CfP: Staging Silence from Antiquity to the Renaissance

3–4 July 2025 / St John’s College, Cambridge. Deadline for paper submissions 9 January 2025

This two-day, in-person conference will explore developing traditions of silence in dramatic texts from antiquity to the Renaissance. Papers are sought from scholars across a range of fields, including classical reception, comparative literature, and medieval and/or early modern English literature. Topics may include:

  • mute characters and/or characters who never appear on stage;
  • characters who gain or lose the power of speech (welcoming perspectives e.g. from disability studies);
  • dramatic silence as represented on page and/or stage (e.g. bookhistory approaches and/or performance studies);
  • the history and/or function of animals on stage;
  • the relationship of dramatic silence to music and/orinarticulacy;
  • representations of dramatic silence in contemporary discursivetexts;
  • dumb shows;
  • silence in neo-Latin drama.

Speakers will include Elisabeth Dutton (Fribourg), Barbara Ravelhofer (Durham), and Julie Stone Peters (Columbia). Please submit a 250-word abstract for a 20-minute paper to John Colley (stagingsilence@gmail.com) by noon on Thursday 9 January 2025. Preference will be given to papers with an interdisciplinary and/or comparative focus. It’s anticipated that early career speakers will be able to apply for travel bursaries.

Woodcut depicting characters from ‘Andria’, including mute and unstaged characters –– ‘Terencius’ (Strasbourg: Grüninger, 1496), sig. b1v [Universitätsbibliothek Heidelberg, GW M45481]