OMS Small Grants TT 2021

The TORCH Oxford Medieval Studies Programme invites applications for small grants to support conferences, workshops, and other forms of collaborative research activity organised by researchers at postgraduate (whether MSt or DPhil) or early-career level from across the Humanities Division at the University of Oxford.

The activity should take place between April 2021 and October 2021. The closing date for applications is Friday of Week 1 of Trinity Term 2021.

Grants are normally in the region of £100–250. Recipients will be required to supply a report after the event for the TORCH Medieval Studies blog. Recipients of awards will also be invited to present on their events at the Medieval Roadshow in 1st week of Michaelmas Term 2021.

Applicants will be responsible for all administrative aspects of the activity, including formulating the theme and intellectual rationale, devising the format, and, depending on the type of event, inviting speakers and/or issuing a Call for Papers, organising the schedule, and managing the budget, promotion and advertising. Some administrative and organisational support may be available through TORCH subject to availability.

Applications should be submitted to  lesley.smith@history.ox.ac.uk  using the grant application form. Applications submitted in other formats or after the deadline will not be considered.

Informal enquiries may be directed to lesley.smith@history.ox.ac.uk

The Oxford Medieval Studies Programme is sponsored by The Oxford Research Centre in the Humanities (TORCH).

NB: Given COVID-19, for this round of Small Grants we particularly welcome applications for online or virtual projects.

Museum in the Middle: medieval things in a (still) medieval university

OMS Trinity Term Lecture by Jim Harris (Ashmolean Museum)

Tuesday, 27 April 2021, 5-6pm BST, live streamed from the Ashmolean

The medieval collections of the Ashmolean Museum are rich in diversity and dazzling in quality, and using them in the service of the university curriculum has made it possible to explore the wide range of what we consider ‘medieval’ actually is.In this lecture, Teaching Curator Dr Jim Harris will discuss teaching with the Ashmolean’s medieval collections, asking questions not only about the objects themselves but about the extent to which they reveal the Museum itself to be as much a medieval construct as it is a so-called ‘product of the Enlightenment’.

Everybody welcome to join on youtube!
Image:  Travelling Games Board, Venice, 15th century; WA1964.14; Ashmolean Museum, University of Oxford.


22nd / 23rd April: The Oxford Medieval Graduate Conference *Memory*

The Oxford Medieval Graduate Conference is taking place on Thursday and Friday this week!

To register; https://www.eventbrite.co.uk/e/memory-17th-oxford-medieval-graduate-conference-tickets-149951710603
To register; email: oxgradconf@gmail.com

OMGC Twitter Handle @OxMedGradConf #OMGC21

Sebastian Brant’s Ship of Fools in German and English Collections

On the 500th anniversary of the death of Sebastian Brant, this show-and-tell session brought together a multilingual array of his European bestseller, the Ship of Fools, live from the Bodleian Library, the British Library and the Staatsbibliothek Bamberg.

Presentation of the ‘Narrenschiff’ in High German, Low German, Latin, and French copies from English and German collections on 10 May 2021

Presenters:
Alexandra Franklin (Bodleian Library)
Susan Reed (British Library)
Bettina Wagner (StaatsbibliothekBamberg) Alyssa Steiner (Bamberg / Oxford
Henrike Lähnemann (Oxford)

Sebastian Brant: Narrenschiff. Basel: Johann Bergmann von Olpe, 12.II.1499.4° (GW 5047) Copy of the third edition of Sebastian Brant’s ‘Narrenschiff’London BL, IA.37957and Bamberg SB.

Sebastian Brant: Das neue Narrenschiff. Augsburg: Johann Schönsperger, 28.V.1498 (GW 5052)

Copy of an Augsburg reprint of the Strasburg interpolation of the Ship of Fools.Oxford Bod., Auct. 7Q 5.20

Sebastian Brant: Das Narrenschiff, Middle Low German. Lübeck [Mohnkopfdrucker (Hans van Ghetelen)], 1497. 4° (GW 5053) One of two extantcopies of the Middle Low German translation of the Ship of Fools.London BL, IA.9927

Sebastian Brant: Das Narrenschiff, Latin by Jacobus Locher Philomusus. Basel: Johann Bergmann von Olpe. 1.III.1497. 4° (GW5054) Copy of the edition princeps of the highly influential Latintranslation Oxford Bod., Douce 70

Sebastian Brant: Das Narrenschiff, Latin by Jacobus Locher Philomusus. With additions by Thomas Beccadelli. Basel: Johann Bergmann von Olpe, 1.VIII.1497.4°.Bamberg SB

Medieval Matters: Booklet and Week 0

Welcome back to Trinity Term! As usual, it’s going to be a splendid term of seminars, events, and reading groups to keep you entertained and informed.

