. Her grim mother guarded her … they scrutinised our eyes and nods, and colouring that tends to signal thoughts … soon both of us began to seek out times and places to converse with eyebrows and our eyes, to dupe the guards, to put a foot down gingerly, and in the night to run without a sound. Our fiery hearts ignite a doubled frenzied passion, and so an anguish mixed with love rages … Boethius, offering aid, pacifies her parents’ hearts with “gifts” and lures soft touches to my goal with cash. Blind love of money overcomes parental love; they both begin to love their daughter’s guilt. They give us room for secret sins … yet wickedness, when permitted, becomes worthless, and lust for the deed languishes … so a sanctioned license stole my zeal for sinning, and even longing for such things departed. The two of us split up, miserable and dissatisfied in equal measure …’

Maximianus, Elegies, 3 (adapted tr. Juster)

The Late Antique and Byzantine world was a medley of various modes of transgression: orthodoxy and heresy; borders and breakthroughs; laws and outlaws; taxes and tax evaders; praise and polemic; sacred and profane; idealism and pragmatism; rule and riot. Whether amidst the ‘purple’, the pulpits, or the populace, transgression formed an almost unavoidable aspect of daily life for individuals across the empire and its neighbouring regions. The framework of ‘Transgression’ then is very widely applicable, with novel and imaginative approaches to the notion being strongly encouraged. In tandem with seeking as broad a range of relevant papers as possible within Late Antique and Byzantine Studies, some suggestions by the Oxford University Byzantine Society for how this topic might be treated include:

·      The Literary – deviance from established genres, styles or tropes; bold exploration of new artistic territory; penned subversiveness against higher authorities (whether discreetly or openly broadcasted); dissemination of literature beyond expected limits.

·      The Political – usurpers, revolts, breakaway regions, court intrigue, plots and coups; contravention of aristocratic or political hierarchies and their expectations; royal ceremonial and its changes, or imperial self-promotion and propaganda seeking to rupture or distort the truth.

·      The Geopolitical – stepping beyond or breaking through boundaries and borders, including invasions, expeditions, trade (whether in commodities or ideas), movements of peoples and tribes, or even the establishment of settlements and colonies.

·      The Religious and Spiritual – ‘Heresy’, sectarianism, paganism, esotericism, magic, and more; and, in reverse, all discussion of ‘Orthodoxy’, which so defined itself in opposition to that which it considered transgressive; monastic orders and practices (anchoritic and coenobitic) and their associated canons, themselves intertwined and explicative of what was deemed prohibited; holy fools and other individuals perceived as deviant from typical holy men.

·      The Social and Sartorial – gender-based expectations in public and private; the contravention (or enforcement) of status or class boundaries; proscribed or vagrant habits of dress, jewellery, fabrics, etc.

·      The Linguistic – transmission of language elements across regional borders or cultures, including loan words, dialectic and stylistic influences, as well as other topics concerning lingual crossover and interaction.

·      The Artistic and Architectural – the practice of spolia; the spread and mix of architectural styles from differing regions and cultures; cross-confessionalism evident from the layout or architecture of religious edifices; variant depictions of Christ and other holy figures; iconoclasm.

·      The Legal – whether it be examination of imperial law codes and their effectiveness or more localised disputes testified to by preserved papyri, all discussion concerning legal affairs naturally involves assessing transgressive behaviour and how it was viewed and handled.

·      It could even be that your paper’s relevance to ‘Transgression’ consists in its breaking out from scholarly consensus in a notable way!

Please send an abstract of no more than 250 words, with a short academic biography written in the third person, to the Oxford University Byzantine Society at byzantine.society@gmail.com by Monday 27th November 2023. Papers should be twenty minutes in length and may be delivered in English or French. As with previous conferences, selected papers will be published in an edited volume, peer-reviewed by specialists in the field. Submissions should aim to be as close to the theme as possible in their abstract and paper, especially if they wish to be considered for inclusion in the edited volume. Nevertheless, all submissions are warmly invited.

The conference will have a hybrid format, with papers delivered at the Oxford University History Faculty and livestreamed for a remote audience. Accepted speakers should expect to participate in person.

OBS: ‘A Golden Collector of the Golden Age’: Charles Walker Clark (1871-1933) and his library of incunables

When: Thursday 12 October at 5:15 p.m.
Where: Weston Library Lecture Theatre
ALL WELCOME!

