A Puzzle of Fragments from Late Medieval Catalonia

Our understanding of medieval culture vastly relies on fragmentary sources. Musicologists are especially well-acquainted with this —most historians working on pre-1500 music rely to a significant extent on ‘waste’ parchment as a source of information about lost musical cultures. Working with fragments is challenging; however, it can also yield extremely rewarding results when we are able to reconstruct a wider picture.

In a recent publication, I re-examined a group of musical fragments preserved in Catalan archives. They transmit a highly sophisticated repertory inspired by the musical practices of late fourteenth-century cardinals and popes in Avignon, alongside northern French aristocratic and royal households. My essay traces the provenance of these fragments, recalibrating the way we think about the connection between the original manuscripts, local ecclesiastic and courtly institutions, and individual clerics. To make a long story short, most of the manuscripts converge with the itineraries of King John I of Aragon (b. 1350, r. 1387-1396) —who was an enthusiastic lover of music— and his court. The rather concrete picture emerging from my study confirms the long-held hypothesis that the royal court of Aragon was a major force behind the dissemination of this refined musical repertory throughout late medieval Catalonia.

In order to make the results of my research accessible to non-specialists, I have put together this ten-minute video. I couldn’t resist including footage of some of my favourite medieval towns and buildings. I Hope you’ll enjoy watching it.


David Catalunya is a post-doctoral research fellow at the University of Oxford, and a member of the ERC-funded project ‘Music and Late Medieval European Court Cultures’. Earlier he has worked at the University of Würzburg, where he served as an editor of Corpus Monodicum. He has been an Associate Director of DIAMM, and a member of the research board of the Universidad Complutense de Madrid. His scholarly research embraces a wide range of topics in music, history and culture from the early Middle Ages to the Early Modern period. He is currently completing his book project Music, Space and Ceremony at the Royal Abbey of Las Huelgas in Burgos, 1200-1350.

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