Without further ado, I present this term’s Medieval Booklet. Peruse and enjoy! Please take particular note of this term’s OMS Lecture, given by our own Jim Harris, Mellon Foundation Teaching Curator at the Ashmolean Museum. Jim will be speaking on ‘Museum in the Middle: Medieval Things in a (Still) Medieval University’ and presenting from the Ashmolean’s collections. You don’t want to miss this, so be sure to hop on the OMS YouTube channel on Tuesday 27 April at 5 pm! The direct link is here.

A few important announcements:

The Invisible East Project is hosting three (3!) amazing events this week. Tomorrow, Tuesday 20 April, at 5 pm on Zoom, will be the book launch for Faḍā’il-i Balkh or the Merits of Balkh, an annotated translation of the oldest surviving history of Balkh in Afghanistan. Register here. On Wednesday 21 April at 5 pm, the Marburg Museum of Religions is holding a special exhibition on the scholar Annemarie Schimmel; the flyer with the QR code to register is attached. And on Thursday 22 April at 5 pm, Oxford’s Arezou Azad will be speaking on ‘The Unheard Voices from Eastern Iran and the Eastern Islamicate World’ as part of the British Institute of Persian Studies’ 2021 webinar series. Register here.

The Bodleian Libraries would like to remind you that Bodleian acquisitions for 2020–21 must be delivered by the end of the financial year in July, and they aim to conclude their orders for the year by mid-May. If you have missed any books in the libraries this year, please complete the purchase request form or contact the relevant subject librarian. The librarians also welcome donations of any titles that the Bodleian does not currently hold.

The upcoming Communities and Networks in Late Medieval Europe (c. 1300-1500) Conference seeks your papers. Hosted at St Catharine’s College Cambridge on 9-10 September, the conference aims to build on and contribute to the expanding field of ‘networks’ research by investigating the internal and external dynamics of communities in the last two centuries of the European Middle Ages. Junior researchers (doctoral and postdoctoral) are especially welcome. Topics include but are not limited to: networks and the development of communities; networks in conflict and conflict resolution; oral and written communication networks; literacy and bureaucratization; development of infrastructure; warfare; possibilities and drawbacks of social network analysis as a methodological approach to medieval studies. Send your 300-word abstracts, along with a short author biography, to commsandnetworks21@gmail.com by 7 June.

Speaking of CfPs, the annual Norse in the North Conference has extended its deadline until 26 April. Durham University will host the conference online on Saturday 12 June, on the theme ‘Transformation and Preservation in Old Norse Studies’. This year’s keynote will be Ármann Jakobsson, ‘Till Undeath Do Us Part: Some Norse Non-Transformations’. Learn more here and email your 300-word abstract to norseinthenorthofficial@gmail.com.

As you will see from the booklet, the Oxford Medieval Book Club wants your input! This friendly and informal group is inviting members of the OMS community to guide the group through readings they’ve discovered on the topic of Medieval Legends in weeks 4-7. Possible topics include but are not limited to folk legends, founding myths, legendary places and creatures, the Grail legend, tall tales, false identities, and imposters. Send your suggestions to oxfordmedievalbookclub@gmail.com.

Go forth, check out the medieval booklet, and get your calendars filled! It looks to be a brilliant term. This time last year we were embarking on our first term in lockdown, our first term of digital seminars. This year has been longer and harder than we were told to expect, but the difference between Trinity Term 2020 and Trinity Term 2021 — the number and range of exciting seminars, the quality, ease, and attendance levels of our online events — is something we should be collectively proud of. And now we can, quite genuinely, look forward to being back in lecture theatres and seminar rooms with one another soon.

Medieval Matters – Pre Term Newsletter

Dear all,

Is it just me, or has the vac flown by? Fortunately, it brings spring in its wake, along with open pubs — a felicitous combination. We’re also approaching a brilliant new term of medieval events!