Our programme of talks for 2023-2024 begins on Thursday, October 12th when William P. Stoneman, formerly Curator of Early Books and Manuscripts at Harvard University’s Houghton Library, will look at incunables from the library of Charles Walker Clarke (1871-1933).

Clark has been described as “a golden collector of the golden age” but because books from his collection contain no bookplate and there was never a public sale, the extent of his collection has been lost from the narrative of institutional collection building. Bill Stoneman has documented 226 fifteenth-century books from Clark’s collection, many of them not previously identified as Clark’s, and this talk will explore this important part of a truly remarkable American library. Bill will also look at the role of Clark’s wife, Celia Tobin Clark (1874-1965), in building up a collection that has had an international impact. 

The talk, which we are hosting jointly with the Bodleian’s Centre for the Study of the Book, will take place at 5.15pm in the Weston’s Lecture Theatre and we look forward to seeing you there. We will also be streaming the talk on Zoom; if you would like me to send you the link, do please get in touch (sarah.cusk@lincoln.ox.ac.uk).

Upcoming meetings:

Thursday 23 November at 5.15 pm (Merton College T. S. Eliot Theatre Hosted jointly with Merton History of the Book Group)
The Bodleian Library and the second-hand book trade in the early seventeenth century
Tamara Atkin (Queen Mary University of London)

Thursday 18 January, 2 pm–4 pm (Jesus College Fellows Library)
Bindings from the Fellows’ Library, Jesus College (a hands-on workshop with limited space; please contact the Secretary to book a place)
Nicholas Pickwoad

Thursday 1 February at 5.15 pm (Trinity College, Garden Room)
Politics, paper, print: reflections on the book history of the Mao era
Matt Wills (Peter Harrington Rare Books)

Thursday 7 March at 5.15 pm (Lincoln College Oakeshott Room)
Greek manuscripts from the collection of Lincoln College
Georgi Parpulov

Thursday 16 May at 5.15 pm (Christ Church, Upper Library)
Title to be confirmed
Lise Jaillant (Loughborough University)

Thursday 6 June at 5.15 pm
(Balliol College, Old Common Room ANNUAL GENERAL MEETING
Meeting to begin at 4.30 p.m. Lecture to follow at 5.15 after a brief interval for tea)

The art of antiquarian forgery in Georgian Britain
Peter Lindfield (Cardiff University)

Poem, Story, and Scape in the work of Kevin Crossley-Holland

‘Poem, Story, and Scape in the work of Kevin Crossley Holland’: An exhibition in the Old Library of St Edmund Hall

Open to the public on Monday 24 and Friday 28 October from 10:00-16:00

Or by appointment: Library@seh.ox.ac.uk

This exhibition explores the work of Kevin Crossley-Holland, Honorary Fellow and alumnus of St Edmund Hall, prize-winning children’s author, translator, poet, librettist, editor and professor. Kevin engages creatively with language and poetry, place, history and legend. He captivates us by telling stories deeply rooted in past cultures, which he remakes to be compellingly contemporary and relevant. For this exhibition, Kevin has generously loaned items from his private collection to add to material from St Edmund Hall’s Archives and Special Collections; we gratefully acknowledge his help.

Early in his career, Kevin established himself as a poet and as a translator and re-teller of Old and Middle English poetry, romance, and folklore for all ages, and as an enthusiastic collaborator with composers and visual artists. His Arthur trilogy has sold over one million copies worldwide and is available in twenty-six languages; it has inspired young readers to become medievalists and writers themselves. Recent works, such as Norse Tales: Stories from Across the Rainbow Bridge (2020) demonstrate how Northern European myth and legend continue to beguile him.

Kevin is passionate about how history, landscape and poetic language shape and inform one another. This exhibition explores continuities from Kevin’s childhood in how he sees, interprets, and responds to these creative stimuli. It also reveals how meticulously he researches the past to create his imaginary yet historically accurate worlds, and how carefully he crafts his poetry.

The exhibition is based on and inspired by ‘Poem, Story & Scape in the Work of Kevin Crossley-Holland’ which ran at the Stanley and Audrey Burton Gallery at the University of Leeds from 29 March— 20 August 2022, curated by Dr Catherine Batt, Senior Lecturer in Medieval Literature at the University of Leeds. Many thanks to Sarah Prescott and the University of Leeds for their generous help and support in staging this version.