To that end: please SEND ME YOUR SEMINARS AND EVENTS this week, preferably by *FRIDAY (16 April)*, though I will continue to take announcements sent to me on Saturday and Sunday if you let me know in advance that they’re coming. Thanks to those I have already received! Remember, if you don’t send me your events this week, they won’t be in the booklet when it’s first published on Monday!

Also, a few exciting pre-term announcements!

First: the Oxford Medieval Graduate Conference makes a triumphant virtual return in its seventeenth annual iteration! This year’s theme is ‘Memory’, and the full (and exceptional) programme can be found attached to this email. The conference will run Thursday-Friday 22-23 April, and you can register here.

Oxford will be hosting a brand-new Old Norse graduate conference this summer: Hyggnaþing! The virtual conference will take place on 11 August, and its theme is ‘Transition’. Submit your abstracts of up to 250 words to hyggnathing@gmail.com by 1 May. Topics include but are not limited to: religious conversion, orality and literacy, translation, artistic innovation, manuscript production, gender and queerness, political change, social mobility, and modern adaptation.

Looking for a home for your monograph or edited collection on any aspect of Old English literature and related contexts? Look no further than Brepols’ new series Studies in Old English Literature (SOEL), edited by Daniel Anlezark, Susan Irvine, and Francis Leneghan. Questions and potential submissions can be directed to francis.leneghan@ell.ox.ac.uk.

The Book and the Silk Roads Project has announced several virtual spring events: a two-morning workshop on ‘The Early Illustrated Apollonius of Tyre: Perspectives on the Palimpsest Fragment in Sinai, Arabic NF 8’ on 19-20 April; another two-day workshop on ‘Textiles in Manuscripts’ on 4-5 May; and an IAS webinar ‘Beyond Ethiopia: The Islamic Intellectual History of the Horn of Africa’ on 20 May. Learn more and register at the links above.

Lastly, but very importantly, the OMS Small Grants for Trinity Term 2021 are still accepting applications! Are you running a medieval activity between April and October 2021 that would benefit from £100-250 of support from OMS? You now have until Friday of Week 1 (30 April) to send your grant form to lesley.smith@history.ox.ac.uk. For an idea of the great things you can achieve with an OMS grant, previous winner Nick Pritchard used his grant to produce a new podcast, Medieval Roots, which you can listen to on Spotify! More episodes to follow this spring.

Get ready for a wonderful Trinity Term, and remember: SEND ME YOUR AMAZING EVENTS!

‘Digital Editions Live’ – Workshop 25 June 2021, 3-5pm (tbc)

Methodology Workshop in cooperation with OCTET and Dark Archives

  • Insights from the Series of ‘Digital Editions Live’ launches  
  • Developing a framework for digital editing and exploring manuscripts online   
  • Reflections on preparing digital editions in times of lockdown  
  • Development of new digital methods for teaching History of the Book 
  • Further Perspectives in conjunction with the Oxford Centre for Textual Editing and Theory and initiatives at Trinity College Dublin 

In line with the previous Dark Archives conferences, the presentations (in this case: the digital edition launch events) will be accessible via http://darkarchiv.es. They will be linked in to the Taylor Editions https://editions.mml.ox.ac.uk/ and archived via OCTET https://octet.web.ox.ac.uk/

At four thematic panels, the graduate students will discuss with international guests and Oxford-based editors from OCTET and Digital Humanities methodological issues arising from the digital launches and the digital public engagement they undertook for their projects.  

3:00pm – Expanding Unicode: Challenges of non-standardised features (A) 

3:30pm – Expanding Taylor Editions: Making advanced use of the platform’s functionalities (B) 

4:00pm – Expanding Versions: Challenges of linking up with existing editions and translations (C) 

4:30pm – Expanding Access: Challenges of Digital Public Engagement (D) 

6pm – Open Air Drinks for Oxford participants in St Edmund Hall  

Panelists for A (abbreviations / unicode / encoding damage): 

  • Katie Bastiman and Holly Abrahamson: Dante Ante-Purgatorio (MS. Canon.Ital. 108) 
  • Josephine Bewerunge, Molly Ford, Sam Heywood, Caroline Lehnert, Molly Lewis, Marlene Schilling: A collective edition of a German devotional miscellany (MS. Germ. e. 5) [or split the group across different panels] 

Panelists for B (Taylor editions): 

  • Eva Neufeind and Agnes Hilger: Arnold von Harff (MS. Bodley 972)  
  • Alexandra Hertlein & Dennis Pulina: Jacob Locher Panegyricus (Inc. e. G7.1497.2./Douce 73) 
  • Edmund Wareham and Alyssa Steiner: Reformation Pamphlets 
  • Sam Griffiths and Christian Tofte: Marginalia in Plutarch’s Vidas Paralelas (1491)  

Panelists for C (other editions): 

  • Sebastian Dows-Miller: Re-awakening Merton’s Beasts (Merton College, MS. 249)  
  • Gabriel O’Regan: Le Roman de Renart (Bodleian Library, MS. Douce 360) 
  • Javaria Abbasi: Pedro de Medina’s Libro de cosmographia (1538), (MS. Canon. Ital. 243) 
  • Giuseppe Nanfitò: Boccaccio, Filocolo (MS. Canon. Ital. 85) 

Panelists for D (digital engagement): 

  • Mary Newman: The oldest Tupi manuscript (MS. Bodley 617) 
  • Lois Williams: Cân o Senn iw Hên Feistr TOBACCO (1718), NLW. North PRINT W.s. 156 
  • Danielle Apodaca: Le Roman de Flamenca DH project across editions and translations 
  • Carrie Heusinkveld: Reconsidering the Metamorphoses by Clément Marot (MS. Douce 117) 

Digital Editions Live: Launching the Oxford History of the Book Projects 2021

Taylor Editions and the Centre for the Study of the Book present: Digital Editions Live – Launching the Oxford History of the Book Projects 2021  

The series presents projects which have been developed by Master students in the Faculty of Medieval and Modern Languages as part of their ‘Method Option’ Palaeography, History of the Book, Digital Humanities, https://historyofthebook.mml.ox.ac.uk/.  

Launches will feature new digital editions on https://editions.mml.ox.ac.uk/, the Taylor Editions website, and a live showing of manuscripts and books. The sessions take place every Wednesday during the Oxford Trinity Term, 28 April to 16 June 2021. Everybody is welcome to attend the sessions which will be held via Teams and recorded. Join the meeting here
After term, there will be a workshop in conjunction with Dark Archives to reflect on the methodology of editing, presenting – and teaching History of the Book on 25 June.  
For further information, contact Henrike Lähnemann <henrike.laehnemann@mod-langs.ox.ac.uk> 

1) 28 April 2021 Introduction and Animals in French Manuscripts 

  • Henrike Lähnemann, Emma Huber, Andrew Dunning: Introduction to Digital Editions Live 
  • Sebastian Dows-Miller: Re-awakening Merton’s Beasts (Merton College, MS. 249)  

2) 5 May 2021 Travelling Manuscript 

  • Eva Neufeind, Agnes Hilger, Mary Boyle, and Aysha Strachan: Arnold von Harff (MS. Bodley 972)  

3) 12 May 2021 Early Printed Holdings in Taylorian and Bodleian 

  • Agnes Hilger and Alyssa Steiner: Pfaffennarr (Taylor ARCH.8o.G.1521(27) & Tr.Luth. 16 (78)) 
  • Alexandra Hertlein & Dennis Pulina: Jacob Locher Panegyricus (Inc. e. G7.1497.2./Douce 73) 
  • Sam Griffiths and Christian Tofte: Marginalia in Plutarch’s Vidas Paralelas (1491) 

4) 19 May 2021 Indigenous Languages: Tupi and Welsh 

  • Mary Newman: The oldest Tupi manuscript (MS. Bodley 617) 
  • Lois Williams: Cân o Senn iw Hên Feistr TOBACCO (1718), NLW. North PRINT W.s. 156 

5) 26 May 2021 Illustrated Italian Manuscripts  

  • Katie Bastiman and Holly Abrahamson: Dante Ante-Purgatorio (MS. Canon.Ital. 108) 
  • Giuseppe Nanfitò: Boccaccio, Filocolo (MS. Canon. Ital. 85) 

6) 2 June 2021 Collective Editing and Linked Data 

  • Josephine Bewerunge, Molly Ford, Sam Heywood, Caroline Lehnert, Molly Lewis, Marlene Schilling: A collective edition of a German devotional miscellany (MS. Germ. e. 5)  
  • Danielle Apodaca: Le Roman de Flamenca DH project across editions and translations 

7) 9 June 2021 Illuminated French Manuscript 

  • Carrie Heusinkveld: Reconsidering the Metamorphoses by Clément Marot (MS. Douce 117) 
  • Javaria Abbasi: Pedro de Medina’s Libro de cosmographia (1538), (MS. Canon. Ital. 243) 

8) 16 June 2021 Special Book Launch: 500 Years Passional Christi und Antichristi  

  • Edmund Wareham presents the newest book in the Reformation Pamphlet series 

May 04th: Dante 1481: the Comedia, illustrated by Botticelli

Tue, 4 May 2021

2-4 pm BST / (9-11am EDT)

Online

Book Tickets:  https://www.eventbrite.co.uk/e/dante-1481-the-comedia-illustrated-by-botticelli-tickets-148095921889

 

About the Event

The 1481 edition of Dante’s La Comedia contained engraved illustrations from designs by Sandro Botticelli. No more than 19 illustrations are printed directly onto the page in any of the surviving copies, and in many of the 156 copies known to exist around the world, the number of illustrations is far lower, some appearing misplaced or upside down or supplemented by later images. Each copy has developed its own unique history and provenance as the books have spread across Europe and beyond in the 540 years since they were first printed.

Programme

The event includes short talks on Botticelli’s illustrations (Professor Gervase Rosser, University of Oxford), on surviving copies (Professor Cristina Dondi, University of Oxford and Secretary of CERL) and on the context of the book’s production (Dr. Tabitha Tuckett, UCL).

Showing rare books online

2021 marks the 540th anniversary of the edition’s publication and the 700th anniversary of Dante’s death. To celebrate, we hope to display copies from Italy, the U.S.A. and the U.K. and to hear the books’ stories from their current keepers. This online event aims to give the audience visual access to copies that couldn’t otherwise be brought together physically at one time.

Participating libraries include:

Bodleian Libraries, Oxford, UK (co-organiser)

University College London, UK (co-organiser)

Biblioteca Nazionale Centrale di Firenze, Italy

The Morgan Library, New York, USA

The British Library, UK

John Rylands Library, University of Manchester, UK

Trinity College, Cambridge, UK

(More libraries will be added as they are confirmed.)

Hosts, sponsors and organisers

This event is hosted as part of two series:

Dante 1321-2021: A Man For All Season (Italian Cultural Institute of London)

Events of the Bibliographical Society of America

We are grateful to the Italian Cultural Institute of London and the Bibliographical Society of America for their support.

The event is organised by Dr Tabitha Tuckett, Rare-Books Librarian, University College London, Professor Cristina Dondi, Professor of Early European Book Heritage, University of Oxford and Secretary of the Consortium of European Research Libraries (CERL), and Dr Alexandra Franklin, Co-ordinator, Centre for the Study of the Book, Bodleian Libraries.

The event will be presented in English. Automated captions will be available . The event will be recorded.

Call for Papers: Nottingham Medieval Studies

Saturday 31 July 2021, 12:00pm

Image from the Rushall Psalter, Nottingham, Me LM 1, f. 20v

Image from the Rushall Psalter, Nottingham, Me LM 1, f. 20v

Nottingham Medieval Studies is the UK’s longest running medieval studies journal. Published by Brepols, NMS is an interdisciplinary journal for the study of European history and literature from Late Antiquity through the Reformation. It also features articles in related fields such as archaeology, art history, linguistics, musicology and philosophy. It is flexible in publishing scholarly editions of texts and longer articles. Proposals for special issues based on conference proceedings or specific themes which fit the general remit of the journal are welcomed.

We invite submissions of articles of around 8,000 words in length in any of the above.

Deadline for submissions: 31 July 2021

NMS 65 (2021) will also feature a prize-winning article composed by a postgraduate or early career graduate. The deadline for next year’s competition, the winner of which will be published in the 2021 volume, is 1 February 2021.

Please send articles, preferably by email attachment, to the editors at

Dr Rob Lutton, rob.lutton@nottingham.ac.uk

Dr Natasha Hodgson, natasha.hodgson@ntu.ac.uk

copying to nms@nottingham.ac.uk

or by mail at

Dr Rob Lutton, Department of History, University of Nottingham, Nottingham NG7 2RD

Dr Natasha Hodgson, Department of History, Nottingham Trent University, Clifton Campus, Nottingham NG11 8NS

For more information about Nottingham Medieval Studies, including submission guidelines, please click here

For more medieval matters from Oxford, have a look at the website of the Oxford Medieval Studies TORCH Programme and the OMS blog!